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    <fireside:genDate>Mon, 04 May 2026 21:28:43 -0500</fireside:genDate>
    <generator>Fireside (https://fireside.fm)</generator>
    <title>Wetootwaag's Bagpipe and History Podcast - Episodes Tagged with “Walsh”</title>
    <link>https://www.wetootwaag.com/tags/walsh</link>
    <pubDate>Sat, 07 Aug 2021 00:00:00 -0400</pubDate>
    <description>This show is (mostly) a bi-weekly podcast that explores the likely repertoire of eighteenth and early nineteenth century bagpipers, using historic music collections (written for bagpipes or not), performed on Uilleann pipes, Highland pipes, Border pipes, Lowland Pipes, Northumbrian Smallpipes and whistles. Every episodes notes include links to the historic sheet music when available. For information about my Albums go here:  
https://www.wetootwaag.com/albums  
For information about Jeremy and the instruments played on the show go here:
https://www.wetootwaag.com/about
</description>
    <language>en-us</language>
    <itunes:type>episodic</itunes:type>
    <itunes:subtitle>Original Compositions, Historic Tunes and Popular Culture of the 18th and 19th Centuries</itunes:subtitle>
    <itunes:author>Jeremy Kingsbury</itunes:author>
    <itunes:summary>This show is (mostly) a bi-weekly podcast that explores the likely repertoire of eighteenth and early nineteenth century bagpipers, using historic music collections (written for bagpipes or not), performed on Uilleann pipes, Highland pipes, Border pipes, Lowland Pipes, Northumbrian Smallpipes and whistles. Every episodes notes include links to the historic sheet music when available. For information about my Albums go here:  
https://www.wetootwaag.com/albums  
For information about Jeremy and the instruments played on the show go here:
https://www.wetootwaag.com/about
</itunes:summary>
    <itunes:image href="https://media24.fireside.fm/file/fireside-images-2024/podcasts/images/f/f158d1e4-b92d-4f8d-9eef-7382ca3c3ee8/cover.jpg?v=6"/>
    <itunes:explicit>no</itunes:explicit>
    <itunes:keywords>bagpipe, bagpipes, bemidji, celtic, fur, hornpipe, jig, minnesota, ojibwe, ojibwemowin, powwow, reenact, rendezvous, scotch, scottish, shrub, state, strathspey, tea, trade, uilleann, university, wetootwaag, whistle,</itunes:keywords>
    <itunes:owner>
      <itunes:name>Jeremy Kingsbury</itunes:name>
      <itunes:email>wetootwaag@gmail.com</itunes:email>
    </itunes:owner>
<itunes:category text="Music"/>
<itunes:category text="Arts"/>
<itunes:category text="Leisure"/>
<item>
  <title>S5E22: Discussion of The Patrick McDonald Collection  With Keith Sanger, Matt Seattle, Barry Shears and Pete Stewart</title>
  <link>https://www.wetootwaag.com/s5e22</link>
  <guid isPermaLink="false">ab5f3680-cda0-42ef-8880-d4c44a14310b</guid>
  <pubDate>Sat, 07 Aug 2021 00:00:00 -0400</pubDate>
  <author>Jeremy Kingsbury</author>
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  <itunes:episodeType>full</itunes:episodeType>
  <itunes:season>5</itunes:season>
  <itunes:author>Jeremy Kingsbury</itunes:author>
  <itunes:subtitle>Tunes:
From Joe Hughie McIntyre courtesy of the Barry Shears Collection: Tulloch Gorum, Sandy Cameron, Eight Men of Moidart, Miss Proud.
This episode is a discussion between myself, Keith Sanger, Matt Seattle, Barry Shears and Pete Stewart with Patrick McDonald's Collection of Vocal Airs as the starting point.
email me at wetootwaag@gmail.com if you'd like to participate in a book club discussion of the Patrick McDonald Collection Book on Wednesday August 11th at 7 PM US Central Time US.

You can support the Podcast by Joining the Patreon page at https://www.patreon.com/wetootwaag   </itunes:subtitle>
  <itunes:duration>1:20:18</itunes:duration>
  <itunes:explicit>no</itunes:explicit>
  <itunes:image href="https://media24.fireside.fm/file/fireside-images-2024/podcasts/images/f/f158d1e4-b92d-4f8d-9eef-7382ca3c3ee8/episodes/a/ab5f3680-cda0-42ef-8880-d4c44a14310b/cover.jpg?v=1"/>
  <description>&lt;p&gt;Tunes:&lt;br&gt;
From Joe Hughie McIntyre courtesy of the Barry Shears Collection: Tulloch Gorum, Sandy Cameron, Eight Men of Moidart, Miss Proud.&lt;/p&gt;

&lt;p&gt;++X++X++X++&lt;/p&gt;

&lt;p&gt;This episode is a discussion between myself, Keith Sanger, Matt Seattle, Barry Shears and Pete Stewart with Patrick McDonald's Collection of Vocal Airs as the starting point.&lt;br&gt;
email me at &lt;a href="mailto:wetootwaag@gmail.com" target="_blank" rel="nofollow noopener"&gt;wetootwaag@gmail.com&lt;/a&gt; if you'd like to participate in a book club discussion of the Patrick McDonald Collection Book on Wednesday August 11th at 7 PM US Central Time US.&lt;/p&gt;

My Guests:

&lt;p&gt;Keith Sanger doesn’t have a website, but much of his scholarship is available online, here are some noteworthy examples: &lt;br&gt;
&lt;a href="https://www.wirestrungharp.com/harps/harpers/mapping-clarsach/" target="_blank" rel="nofollow noopener"&gt;https://www.wirestrungharp.com/harps/harpers/mapping-clarsach/&lt;/a&gt;&lt;br&gt;
&lt;a href="https://www.wirestrungharp.com/revival/conundrum/" target="_blank" rel="nofollow noopener"&gt;https://www.wirestrungharp.com/revival/conundrum/&lt;/a&gt;&lt;br&gt;
&lt;a href="http://www.altpibroch.com/learning/what-is-piobaireachd/" target="_blank" rel="nofollow noopener"&gt;http://www.altpibroch.com/learning/what-is-piobaireachd/&lt;/a&gt;&lt;br&gt;
&lt;a href="http://www.altpibroch.com/learning/piobaireachd-cheann-deas-the-earl-of-ross-march/" target="_blank" rel="nofollow noopener"&gt;http://www.altpibroch.com/learning/piobaireachd-cheann-deas-the-earl-of-ross-march/&lt;/a&gt;&lt;/p&gt;

&lt;p&gt;Matt Seattle’s Website where you can check out his new tune collection as well as is here: &lt;a href="https://www.mattseattle.scot/" target="_blank" rel="nofollow noopener"&gt;https://www.mattseattle.scot/&lt;/a&gt; &lt;/p&gt;

&lt;p&gt;Barry Shears Website is a wealth of information on the history of Piping in Nova Scotia, you can buy several books there, including Play it like you Sing it vol. 2 which features notation of the clip he sent along to play: &lt;a href="https://capebretonpiper.com/" target="_blank" rel="nofollow noopener"&gt;https://capebretonpiper.com/&lt;/a&gt; &lt;/p&gt;

&lt;p&gt;Pete Stewart has published several excellent books, you can buy them here:&lt;br&gt;
&lt;a href="http://www.hornpipemusic.co.uk/" target="_blank" rel="nofollow noopener"&gt;http://www.hornpipemusic.co.uk/&lt;/a&gt;&lt;br&gt;
He is also the editor of the Common Stock Journal from the LBPS which you can read even if not a member (apart from the most recent issues):&lt;br&gt;
&lt;a href="https://lbps.net/j3site/index.php/common-stock" target="_blank" rel="nofollow noopener"&gt;https://lbps.net/j3site/index.php/common-stock&lt;/a&gt;&lt;/p&gt;

&lt;p&gt;++X++X++X++&lt;/p&gt;

&lt;p&gt;If you would like to see the Patrick McDonald Original book you can read it here:&lt;br&gt;
&lt;a href="https://www.google.com/books/edition/A_Collection_of_Highland_Vocal_Airs_To_w/XCvLHYWLkFcC?hl=en&amp;amp;gbpv=0" target="_blank" rel="nofollow noopener"&gt;https://www.google.com/books/edition/A_Collection_of_Highland_Vocal_Airs_To_w/XCvLHYWLkFcC?hl=en&amp;amp;amp;gbpv=0&lt;/a&gt;&lt;/p&gt;

&lt;p&gt;You can buy the annotated print of the book with tune titles filled in here:&lt;br&gt;
&lt;a href="https://www.scotlandsmusic.com/Product/SM-V7M9GD/the-patrick-mcdonald-collection" target="_blank" rel="nofollow noopener"&gt;https://www.scotlandsmusic.com/Product/SM-V7M9GD/the-patrick-mcdonald-collection&lt;/a&gt; &lt;/p&gt;

&lt;p&gt;++X++X++X++&lt;/p&gt;

&lt;p&gt;From Barry Shears on the Playing of Joe Hughie MacIntyre:&lt;/p&gt;

&lt;p&gt;“This recording is from The Shears Collection. &lt;br&gt;
Joe Hughie Macintyre (1891-1968), Rathad Fraingach(French Road) Cape Breton county,  The tunes are Tulloch Gorum, Sandy Cameron, Eight Men of Moidart, Miss Proud. Joe Hughie was descended from Duncan MacIntyre, Clanranald’s mid 18th century piper. The family came to Cape Breton in 1826  and piping continued to play a prominent role with successive generations producing 28 pipers and chanter players down through the years after immigration. I was taught to play by Joe Hughie’s first cousin, Angus MacIntyre of Glace Bay. &lt;br&gt;
Joe Hughie only started to read music after his retirement so many of the recordings I have, many with piano accompaniment, reflect some of his later repertory., but there are still a few gems among his own music. I provided several of the tunes in his repertory in both The Cape Breton Collection of bagpipe music and Play It Like You Sing I, Volume 2:  &lt;a href="https://capebretonpiper.com/content/play-it-you-sing-it-volume-2" target="_blank" rel="nofollow noopener"&gt;https://capebretonpiper.com/content/play-it-you-sing-it-volume-2&lt;/a&gt; .This last book has 249 tunes from various areas of Gaelic settlements in Nova Scotia and Newfoundland, Since no two pipers played the same way from area to area, I have transcribed the music with minimum grace-noting since most pipers will add their own embellishments anyway.&lt;br&gt;&lt;br&gt;
I am also including the reference from Joesph MacDonad’s Treatise, regarding paying dance music and doubling up of the notes which describes the piob embellishments used and most examples listed can be found employed by CB pipers I have recordings of. Not exactly as they played in 1800 perhaps, but still some shadows of two the tunes were played.” &lt;/p&gt;

&lt;p&gt;&lt;img src="https://files.fireside.fm/file/fireside-uploads/images/f/f158d1e4-b92d-4f8d-9eef-7382ca3c3ee8/JPB9wh9k.jpg" alt=""&gt;&lt;br&gt;
You can and Should buy a Digital Copy of Roddy Cannon's Edition of Josph McDonald's Book here:&lt;br&gt;
&lt;a href="https://www.piobaireachd.co.uk/product/joseph-macdonalds-compleat-theory" target="_blank" rel="nofollow noopener"&gt;https://www.piobaireachd.co.uk/product/joseph-macdonalds-compleat-theory&lt;/a&gt; &lt;/p&gt;

&lt;p&gt;Here are six ways you can support the show:&lt;/p&gt;

&lt;p&gt;You can support the Podcast by joining the Patreon page at &lt;a href="https://www.patreon.com/wetootwaag" target="_blank" rel="nofollow noopener"&gt;https://www.patreon.com/wetootwaag&lt;/a&gt;&lt;br&gt;&lt;br&gt;
You can also take a minute to leave a review of the podcast if you listen on Itunes! &lt;br&gt;
Tell your piping and history friends about the podcast!&lt;br&gt;
You can also support me by Buying my First Album on Bandcamp:&lt;br&gt;
&lt;a href="https://jeremykingsbury.bandcamp.com/album/oyster-wives-rant-a-year-of-historic-tunes" target="_blank" rel="nofollow noopener"&gt;https://jeremykingsbury.bandcamp.com/album/oyster-wives-rant-a-year-of-historic-tunes&lt;/a&gt; &lt;br&gt;
You can just send me an email at &lt;a href="mailto:wetootwaag@gmail.com" target="_blank" rel="nofollow noopener"&gt;wetootwaag@gmail.com&lt;/a&gt; letting me know you liked the episode! Listener mail keeps me going!&lt;br&gt;
Finally I have some other support options here: &lt;a href="https://www.wetootwaag.com/support" target="_blank" rel="nofollow noopener"&gt;https://www.wetootwaag.com/support&lt;/a&gt; &lt;br&gt;
Thanks! &lt;/p&gt;

&lt;p&gt;Listen on Itunes/Apple Podcasts: &lt;a href="https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677" target="_blank" rel="nofollow noopener"&gt;https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677&lt;/a&gt;  &lt;/p&gt;

&lt;p&gt;Listen on Spotify: &lt;a href="https://open.spotify.com/show/5QxzqrSm0pu6v8y8pLsv5j?si=QLiG0L1pT1eu7B5_FDmgGA" target="_blank" rel="nofollow noopener"&gt;https://open.spotify.com/show/5QxzqrSm0pu6v8y8pLsv5j?si=QLiG0L1pT1eu7B5_FDmgGA&lt;/a&gt;&lt;/p&gt;
</description>
  <itunes:keywords>bagpipes, uilleann pipes, Highland, Scottish, Scotland, Donald MacDonald, History, Music, Great Highland Bagpipes, GHB, Celtic, history, pastoral pipes, union pipes, baroque, eighteenth Century, Irish Music, Scottish Music, </itunes:keywords>
  <content:encoded>
    <![CDATA[<p>Tunes:<br>
From Joe Hughie McIntyre courtesy of the Barry Shears Collection: Tulloch Gorum, Sandy Cameron, Eight Men of Moidart, Miss Proud.</p>

<p>++X++X++X++</p>

<p>This episode is a discussion between myself, Keith Sanger, Matt Seattle, Barry Shears and Pete Stewart with Patrick McDonald&#39;s Collection of Vocal Airs as the starting point.<br>
email me at <a href="mailto:wetootwaag@gmail.com" rel="nofollow">wetootwaag@gmail.com</a> if you&#39;d like to participate in a book club discussion of the Patrick McDonald Collection Book on Wednesday August 11th at 7 PM US Central Time US.</p>

<h1>My Guests:</h1>

<p>Keith Sanger doesn’t have a website, but much of his scholarship is available online, here are some noteworthy examples: <br>
<a href="https://www.wirestrungharp.com/harps/harpers/mapping-clarsach/" rel="nofollow">https://www.wirestrungharp.com/harps/harpers/mapping-clarsach/</a><br>
<a href="https://www.wirestrungharp.com/revival/conundrum/" rel="nofollow">https://www.wirestrungharp.com/revival/conundrum/</a><br>
<a href="http://www.altpibroch.com/learning/what-is-piobaireachd/" rel="nofollow">http://www.altpibroch.com/learning/what-is-piobaireachd/</a><br>
<a href="http://www.altpibroch.com/learning/piobaireachd-cheann-deas-the-earl-of-ross-march/" rel="nofollow">http://www.altpibroch.com/learning/piobaireachd-cheann-deas-the-earl-of-ross-march/</a></p>

<p>Matt Seattle’s Website where you can check out his new tune collection as well as is here: <a href="https://www.mattseattle.scot/" rel="nofollow">https://www.mattseattle.scot/</a> </p>

<p>Barry Shears Website is a wealth of information on the history of Piping in Nova Scotia, you can buy several books there, including Play it like you Sing it vol. 2 which features notation of the clip he sent along to play: <a href="https://capebretonpiper.com/" rel="nofollow">https://capebretonpiper.com/</a> </p>

<p>Pete Stewart has published several excellent books, you can buy them here:<br>
<a href="http://www.hornpipemusic.co.uk/" rel="nofollow">http://www.hornpipemusic.co.uk/</a><br>
He is also the editor of the Common Stock Journal from the LBPS which you can read even if not a member (apart from the most recent issues):<br>
<a href="https://lbps.net/j3site/index.php/common-stock" rel="nofollow">https://lbps.net/j3site/index.php/common-stock</a></p>

<p>++X++X++X++</p>

<p>If you would like to see the Patrick McDonald Original book you can read it here:<br>
<a href="https://www.google.com/books/edition/A_Collection_of_Highland_Vocal_Airs_To_w/XCvLHYWLkFcC?hl=en&gbpv=0" rel="nofollow">https://www.google.com/books/edition/A_Collection_of_Highland_Vocal_Airs_To_w/XCvLHYWLkFcC?hl=en&amp;gbpv=0</a></p>

<p>You can buy the annotated print of the book with tune titles filled in here:<br>
<a href="https://www.scotlandsmusic.com/Product/SM-V7M9GD/the-patrick-mcdonald-collection" rel="nofollow">https://www.scotlandsmusic.com/Product/SM-V7M9GD/the-patrick-mcdonald-collection</a> </p>

<p>++X++X++X++</p>

<p>From Barry Shears on the Playing of Joe Hughie MacIntyre:</p>

<p>“This recording is from The Shears Collection. <br>
Joe Hughie Macintyre (1891-1968), Rathad Fraingach(French Road) Cape Breton county,  The tunes are Tulloch Gorum, Sandy Cameron, Eight Men of Moidart, Miss Proud. Joe Hughie was descended from Duncan MacIntyre, Clanranald’s mid 18th century piper. The family came to Cape Breton in 1826  and piping continued to play a prominent role with successive generations producing 28 pipers and chanter players down through the years after immigration. I was taught to play by Joe Hughie’s first cousin, Angus MacIntyre of Glace Bay. <br>
Joe Hughie only started to read music after his retirement so many of the recordings I have, many with piano accompaniment, reflect some of his later repertory., but there are still a few gems among his own music. I provided several of the tunes in his repertory in both The Cape Breton Collection of bagpipe music and Play It Like You Sing I, Volume 2:  <a href="https://capebretonpiper.com/content/play-it-you-sing-it-volume-2" rel="nofollow">https://capebretonpiper.com/content/play-it-you-sing-it-volume-2</a> .This last book has 249 tunes from various areas of Gaelic settlements in Nova Scotia and Newfoundland, Since no two pipers played the same way from area to area, I have transcribed the music with minimum grace-noting since most pipers will add their own embellishments anyway.<br><br>
I am also including the reference from Joesph MacDonad’s Treatise, regarding paying dance music and doubling up of the notes which describes the piob embellishments used and most examples listed can be found employed by CB pipers I have recordings of. Not exactly as they played in 1800 perhaps, but still some shadows of two the tunes were played.” </p>

<p><img src="https://files.fireside.fm/file/fireside-uploads/images/f/f158d1e4-b92d-4f8d-9eef-7382ca3c3ee8/JPB9wh9k.jpg" alt=""><br>
You can and Should buy a Digital Copy of Roddy Cannon&#39;s Edition of Josph McDonald&#39;s Book here:<br>
<a href="https://www.piobaireachd.co.uk/product/joseph-macdonalds-compleat-theory" rel="nofollow">https://www.piobaireachd.co.uk/product/joseph-macdonalds-compleat-theory</a> </p>

<p>Here are six ways you can support the show:</p>

<p>You can support the Podcast by joining the Patreon page at <a href="https://www.patreon.com/wetootwaag" rel="nofollow">https://www.patreon.com/wetootwaag</a><br><br>
You can also take a minute to leave a review of the podcast if you listen on Itunes! <br>
Tell your piping and history friends about the podcast!<br>
You can also support me by Buying my First Album on Bandcamp:<br>
<a href="https://jeremykingsbury.bandcamp.com/album/oyster-wives-rant-a-year-of-historic-tunes" rel="nofollow">https://jeremykingsbury.bandcamp.com/album/oyster-wives-rant-a-year-of-historic-tunes</a> <br>
You can just send me an email at <a href="mailto:wetootwaag@gmail.com" rel="nofollow">wetootwaag@gmail.com</a> letting me know you liked the episode! Listener mail keeps me going!<br>
Finally I have some other support options here: <a href="https://www.wetootwaag.com/support" rel="nofollow">https://www.wetootwaag.com/support</a> <br>
Thanks! </p>

<p>Listen on Itunes/Apple Podcasts: <a href="https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677" rel="nofollow">https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677</a>  </p>

<p>Listen on Spotify: <a href="https://open.spotify.com/show/5QxzqrSm0pu6v8y8pLsv5j?si=QLiG0L1pT1eu7B5_FDmgGA" rel="nofollow">https://open.spotify.com/show/5QxzqrSm0pu6v8y8pLsv5j?si=QLiG0L1pT1eu7B5_FDmgGA</a></p><p><a rel="payment" href="https://www.patreon.com/wetootwaag">Support Wetootwaag&#39;s Bagpipe and History Podcast</a></p>]]>
  </content:encoded>
  <itunes:summary>
    <![CDATA[<p>Tunes:<br>
From Joe Hughie McIntyre courtesy of the Barry Shears Collection: Tulloch Gorum, Sandy Cameron, Eight Men of Moidart, Miss Proud.</p>

<p>++X++X++X++</p>

<p>This episode is a discussion between myself, Keith Sanger, Matt Seattle, Barry Shears and Pete Stewart with Patrick McDonald&#39;s Collection of Vocal Airs as the starting point.<br>
email me at <a href="mailto:wetootwaag@gmail.com" rel="nofollow">wetootwaag@gmail.com</a> if you&#39;d like to participate in a book club discussion of the Patrick McDonald Collection Book on Wednesday August 11th at 7 PM US Central Time US.</p>

<h1>My Guests:</h1>

<p>Keith Sanger doesn’t have a website, but much of his scholarship is available online, here are some noteworthy examples: <br>
<a href="https://www.wirestrungharp.com/harps/harpers/mapping-clarsach/" rel="nofollow">https://www.wirestrungharp.com/harps/harpers/mapping-clarsach/</a><br>
<a href="https://www.wirestrungharp.com/revival/conundrum/" rel="nofollow">https://www.wirestrungharp.com/revival/conundrum/</a><br>
<a href="http://www.altpibroch.com/learning/what-is-piobaireachd/" rel="nofollow">http://www.altpibroch.com/learning/what-is-piobaireachd/</a><br>
<a href="http://www.altpibroch.com/learning/piobaireachd-cheann-deas-the-earl-of-ross-march/" rel="nofollow">http://www.altpibroch.com/learning/piobaireachd-cheann-deas-the-earl-of-ross-march/</a></p>

<p>Matt Seattle’s Website where you can check out his new tune collection as well as is here: <a href="https://www.mattseattle.scot/" rel="nofollow">https://www.mattseattle.scot/</a> </p>

<p>Barry Shears Website is a wealth of information on the history of Piping in Nova Scotia, you can buy several books there, including Play it like you Sing it vol. 2 which features notation of the clip he sent along to play: <a href="https://capebretonpiper.com/" rel="nofollow">https://capebretonpiper.com/</a> </p>

<p>Pete Stewart has published several excellent books, you can buy them here:<br>
<a href="http://www.hornpipemusic.co.uk/" rel="nofollow">http://www.hornpipemusic.co.uk/</a><br>
He is also the editor of the Common Stock Journal from the LBPS which you can read even if not a member (apart from the most recent issues):<br>
<a href="https://lbps.net/j3site/index.php/common-stock" rel="nofollow">https://lbps.net/j3site/index.php/common-stock</a></p>

<p>++X++X++X++</p>

<p>If you would like to see the Patrick McDonald Original book you can read it here:<br>
<a href="https://www.google.com/books/edition/A_Collection_of_Highland_Vocal_Airs_To_w/XCvLHYWLkFcC?hl=en&gbpv=0" rel="nofollow">https://www.google.com/books/edition/A_Collection_of_Highland_Vocal_Airs_To_w/XCvLHYWLkFcC?hl=en&amp;gbpv=0</a></p>

<p>You can buy the annotated print of the book with tune titles filled in here:<br>
<a href="https://www.scotlandsmusic.com/Product/SM-V7M9GD/the-patrick-mcdonald-collection" rel="nofollow">https://www.scotlandsmusic.com/Product/SM-V7M9GD/the-patrick-mcdonald-collection</a> </p>

<p>++X++X++X++</p>

<p>From Barry Shears on the Playing of Joe Hughie MacIntyre:</p>

<p>“This recording is from The Shears Collection. <br>
Joe Hughie Macintyre (1891-1968), Rathad Fraingach(French Road) Cape Breton county,  The tunes are Tulloch Gorum, Sandy Cameron, Eight Men of Moidart, Miss Proud. Joe Hughie was descended from Duncan MacIntyre, Clanranald’s mid 18th century piper. The family came to Cape Breton in 1826  and piping continued to play a prominent role with successive generations producing 28 pipers and chanter players down through the years after immigration. I was taught to play by Joe Hughie’s first cousin, Angus MacIntyre of Glace Bay. <br>
Joe Hughie only started to read music after his retirement so many of the recordings I have, many with piano accompaniment, reflect some of his later repertory., but there are still a few gems among his own music. I provided several of the tunes in his repertory in both The Cape Breton Collection of bagpipe music and Play It Like You Sing I, Volume 2:  <a href="https://capebretonpiper.com/content/play-it-you-sing-it-volume-2" rel="nofollow">https://capebretonpiper.com/content/play-it-you-sing-it-volume-2</a> .This last book has 249 tunes from various areas of Gaelic settlements in Nova Scotia and Newfoundland, Since no two pipers played the same way from area to area, I have transcribed the music with minimum grace-noting since most pipers will add their own embellishments anyway.<br><br>
I am also including the reference from Joesph MacDonad’s Treatise, regarding paying dance music and doubling up of the notes which describes the piob embellishments used and most examples listed can be found employed by CB pipers I have recordings of. Not exactly as they played in 1800 perhaps, but still some shadows of two the tunes were played.” </p>

<p><img src="https://files.fireside.fm/file/fireside-uploads/images/f/f158d1e4-b92d-4f8d-9eef-7382ca3c3ee8/JPB9wh9k.jpg" alt=""><br>
You can and Should buy a Digital Copy of Roddy Cannon&#39;s Edition of Josph McDonald&#39;s Book here:<br>
<a href="https://www.piobaireachd.co.uk/product/joseph-macdonalds-compleat-theory" rel="nofollow">https://www.piobaireachd.co.uk/product/joseph-macdonalds-compleat-theory</a> </p>

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You can just send me an email at <a href="mailto:wetootwaag@gmail.com" rel="nofollow">wetootwaag@gmail.com</a> letting me know you liked the episode! Listener mail keeps me going!<br>
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  </itunes:summary>
</item>
<item>
  <title>S5E20 Lament of a Druid and William Litten's Manuscript With Guest Music from David Barrett</title>
  <link>https://www.wetootwaag.com/s5e20</link>
  <guid isPermaLink="false">a47e3607-fcf3-40ac-a6b1-84b6b4e99408</guid>
  <pubDate>Sat, 17 Jul 2021 00:00:00 -0400</pubDate>
  <author>Jeremy Kingsbury</author>
  <enclosure url="https://aphid.fireside.fm/d/1437767933/f158d1e4-b92d-4f8d-9eef-7382ca3c3ee8/a47e3607-fcf3-40ac-a6b1-84b6b4e99408.mp3" length="70190214" type="audio/mpeg"/>
  <itunes:episodeType>full</itunes:episodeType>
  <itunes:season>5</itunes:season>
  <itunes:author>Jeremy Kingsbury</itunes:author>
  <itunes:subtitle>
Tunes:
Litten: Prince of Wales Minuet, The Goose’s Minuet, Kissing and Flirting, Kissing and Drinking, The Royal Hunt, They Royal Review, St. Catherine’s Lane at Five, Duke Gordon’s Reel, Cotillion. 
Fox: Lament of a Druid
Neal: I’m asleep and Don’t waken me
Set from Dave Barret: Red Haired Boy, and Paddy’s Leather Breeches.
Piobaireachd: The Vaunting


Special Thanks to David Barrett for sending in a track from his Starting to See Album, 
To pick up a copy to support Blinded Veterans of America you can see it on Band Camp:
https://visionpiping.bandcamp.com/album/starting-to-see 

Please Consider Supporting the Podcast at https://www.patreon.com/wetootwaag
</itunes:subtitle>
  <itunes:duration>52:17</itunes:duration>
  <itunes:explicit>no</itunes:explicit>
  <itunes:image href="https://media24.fireside.fm/file/fireside-images-2024/podcasts/images/f/f158d1e4-b92d-4f8d-9eef-7382ca3c3ee8/episodes/a/a47e3607-fcf3-40ac-a6b1-84b6b4e99408/cover.jpg?v=1"/>
  <description>&lt;p&gt;Tunes:&lt;br&gt;
Litten: Prince of Wales Minuet, The Goose’s Minuet, Kissing and Flirting, Kissing and Drinking, The Royal Hunt, They Royal Review, St. Catherine’s Lane at Five, Duke Gordon’s Reel, Cotillion. &lt;br&gt;
Fox: Lament of a Druid&lt;br&gt;
Neal: I’m asleep and Don’t waken me&lt;br&gt;
Set from Dave Barret: Red Haired Boy, and Paddy’s Leather Breeches.&lt;br&gt;
Piobaireachd: The Vaunting&lt;/p&gt;

&lt;p&gt;Special Thanks to David Barrett for sending in a track from his Starting to See Album, &lt;br&gt;
To pick up a copy to support Blinded Veterans of America you can see it on Band Camp:&lt;br&gt;
&lt;a href="https://visionpiping.bandcamp.com/album/starting-to-see" target="_blank" rel="nofollow noopener"&gt;https://visionpiping.bandcamp.com/album/starting-to-see&lt;/a&gt; &lt;/p&gt;

&lt;p&gt;Episode art is of The Bombay Castle, one of the ships that Litten Sailed with as part of the East India Fleet in 1800.&lt;br&gt;
&lt;a href="https://en.wikipedia.org/wiki/HMS_Bombay_Castle_(1782)" target="_blank" rel="nofollow noopener"&gt;https://en.wikipedia.org/wiki/HMS_Bombay_Castle_(1782)&lt;/a&gt; &lt;/p&gt;

Mail Coach Tunes

&lt;p&gt;1900 (1792) Lament of A Druid: From Charlotte Milligan-Fox&lt;br&gt;
&lt;a href="https://www.google.com/books/edition/Journal_of_the_Irish_Folk_Song_Society_L/0-o2AQAAMAAJ?hl=en&amp;amp;gbpv=1&amp;amp;pg=PA16&amp;amp;printsec=frontcover" target="_blank" rel="nofollow noopener"&gt;https://www.google.com/books/edition/Journal_of_the_Irish_Folk_Song_Society_L/0-o2AQAAMAAJ?hl=en&amp;amp;amp;gbpv=1&amp;amp;amp;pg=PA16&amp;amp;amp;printsec=frontcover&lt;/a&gt; &lt;/p&gt;

&lt;p&gt;1724: Neal’s Setting for Ta me ma Chulla na doushe me (I am Asleep and Don’t waken me)&lt;br&gt;
The Fascimile edition is great and I highly recommend it, But you can look at the ABC here thanks to ITMA:&lt;br&gt;
&lt;a href="https://www.itma.ie/digital-library/score/neal-17" target="_blank" rel="nofollow noopener"&gt;https://www.itma.ie/digital-library/score/neal-17&lt;/a&gt; &lt;/p&gt;

&lt;p&gt;+X+X+&lt;/p&gt;

The Vaunting

&lt;p&gt;1948 (Much older tune) The Vaunting I’m playing the Kilberry setting, but it is much older.&lt;br&gt;
&lt;a href="https://www.altpibroch.com/ps235/" target="_blank" rel="nofollow noopener"&gt;https://www.altpibroch.com/ps235/&lt;/a&gt; &lt;br&gt;
I highly Recommend William Donaldson’s Notes on the Vaunting from Pipes and Drums:&lt;br&gt;
&lt;a href="http://www.pipesdrums.com/wp-content/docengines/0AED190CF16C4B6EBCE39F0B990A2872.pdf" target="_blank" rel="nofollow noopener"&gt;http://www.pipesdrums.com/wp-content/docengines/0AED190CF16C4B6EBCE39F0B990A2872.pdf&lt;/a&gt; &lt;br&gt;
Here is a live link to John Burgess playing it on Tobar an Dualcais (Kist O Riches)&lt;br&gt;
&lt;a href="https://www.tobarandualchais.co.uk/track/57393?l=en" target="_blank" rel="nofollow noopener"&gt;https://www.tobarandualchais.co.uk/track/57393?l=en&lt;/a&gt; &lt;/p&gt;

Litten Manuscript:

&lt;p&gt;For More information or an ABC notation of the Manuscript go here:&lt;br&gt;
&lt;a href="http://www.cpartington.plus.com/Links/Litten/Litten%20Info.html" target="_blank" rel="nofollow noopener"&gt;http://www.cpartington.plus.com/Links/Litten/Litten%20Info.html&lt;/a&gt;&lt;/p&gt;

&lt;p&gt;1802: Princess of Wales Minuet From Litten:&lt;br&gt;
&lt;a href="http://www.cpartington.plus.com/Links/Litten/Litten%20MS.pdf" target="_blank" rel="nofollow noopener"&gt;http://www.cpartington.plus.com/Links/Litten/Litten%20MS.pdf&lt;/a&gt; &lt;a href="http://www.cpartington.plus.com/Links/Litten/Litten%20Info.html" target="_blank" rel="nofollow noopener"&gt;http://www.cpartington.plus.com/Links/Litten/Litten%20Info.html&lt;/a&gt; &lt;/p&gt;

&lt;p&gt;1800: Prince of Wales Minuet (I didn’t play this) If you want to look at Duff’s Setting for the Prince of Wales Minuet it is here: from 1800-1813&lt;br&gt;
&lt;a href="https://digital.nls.uk/special-collections-of-printed-music/archive/105810955" target="_blank" rel="nofollow noopener"&gt;https://digital.nls.uk/special-collections-of-printed-music/archive/105810955&lt;/a&gt; &lt;br&gt;
For the Traditional Tune Archive page I reference:&lt;br&gt;
&lt;a href="https://tunearch.org/wiki/Annotation:Princess_of_Wales%27s_Minuet" target="_blank" rel="nofollow noopener"&gt;https://tunearch.org/wiki/Annotation:Princess_of_Wales%27s_Minuet&lt;/a&gt; &lt;/p&gt;

&lt;p&gt;+X+X+X+&lt;/p&gt;

&lt;p&gt;1802: The Goose’s Minuet From Litten:&lt;br&gt;
&lt;a href="http://www.cpartington.plus.com/Links/Litten/Litten%20Info.html" target="_blank" rel="nofollow noopener"&gt;http://www.cpartington.plus.com/Links/Litten/Litten%20Info.html&lt;/a&gt; &lt;br&gt;
&lt;a href="http://www.cpartington.plus.com/Links/Litten/Litten%20MS.pdf" target="_blank" rel="nofollow noopener"&gt;http://www.cpartington.plus.com/Links/Litten/Litten%20MS.pdf&lt;/a&gt; &lt;/p&gt;

&lt;p&gt;Is actually King George III’s minuet, many settings including Wilson Ballroom:&lt;br&gt;
&lt;a href="https://tunearch.org/wiki/King_George_the_III%27s_Minuet" target="_blank" rel="nofollow noopener"&gt;https://tunearch.org/wiki/King_George_the_III%27s_Minuet&lt;/a&gt; &lt;/p&gt;

&lt;p&gt;+X+X+X+&lt;/p&gt;

&lt;p&gt;1802: Royal Hunt From Litten:&lt;br&gt;
&lt;a href="http://www.cpartington.plus.com/Links/Litten/Litten%20MS.pdf" target="_blank" rel="nofollow noopener"&gt;http://www.cpartington.plus.com/Links/Litten/Litten%20MS.pdf&lt;/a&gt; &lt;/p&gt;

&lt;p&gt;1802: The Royal Review: From Litten:&lt;br&gt;
&lt;a href="http://www.cpartington.plus.com/Links/Litten/Litten%20MS.pdf" target="_blank" rel="nofollow noopener"&gt;http://www.cpartington.plus.com/Links/Litten/Litten%20MS.pdf&lt;/a&gt; &lt;/p&gt;

&lt;p&gt;+X+X+X+&lt;/p&gt;

&lt;p&gt;1802: Kissing and Flirting: From Litten:&lt;br&gt;
&lt;a href="http://www.cpartington.plus.com/Links/Litten/Litten%20MS.pdf" target="_blank" rel="nofollow noopener"&gt;http://www.cpartington.plus.com/Links/Litten/Litten%20MS.pdf&lt;/a&gt; &lt;/p&gt;

&lt;p&gt;1802: Kissing and Drinking: From Litten:&lt;br&gt;
&lt;a href="http://www.cpartington.plus.com/Links/Litten/Litten%20MS.pdf" target="_blank" rel="nofollow noopener"&gt;http://www.cpartington.plus.com/Links/Litten/Litten%20MS.pdf&lt;/a&gt; &lt;/p&gt;

&lt;p&gt;1860: Kissing and Drinking from Goodman:&lt;br&gt;
&lt;a href="http://goodman.itma.ie/volume-one#?c=0&amp;amp;m=0&amp;amp;s=0&amp;amp;cv=129&amp;amp;z=1217.335%2C1132.3591%2C6624.6755%2C2393.4042" target="_blank" rel="nofollow noopener"&gt;http://goodman.itma.ie/volume-one#?c=0&amp;amp;amp;m=0&amp;amp;amp;s=0&amp;amp;amp;cv=129&amp;amp;amp;z=1217.335%2C1132.3591%2C6624.6755%2C2393.4042&lt;/a&gt; &lt;/p&gt;

&lt;p&gt;+X+X+X+&lt;/p&gt;

&lt;p&gt;1802: Duke Gordon’s Reel: From Litten, I am having a difficult time Finding this tune in the PDF, but it may very well be there, I found it in this book:&lt;br&gt;
&lt;a href="https://www.worldcat.org/title/william-littens-fiddle-tunes-1800-1802/oclc/5129508" target="_blank" rel="nofollow noopener"&gt;https://www.worldcat.org/title/william-littens-fiddle-tunes-1800-1802/oclc/5129508&lt;/a&gt; &lt;br&gt;
&lt;a href="http://www.cpartington.plus.com/Links/Litten/Litten%20MS.pdf" target="_blank" rel="nofollow noopener"&gt;http://www.cpartington.plus.com/Links/Litten/Litten%20MS.pdf&lt;/a&gt; &lt;/p&gt;

&lt;p&gt;+X+&lt;/p&gt;

&lt;p&gt;1802: Cotillion: From Litten:&lt;br&gt;
&lt;a href="http://www.cpartington.plus.com/Links/Litten/Litten%20MS.pdf" target="_blank" rel="nofollow noopener"&gt;http://www.cpartington.plus.com/Links/Litten/Litten%20MS.pdf&lt;/a&gt; &lt;/p&gt;

&lt;p&gt;+X+X+X+&lt;/p&gt;

&lt;p&gt;1802: St. Catherine’s Lane at Five: From Litten:&lt;br&gt;
&lt;a href="http://www.cpartington.plus.com/Links/Litten/Litten%20MS.pdf" target="_blank" rel="nofollow noopener"&gt;http://www.cpartington.plus.com/Links/Litten/Litten%20MS.pdf&lt;/a&gt; &lt;br&gt;
If you want a look at the over versions of this tune I’ll likely explore on a future episode:&lt;/p&gt;

&lt;p&gt;&lt;a href="https://tunearch.org/wiki/Larry_Bourn" target="_blank" rel="nofollow noopener"&gt;https://tunearch.org/wiki/Larry_Bourn&lt;/a&gt; &lt;br&gt;
Litten has the other setting as :&lt;br&gt;
&lt;a href="https://tunearch.org/wiki/Lord_Summer%27s_Reel" target="_blank" rel="nofollow noopener"&gt;https://tunearch.org/wiki/Lord_Summer%27s_Reel&lt;/a&gt; &lt;br&gt;
One of the Settings is called Hauled on the Howser, Vickers is a bit different:&lt;br&gt;
&lt;a href="https://tunearch.org/wiki/Haul_Away_the_Hawser_(1)" target="_blank" rel="nofollow noopener"&gt;https://tunearch.org/wiki/Haul_Away_the_Hawser_(1)&lt;/a&gt; &lt;br&gt;
seems a bit thin since the other Hawser tune which is similar to the St. Catherine tune is from well after Vickers:&lt;br&gt;
&lt;a href="https://tunearch.org/wiki/Annotation:Haul_Away_the_Hawser_(2)" target="_blank" rel="nofollow noopener"&gt;https://tunearch.org/wiki/Annotation:Haul_Away_the_Hawser_(2)&lt;/a&gt; &lt;/p&gt;

&lt;p&gt;+X+X+X+&lt;/p&gt;

&lt;p&gt;Please Consider Supporting the Podcast at &lt;a href="https://www.patreon.com/wetootwaag" target="_blank" rel="nofollow noopener"&gt;https://www.patreon.com/wetootwaag&lt;/a&gt;&lt;/p&gt;

&lt;p&gt;Listen on Apple Podcasts: &lt;a href="https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677" target="_blank" rel="nofollow noopener"&gt;https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677&lt;/a&gt; &lt;br&gt;
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</description>
  <itunes:keywords>bagpipes, uilleann pipes, Highland, Scottish, Scotland, Donald MacDonald, History, Music, Great Highland Bagpipes, GHB, Celtic, history, pastoral pipes, union pipes, baroque, eighteenth Century, Irish Music, Scottish Music, </itunes:keywords>
  <content:encoded>
    <![CDATA[<p>Tunes:<br>
Litten: Prince of Wales Minuet, The Goose’s Minuet, Kissing and Flirting, Kissing and Drinking, The Royal Hunt, They Royal Review, St. Catherine’s Lane at Five, Duke Gordon’s Reel, Cotillion. <br>
Fox: Lament of a Druid<br>
Neal: I’m asleep and Don’t waken me<br>
Set from Dave Barret: Red Haired Boy, and Paddy’s Leather Breeches.<br>
Piobaireachd: The Vaunting</p>

<p>Special Thanks to David Barrett for sending in a track from his Starting to See Album, <br>
To pick up a copy to support Blinded Veterans of America you can see it on Band Camp:<br>
<a href="https://visionpiping.bandcamp.com/album/starting-to-see" rel="nofollow">https://visionpiping.bandcamp.com/album/starting-to-see</a> </p>

<p>Episode art is of The Bombay Castle, one of the ships that Litten Sailed with as part of the East India Fleet in 1800.<br>
<a href="https://en.wikipedia.org/wiki/HMS_Bombay_Castle_(1782)" rel="nofollow">https://en.wikipedia.org/wiki/HMS_Bombay_Castle_(1782)</a> </p>

<h1>Mail Coach Tunes</h1>

<p>1900 (1792) Lament of A Druid: From Charlotte Milligan-Fox<br>
<a href="https://www.google.com/books/edition/Journal_of_the_Irish_Folk_Song_Society_L/0-o2AQAAMAAJ?hl=en&gbpv=1&pg=PA16&printsec=frontcover" rel="nofollow">https://www.google.com/books/edition/Journal_of_the_Irish_Folk_Song_Society_L/0-o2AQAAMAAJ?hl=en&amp;gbpv=1&amp;pg=PA16&amp;printsec=frontcover</a> </p>

<p>1724: Neal’s Setting for Ta me ma Chulla na doushe me (I am Asleep and Don’t waken me)<br>
The Fascimile edition is great and I highly recommend it, But you can look at the ABC here thanks to ITMA:<br>
<a href="https://www.itma.ie/digital-library/score/neal-17" rel="nofollow">https://www.itma.ie/digital-library/score/neal-17</a> </p>

<p>+X+X+</p>

<h1>The Vaunting</h1>

<p>1948 (Much older tune) The Vaunting I’m playing the Kilberry setting, but it is much older.<br>
<a href="https://www.altpibroch.com/ps235/" rel="nofollow">https://www.altpibroch.com/ps235/</a> <br>
I highly Recommend William Donaldson’s Notes on the Vaunting from Pipes and Drums:<br>
<a href="http://www.pipesdrums.com/wp-content/docengines/0AED190CF16C4B6EBCE39F0B990A2872.pdf" rel="nofollow">http://www.pipesdrums.com/wp-content/docengines/0AED190CF16C4B6EBCE39F0B990A2872.pdf</a> <br>
Here is a live link to John Burgess playing it on Tobar an Dualcais (Kist O Riches)<br>
<a href="https://www.tobarandualchais.co.uk/track/57393?l=en" rel="nofollow">https://www.tobarandualchais.co.uk/track/57393?l=en</a> </p>

<h1>Litten Manuscript:</h1>

<p>For More information or an ABC notation of the Manuscript go here:<br>
<a href="http://www.cpartington.plus.com/Links/Litten/Litten%20Info.html" rel="nofollow">http://www.cpartington.plus.com/Links/Litten/Litten%20Info.html</a></p>

<p>1802: Princess of Wales Minuet From Litten:<br>
<a href="http://www.cpartington.plus.com/Links/Litten/Litten%20MS.pdf" rel="nofollow">http://www.cpartington.plus.com/Links/Litten/Litten%20MS.pdf</a> <a href="http://www.cpartington.plus.com/Links/Litten/Litten%20Info.html" rel="nofollow">http://www.cpartington.plus.com/Links/Litten/Litten%20Info.html</a> </p>

<p>1800: Prince of Wales Minuet (I didn’t play this) If you want to look at Duff’s Setting for the Prince of Wales Minuet it is here: from 1800-1813<br>
<a href="https://digital.nls.uk/special-collections-of-printed-music/archive/105810955" rel="nofollow">https://digital.nls.uk/special-collections-of-printed-music/archive/105810955</a> <br>
For the Traditional Tune Archive page I reference:<br>
<a href="https://tunearch.org/wiki/Annotation:Princess_of_Wales%27s_Minuet" rel="nofollow">https://tunearch.org/wiki/Annotation:Princess_of_Wales%27s_Minuet</a> </p>

<p>+X+X+X+</p>

<p>1802: The Goose’s Minuet From Litten:<br>
<a href="http://www.cpartington.plus.com/Links/Litten/Litten%20Info.html" rel="nofollow">http://www.cpartington.plus.com/Links/Litten/Litten%20Info.html</a> <br>
<a href="http://www.cpartington.plus.com/Links/Litten/Litten%20MS.pdf" rel="nofollow">http://www.cpartington.plus.com/Links/Litten/Litten%20MS.pdf</a> </p>

<p>Is actually King George III’s minuet, many settings including Wilson Ballroom:<br>
<a href="https://tunearch.org/wiki/King_George_the_III%27s_Minuet" rel="nofollow">https://tunearch.org/wiki/King_George_the_III%27s_Minuet</a> </p>

<p>+X+X+X+</p>

<p>1802: Royal Hunt From Litten:<br>
<a href="http://www.cpartington.plus.com/Links/Litten/Litten%20MS.pdf" rel="nofollow">http://www.cpartington.plus.com/Links/Litten/Litten%20MS.pdf</a> </p>

<p>1802: The Royal Review: From Litten:<br>
<a href="http://www.cpartington.plus.com/Links/Litten/Litten%20MS.pdf" rel="nofollow">http://www.cpartington.plus.com/Links/Litten/Litten%20MS.pdf</a> </p>

<p>+X+X+X+</p>

<p>1802: Kissing and Flirting: From Litten:<br>
<a href="http://www.cpartington.plus.com/Links/Litten/Litten%20MS.pdf" rel="nofollow">http://www.cpartington.plus.com/Links/Litten/Litten%20MS.pdf</a> </p>

<p>1802: Kissing and Drinking: From Litten:<br>
<a href="http://www.cpartington.plus.com/Links/Litten/Litten%20MS.pdf" rel="nofollow">http://www.cpartington.plus.com/Links/Litten/Litten%20MS.pdf</a> </p>

<p>1860: Kissing and Drinking from Goodman:<br>
<a href="http://goodman.itma.ie/volume-one#?c=0&m=0&s=0&cv=129&z=1217.335%2C1132.3591%2C6624.6755%2C2393.4042" rel="nofollow">http://goodman.itma.ie/volume-one#?c=0&amp;m=0&amp;s=0&amp;cv=129&amp;z=1217.335%2C1132.3591%2C6624.6755%2C2393.4042</a> </p>

<p>+X+X+X+</p>

<p>1802: Duke Gordon’s Reel: From Litten, I am having a difficult time Finding this tune in the PDF, but it may very well be there, I found it in this book:<br>
<a href="https://www.worldcat.org/title/william-littens-fiddle-tunes-1800-1802/oclc/5129508" rel="nofollow">https://www.worldcat.org/title/william-littens-fiddle-tunes-1800-1802/oclc/5129508</a> <br>
<a href="http://www.cpartington.plus.com/Links/Litten/Litten%20MS.pdf" rel="nofollow">http://www.cpartington.plus.com/Links/Litten/Litten%20MS.pdf</a> </p>

<p>+X+</p>

<p>1802: Cotillion: From Litten:<br>
<a href="http://www.cpartington.plus.com/Links/Litten/Litten%20MS.pdf" rel="nofollow">http://www.cpartington.plus.com/Links/Litten/Litten%20MS.pdf</a> </p>

<p>+X+X+X+</p>

<p>1802: St. Catherine’s Lane at Five: From Litten:<br>
<a href="http://www.cpartington.plus.com/Links/Litten/Litten%20MS.pdf" rel="nofollow">http://www.cpartington.plus.com/Links/Litten/Litten%20MS.pdf</a> <br>
If you want a look at the over versions of this tune I’ll likely explore on a future episode:</p>

<p><a href="https://tunearch.org/wiki/Larry_Bourn" rel="nofollow">https://tunearch.org/wiki/Larry_Bourn</a> <br>
Litten has the other setting as :<br>
<a href="https://tunearch.org/wiki/Lord_Summer%27s_Reel" rel="nofollow">https://tunearch.org/wiki/Lord_Summer%27s_Reel</a> <br>
One of the Settings is called Hauled on the Howser, Vickers is a bit different:<br>
<a href="https://tunearch.org/wiki/Haul_Away_the_Hawser_(1)" rel="nofollow">https://tunearch.org/wiki/Haul_Away_the_Hawser_(1)</a> <br>
seems a bit thin since the other Hawser tune which is similar to the St. Catherine tune is from well after Vickers:<br>
<a href="https://tunearch.org/wiki/Annotation:Haul_Away_the_Hawser_(2)" rel="nofollow">https://tunearch.org/wiki/Annotation:Haul_Away_the_Hawser_(2)</a> </p>

<p>+X+X+X+</p>

<p>Please Consider Supporting the Podcast at <a href="https://www.patreon.com/wetootwaag" rel="nofollow">https://www.patreon.com/wetootwaag</a></p>

<p>Listen on Apple Podcasts: <a href="https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677" rel="nofollow">https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677</a> <br>
Listen on Itunes: <a href="https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677" rel="nofollow">https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677</a> <br>
Listen on Spotify: <a href="https://open.spotify.com/show/5QxzqrSm0pu6v8y8pLsv5j?si=QLiG0L1pT1eu7B5_FDmgGA" rel="nofollow">https://open.spotify.com/show/5QxzqrSm0pu6v8y8pLsv5j?si=QLiG0L1pT1eu7B5_FDmgGA</a></p><p><a rel="payment" href="https://www.patreon.com/wetootwaag">Support Wetootwaag&#39;s Bagpipe and History Podcast</a></p>]]>
  </content:encoded>
  <itunes:summary>
    <![CDATA[<p>Tunes:<br>
Litten: Prince of Wales Minuet, The Goose’s Minuet, Kissing and Flirting, Kissing and Drinking, The Royal Hunt, They Royal Review, St. Catherine’s Lane at Five, Duke Gordon’s Reel, Cotillion. <br>
Fox: Lament of a Druid<br>
Neal: I’m asleep and Don’t waken me<br>
Set from Dave Barret: Red Haired Boy, and Paddy’s Leather Breeches.<br>
Piobaireachd: The Vaunting</p>

<p>Special Thanks to David Barrett for sending in a track from his Starting to See Album, <br>
To pick up a copy to support Blinded Veterans of America you can see it on Band Camp:<br>
<a href="https://visionpiping.bandcamp.com/album/starting-to-see" rel="nofollow">https://visionpiping.bandcamp.com/album/starting-to-see</a> </p>

<p>Episode art is of The Bombay Castle, one of the ships that Litten Sailed with as part of the East India Fleet in 1800.<br>
<a href="https://en.wikipedia.org/wiki/HMS_Bombay_Castle_(1782)" rel="nofollow">https://en.wikipedia.org/wiki/HMS_Bombay_Castle_(1782)</a> </p>

<h1>Mail Coach Tunes</h1>

<p>1900 (1792) Lament of A Druid: From Charlotte Milligan-Fox<br>
<a href="https://www.google.com/books/edition/Journal_of_the_Irish_Folk_Song_Society_L/0-o2AQAAMAAJ?hl=en&gbpv=1&pg=PA16&printsec=frontcover" rel="nofollow">https://www.google.com/books/edition/Journal_of_the_Irish_Folk_Song_Society_L/0-o2AQAAMAAJ?hl=en&amp;gbpv=1&amp;pg=PA16&amp;printsec=frontcover</a> </p>

<p>1724: Neal’s Setting for Ta me ma Chulla na doushe me (I am Asleep and Don’t waken me)<br>
The Fascimile edition is great and I highly recommend it, But you can look at the ABC here thanks to ITMA:<br>
<a href="https://www.itma.ie/digital-library/score/neal-17" rel="nofollow">https://www.itma.ie/digital-library/score/neal-17</a> </p>

<p>+X+X+</p>

<h1>The Vaunting</h1>

<p>1948 (Much older tune) The Vaunting I’m playing the Kilberry setting, but it is much older.<br>
<a href="https://www.altpibroch.com/ps235/" rel="nofollow">https://www.altpibroch.com/ps235/</a> <br>
I highly Recommend William Donaldson’s Notes on the Vaunting from Pipes and Drums:<br>
<a href="http://www.pipesdrums.com/wp-content/docengines/0AED190CF16C4B6EBCE39F0B990A2872.pdf" rel="nofollow">http://www.pipesdrums.com/wp-content/docengines/0AED190CF16C4B6EBCE39F0B990A2872.pdf</a> <br>
Here is a live link to John Burgess playing it on Tobar an Dualcais (Kist O Riches)<br>
<a href="https://www.tobarandualchais.co.uk/track/57393?l=en" rel="nofollow">https://www.tobarandualchais.co.uk/track/57393?l=en</a> </p>

<h1>Litten Manuscript:</h1>

<p>For More information or an ABC notation of the Manuscript go here:<br>
<a href="http://www.cpartington.plus.com/Links/Litten/Litten%20Info.html" rel="nofollow">http://www.cpartington.plus.com/Links/Litten/Litten%20Info.html</a></p>

<p>1802: Princess of Wales Minuet From Litten:<br>
<a href="http://www.cpartington.plus.com/Links/Litten/Litten%20MS.pdf" rel="nofollow">http://www.cpartington.plus.com/Links/Litten/Litten%20MS.pdf</a> <a href="http://www.cpartington.plus.com/Links/Litten/Litten%20Info.html" rel="nofollow">http://www.cpartington.plus.com/Links/Litten/Litten%20Info.html</a> </p>

<p>1800: Prince of Wales Minuet (I didn’t play this) If you want to look at Duff’s Setting for the Prince of Wales Minuet it is here: from 1800-1813<br>
<a href="https://digital.nls.uk/special-collections-of-printed-music/archive/105810955" rel="nofollow">https://digital.nls.uk/special-collections-of-printed-music/archive/105810955</a> <br>
For the Traditional Tune Archive page I reference:<br>
<a href="https://tunearch.org/wiki/Annotation:Princess_of_Wales%27s_Minuet" rel="nofollow">https://tunearch.org/wiki/Annotation:Princess_of_Wales%27s_Minuet</a> </p>

<p>+X+X+X+</p>

<p>1802: The Goose’s Minuet From Litten:<br>
<a href="http://www.cpartington.plus.com/Links/Litten/Litten%20Info.html" rel="nofollow">http://www.cpartington.plus.com/Links/Litten/Litten%20Info.html</a> <br>
<a href="http://www.cpartington.plus.com/Links/Litten/Litten%20MS.pdf" rel="nofollow">http://www.cpartington.plus.com/Links/Litten/Litten%20MS.pdf</a> </p>

<p>Is actually King George III’s minuet, many settings including Wilson Ballroom:<br>
<a href="https://tunearch.org/wiki/King_George_the_III%27s_Minuet" rel="nofollow">https://tunearch.org/wiki/King_George_the_III%27s_Minuet</a> </p>

<p>+X+X+X+</p>

<p>1802: Royal Hunt From Litten:<br>
<a href="http://www.cpartington.plus.com/Links/Litten/Litten%20MS.pdf" rel="nofollow">http://www.cpartington.plus.com/Links/Litten/Litten%20MS.pdf</a> </p>

<p>1802: The Royal Review: From Litten:<br>
<a href="http://www.cpartington.plus.com/Links/Litten/Litten%20MS.pdf" rel="nofollow">http://www.cpartington.plus.com/Links/Litten/Litten%20MS.pdf</a> </p>

<p>+X+X+X+</p>

<p>1802: Kissing and Flirting: From Litten:<br>
<a href="http://www.cpartington.plus.com/Links/Litten/Litten%20MS.pdf" rel="nofollow">http://www.cpartington.plus.com/Links/Litten/Litten%20MS.pdf</a> </p>

<p>1802: Kissing and Drinking: From Litten:<br>
<a href="http://www.cpartington.plus.com/Links/Litten/Litten%20MS.pdf" rel="nofollow">http://www.cpartington.plus.com/Links/Litten/Litten%20MS.pdf</a> </p>

<p>1860: Kissing and Drinking from Goodman:<br>
<a href="http://goodman.itma.ie/volume-one#?c=0&m=0&s=0&cv=129&z=1217.335%2C1132.3591%2C6624.6755%2C2393.4042" rel="nofollow">http://goodman.itma.ie/volume-one#?c=0&amp;m=0&amp;s=0&amp;cv=129&amp;z=1217.335%2C1132.3591%2C6624.6755%2C2393.4042</a> </p>

<p>+X+X+X+</p>

<p>1802: Duke Gordon’s Reel: From Litten, I am having a difficult time Finding this tune in the PDF, but it may very well be there, I found it in this book:<br>
<a href="https://www.worldcat.org/title/william-littens-fiddle-tunes-1800-1802/oclc/5129508" rel="nofollow">https://www.worldcat.org/title/william-littens-fiddle-tunes-1800-1802/oclc/5129508</a> <br>
<a href="http://www.cpartington.plus.com/Links/Litten/Litten%20MS.pdf" rel="nofollow">http://www.cpartington.plus.com/Links/Litten/Litten%20MS.pdf</a> </p>

<p>+X+</p>

<p>1802: Cotillion: From Litten:<br>
<a href="http://www.cpartington.plus.com/Links/Litten/Litten%20MS.pdf" rel="nofollow">http://www.cpartington.plus.com/Links/Litten/Litten%20MS.pdf</a> </p>

<p>+X+X+X+</p>

<p>1802: St. Catherine’s Lane at Five: From Litten:<br>
<a href="http://www.cpartington.plus.com/Links/Litten/Litten%20MS.pdf" rel="nofollow">http://www.cpartington.plus.com/Links/Litten/Litten%20MS.pdf</a> <br>
If you want a look at the over versions of this tune I’ll likely explore on a future episode:</p>

<p><a href="https://tunearch.org/wiki/Larry_Bourn" rel="nofollow">https://tunearch.org/wiki/Larry_Bourn</a> <br>
Litten has the other setting as :<br>
<a href="https://tunearch.org/wiki/Lord_Summer%27s_Reel" rel="nofollow">https://tunearch.org/wiki/Lord_Summer%27s_Reel</a> <br>
One of the Settings is called Hauled on the Howser, Vickers is a bit different:<br>
<a href="https://tunearch.org/wiki/Haul_Away_the_Hawser_(1)" rel="nofollow">https://tunearch.org/wiki/Haul_Away_the_Hawser_(1)</a> <br>
seems a bit thin since the other Hawser tune which is similar to the St. Catherine tune is from well after Vickers:<br>
<a href="https://tunearch.org/wiki/Annotation:Haul_Away_the_Hawser_(2)" rel="nofollow">https://tunearch.org/wiki/Annotation:Haul_Away_the_Hawser_(2)</a> </p>

<p>+X+X+X+</p>

<p>Please Consider Supporting the Podcast at <a href="https://www.patreon.com/wetootwaag" rel="nofollow">https://www.patreon.com/wetootwaag</a></p>

<p>Listen on Apple Podcasts: <a href="https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677" rel="nofollow">https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677</a> <br>
Listen on Itunes: <a href="https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677" rel="nofollow">https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677</a> <br>
Listen on Spotify: <a href="https://open.spotify.com/show/5QxzqrSm0pu6v8y8pLsv5j?si=QLiG0L1pT1eu7B5_FDmgGA" rel="nofollow">https://open.spotify.com/show/5QxzqrSm0pu6v8y8pLsv5j?si=QLiG0L1pT1eu7B5_FDmgGA</a></p><p><a rel="payment" href="https://www.patreon.com/wetootwaag">Support Wetootwaag&#39;s Bagpipe and History Podcast</a></p>]]>
  </itunes:summary>
</item>
<item>
  <title>Season 5 Episode 19 A Chat with Joey Abarta about Pat Sky and American Uilleann Piping</title>
  <link>https://www.wetootwaag.com/s5e19</link>
  <guid isPermaLink="false">1ba26abd-26ac-4fb3-8770-0cd059d5ecae</guid>
  <pubDate>Sat, 03 Jul 2021 00:00:00 -0400</pubDate>
  <author>Jeremy Kingsbury</author>
  <enclosure url="https://aphid.fireside.fm/d/1437767933/f158d1e4-b92d-4f8d-9eef-7382ca3c3ee8/1ba26abd-26ac-4fb3-8770-0cd059d5ecae.mp3" length="99340261" type="audio/mpeg"/>
  <itunes:episodeType>full</itunes:episodeType>
  <itunes:season>5</itunes:season>
  <itunes:author>Jeremy Kingsbury</itunes:author>
  <itunes:subtitle>Tunes:
Patrick Sky: Many A Mile
Joey Abarta: Eibhli Gheal Chiuin Ni CHearbhaill (Fair Gentle Eily OCarroll)

Please Consider Supporting the Show by Joining the Patreon:
https://www.patreon.com/wetootwaag 
</itunes:subtitle>
  <itunes:duration>1:13:16</itunes:duration>
  <itunes:explicit>no</itunes:explicit>
  <itunes:image href="https://media24.fireside.fm/file/fireside-images-2024/podcasts/images/f/f158d1e4-b92d-4f8d-9eef-7382ca3c3ee8/episodes/1/1ba26abd-26ac-4fb3-8770-0cd059d5ecae/cover.jpg?v=1"/>
  <description>&lt;p&gt;Tunes:&lt;br&gt;
Patrick Sky: Many A Mile&lt;br&gt;
Joey Abarta: Eibhli Gheal Chiuin Ni CHearbhaill (Fair Gentle Eily OCarroll)&lt;/p&gt;

&lt;p&gt;Please Consider Supporting the Show by Joining the Patreon:&lt;br&gt;
&lt;a href="https://www.patreon.com/wetootwaag" target="_blank" rel="nofollow noopener"&gt;https://www.patreon.com/wetootwaag&lt;/a&gt; &lt;/p&gt;

&lt;p&gt;++++XXXX++++&lt;/p&gt;

Joey Abarta

&lt;p&gt;Huge thank you to Joey Abarta for Chatting with me.&lt;br&gt;
You can Buy the Album Copley Street on Bandcamp here:&lt;br&gt;
&lt;a href="https://copleystreet.bandcamp.com/album/copley-street" target="_blank" rel="nofollow noopener"&gt;https://copleystreet.bandcamp.com/album/copley-street&lt;/a&gt; &lt;br&gt;
I also recommend looking over the gorgeous website for Copley Street here:&lt;br&gt;
&lt;a href="http://www.copleystreet.com/" target="_blank" rel="nofollow noopener"&gt;http://www.copleystreet.com/&lt;/a&gt; &lt;/p&gt;

&lt;p&gt;As of the time of this recording you can still book lessons with Joey at many different levels of commitment and interest here:&lt;br&gt;
&lt;a href="https://uilleannpipelessons.youcanbook.me/" target="_blank" rel="nofollow noopener"&gt;https://uilleannpipelessons.youcanbook.me/&lt;/a&gt;&lt;/p&gt;

Pat Sky

&lt;p&gt;The Track Many A Mile is off Pat Sky’s Debut Album “Patrick Sky” it is streaming many places and available for digital download on some services.&lt;br&gt;
&lt;a href="https://en.wikipedia.org/wiki/Patrick_Sky_(album)" target="_blank" rel="nofollow noopener"&gt;https://en.wikipedia.org/wiki/Patrick_Sky_(album)&lt;/a&gt; &lt;/p&gt;

&lt;p&gt;Pat Sky Video from North Carolina Television: &lt;a href="https://youtu.be/7al1306eAFI" target="_blank" rel="nofollow noopener"&gt;https://youtu.be/7al1306eAFI&lt;/a&gt; &lt;/p&gt;

&lt;p&gt;Pat Sky’s NYTimes Obituary: &lt;a href="https://www.nytimes.com/2021/06/04/arts/music/patrick-sky-dead.html" target="_blank" rel="nofollow noopener"&gt;https://www.nytimes.com/2021/06/04/arts/music/patrick-sky-dead.html&lt;/a&gt; &lt;/p&gt;

&lt;p&gt;Pat Sky’s Rolling Stone Obituary: &lt;a href="https://www.rollingstone.com/music/music-news/patrick-sky-folk-singer-dylan-contemporary-dead-obit-1175891/" target="_blank" rel="nofollow noopener"&gt;https://www.rollingstone.com/music/music-news/patrick-sky-folk-singer-dylan-contemporary-dead-obit-1175891/&lt;/a&gt; &lt;/p&gt;

&lt;p&gt;I spoke about my history and what Pat Sky meant to me earlier on Episode 16:&lt;br&gt;
&lt;a href="https://www.wetootwaag.com/s5e16" target="_blank" rel="nofollow noopener"&gt;https://www.wetootwaag.com/s5e16&lt;/a&gt; &lt;/p&gt;

&lt;p&gt;++++XXXXX++++&lt;/p&gt;

RESOURCES

&lt;p&gt;Joey Referenced some of the cool older Newsletters put out in the 1970s. Most (if not all) Of them are Hosted by NPU for you to read:&lt;br&gt;
This Newsletter "The Uilleann Piper" was begun in 1974 in an attempt to connect all of the known Uilleann Pipers in the US and Canada&lt;br&gt;
&lt;a href="https://pipers.ie/source/media/?mediaId=26431&amp;amp;galleryId=1037" target="_blank" rel="nofollow noopener"&gt;https://pipers.ie/source/media/?mediaId=26431&amp;amp;amp;galleryId=1037&lt;/a&gt;   &lt;/p&gt;

&lt;p&gt;The Uilleann Piper grew into the Seattle Piper's Club's Newsletter, "The Piper's Review"&lt;br&gt;
&lt;a href="https://pipers.ie/source/media/?galleryId=1036&amp;amp;mediaId=26318" target="_blank" rel="nofollow noopener"&gt;https://pipers.ie/source/media/?galleryId=1036&amp;amp;amp;mediaId=26318&lt;/a&gt;  &lt;/p&gt;

&lt;p&gt;Please take advantage of the Tune Collection tab: &lt;a href="https://www.wetootwaag.com/tunesources" target="_blank" rel="nofollow noopener"&gt;https://www.wetootwaag.com/tunesources&lt;/a&gt; &lt;br&gt;
Also Please take a minute to leave a review of the podcast! &lt;/p&gt;

&lt;p&gt;Listen on Apple Podcasts: &lt;a href="https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677" target="_blank" rel="nofollow noopener"&gt;https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677&lt;/a&gt; &lt;br&gt;
Listen on Itunes: &lt;a href="https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677" target="_blank" rel="nofollow noopener"&gt;https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677&lt;/a&gt; &lt;br&gt;
Listen on Spotify: &lt;a href="https://open.spotify.com/show/5QxzqrSm0pu6v8y8pLsv5j?si=QLiG0L1pT1eu7B5_FDmgGA" target="_blank" rel="nofollow noopener"&gt;https://open.spotify.com/show/5QxzqrSm0pu6v8y8pLsv5j?si=QLiG0L1pT1eu7B5_FDmgGA&lt;/a&gt;&lt;/p&gt;
</description>
  <itunes:keywords>uilleann Pipes, Uilleann, Bagpipes, Folk Music, Irish Music, Joey Abarta, History, American History, Irish History, </itunes:keywords>
  <content:encoded>
    <![CDATA[<p>Tunes:<br>
Patrick Sky: Many A Mile<br>
Joey Abarta: Eibhli Gheal Chiuin Ni CHearbhaill (Fair Gentle Eily OCarroll)</p>

<p>Please Consider Supporting the Show by Joining the Patreon:<br>
<a href="https://www.patreon.com/wetootwaag" rel="nofollow">https://www.patreon.com/wetootwaag</a> </p>

<p>++++XXXX++++</p>

<h1>Joey Abarta</h1>

<p>Huge thank you to Joey Abarta for Chatting with me.<br>
You can Buy the Album Copley Street on Bandcamp here:<br>
<a href="https://copleystreet.bandcamp.com/album/copley-street" rel="nofollow">https://copleystreet.bandcamp.com/album/copley-street</a> <br>
I also recommend looking over the gorgeous website for Copley Street here:<br>
<a href="http://www.copleystreet.com/" rel="nofollow">http://www.copleystreet.com/</a> </p>

<p>As of the time of this recording you can still book lessons with Joey at many different levels of commitment and interest here:<br>
<a href="https://uilleannpipelessons.youcanbook.me/" rel="nofollow">https://uilleannpipelessons.youcanbook.me/</a></p>

<h1>Pat Sky</h1>

<p>The Track Many A Mile is off Pat Sky’s Debut Album “Patrick Sky” it is streaming many places and available for digital download on some services.<br>
<a href="https://en.wikipedia.org/wiki/Patrick_Sky_(album)" rel="nofollow">https://en.wikipedia.org/wiki/Patrick_Sky_(album)</a> </p>

<p>Pat Sky Video from North Carolina Television: <a href="https://youtu.be/7al1306eAFI" rel="nofollow">https://youtu.be/7al1306eAFI</a> </p>

<p>Pat Sky’s NYTimes Obituary: <a href="https://www.nytimes.com/2021/06/04/arts/music/patrick-sky-dead.html" rel="nofollow">https://www.nytimes.com/2021/06/04/arts/music/patrick-sky-dead.html</a> </p>

<p>Pat Sky’s Rolling Stone Obituary: <a href="https://www.rollingstone.com/music/music-news/patrick-sky-folk-singer-dylan-contemporary-dead-obit-1175891/" rel="nofollow">https://www.rollingstone.com/music/music-news/patrick-sky-folk-singer-dylan-contemporary-dead-obit-1175891/</a> </p>

<p>I spoke about my history and what Pat Sky meant to me earlier on Episode 16:<br>
<a href="https://www.wetootwaag.com/s5e16" rel="nofollow">https://www.wetootwaag.com/s5e16</a> </p>

<p>++++XXXXX++++</p>

<h1>RESOURCES</h1>

<p>Joey Referenced some of the cool older Newsletters put out in the 1970s. Most (if not all) Of them are Hosted by NPU for you to read:<br>
This Newsletter &quot;The Uilleann Piper&quot; was begun in 1974 in an attempt to connect all of the known Uilleann Pipers in the US and Canada<br>
<a href="https://pipers.ie/source/media/?mediaId=26431&galleryId=1037" rel="nofollow">https://pipers.ie/source/media/?mediaId=26431&amp;galleryId=1037</a>   </p>

<p>The Uilleann Piper grew into the Seattle Piper&#39;s Club&#39;s Newsletter, &quot;The Piper&#39;s Review&quot;<br>
<a href="https://pipers.ie/source/media/?galleryId=1036&mediaId=26318" rel="nofollow">https://pipers.ie/source/media/?galleryId=1036&amp;mediaId=26318</a>  </p>

<p>Please take advantage of the Tune Collection tab: <a href="https://www.wetootwaag.com/tunesources" rel="nofollow">https://www.wetootwaag.com/tunesources</a> <br>
Also Please take a minute to leave a review of the podcast! </p>

<p>Listen on Apple Podcasts: <a href="https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677" rel="nofollow">https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677</a> <br>
Listen on Itunes: <a href="https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677" rel="nofollow">https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677</a> <br>
Listen on Spotify: <a href="https://open.spotify.com/show/5QxzqrSm0pu6v8y8pLsv5j?si=QLiG0L1pT1eu7B5_FDmgGA" rel="nofollow">https://open.spotify.com/show/5QxzqrSm0pu6v8y8pLsv5j?si=QLiG0L1pT1eu7B5_FDmgGA</a></p><p><a rel="payment" href="https://www.patreon.com/wetootwaag">Support Wetootwaag&#39;s Bagpipe and History Podcast</a></p>]]>
  </content:encoded>
  <itunes:summary>
    <![CDATA[<p>Tunes:<br>
Patrick Sky: Many A Mile<br>
Joey Abarta: Eibhli Gheal Chiuin Ni CHearbhaill (Fair Gentle Eily OCarroll)</p>

<p>Please Consider Supporting the Show by Joining the Patreon:<br>
<a href="https://www.patreon.com/wetootwaag" rel="nofollow">https://www.patreon.com/wetootwaag</a> </p>

<p>++++XXXX++++</p>

<h1>Joey Abarta</h1>

<p>Huge thank you to Joey Abarta for Chatting with me.<br>
You can Buy the Album Copley Street on Bandcamp here:<br>
<a href="https://copleystreet.bandcamp.com/album/copley-street" rel="nofollow">https://copleystreet.bandcamp.com/album/copley-street</a> <br>
I also recommend looking over the gorgeous website for Copley Street here:<br>
<a href="http://www.copleystreet.com/" rel="nofollow">http://www.copleystreet.com/</a> </p>

<p>As of the time of this recording you can still book lessons with Joey at many different levels of commitment and interest here:<br>
<a href="https://uilleannpipelessons.youcanbook.me/" rel="nofollow">https://uilleannpipelessons.youcanbook.me/</a></p>

<h1>Pat Sky</h1>

<p>The Track Many A Mile is off Pat Sky’s Debut Album “Patrick Sky” it is streaming many places and available for digital download on some services.<br>
<a href="https://en.wikipedia.org/wiki/Patrick_Sky_(album)" rel="nofollow">https://en.wikipedia.org/wiki/Patrick_Sky_(album)</a> </p>

<p>Pat Sky Video from North Carolina Television: <a href="https://youtu.be/7al1306eAFI" rel="nofollow">https://youtu.be/7al1306eAFI</a> </p>

<p>Pat Sky’s NYTimes Obituary: <a href="https://www.nytimes.com/2021/06/04/arts/music/patrick-sky-dead.html" rel="nofollow">https://www.nytimes.com/2021/06/04/arts/music/patrick-sky-dead.html</a> </p>

<p>Pat Sky’s Rolling Stone Obituary: <a href="https://www.rollingstone.com/music/music-news/patrick-sky-folk-singer-dylan-contemporary-dead-obit-1175891/" rel="nofollow">https://www.rollingstone.com/music/music-news/patrick-sky-folk-singer-dylan-contemporary-dead-obit-1175891/</a> </p>

<p>I spoke about my history and what Pat Sky meant to me earlier on Episode 16:<br>
<a href="https://www.wetootwaag.com/s5e16" rel="nofollow">https://www.wetootwaag.com/s5e16</a> </p>

<p>++++XXXXX++++</p>

<h1>RESOURCES</h1>

<p>Joey Referenced some of the cool older Newsletters put out in the 1970s. Most (if not all) Of them are Hosted by NPU for you to read:<br>
This Newsletter &quot;The Uilleann Piper&quot; was begun in 1974 in an attempt to connect all of the known Uilleann Pipers in the US and Canada<br>
<a href="https://pipers.ie/source/media/?mediaId=26431&galleryId=1037" rel="nofollow">https://pipers.ie/source/media/?mediaId=26431&amp;galleryId=1037</a>   </p>

<p>The Uilleann Piper grew into the Seattle Piper&#39;s Club&#39;s Newsletter, &quot;The Piper&#39;s Review&quot;<br>
<a href="https://pipers.ie/source/media/?galleryId=1036&mediaId=26318" rel="nofollow">https://pipers.ie/source/media/?galleryId=1036&amp;mediaId=26318</a>  </p>

<p>Please take advantage of the Tune Collection tab: <a href="https://www.wetootwaag.com/tunesources" rel="nofollow">https://www.wetootwaag.com/tunesources</a> <br>
Also Please take a minute to leave a review of the podcast! </p>

<p>Listen on Apple Podcasts: <a href="https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677" rel="nofollow">https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677</a> <br>
Listen on Itunes: <a href="https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677" rel="nofollow">https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677</a> <br>
Listen on Spotify: <a href="https://open.spotify.com/show/5QxzqrSm0pu6v8y8pLsv5j?si=QLiG0L1pT1eu7B5_FDmgGA" rel="nofollow">https://open.spotify.com/show/5QxzqrSm0pu6v8y8pLsv5j?si=QLiG0L1pT1eu7B5_FDmgGA</a></p><p><a rel="payment" href="https://www.patreon.com/wetootwaag">Support Wetootwaag&#39;s Bagpipe and History Podcast</a></p>]]>
  </itunes:summary>
</item>
<item>
  <title>Season 5 Episode 18: Mr. Preston’s Hornpipe &amp; I am Asleep Don’t Wake Me with Music from Pete Stewart, Rob Turner and Simon Chadwick</title>
  <link>https://www.wetootwaag.com/s5e18</link>
  <guid isPermaLink="false">da9dbfa3-9ae1-478c-9425-28071e0c9b2d</guid>
  <pubDate>Sat, 26 Jun 2021 02:00:00 -0400</pubDate>
  <author>Jeremy Kingsbury</author>
  <enclosure url="https://aphid.fireside.fm/d/1437767933/f158d1e4-b92d-4f8d-9eef-7382ca3c3ee8/da9dbfa3-9ae1-478c-9425-28071e0c9b2d.mp3" length="93777340" type="audio/mpeg"/>
  <itunes:episodeType>full</itunes:episodeType>
  <itunes:season>5</itunes:season>
  <itunes:author>Jeremy Kingsbury</itunes:author>
  <itunes:subtitle>Season 5 Episode 18: Mr. Preston’s Hornpipe &amp; I am Asleep Don’t Wake Me with Music from Pete Stewart, Rob Turner and Simon Chadwick
Tunes:
Thomas Marsden: Mr. Preston’s Hornpipe
Fitzmaurice: I’m Asleep and Don’t Wake Me, Mount the Stage, Donald Bran, Loose the Belt, Fitzmaurice’s Trip to Rosline Castle 
Walsh: Petticoat Loose, Petticoat Tight
Nixon: Petticoat Loose
Allan Ramsay (Stuart): Cha mi ma chattle
Wright: Past One O’Clock
McGibbon: Cold Frosty Morning
Oswald: Cold Frostie Morning (performed by Rob Turner)
Milligan-Fox (Joyce): Lament of a Druid
O’Farrell: Past One O’Clock
Edward Bunting (Higgins): Tá Mé Mo Chodladh (I’m Asleep Don’t Waken Me) (Performed by Simon Chadwick)

Special Thanks to Pete Stewart, Rob Turner and Simon Chadwick for being On the Episode this week.

Pete Stewart has some great videos uploaded to his Youtube Channel:
https://www.youtube.com/channel/UCbihXksKCthLa2FGmI-piBQ 
He Sells three of his books on his website:
http://www.hornpipemusic.co.uk/ 
He is also the editor of the Common Stock Journal from the LBPS which you can read even if not a member (apart from the most recent issues):
https://lbps.net/j3site/index.php/common-stock 

Rob Turner has glorioius renditions of many tunes from the same collections I have to rip apart and adjust to play, hear them how they were intended by subscribing to Rob’s Youtube page:
https://www.youtube.com/channel/UCMNv7YozytBYTZHjyMGxO1A 

Simon Chadwick also is a must follow on Youtube:
https://www.youtube.com/user/simonmchadwick 
Simon’s Website is filled with valuable articles and comments on a huge variety of topics, but also many of the printed music sources I play on the podcast:
http://simonchadwick.net/ 

Please Consider Joining the Patreon to support the show!
https://www.patreon.com/wetootwaag</itunes:subtitle>
  <itunes:duration>1:16:14</itunes:duration>
  <itunes:explicit>no</itunes:explicit>
  <itunes:image href="https://media24.fireside.fm/file/fireside-images-2024/podcasts/images/f/f158d1e4-b92d-4f8d-9eef-7382ca3c3ee8/episodes/d/da9dbfa3-9ae1-478c-9425-28071e0c9b2d/cover.jpg?v=1"/>
  <description>&lt;p&gt;Tunes:&lt;br&gt;
Thomas Marsden: Mr. Preston’s Hornpipe&lt;br&gt;
Fitzmaurice: I’m Asleep and Don’t Wake Me, Mount the Stage, Donald Bran, Loose the Belt, Fitzmaurice’s Trip to Rosline Castle &lt;br&gt;
Walsh: Petticoat Loose, Petticoat Tight&lt;br&gt;
Nixon: Petticoat Loose&lt;br&gt;
Allan Ramsay (Stuart): Cha mi ma chattle&lt;br&gt;
Wright: Past One O’Clock&lt;br&gt;
McGibbon: Cold Frosty Morning&lt;br&gt;
Oswald: Cold Frostie Morning (performed by Rob Turner)&lt;br&gt;
Milligan-Fox (Joyce): Lament of a Druid&lt;br&gt;
O’Farrell: Past One O’Clock&lt;/p&gt;

Edward Bunting (Higgins): Tá Mé Mo Chodladh (I’m Asleep Don’t Waken Me) (Performed by Simon Chadwick)

&lt;p&gt;Please Consider Joining Patreon to Support the Show:&lt;br&gt;
&lt;a href="https://www.patreon.com/wetootwaag" target="_blank" rel="nofollow noopener"&gt;https://www.patreon.com/wetootwaag&lt;/a&gt;&lt;/p&gt;

&lt;p&gt;Special Thanks to Pete Stewart, Rob Turner and Simon Chadwick for being On the Episode this week.&lt;/p&gt;

&lt;p&gt;Pete Stewart has some great videos uploaded to his Youtube Channel:&lt;br&gt;
&lt;a href="https://www.youtube.com/channel/UCbihXksKCthLa2FGmI-piBQ" target="_blank" rel="nofollow noopener"&gt;https://www.youtube.com/channel/UCbihXksKCthLa2FGmI-piBQ&lt;/a&gt; &lt;br&gt;
He Sells three of his books on his website:&lt;br&gt;
&lt;a href="http://www.hornpipemusic.co.uk/" target="_blank" rel="nofollow noopener"&gt;http://www.hornpipemusic.co.uk/&lt;/a&gt; &lt;br&gt;
He is also the editor of the Common Stock Journal from the LBPS which you can read even if not a member (apart from the most recent issues):&lt;br&gt;
&lt;a href="https://lbps.net/j3site/index.php/common-stock" target="_blank" rel="nofollow noopener"&gt;https://lbps.net/j3site/index.php/common-stock&lt;/a&gt; &lt;/p&gt;

&lt;p&gt;Rob Turner has glorioius renditions of many tunes from the same collections I have to rip apart and adjust to play, hear them how they were intended by subscribing to Rob’s Youtube page:&lt;br&gt;
&lt;a href="https://www.youtube.com/channel/UCMNv7YozytBYTZHjyMGxO1A" target="_blank" rel="nofollow noopener"&gt;https://www.youtube.com/channel/UCMNv7YozytBYTZHjyMGxO1A&lt;/a&gt; &lt;/p&gt;

&lt;p&gt;Simon Chadwick also is a must follow on Youtube:&lt;br&gt;
&lt;a href="https://www.youtube.com/user/simonmchadwick" target="_blank" rel="nofollow noopener"&gt;https://www.youtube.com/user/simonmchadwick&lt;/a&gt; &lt;br&gt;
Simon’s Website is filled with valuable articles and comments on a huge variety of topics, but also many of the printed music sources I play on the podcast:&lt;br&gt;
&lt;a href="http://simonchadwick.net/" target="_blank" rel="nofollow noopener"&gt;http://simonchadwick.net/&lt;/a&gt; &lt;/p&gt;

&lt;p&gt;XXX+++XXX+++XXXXX+++XXX+++XXX&lt;/p&gt;

&lt;p&gt;1690s: Mr. Preston’s Hornpipe: You can buy a lovely print of Thomas Marsden’s “A Collection of Original Lancashire Hornpipes” as part of Pete Stewart’s Book, “Three Extraordinary Collections”:&lt;br&gt;
&lt;a href="http://www.hornpipemusic.co.uk/index.php/publications/three-extraordinary-collections" target="_blank" rel="nofollow noopener"&gt;http://www.hornpipemusic.co.uk/index.php/publications/three-extraordinary-collections&lt;/a&gt; &lt;br&gt;
The ABC is also available on Traditional Tune Archive:&lt;br&gt;
&lt;a href="https://tunearch.org/wiki/Mr._Preston%27s_Hornpipe_(1)" target="_blank" rel="nofollow noopener"&gt;https://tunearch.org/wiki/Mr._Preston%27s_Hornpipe_(1)&lt;/a&gt; &lt;/p&gt;

&lt;p&gt;Mr. Preston’s Hornpipe Played by Pete Stewart:&lt;br&gt;
&lt;a href="https://youtu.be/6TXJphyjFfw" target="_blank" rel="nofollow noopener"&gt;https://youtu.be/6TXJphyjFfw&lt;/a&gt; &lt;/p&gt;

&lt;p&gt;XX+++XXX+++XX&lt;/p&gt;

&lt;p&gt;1805: Mount the Stage: From Fitzmaurice’s New Collection of Irish Tunes No 2:&lt;br&gt;
&lt;a href="https://www.google.com/books/edition/Fitzmaurice_s_New_Collection_of_Irish_Tu/vq4Fb5TyTK4C?hl=en&amp;amp;gbpv=1&amp;amp;pg=PP6&amp;amp;printsec=frontcover" target="_blank" rel="nofollow noopener"&gt;https://www.google.com/books/edition/Fitzmaurice_s_New_Collection_of_Irish_Tu/vq4Fb5TyTK4C?hl=en&amp;amp;amp;gbpv=1&amp;amp;amp;pg=PP6&amp;amp;amp;printsec=frontcover&lt;/a&gt;&lt;/p&gt;

&lt;p&gt;1805: Donald Bran: From Fitzmaurice’s New Collection of Irish Tunes No 2:&lt;br&gt;
&lt;a href="https://www.google.com/books/edition/Fitzmaurice_s_New_Collection_of_Irish_Tu/vq4Fb5TyTK4C?hl=en&amp;amp;gbpv=1&amp;amp;pg=PP7&amp;amp;printsec=frontcover" target="_blank" rel="nofollow noopener"&gt;https://www.google.com/books/edition/Fitzmaurice_s_New_Collection_of_Irish_Tu/vq4Fb5TyTK4C?hl=en&amp;amp;amp;gbpv=1&amp;amp;amp;pg=PP7&amp;amp;amp;printsec=frontcover&lt;/a&gt; &lt;/p&gt;

&lt;p&gt;1805: Fitzmaurice’s Trip to Rosline Castle: From Fitzmaurice’s New Collection of Irish Tunes No 2:&lt;br&gt;
&lt;a href="https://www.google.com/books/edition/Fitzmaurice_s_New_Collection_of_Irish_Tu/vq4Fb5TyTK4C?hl=en&amp;amp;gbpv=1&amp;amp;pg=PP7&amp;amp;printsec=frontcover" target="_blank" rel="nofollow noopener"&gt;https://www.google.com/books/edition/Fitzmaurice_s_New_Collection_of_Irish_Tu/vq4Fb5TyTK4C?hl=en&amp;amp;amp;gbpv=1&amp;amp;amp;pg=PP7&amp;amp;amp;printsec=frontcover&lt;/a&gt; &lt;/p&gt;

&lt;p&gt;+++XXXX+++&lt;/p&gt;

Petticoat Loose:

&lt;p&gt;1748: Petticoat Tight: from Walsh’s Caledonian Country Dances:&lt;br&gt;
&lt;a href="https://digital.nls.uk/special-collections-of-printed-music/archive/90248459" target="_blank" rel="nofollow noopener"&gt;https://digital.nls.uk/special-collections-of-printed-music/archive/90248459&lt;/a&gt;&lt;/p&gt;

&lt;p&gt;1748: Petticoat Loose: from Walsh’s Caledonian Country Dances:&lt;br&gt;
&lt;a href="https://digital.nls.uk/special-collections-of-printed-music/archive/90247895" target="_blank" rel="nofollow noopener"&gt;https://digital.nls.uk/special-collections-of-printed-music/archive/90247895&lt;/a&gt;&lt;/p&gt;

&lt;p&gt;1805: Loose the Belt: From Fitzmaurice’s New Collection of Irish Tunes No 2:&lt;br&gt;
&lt;a href="https://www.google.com/books/edition/Fitzmaurice_s_New_Collection_of_Irish_Tu/vq4Fb5TyTK4C?hl=en&amp;amp;gbpv=1&amp;amp;pg=PP7&amp;amp;printsec=frontcover" target="_blank" rel="nofollow noopener"&gt;https://www.google.com/books/edition/Fitzmaurice_s_New_Collection_of_Irish_Tu/vq4Fb5TyTK4C?hl=en&amp;amp;amp;gbpv=1&amp;amp;amp;pg=PP7&amp;amp;amp;printsec=frontcover&lt;/a&gt; &lt;/p&gt;

&lt;p&gt;++XX++&lt;/p&gt;

&lt;p&gt;1778: Petticoat Loose: From Thomas Nixon Jr’s Music Book&lt;br&gt;
&lt;a href="http://www.framinghamhistory.org/framinghamhistory/Default/exhibit4/e40080b.htm" target="_blank" rel="nofollow noopener"&gt;http://www.framinghamhistory.org/framinghamhistory/Default/exhibit4/e40080b.htm&lt;/a&gt; &lt;/p&gt;

&lt;p&gt;For More information on The Nixon Manuscript see here:&lt;br&gt;
&lt;a href="https://exhibitions.framinghamhistory.org/home/top-ten/tunebook-1/" target="_blank" rel="nofollow noopener"&gt;https://exhibitions.framinghamhistory.org/home/top-ten/tunebook-1/&lt;/a&gt; &lt;/p&gt;

&lt;p&gt;Exploring the manuscript is not particularly easy, you have to use two websites to browse by tune title.&lt;br&gt;
This site can give you the titles and what page they are on:&lt;br&gt;
&lt;a href="https://www.cdss.org/elibrary/Easmes/TOC/St053752.htm#" target="_blank" rel="nofollow noopener"&gt;https://www.cdss.org/elibrary/Easmes/TOC/St053752.htm#&lt;/a&gt;&lt;br&gt;
This page allows you to click on the page by number but doesn't have any other information on it:&lt;br&gt;
&lt;a href="http://www.framinghamhistory.org/framinghamhistory/Default/exhibit4/vexid4.htm" target="_blank" rel="nofollow noopener"&gt;http://www.framinghamhistory.org/framinghamhistory/Default/exhibit4/vexid4.htm&lt;/a&gt;&lt;/p&gt;

&lt;p&gt;++X++X++&lt;/p&gt;

&lt;p&gt;I didn’t play these settings but you can look at them if you want:&lt;br&gt;
1776: William Vickers’ Petticoat Loose:&lt;br&gt;
&lt;a href="http://www.farnearchive.com/farneimages/jpgs/R0305300.jpg" target="_blank" rel="nofollow noopener"&gt;http://www.farnearchive.com/farneimages/jpgs/R0305300.jpg&lt;/a&gt; &lt;br&gt;
1812: John Bell’s Petticoat Loose:&lt;br&gt;
&lt;a href="http://www.farnearchive.com/farneimages/jpgs/R1009400.jpg" target="_blank" rel="nofollow noopener"&gt;http://www.farnearchive.com/farneimages/jpgs/R1009400.jpg&lt;/a&gt; &lt;/p&gt;

&lt;p&gt;+++XXXX+++&lt;/p&gt;

I’m Asleep and Don’t Wake Me/Past One O’Clock/Cold Frosty Morning:

&lt;p&gt;1805: I’m Asleep and Don’t Wake Me: From Fitzmaurice’s New Collection of Irish Tunes No 2:&lt;br&gt;
&lt;a href="https://www.google.com/books/edition/Fitzmaurice_s_New_Collection_of_Irish_Tu/vq4Fb5TyTK4C?hl=en&amp;amp;gbpv=1&amp;amp;pg=PP6&amp;amp;printsec=frontcover" target="_blank" rel="nofollow noopener"&gt;https://www.google.com/books/edition/Fitzmaurice_s_New_Collection_of_Irish_Tu/vq4Fb5TyTK4C?hl=en&amp;amp;amp;gbpv=1&amp;amp;amp;pg=PP6&amp;amp;amp;printsec=frontcover&lt;/a&gt;&lt;/p&gt;

&lt;p&gt;1720s: Cha mi ma chattle: Musick for Allan Ramsay's collection of 71 Scots songs (Set by Stuart):&lt;br&gt;
&lt;a href="https://digital.tcl.sc.edu/digital/collection/rbc/id/3002" target="_blank" rel="nofollow noopener"&gt;https://digital.tcl.sc.edu/digital/collection/rbc/id/3002&lt;/a&gt; &lt;/p&gt;

&lt;p&gt;You can Buy Paddy Keenan’s Na Keen Affair Album to listen to the entirety of Johnny’s Song for the Avalon here: &lt;br&gt;
&lt;a href="https://www.paddykeenan.com/nakeenaffair" target="_blank" rel="nofollow noopener"&gt;https://www.paddykeenan.com/nakeenaffair&lt;/a&gt; &lt;/p&gt;

&lt;p&gt;1740s Past One O’Clock: Wright’s Compleat Collection of Celebrated Country Dances both Old and New:&lt;br&gt;
&lt;a href="https://www.vwml.org/topics/historic-dance-and-tune-books/Wrights" target="_blank" rel="nofollow noopener"&gt;https://www.vwml.org/topics/historic-dance-and-tune-books/Wrights&lt;/a&gt; &lt;br&gt;
&lt;a href="https://media.vwml.org/images/web/Wrights/37530048.jpg" target="_blank" rel="nofollow noopener"&gt;https://media.vwml.org/images/web/Wrights/37530048.jpg&lt;/a&gt; &lt;/p&gt;

&lt;p&gt;1750s  Cold Frosty Morning: William McGibbon’s Tune 119 in Volume IV&lt;br&gt;
&lt;a href="https://imslp.org/wiki/A_Collection_of_Scots_Tunes_(McGibbon%2C_William)" target="_blank" rel="nofollow noopener"&gt;https://imslp.org/wiki/A_Collection_of_Scots_Tunes_(McGibbon%2C_William)&lt;/a&gt; &lt;/p&gt;

&lt;p&gt;Many Thanks to Rob Turner for his excellent playing of Oswald’s Cold Frostie Morning:&lt;br&gt;
&lt;a href="https://youtu.be/IOW168FRkLo" target="_blank" rel="nofollow noopener"&gt;https://youtu.be/IOW168FRkLo&lt;/a&gt; &lt;br&gt;
1745-1760s Cold Frostie Morning: James Oswald’s Caledonia Pocket Companion:&lt;br&gt;
&lt;a href="https://digital.nls.uk/special-collections-of-printed-music/archive/91499924" target="_blank" rel="nofollow noopener"&gt;https://digital.nls.uk/special-collections-of-printed-music/archive/91499924&lt;/a&gt; &lt;/p&gt;

&lt;p&gt;1806: Past One O’Clock: O’Farrell’s Pocket Companion:&lt;br&gt;
&lt;a href="https://digital.nls.uk/special-collections-of-printed-music/archive/87780446" target="_blank" rel="nofollow noopener"&gt;https://digital.nls.uk/special-collections-of-printed-music/archive/87780446&lt;/a&gt; &lt;/p&gt;

&lt;p&gt;1900 (1792) Lament of A Druid: From Charlotte Milligan-Fox&lt;br&gt;
&lt;a href="https://www.google.com/books/edition/Journal_of_the_Irish_Folk_Song_Society_L/0-o2AQAAMAAJ?hl=en&amp;amp;gbpv=1&amp;amp;pg=PA16&amp;amp;printsec=frontcover" target="_blank" rel="nofollow noopener"&gt;https://www.google.com/books/edition/Journal_of_the_Irish_Folk_Song_Society_L/0-o2AQAAMAAJ?hl=en&amp;amp;amp;gbpv=1&amp;amp;amp;pg=PA16&amp;amp;amp;printsec=frontcover&lt;/a&gt; &lt;/p&gt;

&lt;p&gt;1792: Tá Mé Mo Chodladh (I’m Asleep Don’t Waken Me): From Edward Bunting’s live notes of Hugh Higgins’playing: &lt;br&gt;
&lt;a href="https://digital-library.qub.ac.uk/digital/collection/p15979coll9/id/97/rec/8" target="_blank" rel="nofollow noopener"&gt;https://digital-library.qub.ac.uk/digital/collection/p15979coll9/id/97/rec/8&lt;/a&gt; &lt;/p&gt;

&lt;p&gt;You Can Watch Simon’s Performance here:&lt;br&gt;
&lt;a href="https://youtu.be/5iH3-Ebv0lE" target="_blank" rel="nofollow noopener"&gt;https://youtu.be/5iH3-Ebv0lE&lt;/a&gt; &lt;br&gt;
Simon’s further Notes:&lt;br&gt;
&lt;a href="http://simonchadwick.net/2020/05/ta-me-mo-chodladh-from-hugh-higgins-in-1792.html" target="_blank" rel="nofollow noopener"&gt;http://simonchadwick.net/2020/05/ta-me-mo-chodladh-from-hugh-higgins-in-1792.html&lt;/a&gt; &lt;/p&gt;

&lt;p&gt;Willie Clancy Playing Tá mé mo chodladh, nár dhúisce mé can be listened to here:&lt;br&gt;
&lt;a href="https://youtu.be/3Gq8BQ0VKmo?t=1858" target="_blank" rel="nofollow noopener"&gt;https://youtu.be/3Gq8BQ0VKmo?t=1858&lt;/a&gt; &lt;/p&gt;

&lt;p&gt;++X++X++&lt;/p&gt;

&lt;p&gt;I didn’t play these settings or they aren’t Tunes but here are links for your convenience:&lt;/p&gt;

&lt;p&gt;1733 The Words from Charles Coffey’s Irish Ballad Opera, “The Beggar’s Wedding” Air X:&lt;br&gt;
&lt;a href="https://www.google.com/books/edition/The_Beggar_s_Wedding/UA1EAQAAMAAJ?hl=en&amp;amp;gbpv=1&amp;amp;pg=PA33&amp;amp;printsec=frontcover" target="_blank" rel="nofollow noopener"&gt;https://www.google.com/books/edition/The_Beggar_s_Wedding/UA1EAQAAMAAJ?hl=en&amp;amp;amp;gbpv=1&amp;amp;amp;pg=PA33&amp;amp;amp;printsec=frontcover&lt;/a&gt;&lt;/p&gt;

&lt;p&gt;1748 Past One O’Clock  (Scottish Section) It is in Thurmoth’s Twelve Scotch and Twelve Irish Airs:&lt;br&gt;
&lt;a href="https://archive.org/details/imslp-irish-and-12-scotch-airs-with-variations-thumoth-burke/page/n17/mode/1up" target="_blank" rel="nofollow noopener"&gt;https://archive.org/details/imslp-irish-and-12-scotch-airs-with-variations-thumoth-burke/page/n17/mode/1up&lt;/a&gt; &lt;/p&gt;

&lt;p&gt;1762: Cold Frosty Morning: Francis Peacock’s Fifty Favorite Scotch Airs: &lt;br&gt;
&lt;a href="https://digital.nls.uk/special-collections-of-printed-music/archive/105810724" target="_blank" rel="nofollow noopener"&gt;https://digital.nls.uk/special-collections-of-printed-music/archive/105810724&lt;/a&gt; &lt;/p&gt;

&lt;p&gt;1840: I Am Asleep and Don’t Waken Me: From Edward Bunting’s The ancient music of Ireland&lt;br&gt;
&lt;a href="https://archive.org/details/ancientmusicofir00bunt/page/74/mode/1up" target="_blank" rel="nofollow noopener"&gt;https://archive.org/details/ancientmusicofir00bunt/page/74/mode/1up&lt;/a&gt; &lt;/p&gt;

&lt;p&gt;For More information I recommend the Following Tune Annotation Pages from Traditional Tune Archive:&lt;br&gt;
&lt;a href="https://tunearch.org/wiki/Annotation:I_Am_Asleep_and_Don%27t_Waken_Me_(2)" target="_blank" rel="nofollow noopener"&gt;https://tunearch.org/wiki/Annotation:I_Am_Asleep_and_Don%27t_Waken_Me_(2)&lt;/a&gt; &lt;br&gt;
&lt;a href="https://tunearch.org/wiki/Annotation:Past_One_O%27Clock" target="_blank" rel="nofollow noopener"&gt;https://tunearch.org/wiki/Annotation:Past_One_O%27Clock&lt;/a&gt; &lt;/p&gt;

&lt;p&gt;++X++X++&lt;/p&gt;

&lt;p&gt;Please take advantage of the Tune Collection tab: &lt;a href="https://www.wetootwaag.com/tunesources" target="_blank" rel="nofollow noopener"&gt;https://www.wetootwaag.com/tunesources&lt;/a&gt; &lt;br&gt;
Also Please take a minute to leave a review of the podcast! &lt;/p&gt;

&lt;p&gt;Listen on Apple Podcasts: &lt;a href="https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677" target="_blank" rel="nofollow noopener"&gt;https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677&lt;/a&gt; &lt;br&gt;
Listen on Itunes: &lt;a href="https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677" target="_blank" rel="nofollow noopener"&gt;https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677&lt;/a&gt; &lt;br&gt;
Listen on Spotify: &lt;a href="https://open.spotify.com/show/5QxzqrSm0pu6v8y8pLsv5j?si=QLiG0L1pT1eu7B5_FDmgGA" target="_blank" rel="nofollow noopener"&gt;https://open.spotify.com/show/5QxzqrSm0pu6v8y8pLsv5j?si=QLiG0L1pT1eu7B5_FDmgGA&lt;/a&gt;&lt;/p&gt;
</description>
  <itunes:keywords>bagpipes, uilleann pipes, Highland, Scottish, Scotland, Donald MacDonald, History, Music, Great Highland Bagpipes, GHB, Celtic, history, pastoral pipes, union pipes, baroque, eighteenth Century, Irish Music, Scottish Music, </itunes:keywords>
  <content:encoded>
    <![CDATA[<p>Tunes:<br>
Thomas Marsden: Mr. Preston’s Hornpipe<br>
Fitzmaurice: I’m Asleep and Don’t Wake Me, Mount the Stage, Donald Bran, Loose the Belt, Fitzmaurice’s Trip to Rosline Castle <br>
Walsh: Petticoat Loose, Petticoat Tight<br>
Nixon: Petticoat Loose<br>
Allan Ramsay (Stuart): Cha mi ma chattle<br>
Wright: Past One O’Clock<br>
McGibbon: Cold Frosty Morning<br>
Oswald: Cold Frostie Morning (performed by Rob Turner)<br>
Milligan-Fox (Joyce): Lament of a Druid<br>
O’Farrell: Past One O’Clock</p>

<h1>Edward Bunting (Higgins): Tá Mé Mo Chodladh (I’m Asleep Don’t Waken Me) (Performed by Simon Chadwick)</h1>

<p>Please Consider Joining Patreon to Support the Show:<br>
<a href="https://www.patreon.com/wetootwaag" rel="nofollow">https://www.patreon.com/wetootwaag</a></p>

<p>Special Thanks to Pete Stewart, Rob Turner and Simon Chadwick for being On the Episode this week.</p>

<p>Pete Stewart has some great videos uploaded to his Youtube Channel:<br>
<a href="https://www.youtube.com/channel/UCbihXksKCthLa2FGmI-piBQ" rel="nofollow">https://www.youtube.com/channel/UCbihXksKCthLa2FGmI-piBQ</a> <br>
He Sells three of his books on his website:<br>
<a href="http://www.hornpipemusic.co.uk/" rel="nofollow">http://www.hornpipemusic.co.uk/</a> <br>
He is also the editor of the Common Stock Journal from the LBPS which you can read even if not a member (apart from the most recent issues):<br>
<a href="https://lbps.net/j3site/index.php/common-stock" rel="nofollow">https://lbps.net/j3site/index.php/common-stock</a> </p>

<p>Rob Turner has glorioius renditions of many tunes from the same collections I have to rip apart and adjust to play, hear them how they were intended by subscribing to Rob’s Youtube page:<br>
<a href="https://www.youtube.com/channel/UCMNv7YozytBYTZHjyMGxO1A" rel="nofollow">https://www.youtube.com/channel/UCMNv7YozytBYTZHjyMGxO1A</a> </p>

<p>Simon Chadwick also is a must follow on Youtube:<br>
<a href="https://www.youtube.com/user/simonmchadwick" rel="nofollow">https://www.youtube.com/user/simonmchadwick</a> <br>
Simon’s Website is filled with valuable articles and comments on a huge variety of topics, but also many of the printed music sources I play on the podcast:<br>
<a href="http://simonchadwick.net/" rel="nofollow">http://simonchadwick.net/</a> </p>

<p>XXX+++XXX+++XXXXX+++XXX+++XXX</p>

<p>1690s: Mr. Preston’s Hornpipe: You can buy a lovely print of Thomas Marsden’s “A Collection of Original Lancashire Hornpipes” as part of Pete Stewart’s Book, “Three Extraordinary Collections”:<br>
<a href="http://www.hornpipemusic.co.uk/index.php/publications/three-extraordinary-collections" rel="nofollow">http://www.hornpipemusic.co.uk/index.php/publications/three-extraordinary-collections</a> <br>
The ABC is also available on Traditional Tune Archive:<br>
<a href="https://tunearch.org/wiki/Mr._Preston%27s_Hornpipe_(1)" rel="nofollow">https://tunearch.org/wiki/Mr._Preston%27s_Hornpipe_(1)</a> </p>

<p>Mr. Preston’s Hornpipe Played by Pete Stewart:<br>
<a href="https://youtu.be/6TXJphyjFfw" rel="nofollow">https://youtu.be/6TXJphyjFfw</a> </p>

<p>XX+++XXX+++XX</p>

<p>1805: Mount the Stage: From Fitzmaurice’s New Collection of Irish Tunes No 2:<br>
<a href="https://www.google.com/books/edition/Fitzmaurice_s_New_Collection_of_Irish_Tu/vq4Fb5TyTK4C?hl=en&gbpv=1&pg=PP6&printsec=frontcover" rel="nofollow">https://www.google.com/books/edition/Fitzmaurice_s_New_Collection_of_Irish_Tu/vq4Fb5TyTK4C?hl=en&amp;gbpv=1&amp;pg=PP6&amp;printsec=frontcover</a></p>

<p>1805: Donald Bran: From Fitzmaurice’s New Collection of Irish Tunes No 2:<br>
<a href="https://www.google.com/books/edition/Fitzmaurice_s_New_Collection_of_Irish_Tu/vq4Fb5TyTK4C?hl=en&gbpv=1&pg=PP7&printsec=frontcover" rel="nofollow">https://www.google.com/books/edition/Fitzmaurice_s_New_Collection_of_Irish_Tu/vq4Fb5TyTK4C?hl=en&amp;gbpv=1&amp;pg=PP7&amp;printsec=frontcover</a> </p>

<p>1805: Fitzmaurice’s Trip to Rosline Castle: From Fitzmaurice’s New Collection of Irish Tunes No 2:<br>
<a href="https://www.google.com/books/edition/Fitzmaurice_s_New_Collection_of_Irish_Tu/vq4Fb5TyTK4C?hl=en&gbpv=1&pg=PP7&printsec=frontcover" rel="nofollow">https://www.google.com/books/edition/Fitzmaurice_s_New_Collection_of_Irish_Tu/vq4Fb5TyTK4C?hl=en&amp;gbpv=1&amp;pg=PP7&amp;printsec=frontcover</a> </p>

<p>+++XXXX+++</p>

<h1>Petticoat Loose:</h1>

<p>1748: Petticoat Tight: from Walsh’s Caledonian Country Dances:<br>
<a href="https://digital.nls.uk/special-collections-of-printed-music/archive/90248459" rel="nofollow">https://digital.nls.uk/special-collections-of-printed-music/archive/90248459</a></p>

<p>1748: Petticoat Loose: from Walsh’s Caledonian Country Dances:<br>
<a href="https://digital.nls.uk/special-collections-of-printed-music/archive/90247895" rel="nofollow">https://digital.nls.uk/special-collections-of-printed-music/archive/90247895</a></p>

<p>1805: Loose the Belt: From Fitzmaurice’s New Collection of Irish Tunes No 2:<br>
<a href="https://www.google.com/books/edition/Fitzmaurice_s_New_Collection_of_Irish_Tu/vq4Fb5TyTK4C?hl=en&gbpv=1&pg=PP7&printsec=frontcover" rel="nofollow">https://www.google.com/books/edition/Fitzmaurice_s_New_Collection_of_Irish_Tu/vq4Fb5TyTK4C?hl=en&amp;gbpv=1&amp;pg=PP7&amp;printsec=frontcover</a> </p>

<p>++XX++</p>

<p>1778: Petticoat Loose: From Thomas Nixon Jr’s Music Book<br>
<a href="http://www.framinghamhistory.org/framinghamhistory/Default/exhibit4/e40080b.htm" rel="nofollow">http://www.framinghamhistory.org/framinghamhistory/Default/exhibit4/e40080b.htm</a> </p>

<p>For More information on The Nixon Manuscript see here:<br>
<a href="https://exhibitions.framinghamhistory.org/home/top-ten/tunebook-1/" rel="nofollow">https://exhibitions.framinghamhistory.org/home/top-ten/tunebook-1/</a> </p>

<p>Exploring the manuscript is not particularly easy, you have to use two websites to browse by tune title.<br>
This site can give you the titles and what page they are on:<br>
<a href="https://www.cdss.org/elibrary/Easmes/TOC/St053752.htm#" rel="nofollow">https://www.cdss.org/elibrary/Easmes/TOC/St053752.htm#</a><br>
This page allows you to click on the page by number but doesn&#39;t have any other information on it:<br>
<a href="http://www.framinghamhistory.org/framinghamhistory/Default/exhibit4/vexid4.htm" rel="nofollow">http://www.framinghamhistory.org/framinghamhistory/Default/exhibit4/vexid4.htm</a></p>

<p>++X++X++</p>

<p>I didn’t play these settings but you can look at them if you want:<br>
1776: William Vickers’ Petticoat Loose:<br>
<a href="http://www.farnearchive.com/farneimages/jpgs/R0305300.jpg" rel="nofollow">http://www.farnearchive.com/farneimages/jpgs/R0305300.jpg</a> <br>
1812: John Bell’s Petticoat Loose:<br>
<a href="http://www.farnearchive.com/farneimages/jpgs/R1009400.jpg" rel="nofollow">http://www.farnearchive.com/farneimages/jpgs/R1009400.jpg</a> </p>

<p>+++XXXX+++</p>

<h1>I’m Asleep and Don’t Wake Me/Past One O’Clock/Cold Frosty Morning:</h1>

<p>1805: I’m Asleep and Don’t Wake Me: From Fitzmaurice’s New Collection of Irish Tunes No 2:<br>
<a href="https://www.google.com/books/edition/Fitzmaurice_s_New_Collection_of_Irish_Tu/vq4Fb5TyTK4C?hl=en&gbpv=1&pg=PP6&printsec=frontcover" rel="nofollow">https://www.google.com/books/edition/Fitzmaurice_s_New_Collection_of_Irish_Tu/vq4Fb5TyTK4C?hl=en&amp;gbpv=1&amp;pg=PP6&amp;printsec=frontcover</a></p>

<p>1720s: Cha mi ma chattle: Musick for Allan Ramsay&#39;s collection of 71 Scots songs (Set by Stuart):<br>
<a href="https://digital.tcl.sc.edu/digital/collection/rbc/id/3002" rel="nofollow">https://digital.tcl.sc.edu/digital/collection/rbc/id/3002</a> </p>

<p>You can Buy Paddy Keenan’s Na Keen Affair Album to listen to the entirety of Johnny’s Song for the Avalon here: <br>
<a href="https://www.paddykeenan.com/nakeenaffair" rel="nofollow">https://www.paddykeenan.com/nakeenaffair</a> </p>

<p>1740s Past One O’Clock: Wright’s Compleat Collection of Celebrated Country Dances both Old and New:<br>
<a href="https://www.vwml.org/topics/historic-dance-and-tune-books/Wrights" rel="nofollow">https://www.vwml.org/topics/historic-dance-and-tune-books/Wrights</a> <br>
<a href="https://media.vwml.org/images/web/Wrights/37530048.jpg" rel="nofollow">https://media.vwml.org/images/web/Wrights/37530048.jpg</a> </p>

<p>1750s  Cold Frosty Morning: William McGibbon’s Tune 119 in Volume IV<br>
<a href="https://imslp.org/wiki/A_Collection_of_Scots_Tunes_(McGibbon%2C_William)" rel="nofollow">https://imslp.org/wiki/A_Collection_of_Scots_Tunes_(McGibbon%2C_William)</a> </p>

<p>Many Thanks to Rob Turner for his excellent playing of Oswald’s Cold Frostie Morning:<br>
<a href="https://youtu.be/IOW168FRkLo" rel="nofollow">https://youtu.be/IOW168FRkLo</a> <br>
1745-1760s Cold Frostie Morning: James Oswald’s Caledonia Pocket Companion:<br>
<a href="https://digital.nls.uk/special-collections-of-printed-music/archive/91499924" rel="nofollow">https://digital.nls.uk/special-collections-of-printed-music/archive/91499924</a> </p>

<p>1806: Past One O’Clock: O’Farrell’s Pocket Companion:<br>
<a href="https://digital.nls.uk/special-collections-of-printed-music/archive/87780446" rel="nofollow">https://digital.nls.uk/special-collections-of-printed-music/archive/87780446</a> </p>

<p>1900 (1792) Lament of A Druid: From Charlotte Milligan-Fox<br>
<a href="https://www.google.com/books/edition/Journal_of_the_Irish_Folk_Song_Society_L/0-o2AQAAMAAJ?hl=en&gbpv=1&pg=PA16&printsec=frontcover" rel="nofollow">https://www.google.com/books/edition/Journal_of_the_Irish_Folk_Song_Society_L/0-o2AQAAMAAJ?hl=en&amp;gbpv=1&amp;pg=PA16&amp;printsec=frontcover</a> </p>

<p>1792: Tá Mé Mo Chodladh (I’m Asleep Don’t Waken Me): From Edward Bunting’s live notes of Hugh Higgins’playing: <br>
<a href="https://digital-library.qub.ac.uk/digital/collection/p15979coll9/id/97/rec/8" rel="nofollow">https://digital-library.qub.ac.uk/digital/collection/p15979coll9/id/97/rec/8</a> </p>

<p>You Can Watch Simon’s Performance here:<br>
<a href="https://youtu.be/5iH3-Ebv0lE" rel="nofollow">https://youtu.be/5iH3-Ebv0lE</a> <br>
Simon’s further Notes:<br>
<a href="http://simonchadwick.net/2020/05/ta-me-mo-chodladh-from-hugh-higgins-in-1792.html" rel="nofollow">http://simonchadwick.net/2020/05/ta-me-mo-chodladh-from-hugh-higgins-in-1792.html</a> </p>

<p>Willie Clancy Playing Tá mé mo chodladh, nár dhúisce mé can be listened to here:<br>
<a href="https://youtu.be/3Gq8BQ0VKmo?t=1858" rel="nofollow">https://youtu.be/3Gq8BQ0VKmo?t=1858</a> </p>

<p>++X++X++</p>

<p>I didn’t play these settings or they aren’t Tunes but here are links for your convenience:</p>

<p>1733 The Words from Charles Coffey’s Irish Ballad Opera, “The Beggar’s Wedding” Air X:<br>
<a href="https://www.google.com/books/edition/The_Beggar_s_Wedding/UA1EAQAAMAAJ?hl=en&gbpv=1&pg=PA33&printsec=frontcover" rel="nofollow">https://www.google.com/books/edition/The_Beggar_s_Wedding/UA1EAQAAMAAJ?hl=en&amp;gbpv=1&amp;pg=PA33&amp;printsec=frontcover</a></p>

<p>1748 Past One O’Clock  (Scottish Section) It is in Thurmoth’s Twelve Scotch and Twelve Irish Airs:<br>
<a href="https://archive.org/details/imslp-irish-and-12-scotch-airs-with-variations-thumoth-burke/page/n17/mode/1up" rel="nofollow">https://archive.org/details/imslp-irish-and-12-scotch-airs-with-variations-thumoth-burke/page/n17/mode/1up</a> </p>

<p>1762: Cold Frosty Morning: Francis Peacock’s Fifty Favorite Scotch Airs: <br>
<a href="https://digital.nls.uk/special-collections-of-printed-music/archive/105810724" rel="nofollow">https://digital.nls.uk/special-collections-of-printed-music/archive/105810724</a> </p>

<p>1840: I Am Asleep and Don’t Waken Me: From Edward Bunting’s The ancient music of Ireland<br>
<a href="https://archive.org/details/ancientmusicofir00bunt/page/74/mode/1up" rel="nofollow">https://archive.org/details/ancientmusicofir00bunt/page/74/mode/1up</a> </p>

<p>For More information I recommend the Following Tune Annotation Pages from Traditional Tune Archive:<br>
<a href="https://tunearch.org/wiki/Annotation:I_Am_Asleep_and_Don%27t_Waken_Me_(2)" rel="nofollow">https://tunearch.org/wiki/Annotation:I_Am_Asleep_and_Don%27t_Waken_Me_(2)</a> <br>
<a href="https://tunearch.org/wiki/Annotation:Past_One_O%27Clock" rel="nofollow">https://tunearch.org/wiki/Annotation:Past_One_O%27Clock</a> </p>

<p>++X++X++</p>

<p>Please take advantage of the Tune Collection tab: <a href="https://www.wetootwaag.com/tunesources" rel="nofollow">https://www.wetootwaag.com/tunesources</a> <br>
Also Please take a minute to leave a review of the podcast! </p>

<p>Listen on Apple Podcasts: <a href="https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677" rel="nofollow">https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677</a> <br>
Listen on Itunes: <a href="https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677" rel="nofollow">https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677</a> <br>
Listen on Spotify: <a href="https://open.spotify.com/show/5QxzqrSm0pu6v8y8pLsv5j?si=QLiG0L1pT1eu7B5_FDmgGA" rel="nofollow">https://open.spotify.com/show/5QxzqrSm0pu6v8y8pLsv5j?si=QLiG0L1pT1eu7B5_FDmgGA</a></p><p><a rel="payment" href="https://www.patreon.com/wetootwaag">Support Wetootwaag&#39;s Bagpipe and History Podcast</a></p>]]>
  </content:encoded>
  <itunes:summary>
    <![CDATA[<p>Tunes:<br>
Thomas Marsden: Mr. Preston’s Hornpipe<br>
Fitzmaurice: I’m Asleep and Don’t Wake Me, Mount the Stage, Donald Bran, Loose the Belt, Fitzmaurice’s Trip to Rosline Castle <br>
Walsh: Petticoat Loose, Petticoat Tight<br>
Nixon: Petticoat Loose<br>
Allan Ramsay (Stuart): Cha mi ma chattle<br>
Wright: Past One O’Clock<br>
McGibbon: Cold Frosty Morning<br>
Oswald: Cold Frostie Morning (performed by Rob Turner)<br>
Milligan-Fox (Joyce): Lament of a Druid<br>
O’Farrell: Past One O’Clock</p>

<h1>Edward Bunting (Higgins): Tá Mé Mo Chodladh (I’m Asleep Don’t Waken Me) (Performed by Simon Chadwick)</h1>

<p>Please Consider Joining Patreon to Support the Show:<br>
<a href="https://www.patreon.com/wetootwaag" rel="nofollow">https://www.patreon.com/wetootwaag</a></p>

<p>Special Thanks to Pete Stewart, Rob Turner and Simon Chadwick for being On the Episode this week.</p>

<p>Pete Stewart has some great videos uploaded to his Youtube Channel:<br>
<a href="https://www.youtube.com/channel/UCbihXksKCthLa2FGmI-piBQ" rel="nofollow">https://www.youtube.com/channel/UCbihXksKCthLa2FGmI-piBQ</a> <br>
He Sells three of his books on his website:<br>
<a href="http://www.hornpipemusic.co.uk/" rel="nofollow">http://www.hornpipemusic.co.uk/</a> <br>
He is also the editor of the Common Stock Journal from the LBPS which you can read even if not a member (apart from the most recent issues):<br>
<a href="https://lbps.net/j3site/index.php/common-stock" rel="nofollow">https://lbps.net/j3site/index.php/common-stock</a> </p>

<p>Rob Turner has glorioius renditions of many tunes from the same collections I have to rip apart and adjust to play, hear them how they were intended by subscribing to Rob’s Youtube page:<br>
<a href="https://www.youtube.com/channel/UCMNv7YozytBYTZHjyMGxO1A" rel="nofollow">https://www.youtube.com/channel/UCMNv7YozytBYTZHjyMGxO1A</a> </p>

<p>Simon Chadwick also is a must follow on Youtube:<br>
<a href="https://www.youtube.com/user/simonmchadwick" rel="nofollow">https://www.youtube.com/user/simonmchadwick</a> <br>
Simon’s Website is filled with valuable articles and comments on a huge variety of topics, but also many of the printed music sources I play on the podcast:<br>
<a href="http://simonchadwick.net/" rel="nofollow">http://simonchadwick.net/</a> </p>

<p>XXX+++XXX+++XXXXX+++XXX+++XXX</p>

<p>1690s: Mr. Preston’s Hornpipe: You can buy a lovely print of Thomas Marsden’s “A Collection of Original Lancashire Hornpipes” as part of Pete Stewart’s Book, “Three Extraordinary Collections”:<br>
<a href="http://www.hornpipemusic.co.uk/index.php/publications/three-extraordinary-collections" rel="nofollow">http://www.hornpipemusic.co.uk/index.php/publications/three-extraordinary-collections</a> <br>
The ABC is also available on Traditional Tune Archive:<br>
<a href="https://tunearch.org/wiki/Mr._Preston%27s_Hornpipe_(1)" rel="nofollow">https://tunearch.org/wiki/Mr._Preston%27s_Hornpipe_(1)</a> </p>

<p>Mr. Preston’s Hornpipe Played by Pete Stewart:<br>
<a href="https://youtu.be/6TXJphyjFfw" rel="nofollow">https://youtu.be/6TXJphyjFfw</a> </p>

<p>XX+++XXX+++XX</p>

<p>1805: Mount the Stage: From Fitzmaurice’s New Collection of Irish Tunes No 2:<br>
<a href="https://www.google.com/books/edition/Fitzmaurice_s_New_Collection_of_Irish_Tu/vq4Fb5TyTK4C?hl=en&gbpv=1&pg=PP6&printsec=frontcover" rel="nofollow">https://www.google.com/books/edition/Fitzmaurice_s_New_Collection_of_Irish_Tu/vq4Fb5TyTK4C?hl=en&amp;gbpv=1&amp;pg=PP6&amp;printsec=frontcover</a></p>

<p>1805: Donald Bran: From Fitzmaurice’s New Collection of Irish Tunes No 2:<br>
<a href="https://www.google.com/books/edition/Fitzmaurice_s_New_Collection_of_Irish_Tu/vq4Fb5TyTK4C?hl=en&gbpv=1&pg=PP7&printsec=frontcover" rel="nofollow">https://www.google.com/books/edition/Fitzmaurice_s_New_Collection_of_Irish_Tu/vq4Fb5TyTK4C?hl=en&amp;gbpv=1&amp;pg=PP7&amp;printsec=frontcover</a> </p>

<p>1805: Fitzmaurice’s Trip to Rosline Castle: From Fitzmaurice’s New Collection of Irish Tunes No 2:<br>
<a href="https://www.google.com/books/edition/Fitzmaurice_s_New_Collection_of_Irish_Tu/vq4Fb5TyTK4C?hl=en&gbpv=1&pg=PP7&printsec=frontcover" rel="nofollow">https://www.google.com/books/edition/Fitzmaurice_s_New_Collection_of_Irish_Tu/vq4Fb5TyTK4C?hl=en&amp;gbpv=1&amp;pg=PP7&amp;printsec=frontcover</a> </p>

<p>+++XXXX+++</p>

<h1>Petticoat Loose:</h1>

<p>1748: Petticoat Tight: from Walsh’s Caledonian Country Dances:<br>
<a href="https://digital.nls.uk/special-collections-of-printed-music/archive/90248459" rel="nofollow">https://digital.nls.uk/special-collections-of-printed-music/archive/90248459</a></p>

<p>1748: Petticoat Loose: from Walsh’s Caledonian Country Dances:<br>
<a href="https://digital.nls.uk/special-collections-of-printed-music/archive/90247895" rel="nofollow">https://digital.nls.uk/special-collections-of-printed-music/archive/90247895</a></p>

<p>1805: Loose the Belt: From Fitzmaurice’s New Collection of Irish Tunes No 2:<br>
<a href="https://www.google.com/books/edition/Fitzmaurice_s_New_Collection_of_Irish_Tu/vq4Fb5TyTK4C?hl=en&gbpv=1&pg=PP7&printsec=frontcover" rel="nofollow">https://www.google.com/books/edition/Fitzmaurice_s_New_Collection_of_Irish_Tu/vq4Fb5TyTK4C?hl=en&amp;gbpv=1&amp;pg=PP7&amp;printsec=frontcover</a> </p>

<p>++XX++</p>

<p>1778: Petticoat Loose: From Thomas Nixon Jr’s Music Book<br>
<a href="http://www.framinghamhistory.org/framinghamhistory/Default/exhibit4/e40080b.htm" rel="nofollow">http://www.framinghamhistory.org/framinghamhistory/Default/exhibit4/e40080b.htm</a> </p>

<p>For More information on The Nixon Manuscript see here:<br>
<a href="https://exhibitions.framinghamhistory.org/home/top-ten/tunebook-1/" rel="nofollow">https://exhibitions.framinghamhistory.org/home/top-ten/tunebook-1/</a> </p>

<p>Exploring the manuscript is not particularly easy, you have to use two websites to browse by tune title.<br>
This site can give you the titles and what page they are on:<br>
<a href="https://www.cdss.org/elibrary/Easmes/TOC/St053752.htm#" rel="nofollow">https://www.cdss.org/elibrary/Easmes/TOC/St053752.htm#</a><br>
This page allows you to click on the page by number but doesn&#39;t have any other information on it:<br>
<a href="http://www.framinghamhistory.org/framinghamhistory/Default/exhibit4/vexid4.htm" rel="nofollow">http://www.framinghamhistory.org/framinghamhistory/Default/exhibit4/vexid4.htm</a></p>

<p>++X++X++</p>

<p>I didn’t play these settings but you can look at them if you want:<br>
1776: William Vickers’ Petticoat Loose:<br>
<a href="http://www.farnearchive.com/farneimages/jpgs/R0305300.jpg" rel="nofollow">http://www.farnearchive.com/farneimages/jpgs/R0305300.jpg</a> <br>
1812: John Bell’s Petticoat Loose:<br>
<a href="http://www.farnearchive.com/farneimages/jpgs/R1009400.jpg" rel="nofollow">http://www.farnearchive.com/farneimages/jpgs/R1009400.jpg</a> </p>

<p>+++XXXX+++</p>

<h1>I’m Asleep and Don’t Wake Me/Past One O’Clock/Cold Frosty Morning:</h1>

<p>1805: I’m Asleep and Don’t Wake Me: From Fitzmaurice’s New Collection of Irish Tunes No 2:<br>
<a href="https://www.google.com/books/edition/Fitzmaurice_s_New_Collection_of_Irish_Tu/vq4Fb5TyTK4C?hl=en&gbpv=1&pg=PP6&printsec=frontcover" rel="nofollow">https://www.google.com/books/edition/Fitzmaurice_s_New_Collection_of_Irish_Tu/vq4Fb5TyTK4C?hl=en&amp;gbpv=1&amp;pg=PP6&amp;printsec=frontcover</a></p>

<p>1720s: Cha mi ma chattle: Musick for Allan Ramsay&#39;s collection of 71 Scots songs (Set by Stuart):<br>
<a href="https://digital.tcl.sc.edu/digital/collection/rbc/id/3002" rel="nofollow">https://digital.tcl.sc.edu/digital/collection/rbc/id/3002</a> </p>

<p>You can Buy Paddy Keenan’s Na Keen Affair Album to listen to the entirety of Johnny’s Song for the Avalon here: <br>
<a href="https://www.paddykeenan.com/nakeenaffair" rel="nofollow">https://www.paddykeenan.com/nakeenaffair</a> </p>

<p>1740s Past One O’Clock: Wright’s Compleat Collection of Celebrated Country Dances both Old and New:<br>
<a href="https://www.vwml.org/topics/historic-dance-and-tune-books/Wrights" rel="nofollow">https://www.vwml.org/topics/historic-dance-and-tune-books/Wrights</a> <br>
<a href="https://media.vwml.org/images/web/Wrights/37530048.jpg" rel="nofollow">https://media.vwml.org/images/web/Wrights/37530048.jpg</a> </p>

<p>1750s  Cold Frosty Morning: William McGibbon’s Tune 119 in Volume IV<br>
<a href="https://imslp.org/wiki/A_Collection_of_Scots_Tunes_(McGibbon%2C_William)" rel="nofollow">https://imslp.org/wiki/A_Collection_of_Scots_Tunes_(McGibbon%2C_William)</a> </p>

<p>Many Thanks to Rob Turner for his excellent playing of Oswald’s Cold Frostie Morning:<br>
<a href="https://youtu.be/IOW168FRkLo" rel="nofollow">https://youtu.be/IOW168FRkLo</a> <br>
1745-1760s Cold Frostie Morning: James Oswald’s Caledonia Pocket Companion:<br>
<a href="https://digital.nls.uk/special-collections-of-printed-music/archive/91499924" rel="nofollow">https://digital.nls.uk/special-collections-of-printed-music/archive/91499924</a> </p>

<p>1806: Past One O’Clock: O’Farrell’s Pocket Companion:<br>
<a href="https://digital.nls.uk/special-collections-of-printed-music/archive/87780446" rel="nofollow">https://digital.nls.uk/special-collections-of-printed-music/archive/87780446</a> </p>

<p>1900 (1792) Lament of A Druid: From Charlotte Milligan-Fox<br>
<a href="https://www.google.com/books/edition/Journal_of_the_Irish_Folk_Song_Society_L/0-o2AQAAMAAJ?hl=en&gbpv=1&pg=PA16&printsec=frontcover" rel="nofollow">https://www.google.com/books/edition/Journal_of_the_Irish_Folk_Song_Society_L/0-o2AQAAMAAJ?hl=en&amp;gbpv=1&amp;pg=PA16&amp;printsec=frontcover</a> </p>

<p>1792: Tá Mé Mo Chodladh (I’m Asleep Don’t Waken Me): From Edward Bunting’s live notes of Hugh Higgins’playing: <br>
<a href="https://digital-library.qub.ac.uk/digital/collection/p15979coll9/id/97/rec/8" rel="nofollow">https://digital-library.qub.ac.uk/digital/collection/p15979coll9/id/97/rec/8</a> </p>

<p>You Can Watch Simon’s Performance here:<br>
<a href="https://youtu.be/5iH3-Ebv0lE" rel="nofollow">https://youtu.be/5iH3-Ebv0lE</a> <br>
Simon’s further Notes:<br>
<a href="http://simonchadwick.net/2020/05/ta-me-mo-chodladh-from-hugh-higgins-in-1792.html" rel="nofollow">http://simonchadwick.net/2020/05/ta-me-mo-chodladh-from-hugh-higgins-in-1792.html</a> </p>

<p>Willie Clancy Playing Tá mé mo chodladh, nár dhúisce mé can be listened to here:<br>
<a href="https://youtu.be/3Gq8BQ0VKmo?t=1858" rel="nofollow">https://youtu.be/3Gq8BQ0VKmo?t=1858</a> </p>

<p>++X++X++</p>

<p>I didn’t play these settings or they aren’t Tunes but here are links for your convenience:</p>

<p>1733 The Words from Charles Coffey’s Irish Ballad Opera, “The Beggar’s Wedding” Air X:<br>
<a href="https://www.google.com/books/edition/The_Beggar_s_Wedding/UA1EAQAAMAAJ?hl=en&gbpv=1&pg=PA33&printsec=frontcover" rel="nofollow">https://www.google.com/books/edition/The_Beggar_s_Wedding/UA1EAQAAMAAJ?hl=en&amp;gbpv=1&amp;pg=PA33&amp;printsec=frontcover</a></p>

<p>1748 Past One O’Clock  (Scottish Section) It is in Thurmoth’s Twelve Scotch and Twelve Irish Airs:<br>
<a href="https://archive.org/details/imslp-irish-and-12-scotch-airs-with-variations-thumoth-burke/page/n17/mode/1up" rel="nofollow">https://archive.org/details/imslp-irish-and-12-scotch-airs-with-variations-thumoth-burke/page/n17/mode/1up</a> </p>

<p>1762: Cold Frosty Morning: Francis Peacock’s Fifty Favorite Scotch Airs: <br>
<a href="https://digital.nls.uk/special-collections-of-printed-music/archive/105810724" rel="nofollow">https://digital.nls.uk/special-collections-of-printed-music/archive/105810724</a> </p>

<p>1840: I Am Asleep and Don’t Waken Me: From Edward Bunting’s The ancient music of Ireland<br>
<a href="https://archive.org/details/ancientmusicofir00bunt/page/74/mode/1up" rel="nofollow">https://archive.org/details/ancientmusicofir00bunt/page/74/mode/1up</a> </p>

<p>For More information I recommend the Following Tune Annotation Pages from Traditional Tune Archive:<br>
<a href="https://tunearch.org/wiki/Annotation:I_Am_Asleep_and_Don%27t_Waken_Me_(2)" rel="nofollow">https://tunearch.org/wiki/Annotation:I_Am_Asleep_and_Don%27t_Waken_Me_(2)</a> <br>
<a href="https://tunearch.org/wiki/Annotation:Past_One_O%27Clock" rel="nofollow">https://tunearch.org/wiki/Annotation:Past_One_O%27Clock</a> </p>

<p>++X++X++</p>

<p>Please take advantage of the Tune Collection tab: <a href="https://www.wetootwaag.com/tunesources" rel="nofollow">https://www.wetootwaag.com/tunesources</a> <br>
Also Please take a minute to leave a review of the podcast! </p>

<p>Listen on Apple Podcasts: <a href="https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677" rel="nofollow">https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677</a> <br>
Listen on Itunes: <a href="https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677" rel="nofollow">https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677</a> <br>
Listen on Spotify: <a href="https://open.spotify.com/show/5QxzqrSm0pu6v8y8pLsv5j?si=QLiG0L1pT1eu7B5_FDmgGA" rel="nofollow">https://open.spotify.com/show/5QxzqrSm0pu6v8y8pLsv5j?si=QLiG0L1pT1eu7B5_FDmgGA</a></p><p><a rel="payment" href="https://www.patreon.com/wetootwaag">Support Wetootwaag&#39;s Bagpipe and History Podcast</a></p>]]>
  </itunes:summary>
</item>
<item>
  <title>Season 5 Episode 17: New To me Books Preview</title>
  <link>https://www.wetootwaag.com/s5e17</link>
  <guid isPermaLink="false">1137c865-608f-4e43-a06c-5846b40c2929</guid>
  <pubDate>Sat, 12 Jun 2021 00:00:00 -0400</pubDate>
  <author>Jeremy Kingsbury</author>
  <enclosure url="https://aphid.fireside.fm/d/1437767933/f158d1e4-b92d-4f8d-9eef-7382ca3c3ee8/1137c865-608f-4e43-a06c-5846b40c2929.mp3" length="44342498" type="audio/mpeg"/>
  <itunes:episodeType>full</itunes:episodeType>
  <itunes:season>5</itunes:season>
  <itunes:author>Jeremy Kingsbury</itunes:author>
  <itunes:subtitle>
Tunes:
Patrick MacDonald: Fisherman’s Song For Attracting Seals, Sister of Loves, Chiu-ri-ruo, Wet is this night and cold.
Iain Gelston: Hop Pole, Shields Bar, St. Mary’s Hornpipe, Pegwhistle Barn
Niel Gow &amp; Sons: The Highland Watch, Now the 42nd Regt or Royal Highlanders
O’Neill: Wind That Shakes the Barley
Harrison: Largo’s Fairy Dance
Litten: The Woodford Ship
My Setting: Auld Lang Syne, Wind That Shakes the Barley

++++++++++
Please consider joining the Patreon to support the show: https://www.patreon.com/wetootwaag
++++++++++
</itunes:subtitle>
  <itunes:duration>32:35</itunes:duration>
  <itunes:explicit>no</itunes:explicit>
  <itunes:image href="https://media24.fireside.fm/file/fireside-images-2024/podcasts/images/f/f158d1e4-b92d-4f8d-9eef-7382ca3c3ee8/episodes/1/1137c865-608f-4e43-a06c-5846b40c2929/cover.jpg?v=1"/>
  <description>&lt;p&gt;Tunes:&lt;br&gt;
Patrick MacDonald: Fisherman’s Song For Attracting Seals, Sister of Loves, Chiu-ri-ruo, Wet is this night and cold.&lt;br&gt;
Iain Gelston: Hop Pole, Shields Bar, St. Mary’s Hornpipe, Pegwhistle Barn&lt;br&gt;
Niel Gow &amp;amp; Sons: The Highland Watch, Now the 42nd Regt or Royal Highlanders&lt;br&gt;
O’Neill: Wind That Shakes the Barley&lt;br&gt;
Harrison: Largo’s Fairy Dance&lt;br&gt;
Litten: The Woodford Ship&lt;br&gt;
My Setting: Auld Lang Syne, Wind That Shakes the Barley&lt;/p&gt;

&lt;p&gt;++++++++++&lt;br&gt;
Please consider joining the Patreon to support the show: &lt;a href="https://www.patreon.com/wetootwaag" target="_blank" rel="nofollow noopener"&gt;https://www.patreon.com/wetootwaag&lt;/a&gt;&lt;br&gt;
++++++++++&lt;/p&gt;

&lt;p&gt;You can purchase Iain Gelston’s New Book Here:&lt;br&gt;
 &lt;a href="https://www.lulu.com/en/us/shop/iain-gelston/the-new-shields-garland/paperback/product-4dg4ev.html?page=1&amp;amp;pageSize=4" target="_blank" rel="nofollow noopener"&gt;https://www.lulu.com/en/us/shop/iain-gelston/the-new-shields-garland/paperback/product-4dg4ev.html?page=1&amp;amp;amp;pageSize=4&lt;/a&gt; &lt;/p&gt;

&lt;p&gt;I bought my Copies of Patrick McDonald's book and Niel Gow and Sons on the same website:&lt;br&gt;
 McDonald's: &lt;a href="https://www.scotlandsmusic.com/Product/SM-V7M9GD/the-patrick-mcdonald-collection" target="_blank" rel="nofollow noopener"&gt;https://www.scotlandsmusic.com/Product/SM-V7M9GD/the-patrick-mcdonald-collection&lt;/a&gt; &lt;br&gt;
 Gow Book: &lt;a href="https://www.scotlandsmusic.com/Product/SM-6UDZOB/gows-repository-of-the-dance-music-of-scotland" target="_blank" rel="nofollow noopener"&gt;https://www.scotlandsmusic.com/Product/SM-6UDZOB/gows-repository-of-the-dance-music-of-scotland&lt;/a&gt;&lt;/p&gt;

&lt;p&gt;+++++XXXXXX+++++&lt;/p&gt;

&lt;p&gt;1784: Patrick McDonald’s Collection. For Sister of Loves, Chiu-ri-ruo and Wet is This Night and Cold are all on Page 1. Fishermans’ Song For Attracting Seals is on Page 7&lt;br&gt;
&lt;a href="https://www.google.com/books/edition/A_Collection_of_Highland_Vocal_Airs_To_w/XCvLHYWLkFcC?hl=en&amp;amp;gbpv=0" target="_blank" rel="nofollow noopener"&gt;https://www.google.com/books/edition/A_Collection_of_Highland_Vocal_Airs_To_w/XCvLHYWLkFcC?hl=en&amp;amp;amp;gbpv=0&lt;/a&gt; &lt;/p&gt;

&lt;p&gt;+++++XXXXXX+++++&lt;/p&gt;

&lt;p&gt;1817 (Maybe?) The Highland Watch, Now the 42nd Regt or Royal Highlanders from “Neil Gow and Sons” on page 1:&lt;br&gt;
&lt;a href="https://imslp.org/wiki/Gow%27s_Repository_of_the_Dance_Music_of_Scotland_(Gow%2C_Niel)" target="_blank" rel="nofollow noopener"&gt;https://imslp.org/wiki/Gow%27s_Repository_of_the_Dance_Music_of_Scotland_(Gow%2C_Niel)&lt;/a&gt; &lt;/p&gt;

&lt;p&gt;For the Clancy Brothers and Tommy Makem Singing The Song:&lt;br&gt;
&lt;a href="https://youtu.be/M-SI8eTGVF4" target="_blank" rel="nofollow noopener"&gt;https://youtu.be/M-SI8eTGVF4&lt;/a&gt; &lt;/p&gt;

&lt;p&gt;1900: Wind That Shakes The Barley: From O’Neill (on Traditional Tune Archive):&lt;br&gt;
&lt;a href="https://tunearch.org/wiki/Wind_that_Shakes_the_Barley_(1)_(The)" target="_blank" rel="nofollow noopener"&gt;https://tunearch.org/wiki/Wind_that_Shakes_the_Barley_(1)_(The)&lt;/a&gt; &lt;/p&gt;

&lt;p&gt;1815: Largo’s Fairy Dance From Reverend Harrison's Manuscript:&lt;br&gt;&lt;br&gt;
&lt;a href="https://www.village-music-project.org.uk/?page_id=508" target="_blank" rel="nofollow noopener"&gt;https://www.village-music-project.org.uk/?page_id=508&lt;/a&gt; &lt;/p&gt;

&lt;p&gt;+++++XXXXXX+++++&lt;/p&gt;

&lt;p&gt;2021: Hop Pole, Shields Bar, St. Mary’s Hornpipe, Pegwhistle Barn are all from Iain Gelston’s New Book:&lt;br&gt;
 &lt;a href="https://www.lulu.com/en/us/shop/iain-gelston/the-new-shields-garland/paperback/product-4dg4ev.html?page=1&amp;amp;pageSize=4" target="_blank" rel="nofollow noopener"&gt;https://www.lulu.com/en/us/shop/iain-gelston/the-new-shields-garland/paperback/product-4dg4ev.html?page=1&amp;amp;amp;pageSize=4&lt;/a&gt; &lt;/p&gt;

&lt;p&gt;+++++XXXXXX+++++&lt;/p&gt;

&lt;p&gt;1802: The Woodford Ship: William Litten’s Manuscript:&lt;br&gt;
&lt;a href="http://www.cpartington.plus.com/Links/Litten/Litten%20Info.html" target="_blank" rel="nofollow noopener"&gt;http://www.cpartington.plus.com/Links/Litten/Litten%20Info.html&lt;/a&gt; &lt;/p&gt;

&lt;p&gt;+++++XXXXXX+++++&lt;/p&gt;

&lt;p&gt;Please take advantage of the Tune Collection tab: &lt;a href="https://www.wetootwaag.com/tunesources" target="_blank" rel="nofollow noopener"&gt;https://www.wetootwaag.com/tunesources&lt;/a&gt; &lt;br&gt;
Also Please take a minute to leave a review of the podcast! &lt;/p&gt;

&lt;p&gt;Listen on Apple Podcasts: &lt;a href="https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677" target="_blank" rel="nofollow noopener"&gt;https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677&lt;/a&gt; &lt;br&gt;
Listen on Itunes: &lt;a href="https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677" target="_blank" rel="nofollow noopener"&gt;https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677&lt;/a&gt; &lt;br&gt;
Listen on Spotify: &lt;a href="https://open.spotify.com/show/5QxzqrSm0pu6v8y8pLsv5j?si=QLiG0L1pT1eu7B5_FDmgGA" target="_blank" rel="nofollow noopener"&gt;https://open.spotify.com/show/5QxzqrSm0pu6v8y8pLsv5j?si=QLiG0L1pT1eu7B5_FDmgGA&lt;/a&gt;&lt;/p&gt;
</description>
  <itunes:keywords>bagpipes, uilleann pipes, Highland, Scottish, Scotland, Donald MacDonald, History, Music, Great Highland Bagpipes, GHB, Celtic, history, pastoral pipes, union pipes, baroque, eighteenth Century, Irish Music, Scottish Music, </itunes:keywords>
  <content:encoded>
    <![CDATA[<p>Tunes:<br>
Patrick MacDonald: Fisherman’s Song For Attracting Seals, Sister of Loves, Chiu-ri-ruo, Wet is this night and cold.<br>
Iain Gelston: Hop Pole, Shields Bar, St. Mary’s Hornpipe, Pegwhistle Barn<br>
Niel Gow &amp; Sons: The Highland Watch, Now the 42nd Regt or Royal Highlanders<br>
O’Neill: Wind That Shakes the Barley<br>
Harrison: Largo’s Fairy Dance<br>
Litten: The Woodford Ship<br>
My Setting: Auld Lang Syne, Wind That Shakes the Barley</p>

<p>++++++++++<br>
Please consider joining the Patreon to support the show: <a href="https://www.patreon.com/wetootwaag" rel="nofollow">https://www.patreon.com/wetootwaag</a><br>
++++++++++</p>

<p>You can purchase Iain Gelston’s New Book Here:<br>
 <a href="https://www.lulu.com/en/us/shop/iain-gelston/the-new-shields-garland/paperback/product-4dg4ev.html?page=1&pageSize=4" rel="nofollow">https://www.lulu.com/en/us/shop/iain-gelston/the-new-shields-garland/paperback/product-4dg4ev.html?page=1&amp;pageSize=4</a> </p>

<p>I bought my Copies of Patrick McDonald&#39;s book and Niel Gow and Sons on the same website:<br>
 McDonald&#39;s: <a href="https://www.scotlandsmusic.com/Product/SM-V7M9GD/the-patrick-mcdonald-collection" rel="nofollow">https://www.scotlandsmusic.com/Product/SM-V7M9GD/the-patrick-mcdonald-collection</a> <br>
 Gow Book: <a href="https://www.scotlandsmusic.com/Product/SM-6UDZOB/gows-repository-of-the-dance-music-of-scotland" rel="nofollow">https://www.scotlandsmusic.com/Product/SM-6UDZOB/gows-repository-of-the-dance-music-of-scotland</a></p>

<p>+++++XXXXXX+++++</p>

<p>1784: Patrick McDonald’s Collection. For Sister of Loves, Chiu-ri-ruo and Wet is This Night and Cold are all on Page 1. Fishermans’ Song For Attracting Seals is on Page 7<br>
<a href="https://www.google.com/books/edition/A_Collection_of_Highland_Vocal_Airs_To_w/XCvLHYWLkFcC?hl=en&gbpv=0" rel="nofollow">https://www.google.com/books/edition/A_Collection_of_Highland_Vocal_Airs_To_w/XCvLHYWLkFcC?hl=en&amp;gbpv=0</a> </p>

<p>+++++XXXXXX+++++</p>

<p>1817 (Maybe?) The Highland Watch, Now the 42nd Regt or Royal Highlanders from “Neil Gow and Sons” on page 1:<br>
<a href="https://imslp.org/wiki/Gow%27s_Repository_of_the_Dance_Music_of_Scotland_(Gow%2C_Niel)" rel="nofollow">https://imslp.org/wiki/Gow%27s_Repository_of_the_Dance_Music_of_Scotland_(Gow%2C_Niel)</a> </p>

<p>For the Clancy Brothers and Tommy Makem Singing The Song:<br>
<a href="https://youtu.be/M-SI8eTGVF4" rel="nofollow">https://youtu.be/M-SI8eTGVF4</a> </p>

<p>1900: Wind That Shakes The Barley: From O’Neill (on Traditional Tune Archive):<br>
<a href="https://tunearch.org/wiki/Wind_that_Shakes_the_Barley_(1)_(The)" rel="nofollow">https://tunearch.org/wiki/Wind_that_Shakes_the_Barley_(1)_(The)</a> </p>

<p>1815: Largo’s Fairy Dance From Reverend Harrison&#39;s Manuscript:<br><br>
<a href="https://www.village-music-project.org.uk/?page_id=508" rel="nofollow">https://www.village-music-project.org.uk/?page_id=508</a> </p>

<p>+++++XXXXXX+++++</p>

<p>2021: Hop Pole, Shields Bar, St. Mary’s Hornpipe, Pegwhistle Barn are all from Iain Gelston’s New Book:<br>
 <a href="https://www.lulu.com/en/us/shop/iain-gelston/the-new-shields-garland/paperback/product-4dg4ev.html?page=1&pageSize=4" rel="nofollow">https://www.lulu.com/en/us/shop/iain-gelston/the-new-shields-garland/paperback/product-4dg4ev.html?page=1&amp;pageSize=4</a> </p>

<p>+++++XXXXXX+++++</p>

<p>1802: The Woodford Ship: William Litten’s Manuscript:<br>
<a href="http://www.cpartington.plus.com/Links/Litten/Litten%20Info.html" rel="nofollow">http://www.cpartington.plus.com/Links/Litten/Litten%20Info.html</a> </p>

<p>+++++XXXXXX+++++</p>

<p>Please take advantage of the Tune Collection tab: <a href="https://www.wetootwaag.com/tunesources" rel="nofollow">https://www.wetootwaag.com/tunesources</a> <br>
Also Please take a minute to leave a review of the podcast! </p>

<p>Listen on Apple Podcasts: <a href="https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677" rel="nofollow">https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677</a> <br>
Listen on Itunes: <a href="https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677" rel="nofollow">https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677</a> <br>
Listen on Spotify: <a href="https://open.spotify.com/show/5QxzqrSm0pu6v8y8pLsv5j?si=QLiG0L1pT1eu7B5_FDmgGA" rel="nofollow">https://open.spotify.com/show/5QxzqrSm0pu6v8y8pLsv5j?si=QLiG0L1pT1eu7B5_FDmgGA</a></p><p><a rel="payment" href="https://www.patreon.com/wetootwaag">Support Wetootwaag&#39;s Bagpipe and History Podcast</a></p>]]>
  </content:encoded>
  <itunes:summary>
    <![CDATA[<p>Tunes:<br>
Patrick MacDonald: Fisherman’s Song For Attracting Seals, Sister of Loves, Chiu-ri-ruo, Wet is this night and cold.<br>
Iain Gelston: Hop Pole, Shields Bar, St. Mary’s Hornpipe, Pegwhistle Barn<br>
Niel Gow &amp; Sons: The Highland Watch, Now the 42nd Regt or Royal Highlanders<br>
O’Neill: Wind That Shakes the Barley<br>
Harrison: Largo’s Fairy Dance<br>
Litten: The Woodford Ship<br>
My Setting: Auld Lang Syne, Wind That Shakes the Barley</p>

<p>++++++++++<br>
Please consider joining the Patreon to support the show: <a href="https://www.patreon.com/wetootwaag" rel="nofollow">https://www.patreon.com/wetootwaag</a><br>
++++++++++</p>

<p>You can purchase Iain Gelston’s New Book Here:<br>
 <a href="https://www.lulu.com/en/us/shop/iain-gelston/the-new-shields-garland/paperback/product-4dg4ev.html?page=1&pageSize=4" rel="nofollow">https://www.lulu.com/en/us/shop/iain-gelston/the-new-shields-garland/paperback/product-4dg4ev.html?page=1&amp;pageSize=4</a> </p>

<p>I bought my Copies of Patrick McDonald&#39;s book and Niel Gow and Sons on the same website:<br>
 McDonald&#39;s: <a href="https://www.scotlandsmusic.com/Product/SM-V7M9GD/the-patrick-mcdonald-collection" rel="nofollow">https://www.scotlandsmusic.com/Product/SM-V7M9GD/the-patrick-mcdonald-collection</a> <br>
 Gow Book: <a href="https://www.scotlandsmusic.com/Product/SM-6UDZOB/gows-repository-of-the-dance-music-of-scotland" rel="nofollow">https://www.scotlandsmusic.com/Product/SM-6UDZOB/gows-repository-of-the-dance-music-of-scotland</a></p>

<p>+++++XXXXXX+++++</p>

<p>1784: Patrick McDonald’s Collection. For Sister of Loves, Chiu-ri-ruo and Wet is This Night and Cold are all on Page 1. Fishermans’ Song For Attracting Seals is on Page 7<br>
<a href="https://www.google.com/books/edition/A_Collection_of_Highland_Vocal_Airs_To_w/XCvLHYWLkFcC?hl=en&gbpv=0" rel="nofollow">https://www.google.com/books/edition/A_Collection_of_Highland_Vocal_Airs_To_w/XCvLHYWLkFcC?hl=en&amp;gbpv=0</a> </p>

<p>+++++XXXXXX+++++</p>

<p>1817 (Maybe?) The Highland Watch, Now the 42nd Regt or Royal Highlanders from “Neil Gow and Sons” on page 1:<br>
<a href="https://imslp.org/wiki/Gow%27s_Repository_of_the_Dance_Music_of_Scotland_(Gow%2C_Niel)" rel="nofollow">https://imslp.org/wiki/Gow%27s_Repository_of_the_Dance_Music_of_Scotland_(Gow%2C_Niel)</a> </p>

<p>For the Clancy Brothers and Tommy Makem Singing The Song:<br>
<a href="https://youtu.be/M-SI8eTGVF4" rel="nofollow">https://youtu.be/M-SI8eTGVF4</a> </p>

<p>1900: Wind That Shakes The Barley: From O’Neill (on Traditional Tune Archive):<br>
<a href="https://tunearch.org/wiki/Wind_that_Shakes_the_Barley_(1)_(The)" rel="nofollow">https://tunearch.org/wiki/Wind_that_Shakes_the_Barley_(1)_(The)</a> </p>

<p>1815: Largo’s Fairy Dance From Reverend Harrison&#39;s Manuscript:<br><br>
<a href="https://www.village-music-project.org.uk/?page_id=508" rel="nofollow">https://www.village-music-project.org.uk/?page_id=508</a> </p>

<p>+++++XXXXXX+++++</p>

<p>2021: Hop Pole, Shields Bar, St. Mary’s Hornpipe, Pegwhistle Barn are all from Iain Gelston’s New Book:<br>
 <a href="https://www.lulu.com/en/us/shop/iain-gelston/the-new-shields-garland/paperback/product-4dg4ev.html?page=1&pageSize=4" rel="nofollow">https://www.lulu.com/en/us/shop/iain-gelston/the-new-shields-garland/paperback/product-4dg4ev.html?page=1&amp;pageSize=4</a> </p>

<p>+++++XXXXXX+++++</p>

<p>1802: The Woodford Ship: William Litten’s Manuscript:<br>
<a href="http://www.cpartington.plus.com/Links/Litten/Litten%20Info.html" rel="nofollow">http://www.cpartington.plus.com/Links/Litten/Litten%20Info.html</a> </p>

<p>+++++XXXXXX+++++</p>

<p>Please take advantage of the Tune Collection tab: <a href="https://www.wetootwaag.com/tunesources" rel="nofollow">https://www.wetootwaag.com/tunesources</a> <br>
Also Please take a minute to leave a review of the podcast! </p>

<p>Listen on Apple Podcasts: <a href="https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677" rel="nofollow">https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677</a> <br>
Listen on Itunes: <a href="https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677" rel="nofollow">https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677</a> <br>
Listen on Spotify: <a href="https://open.spotify.com/show/5QxzqrSm0pu6v8y8pLsv5j?si=QLiG0L1pT1eu7B5_FDmgGA" rel="nofollow">https://open.spotify.com/show/5QxzqrSm0pu6v8y8pLsv5j?si=QLiG0L1pT1eu7B5_FDmgGA</a></p><p><a rel="payment" href="https://www.patreon.com/wetootwaag">Support Wetootwaag&#39;s Bagpipe and History Podcast</a></p>]]>
  </itunes:summary>
</item>
<item>
  <title>Season 5 Episode 16: Colclough Geoghegan, O’Farrell and Sky</title>
  <link>https://www.wetootwaag.com/s5e16</link>
  <guid isPermaLink="false">dd1defb2-bf40-4c79-b581-e4078495b2ef</guid>
  <pubDate>Mon, 07 Jun 2021 02:00:00 -0400</pubDate>
  <author>Jeremy Kingsbury</author>
  <enclosure url="https://aphid.fireside.fm/d/1437767933/f158d1e4-b92d-4f8d-9eef-7382ca3c3ee8/dd1defb2-bf40-4c79-b581-e4078495b2ef.mp3" length="88632558" type="audio/mpeg"/>
  <itunes:episodeType>full</itunes:episodeType>
  <itunes:season>5</itunes:season>
  <itunes:author>Jeremy Kingsbury</itunes:author>
  <itunes:subtitle>Tunes: 
Colclough: Colclough’s Hornpipe,  Rakes of Westmeath, Llewellyn
Burke Thumoth: Rakes of Westmeath
O’Farrell: Waterford’s Waltz, O’Farrell’s Hornpipe, 
Gahagan: Gahagan’s Frisk, Humours of Westmeath, Ravencroft’s Fancy, The Chocolate Pot
William Dixon: How She Will Never Be Guided
Robert Riddell: How She’ll ne’er be guided
William Bingley: The Ash Grove (Llwyn On)
Wilson: Rakes of Westmeath
Francis O’Neill: Rakes of Westmeath
McFadyen: Rakes of Westmeath

++++++++++

Please consider joining the Patreon to support the show: https://www.patreon.com/wetootwaag

++++++++++
</itunes:subtitle>
  <itunes:duration>1:06:27</itunes:duration>
  <itunes:explicit>no</itunes:explicit>
  <itunes:image href="https://media24.fireside.fm/file/fireside-images-2024/podcasts/images/f/f158d1e4-b92d-4f8d-9eef-7382ca3c3ee8/episodes/d/dd1defb2-bf40-4c79-b581-e4078495b2ef/cover.jpg?v=1"/>
  <description>&lt;p&gt;Tunes: &lt;br&gt;
Colclough: Colclough’s Hornpipe,  Rakes of Westmeath, Llewellyn&lt;br&gt;
Burke Thumoth: Rakes of Westmeath&lt;br&gt;
O’Farrell: Waterford’s Waltz, O’Farrell’s Hornpipe, &lt;br&gt;
Gahagan: Gahagan’s Frisk, Humours of Westmeath, Ravencroft’s Fancy, The Chocolate Pot&lt;br&gt;
William Dixon: How She Will Never Be Guided&lt;br&gt;
Robert Riddell: How She’ll ne’er be guided&lt;br&gt;
William Bingley: The Ash Grove (Llwyn On)&lt;br&gt;
Wilson: Rakes of Westmeath&lt;br&gt;
Francis O’Neill: Rakes of Westmeath&lt;br&gt;
McFadyen: Rakes of Westmeath&lt;/p&gt;

&lt;p&gt;++++++++++&lt;/p&gt;

&lt;p&gt;Please consider joining the Patreon to support the show: &lt;a href="https://www.patreon.com/wetootwaag" target="_blank" rel="nofollow noopener"&gt;https://www.patreon.com/wetootwaag&lt;/a&gt;&lt;/p&gt;

&lt;p&gt;++++++++++&lt;/p&gt;

&lt;p&gt;Pat Sky Video from North Carolina Television: &lt;a href="https://youtu.be/7al1306eAFI" target="_blank" rel="nofollow noopener"&gt;https://youtu.be/7al1306eAFI&lt;/a&gt; &lt;/p&gt;

&lt;p&gt;Pat Sky’s NYTimes Obituary: &lt;a href="https://www.nytimes.com/2021/06/04/arts/music/patrick-sky-dead.html" target="_blank" rel="nofollow noopener"&gt;https://www.nytimes.com/2021/06/04/arts/music/patrick-sky-dead.html&lt;/a&gt; &lt;/p&gt;

&lt;p&gt;Pat Sky’s Gofundme page (Organized by his wife Cathy so I assume any donations will help to support her and end of life expenses.) &lt;br&gt;
&lt;a href="https://gofund.me/7e80fef5" target="_blank" rel="nofollow noopener"&gt;https://gofund.me/7e80fef5&lt;/a&gt; &lt;/p&gt;

&lt;p&gt;If you want to watch Peter Browne play some awesome tunes and have great story exchanges with Pat Sky about living with Seamus Ennis and Liam O’Flynn I highly recommend renting Browne’s Piper Sunday Appearance from the Southern California Uilleann Piper’s Club: It is Episode  31: &lt;a href="https://vimeo.com/ondemand/pipersunday/471232053" target="_blank" rel="nofollow noopener"&gt;https://vimeo.com/ondemand/pipersunday/471232053&lt;/a&gt; &lt;br&gt;
&lt;a href="https://vimeo.com/ondemand/pipersunday/" target="_blank" rel="nofollow noopener"&gt;https://vimeo.com/ondemand/pipersunday/&lt;/a&gt; &lt;/p&gt;

&lt;p&gt;++++++++++++++++++++&lt;/p&gt;

&lt;p&gt;1733: How She Will Never Be Guided From William Dixon:&lt;br&gt;
&lt;a href="https://www.mattseattle.scot/product-page/the-master-piper-new-edition" target="_blank" rel="nofollow noopener"&gt;https://www.mattseattle.scot/product-page/the-master-piper-new-edition&lt;/a&gt;&lt;/p&gt;

&lt;p&gt;1794: How She’ll Ne’er be guided: From Robert Riddell’s A Collection of Scotch, Galwegian and Border Tunes&lt;br&gt;
&lt;a href="http://www.cl.cam.ac.uk/%7Erja14/musicfiles/manuscripts/riddell/riddell18.pdf" target="_blank" rel="nofollow noopener"&gt;http://www.cl.cam.ac.uk/~rja14/musicfiles/manuscripts/riddell/riddell18.pdf&lt;/a&gt; &lt;/p&gt;

&lt;p&gt;++++++++&lt;/p&gt;

&lt;p&gt;Geoghegan’s Tutor is Available on Ross’s Music Page:&lt;br&gt;
1746: Ravencroft’s Fancy From Geoghegan page 14)&lt;br&gt;
&lt;a href="http://www.cl.cam.ac.uk/%7Erja14/musicfiles/manuscripts/geoghegan.pdf" target="_blank" rel="nofollow noopener"&gt;http://www.cl.cam.ac.uk/~rja14/musicfiles/manuscripts/geoghegan.pdf&lt;/a&gt; &lt;/p&gt;

&lt;p&gt;1763 (ish): Ravenscroft’s Fancy From Robert Bremner’s Delightful Pocket Companion for the German Flute:&lt;br&gt;
&lt;a href="https://digital.nls.uk/special-collections-of-printed-music/archive/87754195" target="_blank" rel="nofollow noopener"&gt;https://digital.nls.uk/special-collections-of-printed-music/archive/87754195&lt;/a&gt; &lt;/p&gt;

&lt;p&gt;1746: Gahagan’s Frisk: From Geoghegan (page 11)&lt;br&gt;
&lt;a href="http://www.cl.cam.ac.uk/%7Erja14/musicfiles/manuscripts/geoghegan.pdf" target="_blank" rel="nofollow noopener"&gt;http://www.cl.cam.ac.uk/~rja14/musicfiles/manuscripts/geoghegan.pdf&lt;/a&gt; &lt;/p&gt;

&lt;p&gt;1746: The Chocolate Pot: From Geoghegan (page 21)&lt;br&gt;
&lt;a href="http://www.cl.cam.ac.uk/%7Erja14/musicfiles/manuscripts/geoghegan.pdf" target="_blank" rel="nofollow noopener"&gt;http://www.cl.cam.ac.uk/~rja14/musicfiles/manuscripts/geoghegan.pdf&lt;/a&gt;&lt;/p&gt;

&lt;p&gt;++++++++&lt;/p&gt;

&lt;p&gt;1746: The Humours of Westmeath: From Geoghegan (page 18)&lt;br&gt;
&lt;a href="http://www.cl.cam.ac.uk/%7Erja14/musicfiles/manuscripts/geoghegan.pdf" target="_blank" rel="nofollow noopener"&gt;http://www.cl.cam.ac.uk/~rja14/musicfiles/manuscripts/geoghegan.pdf&lt;/a&gt;&lt;/p&gt;

&lt;p&gt;1746: Burk Thumoth’s Rakes of Westmeath from 12 English and 12 Irish Airs: (also printed by Simpson)&lt;br&gt;
&lt;a href="https://digital.nls.uk/special-collections-of-printed-music/archive/90419969" target="_blank" rel="nofollow noopener"&gt;https://digital.nls.uk/special-collections-of-printed-music/archive/90419969&lt;/a&gt; &lt;br&gt;
&lt;a href="https://archive.org/details/imslp-english-and-12-irish-airs-with-variations-thumoth-burke/page/n35/mode/2up" target="_blank" rel="nofollow noopener"&gt;https://archive.org/details/imslp-english-and-12-irish-airs-with-variations-thumoth-burke/page/n35/mode/2up&lt;/a&gt; &lt;/p&gt;

&lt;p&gt;1840: Rakes of Westmeath, From Colclough’s Tutor for the Irish Union Pipes (page 19)&lt;br&gt;
&lt;a href="http://www.cl.cam.ac.uk/%7Erja14/musicfiles/manuscripts/colclough-tunes.pdf" target="_blank" rel="nofollow noopener"&gt;http://www.cl.cam.ac.uk/~rja14/musicfiles/manuscripts/colclough-tunes.pdf&lt;/a&gt; &lt;/p&gt;

&lt;p&gt;1801: Rakes of Westmeath from John McFadyen (James Aird books):&lt;br&gt;
&lt;a href="https://archive.org/details/selectionofscotc00rugg/page/n17/mode/2up?view=theater" target="_blank" rel="nofollow noopener"&gt;https://archive.org/details/selectionofscotc00rugg/page/n17/mode/2up?view=theater&lt;/a&gt; &lt;/p&gt;

&lt;p&gt;1816: Rakes of Westmeath From Wilson’s A Companion to the Ball Room: (page 30)&lt;br&gt;
&lt;a href="https://imslp.org/wiki/A_Companion_to_the_Ball_Room_(Wilson%2C_Thomas)" target="_blank" rel="nofollow noopener"&gt;https://imslp.org/wiki/A_Companion_to_the_Ball_Room_(Wilson%2C_Thomas)&lt;/a&gt; &lt;/p&gt;

&lt;p&gt;1900: Rakes of Westmeath From Francis O’Neill’s Dance Music of Ireland:&lt;br&gt;
&lt;a href="https://tunearch.org/wiki/Rakes_of_Westmeath_(1)_(The)" target="_blank" rel="nofollow noopener"&gt;https://tunearch.org/wiki/Rakes_of_Westmeath_(1)_(The)&lt;/a&gt;&lt;/p&gt;

&lt;p&gt;++++++++++++++++++++++++++++++&lt;/p&gt;

&lt;p&gt;1800ish: O’Farrell’s Hornpipe Can be found in his Tutor:&lt;br&gt;
&lt;a href="http://www.capeirish.com/webabc/working/source.folders/ofnim/ofnim_table.html" target="_blank" rel="nofollow noopener"&gt;http://www.capeirish.com/webabc/working/source.folders/ofnim/ofnim_table.html&lt;/a&gt; &lt;/p&gt;

&lt;p&gt;1808ish:  Waterford Waltz from O’Farrell’s Pocket Companion Volume IV:&lt;br&gt;
&lt;a href="http://www.capeirish.com/webabc/working/source.folders/ofpc/ofpc.4/ofpc.4_table.html" target="_blank" rel="nofollow noopener"&gt;http://www.capeirish.com/webabc/working/source.folders/ofpc/ofpc.4/ofpc.4_table.html&lt;/a&gt;&lt;/p&gt;

&lt;p&gt;+++++++++++++++++++++++++++++++++++++++&lt;/p&gt;

&lt;p&gt;1840: Colclough’s Hornpipe, From Colclough’s Tutor for the Irish Union Pipes (page 19)&lt;br&gt;
&lt;a href="http://www.cl.cam.ac.uk/%7Erja14/musicfiles/manuscripts/colclough-tunes.pdf" target="_blank" rel="nofollow noopener"&gt;http://www.cl.cam.ac.uk/~rja14/musicfiles/manuscripts/colclough-tunes.pdf&lt;/a&gt; &lt;/p&gt;

&lt;p&gt;++++++++++++++&lt;/p&gt;

&lt;p&gt;1804: The Ash Grove/Llwyn On From William Bingley’s North Wales: Including its Scenery, Antiquities, Customs, and Some Sketches of its Natural History…  &lt;a href="https://books.google.tg/books?id=tp3kAAAAMAAJ&amp;amp;hl=fr&amp;amp;pg=PA336-IA7#v=onepage&amp;amp;q&amp;amp;f=false" target="_blank" rel="nofollow noopener"&gt;https://books.google.tg/books?id=tp3kAAAAMAAJ&amp;amp;amp;hl=fr&amp;amp;amp;pg=PA336-IA7#v=onepage&amp;amp;amp;q&amp;amp;amp;f=false&lt;/a&gt; &lt;/p&gt;

&lt;p&gt;1840: Llewellyn A Favorite Welch Air, From Colclough’s Tutor for the Irish Union Pipes (page 19)&lt;br&gt;
&lt;a href="http://www.cl.cam.ac.uk/%7Erja14/musicfiles/manuscripts/colclough-tunes.pdf" target="_blank" rel="nofollow noopener"&gt;http://www.cl.cam.ac.uk/~rja14/musicfiles/manuscripts/colclough-tunes.pdf&lt;/a&gt; &lt;/p&gt;

&lt;p&gt;I Listened to Pat Sky’s Recording of Tommy Reck an Amazon Music, I think it is likely you can find it on other places as well: &lt;br&gt;
&lt;a href="https://music.amazon.com/albums/B000S5590I?marketplaceId=ATVPDKIKX0DER&amp;amp;musicTerritory=US&amp;amp;trackAsin=B000S3P194" target="_blank" rel="nofollow noopener"&gt;https://music.amazon.com/albums/B000S5590I?marketplaceId=ATVPDKIKX0DER&amp;amp;amp;musicTerritory=US&amp;amp;amp;trackAsin=B000S3P194&lt;/a&gt; &lt;br&gt;
The Album is called: Tommy Reck: Irish Piper The Stone in the Field&lt;/p&gt;

&lt;p&gt;Please take advantage of the Tune Collection tab: &lt;a href="https://www.wetootwaag.com/tunesources" target="_blank" rel="nofollow noopener"&gt;https://www.wetootwaag.com/tunesources&lt;/a&gt; &lt;br&gt;
Also Please take a minute to leave a review of the podcast! &lt;/p&gt;

&lt;p&gt;Listen on Apple Podcasts: &lt;a href="https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677" target="_blank" rel="nofollow noopener"&gt;https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677&lt;/a&gt; &lt;br&gt;
Listen on Itunes: &lt;a href="https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677" target="_blank" rel="nofollow noopener"&gt;https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677&lt;/a&gt; &lt;br&gt;
Listen on Spotify: &lt;a href="https://open.spotify.com/show/5QxzqrSm0pu6v8y8pLsv5j?si=QLiG0L1pT1eu7B5_FDmgGA" target="_blank" rel="nofollow noopener"&gt;https://open.spotify.com/show/5QxzqrSm0pu6v8y8pLsv5j?si=QLiG0L1pT1eu7B5_FDmgGA&lt;/a&gt;&lt;/p&gt;

&lt;p&gt;Please take advantage of the Tune Collection tab: &lt;a href="https://www.wetootwaag.com/tunesources" target="_blank" rel="nofollow noopener"&gt;https://www.wetootwaag.com/tunesources&lt;/a&gt; &lt;br&gt;
Also Please take a minute to leave a review of the podcast! &lt;/p&gt;

&lt;p&gt;Listen on Apple Podcasts: &lt;a href="https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677" target="_blank" rel="nofollow noopener"&gt;https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677&lt;/a&gt; &lt;br&gt;
Listen on Itunes: &lt;a href="https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677" target="_blank" rel="nofollow noopener"&gt;https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677&lt;/a&gt; &lt;br&gt;
Listen on Spotify: &lt;a href="https://open.spotify.com/show/5QxzqrSm0pu6v8y8pLsv5j?si=QLiG0L1pT1eu7B5_FDmgGA" target="_blank" rel="nofollow noopener"&gt;https://open.spotify.com/show/5QxzqrSm0pu6v8y8pLsv5j?si=QLiG0L1pT1eu7B5_FDmgGA&lt;/a&gt;&lt;/p&gt;
</description>
  <itunes:keywords>bagpipes, uilleann pipes, Highland, Scottish, Scotland, Donald MacDonald, History, Music, Great Highland Bagpipes, GHB, Celtic, history, pastoral pipes, union pipes, baroque, eighteenth Century, Irish Music, Scottish Music, </itunes:keywords>
  <content:encoded>
    <![CDATA[<p>Tunes: <br>
Colclough: Colclough’s Hornpipe,  Rakes of Westmeath, Llewellyn<br>
Burke Thumoth: Rakes of Westmeath<br>
O’Farrell: Waterford’s Waltz, O’Farrell’s Hornpipe, <br>
Gahagan: Gahagan’s Frisk, Humours of Westmeath, Ravencroft’s Fancy, The Chocolate Pot<br>
William Dixon: How She Will Never Be Guided<br>
Robert Riddell: How She’ll ne’er be guided<br>
William Bingley: The Ash Grove (Llwyn On)<br>
Wilson: Rakes of Westmeath<br>
Francis O’Neill: Rakes of Westmeath<br>
McFadyen: Rakes of Westmeath</p>

<p>++++++++++</p>

<p>Please consider joining the Patreon to support the show: <a href="https://www.patreon.com/wetootwaag" rel="nofollow">https://www.patreon.com/wetootwaag</a></p>

<p>++++++++++</p>

<p>Pat Sky Video from North Carolina Television: <a href="https://youtu.be/7al1306eAFI" rel="nofollow">https://youtu.be/7al1306eAFI</a> </p>

<p>Pat Sky’s NYTimes Obituary: <a href="https://www.nytimes.com/2021/06/04/arts/music/patrick-sky-dead.html" rel="nofollow">https://www.nytimes.com/2021/06/04/arts/music/patrick-sky-dead.html</a> </p>

<p>Pat Sky’s Gofundme page (Organized by his wife Cathy so I assume any donations will help to support her and end of life expenses.) <br>
<a href="https://gofund.me/7e80fef5" rel="nofollow">https://gofund.me/7e80fef5</a> </p>

<p>If you want to watch Peter Browne play some awesome tunes and have great story exchanges with Pat Sky about living with Seamus Ennis and Liam O’Flynn I highly recommend renting Browne’s Piper Sunday Appearance from the Southern California Uilleann Piper’s Club: It is Episode  31: <a href="https://vimeo.com/ondemand/pipersunday/471232053" rel="nofollow">https://vimeo.com/ondemand/pipersunday/471232053</a> <br>
<a href="https://vimeo.com/ondemand/pipersunday/" rel="nofollow">https://vimeo.com/ondemand/pipersunday/</a> </p>

<p>++++++++++++++++++++</p>

<p>1733: How She Will Never Be Guided From William Dixon:<br>
<a href="https://www.mattseattle.scot/product-page/the-master-piper-new-edition" rel="nofollow">https://www.mattseattle.scot/product-page/the-master-piper-new-edition</a></p>

<p>1794: How She’ll Ne’er be guided: From Robert Riddell’s A Collection of Scotch, Galwegian and Border Tunes<br>
<a href="http://www.cl.cam.ac.uk/%7Erja14/musicfiles/manuscripts/riddell/riddell18.pdf" rel="nofollow">http://www.cl.cam.ac.uk/~rja14/musicfiles/manuscripts/riddell/riddell18.pdf</a> </p>

<p>++++++++</p>

<p>Geoghegan’s Tutor is Available on Ross’s Music Page:<br>
1746: Ravencroft’s Fancy From Geoghegan page 14)<br>
<a href="http://www.cl.cam.ac.uk/%7Erja14/musicfiles/manuscripts/geoghegan.pdf" rel="nofollow">http://www.cl.cam.ac.uk/~rja14/musicfiles/manuscripts/geoghegan.pdf</a> </p>

<p>1763 (ish): Ravenscroft’s Fancy From Robert Bremner’s Delightful Pocket Companion for the German Flute:<br>
<a href="https://digital.nls.uk/special-collections-of-printed-music/archive/87754195" rel="nofollow">https://digital.nls.uk/special-collections-of-printed-music/archive/87754195</a> </p>

<p>1746: Gahagan’s Frisk: From Geoghegan (page 11)<br>
<a href="http://www.cl.cam.ac.uk/%7Erja14/musicfiles/manuscripts/geoghegan.pdf" rel="nofollow">http://www.cl.cam.ac.uk/~rja14/musicfiles/manuscripts/geoghegan.pdf</a> </p>

<p>1746: The Chocolate Pot: From Geoghegan (page 21)<br>
<a href="http://www.cl.cam.ac.uk/%7Erja14/musicfiles/manuscripts/geoghegan.pdf" rel="nofollow">http://www.cl.cam.ac.uk/~rja14/musicfiles/manuscripts/geoghegan.pdf</a></p>

<p>++++++++</p>

<p>1746: The Humours of Westmeath: From Geoghegan (page 18)<br>
<a href="http://www.cl.cam.ac.uk/%7Erja14/musicfiles/manuscripts/geoghegan.pdf" rel="nofollow">http://www.cl.cam.ac.uk/~rja14/musicfiles/manuscripts/geoghegan.pdf</a></p>

<p>1746: Burk Thumoth’s Rakes of Westmeath from 12 English and 12 Irish Airs: (also printed by Simpson)<br>
<a href="https://digital.nls.uk/special-collections-of-printed-music/archive/90419969" rel="nofollow">https://digital.nls.uk/special-collections-of-printed-music/archive/90419969</a> <br>
<a href="https://archive.org/details/imslp-english-and-12-irish-airs-with-variations-thumoth-burke/page/n35/mode/2up" rel="nofollow">https://archive.org/details/imslp-english-and-12-irish-airs-with-variations-thumoth-burke/page/n35/mode/2up</a> </p>

<p>1840: Rakes of Westmeath, From Colclough’s Tutor for the Irish Union Pipes (page 19)<br>
<a href="http://www.cl.cam.ac.uk/%7Erja14/musicfiles/manuscripts/colclough-tunes.pdf" rel="nofollow">http://www.cl.cam.ac.uk/~rja14/musicfiles/manuscripts/colclough-tunes.pdf</a> </p>

<p>1801: Rakes of Westmeath from John McFadyen (James Aird books):<br>
<a href="https://archive.org/details/selectionofscotc00rugg/page/n17/mode/2up?view=theater" rel="nofollow">https://archive.org/details/selectionofscotc00rugg/page/n17/mode/2up?view=theater</a> </p>

<p>1816: Rakes of Westmeath From Wilson’s A Companion to the Ball Room: (page 30)<br>
<a href="https://imslp.org/wiki/A_Companion_to_the_Ball_Room_(Wilson%2C_Thomas)" rel="nofollow">https://imslp.org/wiki/A_Companion_to_the_Ball_Room_(Wilson%2C_Thomas)</a> </p>

<p>1900: Rakes of Westmeath From Francis O’Neill’s Dance Music of Ireland:<br>
<a href="https://tunearch.org/wiki/Rakes_of_Westmeath_(1)_(The)" rel="nofollow">https://tunearch.org/wiki/Rakes_of_Westmeath_(1)_(The)</a></p>

<p>++++++++++++++++++++++++++++++</p>

<p>1800ish: O’Farrell’s Hornpipe Can be found in his Tutor:<br>
<a href="http://www.capeirish.com/webabc/working/source.folders/ofnim/ofnim_table.html" rel="nofollow">http://www.capeirish.com/webabc/working/source.folders/ofnim/ofnim_table.html</a> </p>

<p>1808ish:  Waterford Waltz from O’Farrell’s Pocket Companion Volume IV:<br>
<a href="http://www.capeirish.com/webabc/working/source.folders/ofpc/ofpc.4/ofpc.4_table.html" rel="nofollow">http://www.capeirish.com/webabc/working/source.folders/ofpc/ofpc.4/ofpc.4_table.html</a></p>

<p>+++++++++++++++++++++++++++++++++++++++</p>

<p>1840: Colclough’s Hornpipe, From Colclough’s Tutor for the Irish Union Pipes (page 19)<br>
<a href="http://www.cl.cam.ac.uk/%7Erja14/musicfiles/manuscripts/colclough-tunes.pdf" rel="nofollow">http://www.cl.cam.ac.uk/~rja14/musicfiles/manuscripts/colclough-tunes.pdf</a> </p>

<p>++++++++++++++</p>

<p>1804: The Ash Grove/Llwyn On From William Bingley’s North Wales: Including its Scenery, Antiquities, Customs, and Some Sketches of its Natural History…  <a href="https://books.google.tg/books?id=tp3kAAAAMAAJ&hl=fr&pg=PA336-IA7#v=onepage&q&f=false" rel="nofollow">https://books.google.tg/books?id=tp3kAAAAMAAJ&amp;hl=fr&amp;pg=PA336-IA7#v=onepage&amp;q&amp;f=false</a> </p>

<p>1840: Llewellyn A Favorite Welch Air, From Colclough’s Tutor for the Irish Union Pipes (page 19)<br>
<a href="http://www.cl.cam.ac.uk/%7Erja14/musicfiles/manuscripts/colclough-tunes.pdf" rel="nofollow">http://www.cl.cam.ac.uk/~rja14/musicfiles/manuscripts/colclough-tunes.pdf</a> </p>

<p>I Listened to Pat Sky’s Recording of Tommy Reck an Amazon Music, I think it is likely you can find it on other places as well: <br>
<a href="https://music.amazon.com/albums/B000S5590I?marketplaceId=ATVPDKIKX0DER&musicTerritory=US&trackAsin=B000S3P194" rel="nofollow">https://music.amazon.com/albums/B000S5590I?marketplaceId=ATVPDKIKX0DER&amp;musicTerritory=US&amp;trackAsin=B000S3P194</a> <br>
The Album is called: Tommy Reck: Irish Piper The Stone in the Field</p>

<p>Please take advantage of the Tune Collection tab: <a href="https://www.wetootwaag.com/tunesources" rel="nofollow">https://www.wetootwaag.com/tunesources</a> <br>
Also Please take a minute to leave a review of the podcast! </p>

<p>Listen on Apple Podcasts: <a href="https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677" rel="nofollow">https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677</a> <br>
Listen on Itunes: <a href="https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677" rel="nofollow">https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677</a> <br>
Listen on Spotify: <a href="https://open.spotify.com/show/5QxzqrSm0pu6v8y8pLsv5j?si=QLiG0L1pT1eu7B5_FDmgGA" rel="nofollow">https://open.spotify.com/show/5QxzqrSm0pu6v8y8pLsv5j?si=QLiG0L1pT1eu7B5_FDmgGA</a></p>

<p>Please take advantage of the Tune Collection tab: <a href="https://www.wetootwaag.com/tunesources" rel="nofollow">https://www.wetootwaag.com/tunesources</a> <br>
Also Please take a minute to leave a review of the podcast! </p>

<p>Listen on Apple Podcasts: <a href="https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677" rel="nofollow">https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677</a> <br>
Listen on Itunes: <a href="https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677" rel="nofollow">https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677</a> <br>
Listen on Spotify: <a href="https://open.spotify.com/show/5QxzqrSm0pu6v8y8pLsv5j?si=QLiG0L1pT1eu7B5_FDmgGA" rel="nofollow">https://open.spotify.com/show/5QxzqrSm0pu6v8y8pLsv5j?si=QLiG0L1pT1eu7B5_FDmgGA</a></p><p><a rel="payment" href="https://www.patreon.com/wetootwaag">Support Wetootwaag&#39;s Bagpipe and History Podcast</a></p>]]>
  </content:encoded>
  <itunes:summary>
    <![CDATA[<p>Tunes: <br>
Colclough: Colclough’s Hornpipe,  Rakes of Westmeath, Llewellyn<br>
Burke Thumoth: Rakes of Westmeath<br>
O’Farrell: Waterford’s Waltz, O’Farrell’s Hornpipe, <br>
Gahagan: Gahagan’s Frisk, Humours of Westmeath, Ravencroft’s Fancy, The Chocolate Pot<br>
William Dixon: How She Will Never Be Guided<br>
Robert Riddell: How She’ll ne’er be guided<br>
William Bingley: The Ash Grove (Llwyn On)<br>
Wilson: Rakes of Westmeath<br>
Francis O’Neill: Rakes of Westmeath<br>
McFadyen: Rakes of Westmeath</p>

<p>++++++++++</p>

<p>Please consider joining the Patreon to support the show: <a href="https://www.patreon.com/wetootwaag" rel="nofollow">https://www.patreon.com/wetootwaag</a></p>

<p>++++++++++</p>

<p>Pat Sky Video from North Carolina Television: <a href="https://youtu.be/7al1306eAFI" rel="nofollow">https://youtu.be/7al1306eAFI</a> </p>

<p>Pat Sky’s NYTimes Obituary: <a href="https://www.nytimes.com/2021/06/04/arts/music/patrick-sky-dead.html" rel="nofollow">https://www.nytimes.com/2021/06/04/arts/music/patrick-sky-dead.html</a> </p>

<p>Pat Sky’s Gofundme page (Organized by his wife Cathy so I assume any donations will help to support her and end of life expenses.) <br>
<a href="https://gofund.me/7e80fef5" rel="nofollow">https://gofund.me/7e80fef5</a> </p>

<p>If you want to watch Peter Browne play some awesome tunes and have great story exchanges with Pat Sky about living with Seamus Ennis and Liam O’Flynn I highly recommend renting Browne’s Piper Sunday Appearance from the Southern California Uilleann Piper’s Club: It is Episode  31: <a href="https://vimeo.com/ondemand/pipersunday/471232053" rel="nofollow">https://vimeo.com/ondemand/pipersunday/471232053</a> <br>
<a href="https://vimeo.com/ondemand/pipersunday/" rel="nofollow">https://vimeo.com/ondemand/pipersunday/</a> </p>

<p>++++++++++++++++++++</p>

<p>1733: How She Will Never Be Guided From William Dixon:<br>
<a href="https://www.mattseattle.scot/product-page/the-master-piper-new-edition" rel="nofollow">https://www.mattseattle.scot/product-page/the-master-piper-new-edition</a></p>

<p>1794: How She’ll Ne’er be guided: From Robert Riddell’s A Collection of Scotch, Galwegian and Border Tunes<br>
<a href="http://www.cl.cam.ac.uk/%7Erja14/musicfiles/manuscripts/riddell/riddell18.pdf" rel="nofollow">http://www.cl.cam.ac.uk/~rja14/musicfiles/manuscripts/riddell/riddell18.pdf</a> </p>

<p>++++++++</p>

<p>Geoghegan’s Tutor is Available on Ross’s Music Page:<br>
1746: Ravencroft’s Fancy From Geoghegan page 14)<br>
<a href="http://www.cl.cam.ac.uk/%7Erja14/musicfiles/manuscripts/geoghegan.pdf" rel="nofollow">http://www.cl.cam.ac.uk/~rja14/musicfiles/manuscripts/geoghegan.pdf</a> </p>

<p>1763 (ish): Ravenscroft’s Fancy From Robert Bremner’s Delightful Pocket Companion for the German Flute:<br>
<a href="https://digital.nls.uk/special-collections-of-printed-music/archive/87754195" rel="nofollow">https://digital.nls.uk/special-collections-of-printed-music/archive/87754195</a> </p>

<p>1746: Gahagan’s Frisk: From Geoghegan (page 11)<br>
<a href="http://www.cl.cam.ac.uk/%7Erja14/musicfiles/manuscripts/geoghegan.pdf" rel="nofollow">http://www.cl.cam.ac.uk/~rja14/musicfiles/manuscripts/geoghegan.pdf</a> </p>

<p>1746: The Chocolate Pot: From Geoghegan (page 21)<br>
<a href="http://www.cl.cam.ac.uk/%7Erja14/musicfiles/manuscripts/geoghegan.pdf" rel="nofollow">http://www.cl.cam.ac.uk/~rja14/musicfiles/manuscripts/geoghegan.pdf</a></p>

<p>++++++++</p>

<p>1746: The Humours of Westmeath: From Geoghegan (page 18)<br>
<a href="http://www.cl.cam.ac.uk/%7Erja14/musicfiles/manuscripts/geoghegan.pdf" rel="nofollow">http://www.cl.cam.ac.uk/~rja14/musicfiles/manuscripts/geoghegan.pdf</a></p>

<p>1746: Burk Thumoth’s Rakes of Westmeath from 12 English and 12 Irish Airs: (also printed by Simpson)<br>
<a href="https://digital.nls.uk/special-collections-of-printed-music/archive/90419969" rel="nofollow">https://digital.nls.uk/special-collections-of-printed-music/archive/90419969</a> <br>
<a href="https://archive.org/details/imslp-english-and-12-irish-airs-with-variations-thumoth-burke/page/n35/mode/2up" rel="nofollow">https://archive.org/details/imslp-english-and-12-irish-airs-with-variations-thumoth-burke/page/n35/mode/2up</a> </p>

<p>1840: Rakes of Westmeath, From Colclough’s Tutor for the Irish Union Pipes (page 19)<br>
<a href="http://www.cl.cam.ac.uk/%7Erja14/musicfiles/manuscripts/colclough-tunes.pdf" rel="nofollow">http://www.cl.cam.ac.uk/~rja14/musicfiles/manuscripts/colclough-tunes.pdf</a> </p>

<p>1801: Rakes of Westmeath from John McFadyen (James Aird books):<br>
<a href="https://archive.org/details/selectionofscotc00rugg/page/n17/mode/2up?view=theater" rel="nofollow">https://archive.org/details/selectionofscotc00rugg/page/n17/mode/2up?view=theater</a> </p>

<p>1816: Rakes of Westmeath From Wilson’s A Companion to the Ball Room: (page 30)<br>
<a href="https://imslp.org/wiki/A_Companion_to_the_Ball_Room_(Wilson%2C_Thomas)" rel="nofollow">https://imslp.org/wiki/A_Companion_to_the_Ball_Room_(Wilson%2C_Thomas)</a> </p>

<p>1900: Rakes of Westmeath From Francis O’Neill’s Dance Music of Ireland:<br>
<a href="https://tunearch.org/wiki/Rakes_of_Westmeath_(1)_(The)" rel="nofollow">https://tunearch.org/wiki/Rakes_of_Westmeath_(1)_(The)</a></p>

<p>++++++++++++++++++++++++++++++</p>

<p>1800ish: O’Farrell’s Hornpipe Can be found in his Tutor:<br>
<a href="http://www.capeirish.com/webabc/working/source.folders/ofnim/ofnim_table.html" rel="nofollow">http://www.capeirish.com/webabc/working/source.folders/ofnim/ofnim_table.html</a> </p>

<p>1808ish:  Waterford Waltz from O’Farrell’s Pocket Companion Volume IV:<br>
<a href="http://www.capeirish.com/webabc/working/source.folders/ofpc/ofpc.4/ofpc.4_table.html" rel="nofollow">http://www.capeirish.com/webabc/working/source.folders/ofpc/ofpc.4/ofpc.4_table.html</a></p>

<p>+++++++++++++++++++++++++++++++++++++++</p>

<p>1840: Colclough’s Hornpipe, From Colclough’s Tutor for the Irish Union Pipes (page 19)<br>
<a href="http://www.cl.cam.ac.uk/%7Erja14/musicfiles/manuscripts/colclough-tunes.pdf" rel="nofollow">http://www.cl.cam.ac.uk/~rja14/musicfiles/manuscripts/colclough-tunes.pdf</a> </p>

<p>++++++++++++++</p>

<p>1804: The Ash Grove/Llwyn On From William Bingley’s North Wales: Including its Scenery, Antiquities, Customs, and Some Sketches of its Natural History…  <a href="https://books.google.tg/books?id=tp3kAAAAMAAJ&hl=fr&pg=PA336-IA7#v=onepage&q&f=false" rel="nofollow">https://books.google.tg/books?id=tp3kAAAAMAAJ&amp;hl=fr&amp;pg=PA336-IA7#v=onepage&amp;q&amp;f=false</a> </p>

<p>1840: Llewellyn A Favorite Welch Air, From Colclough’s Tutor for the Irish Union Pipes (page 19)<br>
<a href="http://www.cl.cam.ac.uk/%7Erja14/musicfiles/manuscripts/colclough-tunes.pdf" rel="nofollow">http://www.cl.cam.ac.uk/~rja14/musicfiles/manuscripts/colclough-tunes.pdf</a> </p>

<p>I Listened to Pat Sky’s Recording of Tommy Reck an Amazon Music, I think it is likely you can find it on other places as well: <br>
<a href="https://music.amazon.com/albums/B000S5590I?marketplaceId=ATVPDKIKX0DER&musicTerritory=US&trackAsin=B000S3P194" rel="nofollow">https://music.amazon.com/albums/B000S5590I?marketplaceId=ATVPDKIKX0DER&amp;musicTerritory=US&amp;trackAsin=B000S3P194</a> <br>
The Album is called: Tommy Reck: Irish Piper The Stone in the Field</p>

<p>Please take advantage of the Tune Collection tab: <a href="https://www.wetootwaag.com/tunesources" rel="nofollow">https://www.wetootwaag.com/tunesources</a> <br>
Also Please take a minute to leave a review of the podcast! </p>

<p>Listen on Apple Podcasts: <a href="https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677" rel="nofollow">https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677</a> <br>
Listen on Itunes: <a href="https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677" rel="nofollow">https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677</a> <br>
Listen on Spotify: <a href="https://open.spotify.com/show/5QxzqrSm0pu6v8y8pLsv5j?si=QLiG0L1pT1eu7B5_FDmgGA" rel="nofollow">https://open.spotify.com/show/5QxzqrSm0pu6v8y8pLsv5j?si=QLiG0L1pT1eu7B5_FDmgGA</a></p>

<p>Please take advantage of the Tune Collection tab: <a href="https://www.wetootwaag.com/tunesources" rel="nofollow">https://www.wetootwaag.com/tunesources</a> <br>
Also Please take a minute to leave a review of the podcast! </p>

<p>Listen on Apple Podcasts: <a href="https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677" rel="nofollow">https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677</a> <br>
Listen on Itunes: <a href="https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677" rel="nofollow">https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677</a> <br>
Listen on Spotify: <a href="https://open.spotify.com/show/5QxzqrSm0pu6v8y8pLsv5j?si=QLiG0L1pT1eu7B5_FDmgGA" rel="nofollow">https://open.spotify.com/show/5QxzqrSm0pu6v8y8pLsv5j?si=QLiG0L1pT1eu7B5_FDmgGA</a></p><p><a rel="payment" href="https://www.patreon.com/wetootwaag">Support Wetootwaag&#39;s Bagpipe and History Podcast</a></p>]]>
  </itunes:summary>
</item>
<item>
  <title>Season 5 Episode 15: John Murphy’s Collection &amp; Have a Care of Her Johnny</title>
  <link>https://www.wetootwaag.com/s5e15</link>
  <guid isPermaLink="false">aa868250-3c02-4379-8a77-5bca75ebcefd</guid>
  <pubDate>Sun, 23 May 2021 15:00:00 -0400</pubDate>
  <author>Jeremy Kingsbury</author>
  <enclosure url="https://aphid.fireside.fm/d/1437767933/f158d1e4-b92d-4f8d-9eef-7382ca3c3ee8/aa868250-3c02-4379-8a77-5bca75ebcefd.mp3" length="38623354" type="audio/mpeg"/>
  <itunes:episodeType>full</itunes:episodeType>
  <itunes:season>5</itunes:season>
  <itunes:author>Jeremy Kingsbury</itunes:author>
  <itunes:subtitle>Tunes:
William Dixon: Have a Care of Her Johnny
Daniel Dow: Sandy Gow’s Three Pints
John Machlachlan: Sandy Gow’s Three Pints
O’Farrell: The Douraling, The Gobbyo, 
Murphy: Kate Martin, Mrs. Boswell’s Jigg, That’s My Way
Edward Bunting: The Beardless Boy
John Rook: Kate Kearney

Please consider joining the Patreon to support the show: https://www.patreon.com/wetootwaag</itunes:subtitle>
  <itunes:duration>26:38</itunes:duration>
  <itunes:explicit>no</itunes:explicit>
  <itunes:image href="https://media24.fireside.fm/file/fireside-images-2024/podcasts/images/f/f158d1e4-b92d-4f8d-9eef-7382ca3c3ee8/episodes/a/aa868250-3c02-4379-8a77-5bca75ebcefd/cover.jpg?v=1"/>
  <description>&lt;p&gt;Tunes:&lt;br&gt;
William Dixon: Have a Care of Her Johnny&lt;br&gt;
Daniel Dow: Sandy Gow’s Three Pints&lt;br&gt;
John Machlachlan: Sandy Gow’s Three Pints&lt;br&gt;
O’Farrell: The Douraling, The Gobbyo, &lt;br&gt;
Murphy: Kate Martin, Mrs. Boswell’s Jigg, That’s My Way&lt;br&gt;
Edward Bunting: The Beardless Boy&lt;br&gt;
John Rook: Kate Kearney&lt;/p&gt;

&lt;p&gt;++++++++++++++++++&lt;/p&gt;

&lt;p&gt;Please consider joining the Patreon to support the show: &lt;a href="https://www.patreon.com/wetootwaag" target="_blank" rel="nofollow noopener"&gt;https://www.patreon.com/wetootwaag&lt;/a&gt; &lt;/p&gt;

&lt;p&gt;Here is a link to one of Keith Sanger’s recent articles on Fitzmaurice and John Murphy:&lt;br&gt;
&lt;a href="https://bagpipe.news/2019/10/13/irish-pipers-and-scotland/" target="_blank" rel="nofollow noopener"&gt;https://bagpipe.news/2019/10/13/irish-pipers-and-scotland/&lt;/a&gt; &lt;/p&gt;

&lt;p&gt;+++++++++++++++++&lt;/p&gt;

&lt;p&gt;1810: Murphy: Mrs. Boswell’s Jigg, Kate Martin and That’s My Way All come from: A collection of Irish airs and jiggs with variations adapted for the piano forte, violin &amp;amp; violoncello &lt;br&gt;
&lt;a href="https://www.google.com/books/edition/A_collection_of_Irish_airs_and_jiggs_wit/_Up5WmARde0C?hl=en" target="_blank" rel="nofollow noopener"&gt;https://www.google.com/books/edition/A_collection_of_Irish_airs_and_jiggs_wit/_Up5WmARde0C?hl=en&lt;/a&gt; &lt;/p&gt;

&lt;p&gt;++++++++++++++++++++++++++++++++++++++++++++++++++++&lt;/p&gt;

&lt;p&gt;Murphy: Miss Boswell’s Jigg&lt;/p&gt;

&lt;p&gt;+++++&lt;br&gt;
Murphy’s Kate Martin: &lt;/p&gt;

&lt;p&gt;1796: Edward Bunting’s The Beardless Boy: &lt;br&gt;
&lt;a href="https://digital.nls.uk/special-collections-of-printed-music/archive/105814497" target="_blank" rel="nofollow noopener"&gt;https://digital.nls.uk/special-collections-of-printed-music/archive/105814497&lt;/a&gt; &lt;br&gt;
Simon Hasn’t done Beardless boy yet and I couldn’t find notes in Bunting’s Archive to look at.&lt;/p&gt;

&lt;p&gt;1840: John Rook’s Kate Kearny:&lt;br&gt;
&lt;a href="https://www.cl.cam.ac.uk/%7Erja14/musicfiles/rook/rook_pages/231.htm" target="_blank" rel="nofollow noopener"&gt;https://www.cl.cam.ac.uk/~rja14/musicfiles/rook/rook_pages/231.htm&lt;/a&gt; &lt;/p&gt;

&lt;p&gt;Want a copy of Rook? Support this Crowd funding!&lt;br&gt;
&lt;a href="https://www.crowdfunder.co.uk/the-john-rook-manuscript?fbclid=IwAR1PcBavQn852CZT7hGEBkqJfN-vh5c0vtNbahLPO-JDK8T2BwCmGAGFOco" target="_blank" rel="nofollow noopener"&gt;https://www.crowdfunder.co.uk/the-john-rook-manuscript?fbclid=IwAR1PcBavQn852CZT7hGEBkqJfN-vh5c0vtNbahLPO-JDK8T2BwCmGAGFOco&lt;/a&gt; &lt;/p&gt;

&lt;p&gt;++++++++&lt;/p&gt;

&lt;p&gt;Murphy: That’s My Way (Page 39)&lt;/p&gt;

&lt;p&gt;1806: O’Farrell: The Gobbyo&lt;br&gt;
&lt;a href="https://digital.nls.uk/special-collections-of-printed-music/archive/87779858" target="_blank" rel="nofollow noopener"&gt;https://digital.nls.uk/special-collections-of-printed-music/archive/87779858&lt;/a&gt; &lt;/p&gt;

&lt;p&gt;1806: O’Farrell’s The Douraling:&lt;br&gt;
&lt;a href="https://digital.nls.uk/special-collections-of-printed-music/archive/87779918" target="_blank" rel="nofollow noopener"&gt;https://digital.nls.uk/special-collections-of-printed-music/archive/87779918&lt;/a&gt; &lt;/p&gt;

&lt;p&gt;+++++++++++++&lt;/p&gt;

&lt;p&gt;1733: William Dixon’s Have a Care of Her Johnny&lt;/p&gt;

&lt;p&gt;1778: Daniel Dow’s Sandy Gow’s Three Pints (page 17) A Collection of Ancient Scots Music for the violin, harpsichord or German flute: Never before printed consisting of ports, salutations, marches and pibrachs &amp;amp; c. &lt;br&gt;
&lt;a href="https://www.wirestrungharp.com/library/daniel_dow/" target="_blank" rel="nofollow noopener"&gt;https://www.wirestrungharp.com/library/daniel_dow/&lt;/a&gt; &lt;/p&gt;

&lt;p&gt;Keith Sanger write up on Dow: &lt;a href="https://www.wirestrungharp.com/library/daniel_dow_reid/" target="_blank" rel="nofollow noopener"&gt;https://www.wirestrungharp.com/library/daniel_dow_reid/&lt;/a&gt; &lt;/p&gt;

&lt;p&gt;1850s : MacLachlan’s Sandy Gow’s Three Pints:&lt;br&gt;
&lt;a href="https://digital.nls.uk/special-collections-of-printed-music/archive/105010347" target="_blank" rel="nofollow noopener"&gt;https://digital.nls.uk/special-collections-of-printed-music/archive/105010347&lt;/a&gt; &lt;/p&gt;

&lt;p&gt;Please take advantage of the Tune Collection tab: &lt;a href="https://www.wetootwaag.com/tunesources" target="_blank" rel="nofollow noopener"&gt;https://www.wetootwaag.com/tunesources&lt;/a&gt; &lt;br&gt;
Also Please take a minute to leave a review of the podcast! &lt;/p&gt;

&lt;p&gt;Listen on Apple Podcasts: &lt;a href="https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677" target="_blank" rel="nofollow noopener"&gt;https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677&lt;/a&gt; &lt;br&gt;
Listen on Itunes: &lt;a href="https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677" target="_blank" rel="nofollow noopener"&gt;https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677&lt;/a&gt; &lt;br&gt;
Listen on Spotify: &lt;a href="https://open.spotify.com/show/5QxzqrSm0pu6v8y8pLsv5j?si=QLiG0L1pT1eu7B5_FDmgGA" target="_blank" rel="nofollow noopener"&gt;https://open.spotify.com/show/5QxzqrSm0pu6v8y8pLsv5j?si=QLiG0L1pT1eu7B5_FDmgGA&lt;/a&gt;&lt;br&gt;
Please consider joining the Patreon to support the show: &lt;a href="https://www.patreon.com/wetootwaag" target="_blank" rel="nofollow noopener"&gt;https://www.patreon.com/wetootwaag&lt;/a&gt; &lt;/p&gt;
</description>
  <itunes:keywords>bagpipes, uilleann pipes, Highland, Scottish, Scotland, Donald MacDonald, History, Music, Great Highland Bagpipes, GHB, Celtic, history, pastoral pipes, union pipes, baroque, eighteenth Century, Irish Music, Scottish Music, </itunes:keywords>
  <content:encoded>
    <![CDATA[<p>Tunes:<br>
William Dixon: Have a Care of Her Johnny<br>
Daniel Dow: Sandy Gow’s Three Pints<br>
John Machlachlan: Sandy Gow’s Three Pints<br>
O’Farrell: The Douraling, The Gobbyo, <br>
Murphy: Kate Martin, Mrs. Boswell’s Jigg, That’s My Way<br>
Edward Bunting: The Beardless Boy<br>
John Rook: Kate Kearney</p>

<p>++++++++++++++++++</p>

<p>Please consider joining the Patreon to support the show: <a href="https://www.patreon.com/wetootwaag" rel="nofollow">https://www.patreon.com/wetootwaag</a> </p>

<p>Here is a link to one of Keith Sanger’s recent articles on Fitzmaurice and John Murphy:<br>
<a href="https://bagpipe.news/2019/10/13/irish-pipers-and-scotland/" rel="nofollow">https://bagpipe.news/2019/10/13/irish-pipers-and-scotland/</a> </p>

<p>+++++++++++++++++</p>

<p>1810: Murphy: Mrs. Boswell’s Jigg, Kate Martin and That’s My Way All come from: A collection of Irish airs and jiggs with variations adapted for the piano forte, violin &amp; violoncello <br>
<a href="https://www.google.com/books/edition/A_collection_of_Irish_airs_and_jiggs_wit/_Up5WmARde0C?hl=en" rel="nofollow">https://www.google.com/books/edition/A_collection_of_Irish_airs_and_jiggs_wit/_Up5WmARde0C?hl=en</a> </p>

<p>++++++++++++++++++++++++++++++++++++++++++++++++++++</p>

<p>Murphy: Miss Boswell’s Jigg</p>

<p>+++++<br>
Murphy’s Kate Martin: </p>

<p>1796: Edward Bunting’s The Beardless Boy: <br>
<a href="https://digital.nls.uk/special-collections-of-printed-music/archive/105814497" rel="nofollow">https://digital.nls.uk/special-collections-of-printed-music/archive/105814497</a> <br>
Simon Hasn’t done Beardless boy yet and I couldn’t find notes in Bunting’s Archive to look at.</p>

<p>1840: John Rook’s Kate Kearny:<br>
<a href="https://www.cl.cam.ac.uk/%7Erja14/musicfiles/rook/rook_pages/231.htm" rel="nofollow">https://www.cl.cam.ac.uk/~rja14/musicfiles/rook/rook_pages/231.htm</a> </p>

<p>Want a copy of Rook? Support this Crowd funding!<br>
<a href="https://www.crowdfunder.co.uk/the-john-rook-manuscript?fbclid=IwAR1PcBavQn852CZT7hGEBkqJfN-vh5c0vtNbahLPO-JDK8T2BwCmGAGFOco" rel="nofollow">https://www.crowdfunder.co.uk/the-john-rook-manuscript?fbclid=IwAR1PcBavQn852CZT7hGEBkqJfN-vh5c0vtNbahLPO-JDK8T2BwCmGAGFOco</a> </p>

<p>++++++++</p>

<p>Murphy: That’s My Way (Page 39)</p>

<p>1806: O’Farrell: The Gobbyo<br>
<a href="https://digital.nls.uk/special-collections-of-printed-music/archive/87779858" rel="nofollow">https://digital.nls.uk/special-collections-of-printed-music/archive/87779858</a> </p>

<p>1806: O’Farrell’s The Douraling:<br>
<a href="https://digital.nls.uk/special-collections-of-printed-music/archive/87779918" rel="nofollow">https://digital.nls.uk/special-collections-of-printed-music/archive/87779918</a> </p>

<p>+++++++++++++</p>

<p>1733: William Dixon’s Have a Care of Her Johnny</p>

<p>1778: Daniel Dow’s Sandy Gow’s Three Pints (page 17) A Collection of Ancient Scots Music for the violin, harpsichord or German flute: Never before printed consisting of ports, salutations, marches and pibrachs &amp; c. <br>
<a href="https://www.wirestrungharp.com/library/daniel_dow/" rel="nofollow">https://www.wirestrungharp.com/library/daniel_dow/</a> </p>

<p>Keith Sanger write up on Dow: <a href="https://www.wirestrungharp.com/library/daniel_dow_reid/" rel="nofollow">https://www.wirestrungharp.com/library/daniel_dow_reid/</a> </p>

<p>1850s : MacLachlan’s Sandy Gow’s Three Pints:<br>
<a href="https://digital.nls.uk/special-collections-of-printed-music/archive/105010347" rel="nofollow">https://digital.nls.uk/special-collections-of-printed-music/archive/105010347</a> </p>

<p>Please take advantage of the Tune Collection tab: <a href="https://www.wetootwaag.com/tunesources" rel="nofollow">https://www.wetootwaag.com/tunesources</a> <br>
Also Please take a minute to leave a review of the podcast! </p>

<p>Listen on Apple Podcasts: <a href="https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677" rel="nofollow">https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677</a> <br>
Listen on Itunes: <a href="https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677" rel="nofollow">https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677</a> <br>
Listen on Spotify: <a href="https://open.spotify.com/show/5QxzqrSm0pu6v8y8pLsv5j?si=QLiG0L1pT1eu7B5_FDmgGA" rel="nofollow">https://open.spotify.com/show/5QxzqrSm0pu6v8y8pLsv5j?si=QLiG0L1pT1eu7B5_FDmgGA</a><br>
Please consider joining the Patreon to support the show: <a href="https://www.patreon.com/wetootwaag" rel="nofollow">https://www.patreon.com/wetootwaag</a> </p><p><a rel="payment" href="https://www.patreon.com/wetootwaag">Support Wetootwaag&#39;s Bagpipe and History Podcast</a></p>]]>
  </content:encoded>
  <itunes:summary>
    <![CDATA[<p>Tunes:<br>
William Dixon: Have a Care of Her Johnny<br>
Daniel Dow: Sandy Gow’s Three Pints<br>
John Machlachlan: Sandy Gow’s Three Pints<br>
O’Farrell: The Douraling, The Gobbyo, <br>
Murphy: Kate Martin, Mrs. Boswell’s Jigg, That’s My Way<br>
Edward Bunting: The Beardless Boy<br>
John Rook: Kate Kearney</p>

<p>++++++++++++++++++</p>

<p>Please consider joining the Patreon to support the show: <a href="https://www.patreon.com/wetootwaag" rel="nofollow">https://www.patreon.com/wetootwaag</a> </p>

<p>Here is a link to one of Keith Sanger’s recent articles on Fitzmaurice and John Murphy:<br>
<a href="https://bagpipe.news/2019/10/13/irish-pipers-and-scotland/" rel="nofollow">https://bagpipe.news/2019/10/13/irish-pipers-and-scotland/</a> </p>

<p>+++++++++++++++++</p>

<p>1810: Murphy: Mrs. Boswell’s Jigg, Kate Martin and That’s My Way All come from: A collection of Irish airs and jiggs with variations adapted for the piano forte, violin &amp; violoncello <br>
<a href="https://www.google.com/books/edition/A_collection_of_Irish_airs_and_jiggs_wit/_Up5WmARde0C?hl=en" rel="nofollow">https://www.google.com/books/edition/A_collection_of_Irish_airs_and_jiggs_wit/_Up5WmARde0C?hl=en</a> </p>

<p>++++++++++++++++++++++++++++++++++++++++++++++++++++</p>

<p>Murphy: Miss Boswell’s Jigg</p>

<p>+++++<br>
Murphy’s Kate Martin: </p>

<p>1796: Edward Bunting’s The Beardless Boy: <br>
<a href="https://digital.nls.uk/special-collections-of-printed-music/archive/105814497" rel="nofollow">https://digital.nls.uk/special-collections-of-printed-music/archive/105814497</a> <br>
Simon Hasn’t done Beardless boy yet and I couldn’t find notes in Bunting’s Archive to look at.</p>

<p>1840: John Rook’s Kate Kearny:<br>
<a href="https://www.cl.cam.ac.uk/%7Erja14/musicfiles/rook/rook_pages/231.htm" rel="nofollow">https://www.cl.cam.ac.uk/~rja14/musicfiles/rook/rook_pages/231.htm</a> </p>

<p>Want a copy of Rook? Support this Crowd funding!<br>
<a href="https://www.crowdfunder.co.uk/the-john-rook-manuscript?fbclid=IwAR1PcBavQn852CZT7hGEBkqJfN-vh5c0vtNbahLPO-JDK8T2BwCmGAGFOco" rel="nofollow">https://www.crowdfunder.co.uk/the-john-rook-manuscript?fbclid=IwAR1PcBavQn852CZT7hGEBkqJfN-vh5c0vtNbahLPO-JDK8T2BwCmGAGFOco</a> </p>

<p>++++++++</p>

<p>Murphy: That’s My Way (Page 39)</p>

<p>1806: O’Farrell: The Gobbyo<br>
<a href="https://digital.nls.uk/special-collections-of-printed-music/archive/87779858" rel="nofollow">https://digital.nls.uk/special-collections-of-printed-music/archive/87779858</a> </p>

<p>1806: O’Farrell’s The Douraling:<br>
<a href="https://digital.nls.uk/special-collections-of-printed-music/archive/87779918" rel="nofollow">https://digital.nls.uk/special-collections-of-printed-music/archive/87779918</a> </p>

<p>+++++++++++++</p>

<p>1733: William Dixon’s Have a Care of Her Johnny</p>

<p>1778: Daniel Dow’s Sandy Gow’s Three Pints (page 17) A Collection of Ancient Scots Music for the violin, harpsichord or German flute: Never before printed consisting of ports, salutations, marches and pibrachs &amp; c. <br>
<a href="https://www.wirestrungharp.com/library/daniel_dow/" rel="nofollow">https://www.wirestrungharp.com/library/daniel_dow/</a> </p>

<p>Keith Sanger write up on Dow: <a href="https://www.wirestrungharp.com/library/daniel_dow_reid/" rel="nofollow">https://www.wirestrungharp.com/library/daniel_dow_reid/</a> </p>

<p>1850s : MacLachlan’s Sandy Gow’s Three Pints:<br>
<a href="https://digital.nls.uk/special-collections-of-printed-music/archive/105010347" rel="nofollow">https://digital.nls.uk/special-collections-of-printed-music/archive/105010347</a> </p>

<p>Please take advantage of the Tune Collection tab: <a href="https://www.wetootwaag.com/tunesources" rel="nofollow">https://www.wetootwaag.com/tunesources</a> <br>
Also Please take a minute to leave a review of the podcast! </p>

<p>Listen on Apple Podcasts: <a href="https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677" rel="nofollow">https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677</a> <br>
Listen on Itunes: <a href="https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677" rel="nofollow">https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677</a> <br>
Listen on Spotify: <a href="https://open.spotify.com/show/5QxzqrSm0pu6v8y8pLsv5j?si=QLiG0L1pT1eu7B5_FDmgGA" rel="nofollow">https://open.spotify.com/show/5QxzqrSm0pu6v8y8pLsv5j?si=QLiG0L1pT1eu7B5_FDmgGA</a><br>
Please consider joining the Patreon to support the show: <a href="https://www.patreon.com/wetootwaag" rel="nofollow">https://www.patreon.com/wetootwaag</a> </p><p><a rel="payment" href="https://www.patreon.com/wetootwaag">Support Wetootwaag&#39;s Bagpipe and History Podcast</a></p>]]>
  </itunes:summary>
</item>
<item>
  <title>Season 5 Episode 14: Fitzmaurice’s New Collection of Irish Tunes No. 1 with Tune from Chris Norman and David Greenberg</title>
  <link>https://www.wetootwaag.com/s5e14</link>
  <guid isPermaLink="false">6158f24f-2c85-433e-a5cc-07462ba61bd9</guid>
  <pubDate>Sat, 15 May 2021 23:00:00 -0400</pubDate>
  <author>Jeremy Kingsbury</author>
  <enclosure url="https://aphid.fireside.fm/d/1437767933/f158d1e4-b92d-4f8d-9eef-7382ca3c3ee8/6158f24f-2c85-433e-a5cc-07462ba61bd9.mp3" length="59710083" type="audio/mpeg"/>
  <itunes:episodeType>full</itunes:episodeType>
  <itunes:season>5</itunes:season>
  <itunes:author>Jeremy Kingsbury</itunes:author>
  <itunes:subtitle>Tunes: 
Fitzmaurice: A Connaught Air, Spatter the Dew, Moggy Will you Come Again, Billy O’Rourke.
Francis O’Neill: Spatter the Dew
Goodman: Spatter the Dew
Roche: Spatter the Dew
William Vickers: Why Did you Promise to Marry?
Bruce and Stoke: Jockey up in the Hayloft
William Dixon: Hacky Honey
From David Greenberg and Chris Norman: a John Reid Piece, Garb of the old Gaul and Hacky Honey
Please consider joining all the cool kids and start supporting the Podcast by Joining the Patreon:
https://www.patreon.com/wetootwaag
</itunes:subtitle>
  <itunes:duration>44:10</itunes:duration>
  <itunes:explicit>no</itunes:explicit>
  <itunes:image href="https://media24.fireside.fm/file/fireside-images-2024/podcasts/images/f/f158d1e4-b92d-4f8d-9eef-7382ca3c3ee8/episodes/6/6158f24f-2c85-433e-a5cc-07462ba61bd9/cover.jpg?v=1"/>
  <description>&lt;p&gt;Tunes: &lt;br&gt;
Fitzmaurice: A Connaught Air, Spatter the Dew, Moggy Will you Come Again, Billy O’Rourke.&lt;br&gt;
Francis O’Neill: Spatter the Dew&lt;br&gt;
Goodman: Spatter the Dew&lt;br&gt;
Roche: Spatter the Dew&lt;br&gt;
William Vickers: Why Did you Promise to Marry?&lt;br&gt;
Bruce and Stoke: Jockey up in the Hayloft&lt;br&gt;
William Dixon: Hacky Honey&lt;br&gt;
From David Greenberg and Chris Norman: a John Reid Piece, Garb of the old Gaul and Hacky Honey&lt;/p&gt;

&lt;p&gt;Please consider joining all the cool kids and start supporting the Podcast by Joining the Patreon:&lt;br&gt;
&lt;a href="https://www.patreon.com/wetootwaag" target="_blank" rel="nofollow noopener"&gt;https://www.patreon.com/wetootwaag&lt;/a&gt;&lt;/p&gt;

&lt;p&gt;++++++++++++++++++++++++++++++++++++++++++++++++++++&lt;/p&gt;

&lt;p&gt;Big Thank You to David Greenberg and Chris Norman for allowing me to play their full track: General Reid from their album Let Me In This Ae Night the track is a set of a John Reid Piece, Garb of the old Gaul and Hacky Honey. You can and should buy their whole album, but in the mean time you can stream it on spotify: &lt;a href="https://open.spotify.com/album/4DWQdp7wKySlfzuPMVkdO0" target="_blank" rel="nofollow noopener"&gt;https://open.spotify.com/album/4DWQdp7wKySlfzuPMVkdO0&lt;/a&gt; &lt;br&gt;
amazon music: &lt;a href="https://music.amazon.com/albums/B003AMICX2?marketplaceId=ATVPDKIKX0DER&amp;amp;musicTerritory=US" target="_blank" rel="nofollow noopener"&gt;https://music.amazon.com/albums/B003AMICX2?marketplaceId=ATVPDKIKX0DER&amp;amp;amp;musicTerritory=US&lt;/a&gt; &lt;br&gt;
You can check out Chris Norman’s website here:&lt;br&gt;
&lt;a href="https://boxwood.org/" target="_blank" rel="nofollow noopener"&gt;https://boxwood.org/&lt;/a&gt; &lt;/p&gt;

&lt;p&gt;++++++++++++++++++++++++++++++++++++&lt;/p&gt;

&lt;p&gt;1828: From Donald MacDonald: Mrs. McLeod of Raasay:&lt;br&gt;
&lt;a href="https://digital.nls.uk/special-collections-of-printed-music/archive/105876170" target="_blank" rel="nofollow noopener"&gt;https://digital.nls.uk/special-collections-of-printed-music/archive/105876170&lt;/a&gt; &lt;/p&gt;

&lt;p&gt;1805-1808ish : Most of the Tunes Come From Fitzmaurice’s New Collection of Irish Tunes:&lt;br&gt;
&lt;a href="https://www.google.com/books/edition/Fitzmaurice_s_New_Collection_of_Irish_Tu/vq4Fb5TyTK4C?hl=en&amp;amp;gbpv=1&amp;amp;pg=PP2&amp;amp;printsec=frontcover" target="_blank" rel="nofollow noopener"&gt;https://www.google.com/books/edition/Fitzmaurice_s_New_Collection_of_Irish_Tu/vq4Fb5TyTK4C?hl=en&amp;amp;amp;gbpv=1&amp;amp;amp;pg=PP2&amp;amp;amp;printsec=frontcover&lt;/a&gt; &lt;/p&gt;

&lt;p&gt;1808 Fitzmaurice: “A Connaught Air” Second Tune is Spatter the Dew&lt;/p&gt;

&lt;p&gt;1860s Goodman’s Spatter the Dew:&lt;br&gt;
&lt;a href="http://goodman.itma.ie/volume-one#?c=0&amp;amp;m=0&amp;amp;s=0&amp;amp;cv=85&amp;amp;z=994.0834%2C1127.9524%2C7154.6496%2C2584.8765" target="_blank" rel="nofollow noopener"&gt;http://goodman.itma.ie/volume-one#?c=0&amp;amp;amp;m=0&amp;amp;amp;s=0&amp;amp;amp;cv=85&amp;amp;amp;z=994.0834%2C1127.9524%2C7154.6496%2C2584.8765&lt;/a&gt; &lt;/p&gt;

&lt;p&gt;1907: Francis O’Neill’s Spatter the Dew. Apologies for not linking to an archive copy:&lt;br&gt;
&lt;a href="https://tunearch.org/wiki/Spatter_the_Dew_(2)" target="_blank" rel="nofollow noopener"&gt;https://tunearch.org/wiki/Spatter_the_Dew_(2)&lt;/a&gt; &lt;/p&gt;

&lt;p&gt;1912: Spatter the Dew (Different tune and a Reel) Roche, Couldn’t find it online apart from TTA:&lt;br&gt;
&lt;a href="https://tunearch.org/wiki/Annotation:Spatter_the_Dew_(1)" target="_blank" rel="nofollow noopener"&gt;https://tunearch.org/wiki/Annotation:Spatter_the_Dew_(1)&lt;/a&gt; &lt;/p&gt;

&lt;p&gt;1808: Fitzmaurice’s Moggy Will you Come again with Variations, remind me of the “Kitchen Piping” of the nineties and early 00s, specifically a mystery tune on GHB, I think possibly it is a tune my buddy Shane Ausprey was working on, but if you know what it is let me know!&lt;/p&gt;

&lt;p&gt;1808: Fitzmaurice’s Billy O’Rourke has a couple Concordances:&lt;/p&gt;

&lt;p&gt;1770: William Vickers MSS: Why Did You Promise to Marry?&lt;br&gt;
&lt;a href="http://www.farnearchive.com/farneimages/jpgs/R0307100.jpg" target="_blank" rel="nofollow noopener"&gt;http://www.farnearchive.com/farneimages/jpgs/R0307100.jpg&lt;/a&gt; &lt;/p&gt;

&lt;p&gt;1882: Bruce and Stoke: Jockey up in the Hayloft From Northumbrian Minstrelsy (page 147 [166 of PDF])&lt;br&gt;
&lt;a href="https://www.google.com/books/edition/Northumbrian_Minstrelsy/ZJhNAQAAMAAJ?hl=en" target="_blank" rel="nofollow noopener"&gt;https://www.google.com/books/edition/Northumbrian_Minstrelsy/ZJhNAQAAMAAJ?hl=en&lt;/a&gt; &lt;/p&gt;

&lt;p&gt;1733: William Dixon’s Hacky Honey&lt;br&gt;
&lt;a href="https://www.mattseattle.scot/product-page/the-master-piper-new-edition" target="_blank" rel="nofollow noopener"&gt;https://www.mattseattle.scot/product-page/the-master-piper-new-edition&lt;/a&gt;&lt;/p&gt;

&lt;p&gt;Big thanks to David Greenberg and Chris Norman for allowing me to play their full track: General Reid from their album Let Me In This Ae Night the track is a set of a John Reid Piece, Garb of the old Gaul and Hacky Honey. You can and should buy their whole album, but in the mean time you can stream it on spotify: &lt;a href="https://open.spotify.com/album/4DWQdp7wKySlfzuPMVkdO0" target="_blank" rel="nofollow noopener"&gt;https://open.spotify.com/album/4DWQdp7wKySlfzuPMVkdO0&lt;/a&gt; &lt;br&gt;
amazon music: &lt;a href="https://music.amazon.com/albums/B003AMICX2?marketplaceId=ATVPDKIKX0DER&amp;amp;musicTerritory=US" target="_blank" rel="nofollow noopener"&gt;https://music.amazon.com/albums/B003AMICX2?marketplaceId=ATVPDKIKX0DER&amp;amp;amp;musicTerritory=US&lt;/a&gt; &lt;/p&gt;

&lt;p&gt;You can check out Chris Norman’s website here:&lt;br&gt;
&lt;a href="https://boxwood.org/" target="_blank" rel="nofollow noopener"&gt;https://boxwood.org/&lt;/a&gt; &lt;/p&gt;

&lt;p&gt;Please take advantage of the Tune Collection tab: &lt;a href="https://www.wetootwaag.com/tunesources" target="_blank" rel="nofollow noopener"&gt;https://www.wetootwaag.com/tunesources&lt;/a&gt; &lt;br&gt;
Also Please take a minute to leave a review of the podcast! &lt;/p&gt;

&lt;p&gt;Listen on Apple Podcasts: &lt;a href="https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677" target="_blank" rel="nofollow noopener"&gt;https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677&lt;/a&gt; &lt;br&gt;
Listen on Itunes: &lt;a href="https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677" target="_blank" rel="nofollow noopener"&gt;https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677&lt;/a&gt; &lt;br&gt;
Listen on Spotify: &lt;a href="https://open.spotify.com/show/5QxzqrSm0pu6v8y8pLsv5j?si=QLiG0L1pT1eu7B5_FDmgGA" target="_blank" rel="nofollow noopener"&gt;https://open.spotify.com/show/5QxzqrSm0pu6v8y8pLsv5j?si=QLiG0L1pT1eu7B5_FDmgGA&lt;/a&gt;&lt;/p&gt;
</description>
  <itunes:keywords>bagpipes, uilleann pipes, Highland, Scottish, Scotland, Donald MacDonald, History, Music, Great Highland Bagpipes, GHB, Celtic, history, pastoral pipes, union pipes, baroque, eighteenth Century, Irish Music, Scottish Music, </itunes:keywords>
  <content:encoded>
    <![CDATA[<p>Tunes: <br>
Fitzmaurice: A Connaught Air, Spatter the Dew, Moggy Will you Come Again, Billy O’Rourke.<br>
Francis O’Neill: Spatter the Dew<br>
Goodman: Spatter the Dew<br>
Roche: Spatter the Dew<br>
William Vickers: Why Did you Promise to Marry?<br>
Bruce and Stoke: Jockey up in the Hayloft<br>
William Dixon: Hacky Honey<br>
From David Greenberg and Chris Norman: a John Reid Piece, Garb of the old Gaul and Hacky Honey</p>

<p>Please consider joining all the cool kids and start supporting the Podcast by Joining the Patreon:<br>
<a href="https://www.patreon.com/wetootwaag" rel="nofollow">https://www.patreon.com/wetootwaag</a></p>

<p>++++++++++++++++++++++++++++++++++++++++++++++++++++</p>

<p>Big Thank You to David Greenberg and Chris Norman for allowing me to play their full track: General Reid from their album Let Me In This Ae Night the track is a set of a John Reid Piece, Garb of the old Gaul and Hacky Honey. You can and should buy their whole album, but in the mean time you can stream it on spotify: <a href="https://open.spotify.com/album/4DWQdp7wKySlfzuPMVkdO0" rel="nofollow">https://open.spotify.com/album/4DWQdp7wKySlfzuPMVkdO0</a> <br>
amazon music: <a href="https://music.amazon.com/albums/B003AMICX2?marketplaceId=ATVPDKIKX0DER&musicTerritory=US" rel="nofollow">https://music.amazon.com/albums/B003AMICX2?marketplaceId=ATVPDKIKX0DER&amp;musicTerritory=US</a> <br>
You can check out Chris Norman’s website here:<br>
<a href="https://boxwood.org/" rel="nofollow">https://boxwood.org/</a> </p>

<p>++++++++++++++++++++++++++++++++++++</p>

<p>1828: From Donald MacDonald: Mrs. McLeod of Raasay:<br>
<a href="https://digital.nls.uk/special-collections-of-printed-music/archive/105876170" rel="nofollow">https://digital.nls.uk/special-collections-of-printed-music/archive/105876170</a> </p>

<p>1805-1808ish : Most of the Tunes Come From Fitzmaurice’s New Collection of Irish Tunes:<br>
<a href="https://www.google.com/books/edition/Fitzmaurice_s_New_Collection_of_Irish_Tu/vq4Fb5TyTK4C?hl=en&gbpv=1&pg=PP2&printsec=frontcover" rel="nofollow">https://www.google.com/books/edition/Fitzmaurice_s_New_Collection_of_Irish_Tu/vq4Fb5TyTK4C?hl=en&amp;gbpv=1&amp;pg=PP2&amp;printsec=frontcover</a> </p>

<p>1808 Fitzmaurice: “A Connaught Air” Second Tune is Spatter the Dew</p>

<p>1860s Goodman’s Spatter the Dew:<br>
<a href="http://goodman.itma.ie/volume-one#?c=0&m=0&s=0&cv=85&z=994.0834%2C1127.9524%2C7154.6496%2C2584.8765" rel="nofollow">http://goodman.itma.ie/volume-one#?c=0&amp;m=0&amp;s=0&amp;cv=85&amp;z=994.0834%2C1127.9524%2C7154.6496%2C2584.8765</a> </p>

<p>1907: Francis O’Neill’s Spatter the Dew. Apologies for not linking to an archive copy:<br>
<a href="https://tunearch.org/wiki/Spatter_the_Dew_(2)" rel="nofollow">https://tunearch.org/wiki/Spatter_the_Dew_(2)</a> </p>

<p>1912: Spatter the Dew (Different tune and a Reel) Roche, Couldn’t find it online apart from TTA:<br>
<a href="https://tunearch.org/wiki/Annotation:Spatter_the_Dew_(1)" rel="nofollow">https://tunearch.org/wiki/Annotation:Spatter_the_Dew_(1)</a> </p>

<p>1808: Fitzmaurice’s Moggy Will you Come again with Variations, remind me of the “Kitchen Piping” of the nineties and early 00s, specifically a mystery tune on GHB, I think possibly it is a tune my buddy Shane Ausprey was working on, but if you know what it is let me know!</p>

<p>1808: Fitzmaurice’s Billy O’Rourke has a couple Concordances:</p>

<p>1770: William Vickers MSS: Why Did You Promise to Marry?<br>
<a href="http://www.farnearchive.com/farneimages/jpgs/R0307100.jpg" rel="nofollow">http://www.farnearchive.com/farneimages/jpgs/R0307100.jpg</a> </p>

<p>1882: Bruce and Stoke: Jockey up in the Hayloft From Northumbrian Minstrelsy (page 147 [166 of PDF])<br>
<a href="https://www.google.com/books/edition/Northumbrian_Minstrelsy/ZJhNAQAAMAAJ?hl=en" rel="nofollow">https://www.google.com/books/edition/Northumbrian_Minstrelsy/ZJhNAQAAMAAJ?hl=en</a> </p>

<p>1733: William Dixon’s Hacky Honey<br>
<a href="https://www.mattseattle.scot/product-page/the-master-piper-new-edition" rel="nofollow">https://www.mattseattle.scot/product-page/the-master-piper-new-edition</a></p>

<p>Big thanks to David Greenberg and Chris Norman for allowing me to play their full track: General Reid from their album Let Me In This Ae Night the track is a set of a John Reid Piece, Garb of the old Gaul and Hacky Honey. You can and should buy their whole album, but in the mean time you can stream it on spotify: <a href="https://open.spotify.com/album/4DWQdp7wKySlfzuPMVkdO0" rel="nofollow">https://open.spotify.com/album/4DWQdp7wKySlfzuPMVkdO0</a> <br>
amazon music: <a href="https://music.amazon.com/albums/B003AMICX2?marketplaceId=ATVPDKIKX0DER&musicTerritory=US" rel="nofollow">https://music.amazon.com/albums/B003AMICX2?marketplaceId=ATVPDKIKX0DER&amp;musicTerritory=US</a> </p>

<p>You can check out Chris Norman’s website here:<br>
<a href="https://boxwood.org/" rel="nofollow">https://boxwood.org/</a> </p>

<p>Please take advantage of the Tune Collection tab: <a href="https://www.wetootwaag.com/tunesources" rel="nofollow">https://www.wetootwaag.com/tunesources</a> <br>
Also Please take a minute to leave a review of the podcast! </p>

<p>Listen on Apple Podcasts: <a href="https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677" rel="nofollow">https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677</a> <br>
Listen on Itunes: <a href="https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677" rel="nofollow">https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677</a> <br>
Listen on Spotify: <a href="https://open.spotify.com/show/5QxzqrSm0pu6v8y8pLsv5j?si=QLiG0L1pT1eu7B5_FDmgGA" rel="nofollow">https://open.spotify.com/show/5QxzqrSm0pu6v8y8pLsv5j?si=QLiG0L1pT1eu7B5_FDmgGA</a></p><p><a rel="payment" href="https://www.patreon.com/wetootwaag">Support Wetootwaag&#39;s Bagpipe and History Podcast</a></p>]]>
  </content:encoded>
  <itunes:summary>
    <![CDATA[<p>Tunes: <br>
Fitzmaurice: A Connaught Air, Spatter the Dew, Moggy Will you Come Again, Billy O’Rourke.<br>
Francis O’Neill: Spatter the Dew<br>
Goodman: Spatter the Dew<br>
Roche: Spatter the Dew<br>
William Vickers: Why Did you Promise to Marry?<br>
Bruce and Stoke: Jockey up in the Hayloft<br>
William Dixon: Hacky Honey<br>
From David Greenberg and Chris Norman: a John Reid Piece, Garb of the old Gaul and Hacky Honey</p>

<p>Please consider joining all the cool kids and start supporting the Podcast by Joining the Patreon:<br>
<a href="https://www.patreon.com/wetootwaag" rel="nofollow">https://www.patreon.com/wetootwaag</a></p>

<p>++++++++++++++++++++++++++++++++++++++++++++++++++++</p>

<p>Big Thank You to David Greenberg and Chris Norman for allowing me to play their full track: General Reid from their album Let Me In This Ae Night the track is a set of a John Reid Piece, Garb of the old Gaul and Hacky Honey. You can and should buy their whole album, but in the mean time you can stream it on spotify: <a href="https://open.spotify.com/album/4DWQdp7wKySlfzuPMVkdO0" rel="nofollow">https://open.spotify.com/album/4DWQdp7wKySlfzuPMVkdO0</a> <br>
amazon music: <a href="https://music.amazon.com/albums/B003AMICX2?marketplaceId=ATVPDKIKX0DER&musicTerritory=US" rel="nofollow">https://music.amazon.com/albums/B003AMICX2?marketplaceId=ATVPDKIKX0DER&amp;musicTerritory=US</a> <br>
You can check out Chris Norman’s website here:<br>
<a href="https://boxwood.org/" rel="nofollow">https://boxwood.org/</a> </p>

<p>++++++++++++++++++++++++++++++++++++</p>

<p>1828: From Donald MacDonald: Mrs. McLeod of Raasay:<br>
<a href="https://digital.nls.uk/special-collections-of-printed-music/archive/105876170" rel="nofollow">https://digital.nls.uk/special-collections-of-printed-music/archive/105876170</a> </p>

<p>1805-1808ish : Most of the Tunes Come From Fitzmaurice’s New Collection of Irish Tunes:<br>
<a href="https://www.google.com/books/edition/Fitzmaurice_s_New_Collection_of_Irish_Tu/vq4Fb5TyTK4C?hl=en&gbpv=1&pg=PP2&printsec=frontcover" rel="nofollow">https://www.google.com/books/edition/Fitzmaurice_s_New_Collection_of_Irish_Tu/vq4Fb5TyTK4C?hl=en&amp;gbpv=1&amp;pg=PP2&amp;printsec=frontcover</a> </p>

<p>1808 Fitzmaurice: “A Connaught Air” Second Tune is Spatter the Dew</p>

<p>1860s Goodman’s Spatter the Dew:<br>
<a href="http://goodman.itma.ie/volume-one#?c=0&m=0&s=0&cv=85&z=994.0834%2C1127.9524%2C7154.6496%2C2584.8765" rel="nofollow">http://goodman.itma.ie/volume-one#?c=0&amp;m=0&amp;s=0&amp;cv=85&amp;z=994.0834%2C1127.9524%2C7154.6496%2C2584.8765</a> </p>

<p>1907: Francis O’Neill’s Spatter the Dew. Apologies for not linking to an archive copy:<br>
<a href="https://tunearch.org/wiki/Spatter_the_Dew_(2)" rel="nofollow">https://tunearch.org/wiki/Spatter_the_Dew_(2)</a> </p>

<p>1912: Spatter the Dew (Different tune and a Reel) Roche, Couldn’t find it online apart from TTA:<br>
<a href="https://tunearch.org/wiki/Annotation:Spatter_the_Dew_(1)" rel="nofollow">https://tunearch.org/wiki/Annotation:Spatter_the_Dew_(1)</a> </p>

<p>1808: Fitzmaurice’s Moggy Will you Come again with Variations, remind me of the “Kitchen Piping” of the nineties and early 00s, specifically a mystery tune on GHB, I think possibly it is a tune my buddy Shane Ausprey was working on, but if you know what it is let me know!</p>

<p>1808: Fitzmaurice’s Billy O’Rourke has a couple Concordances:</p>

<p>1770: William Vickers MSS: Why Did You Promise to Marry?<br>
<a href="http://www.farnearchive.com/farneimages/jpgs/R0307100.jpg" rel="nofollow">http://www.farnearchive.com/farneimages/jpgs/R0307100.jpg</a> </p>

<p>1882: Bruce and Stoke: Jockey up in the Hayloft From Northumbrian Minstrelsy (page 147 [166 of PDF])<br>
<a href="https://www.google.com/books/edition/Northumbrian_Minstrelsy/ZJhNAQAAMAAJ?hl=en" rel="nofollow">https://www.google.com/books/edition/Northumbrian_Minstrelsy/ZJhNAQAAMAAJ?hl=en</a> </p>

<p>1733: William Dixon’s Hacky Honey<br>
<a href="https://www.mattseattle.scot/product-page/the-master-piper-new-edition" rel="nofollow">https://www.mattseattle.scot/product-page/the-master-piper-new-edition</a></p>

<p>Big thanks to David Greenberg and Chris Norman for allowing me to play their full track: General Reid from their album Let Me In This Ae Night the track is a set of a John Reid Piece, Garb of the old Gaul and Hacky Honey. You can and should buy their whole album, but in the mean time you can stream it on spotify: <a href="https://open.spotify.com/album/4DWQdp7wKySlfzuPMVkdO0" rel="nofollow">https://open.spotify.com/album/4DWQdp7wKySlfzuPMVkdO0</a> <br>
amazon music: <a href="https://music.amazon.com/albums/B003AMICX2?marketplaceId=ATVPDKIKX0DER&musicTerritory=US" rel="nofollow">https://music.amazon.com/albums/B003AMICX2?marketplaceId=ATVPDKIKX0DER&amp;musicTerritory=US</a> </p>

<p>You can check out Chris Norman’s website here:<br>
<a href="https://boxwood.org/" rel="nofollow">https://boxwood.org/</a> </p>

<p>Please take advantage of the Tune Collection tab: <a href="https://www.wetootwaag.com/tunesources" rel="nofollow">https://www.wetootwaag.com/tunesources</a> <br>
Also Please take a minute to leave a review of the podcast! </p>

<p>Listen on Apple Podcasts: <a href="https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677" rel="nofollow">https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677</a> <br>
Listen on Itunes: <a href="https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677" rel="nofollow">https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677</a> <br>
Listen on Spotify: <a href="https://open.spotify.com/show/5QxzqrSm0pu6v8y8pLsv5j?si=QLiG0L1pT1eu7B5_FDmgGA" rel="nofollow">https://open.spotify.com/show/5QxzqrSm0pu6v8y8pLsv5j?si=QLiG0L1pT1eu7B5_FDmgGA</a></p><p><a rel="payment" href="https://www.patreon.com/wetootwaag">Support Wetootwaag&#39;s Bagpipe and History Podcast</a></p>]]>
  </itunes:summary>
</item>
<item>
  <title>Season 5 Episode 12 Under Named GHB Tunes From James Aird and Guest Track from Brìghde Chaimbeul </title>
  <link>https://www.wetootwaag.com/s5e12</link>
  <guid isPermaLink="false">fc9420e6-283b-4001-9a89-cf21bea6b0fa</guid>
  <pubDate>Sun, 02 May 2021 04:00:00 -0400</pubDate>
  <author>Jeremy Kingsbury</author>
  <enclosure url="https://aphid.fireside.fm/d/1437767933/f158d1e4-b92d-4f8d-9eef-7382ca3c3ee8/fc9420e6-283b-4001-9a89-cf21bea6b0fa.mp3" length="69377552" type="audio/mpeg"/>
  <itunes:episodeType>full</itunes:episodeType>
  <itunes:season>5</itunes:season>
  <itunes:author>Jeremy Kingsbury</itunes:author>
  <itunes:subtitle>Tunes: 
James Aird: Three 6/8s called North Highland Reel, Three Tunes called Highland Dance, A skye Dance, three tunes called “A Jig”, A Western Isle Air.
Robert Miller: Two Highland Dances one Western Highland Dance and a Highland Jigg from Ross’s Music Page and North Highland Jigg (9/8) From Keith Sanger
Reverend R Harrison: Western Isles Air
My “Setting”: Braes of Mellinish</itunes:subtitle>
  <itunes:duration>49:39</itunes:duration>
  <itunes:explicit>no</itunes:explicit>
  <itunes:image href="https://media24.fireside.fm/file/fireside-images-2024/podcasts/images/f/f158d1e4-b92d-4f8d-9eef-7382ca3c3ee8/episodes/f/fc9420e6-283b-4001-9a89-cf21bea6b0fa/cover.jpg?v=1"/>
  <description>&lt;p&gt;Tunes: &lt;br&gt;
James Aird: Three 6/8s called North Highland Reel, Three Tunes called Highland Dance, A skye Dance, three tunes called “A Jig”, A Western Isle Air.&lt;br&gt;
Robert Miller: Two Highland Dances one Western Highland Dance and a Highland Jigg from Ross’s Music Page and North Highland Jigg (9/8) From Keith Sanger&lt;br&gt;
Reverend R Harrison: Western Isles Air&lt;br&gt;
My “Setting”: Braes of Mellinish&lt;/p&gt;

&lt;p&gt;Thanks For Listening! Please Consider Supporting the Show on Patreon:&lt;br&gt;
&lt;a href="https://www.patreon.com/wetootwaag" target="_blank" rel="nofollow noopener"&gt;https://www.patreon.com/wetootwaag&lt;/a&gt; &lt;/p&gt;

&lt;p&gt;All the James Aird Tunes come from the 1801 Publication of Volume 5 &lt;br&gt;
Miller Tunes Are Mostly from 1820, except the 9/8 North Highland Jigg, which is from 1838&lt;/p&gt;

&lt;p&gt;The First Friday of May will be another Band Camp Friday, which is a great day to buy some music from musicians that have been on the show, or my own album!&lt;/p&gt;

&lt;p&gt;My Album: Oyster Wives Rant:&lt;br&gt;
&lt;a href="https://jeremykingsbury.bandcamp.com/album/oyster-wives-rant-a-year-of-historic-tunes" target="_blank" rel="nofollow noopener"&gt;https://jeremykingsbury.bandcamp.com/album/oyster-wives-rant-a-year-of-historic-tunes&lt;/a&gt; &lt;br&gt;
Chris McMullan:&lt;br&gt;
&lt;a href="https://chrismcmullan.bandcamp.com/album/uilleann-tales" target="_blank" rel="nofollow noopener"&gt;https://chrismcmullan.bandcamp.com/album/uilleann-tales&lt;/a&gt; &lt;br&gt;
Hamish Napier:&lt;br&gt;
&lt;a href="https://hamishnapier.bandcamp.com/" target="_blank" rel="nofollow noopener"&gt;https://hamishnapier.bandcamp.com/&lt;/a&gt;&lt;br&gt;
Tim MacDonald:&lt;br&gt;
&lt;a href="https://tsmacdonald.bandcamp.com/releases" target="_blank" rel="nofollow noopener"&gt;https://tsmacdonald.bandcamp.com/releases&lt;/a&gt; &lt;br&gt;
Nicholas Brown:&lt;br&gt;
&lt;a href="https://nicolasbrown.bandcamp.com/releases" target="_blank" rel="nofollow noopener"&gt;https://nicolasbrown.bandcamp.com/releases&lt;/a&gt; &lt;br&gt;
Donald Lindsay:&lt;br&gt;
&lt;a href="https://goodenergy.bandcamp.com/" target="_blank" rel="nofollow noopener"&gt;https://goodenergy.bandcamp.com/&lt;/a&gt; &lt;br&gt;
Jarlath Henderson:&lt;br&gt;
&lt;a href="https://jarlathhenderson.bandcamp.com/" target="_blank" rel="nofollow noopener"&gt;https://jarlathhenderson.bandcamp.com/&lt;/a&gt; &lt;br&gt;
Innes Watson and Jarlath Henderson:&lt;br&gt;
&lt;a href="https://innojar.bandcamp.com/releases" target="_blank" rel="nofollow noopener"&gt;https://innojar.bandcamp.com/releases&lt;/a&gt; &lt;br&gt;
Blackie O’Connell will be on the show eventually:&lt;br&gt;
&lt;a href="https://blackieoconnellcyrilodonoghue.bandcamp.com/" target="_blank" rel="nofollow noopener"&gt;https://blackieoconnellcyrilodonoghue.bandcamp.com/&lt;/a&gt;&lt;br&gt;&lt;br&gt;
Brìghde Chaimbeul&lt;br&gt;
&lt;a href="https://brighdechaimbeul.bandcamp.com/track/turf-lodge-airds-jig" target="_blank" rel="nofollow noopener"&gt;https://brighdechaimbeul.bandcamp.com/track/turf-lodge-airds-jig&lt;/a&gt;&lt;br&gt;
+++++++++++++++++++++++++++++++++++++++++++++&lt;/p&gt;

&lt;p&gt;From James Aird, a collection of three 6/8s that work as a set he calls, “North Highland Reel” tunes 185, 186 and 187&lt;br&gt;
&lt;a href="https://archive.org/stream/selectionofscotc00rugg#page/n78/mode/1up" target="_blank" rel="nofollow noopener"&gt;https://archive.org/stream/selectionofscotc00rugg#page/n78/mode/1up&lt;/a&gt;&lt;/p&gt;

&lt;p&gt;Miller Highland MS (From Ross’s Music Page Millar File 3 Tune No. 132): Highland Dance&lt;br&gt;
&lt;a href="http://www.cl.cam.ac.uk/%7Erja14/musicfiles/manuscripts/millarhighland3.pdf" target="_blank" rel="nofollow noopener"&gt;http://www.cl.cam.ac.uk/~rja14/musicfiles/manuscripts/millarhighland3.pdf&lt;/a&gt;  &lt;/p&gt;

&lt;p&gt;Which Geoff also so as a connection to Braes of Mellinish: From William Donaldson’s Book&lt;br&gt;
&lt;a href="https://ceolsean.net/content/B2B/B2B_TOC.html" target="_blank" rel="nofollow noopener"&gt;https://ceolsean.net/content/B2B/B2B_TOC.html&lt;/a&gt; &lt;/p&gt;

&lt;p&gt;I couldn’t handle Donaldson’s Setting, but William Gunn’s Setting was familiar enough to me that I recognized it from my own playing. I believe I got it off of Roddy MacLeod’s performance on the Piping Centre Recital Series: Piping Centre 1997 Recital Series Vol. 4 by Ian Duncan, Roddy MacLeod thanks to Brian May for helping me make the connection!&lt;br&gt;
Here is William Gunn’s Setting:&lt;br&gt;
&lt;a href="https://ceolsean.net/content/Gunn/Book02/Book02%2027a.pdf" target="_blank" rel="nofollow noopener"&gt;https://ceolsean.net/content/Gunn/Book02/Book02%2027a.pdf&lt;/a&gt; &lt;/p&gt;

&lt;p&gt;From The Same Page of Miller’s Highland MSS You will see “Highland Dance” tune 131. Which the Porridge men Recorded as “Clisham” a mountain on Harris.&lt;br&gt;
&lt;a href="http://www.cl.cam.ac.uk/%7Erja14/musicfiles/manuscripts/millarhighland3.pdf" target="_blank" rel="nofollow noopener"&gt;http://www.cl.cam.ac.uk/~rja14/musicfiles/manuscripts/millarhighland3.pdf&lt;/a&gt; &lt;/p&gt;

&lt;p&gt;This is the David Allan Painting I was Referencing with the Piper’s Drones sticking out from him like mine were when I switched arms to try and reach the High B.&lt;br&gt;
&lt;a href="https://www.nationalgalleries.org/art-and-artists/21917/highland-dance" target="_blank" rel="nofollow noopener"&gt;https://www.nationalgalleries.org/art-and-artists/21917/highland-dance&lt;/a&gt;  &lt;/p&gt;

&lt;p&gt;James Aird also has “Clisham” listed as “A Highland Dance”, (Tune 195)&lt;br&gt;
The other “A Highland Dances Are quite familiar, The 6/8 (Tune 194) I’m sure I have heard. Tune 196 I think I have played on the podcast before from Donald MacDonald or Angus MacKay but can’t recall the title.&lt;br&gt;
&lt;a href="https://archive.org/stream/selectionofscotc00rugg#page/n81/mode/1up" target="_blank" rel="nofollow noopener"&gt;https://archive.org/stream/selectionofscotc00rugg#page/n81/mode/1up&lt;/a&gt; &lt;/p&gt;

&lt;p&gt;Back to the Highland Miller MSS Page: Tune 134 is Called “Highland Jigg”&lt;br&gt;
&lt;a href="http://www.cl.cam.ac.uk/%7Erja14/musicfiles/manuscripts/millarhighland3.pdf" target="_blank" rel="nofollow noopener"&gt;http://www.cl.cam.ac.uk/~rja14/musicfiles/manuscripts/millarhighland3.pdf&lt;/a&gt;&lt;br&gt;&lt;br&gt;
I asked Keith Sanger for a couple tunes from His Miller Archive, and include this one, “North Highland Jigg Tune 60. I don’t have the notes for this to share but I’ll be doing a tutorial on Patreon if you want to hear it played slower for ease of learning.&lt;/p&gt;

&lt;p&gt;Here is a 9/8 “A Jig” (tune 192) from James Aird to pair with Miller’s&lt;br&gt;
&lt;a href="https://archive.org/details/selectionofscotc00rugg/page/n80/mode/1up?view=theater" target="_blank" rel="nofollow noopener"&gt;https://archive.org/details/selectionofscotc00rugg/page/n80/mode/1up?view=theater&lt;/a&gt; &lt;/p&gt;

&lt;p&gt;From James Aird A Western Isle Air (Tune No157)&lt;br&gt;
&lt;a href="https://archive.org/stream/selectionofscotc00rugg#page/n68/mode/1up" target="_blank" rel="nofollow noopener"&gt;https://archive.org/stream/selectionofscotc00rugg#page/n68/mode/1up&lt;/a&gt;&lt;/p&gt;

&lt;p&gt;Reverend Harrison’s Western Isles Air. From Cumbria around 1815 is nearly identical to Aird.&lt;br&gt;
&lt;a href="http://richardrobinson.tunebook.org.uk/tunes/9/04/9045.html" target="_blank" rel="nofollow noopener"&gt;http://richardrobinson.tunebook.org.uk/tunes/9/04/9045.html&lt;/a&gt; &lt;br&gt;
Or here:&lt;br&gt;
&lt;a href="https://www.village-music-project.org.uk/?page_id=508" target="_blank" rel="nofollow noopener"&gt;https://www.village-music-project.org.uk/?page_id=508&lt;/a&gt; &lt;/p&gt;

&lt;p&gt;Miller transposed this tune for Pipes quite differently from how I did, He Called it West Highland Dance (tune No. 133)&lt;br&gt;
&lt;a href="http://www.cl.cam.ac.uk/%7Erja14/musicfiles/manuscripts/millarhighland3.pdf" target="_blank" rel="nofollow noopener"&gt;http://www.cl.cam.ac.uk/~rja14/musicfiles/manuscripts/millarhighland3.pdf&lt;/a&gt;&lt;/p&gt;

&lt;p&gt;Aird’s A Skye Dance (No. 183) and “A Jig” (no. 184)&lt;br&gt;
&lt;a href="https://archive.org/details/selectionofscotc00rugg/page/n77/mode/1up?view=theater" target="_blank" rel="nofollow noopener"&gt;https://archive.org/details/selectionofscotc00rugg/page/n77/mode/1up?view=theater&lt;/a&gt; &lt;/p&gt;

&lt;p&gt;“A Jig” (No. 193) from James Aird&lt;br&gt;
&lt;a href="https://archive.org/details/selectionofscotc00rugg/page/n80/mode/1up?view=theater" target="_blank" rel="nofollow noopener"&gt;https://archive.org/details/selectionofscotc00rugg/page/n80/mode/1up?view=theater&lt;/a&gt; &lt;/p&gt;

&lt;p&gt;And Finally! This lovely Set from Brìghde Chaimbeul &lt;br&gt;
Turf’s Lodge into Aird’s Jig&lt;br&gt;
&lt;a href="https://brighdechaimbeul.bandcamp.com/track/turf-lodge-airds-jig" target="_blank" rel="nofollow noopener"&gt;https://brighdechaimbeul.bandcamp.com/track/turf-lodge-airds-jig&lt;/a&gt; &lt;/p&gt;

&lt;p&gt;Please take advantage of the Tune Collection tab: &lt;a href="https://www.wetootwaag.com/tunesources" target="_blank" rel="nofollow noopener"&gt;https://www.wetootwaag.com/tunesources&lt;/a&gt; &lt;br&gt;
Also Please take a minute to leave a review of the podcast! &lt;/p&gt;

&lt;p&gt;Listen on Apple Podcasts: &lt;a href="https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677" target="_blank" rel="nofollow noopener"&gt;https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677&lt;/a&gt; &lt;br&gt;
Listen on Itunes: &lt;a href="https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677" target="_blank" rel="nofollow noopener"&gt;https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677&lt;/a&gt; &lt;br&gt;
Listen on Spotify: &lt;a href="https://open.spotify.com/show/5QxzqrSm0pu6v8y8pLsv5j?si=QLiG0L1pT1eu7B5_FDmgGA" target="_blank" rel="nofollow noopener"&gt;https://open.spotify.com/show/5QxzqrSm0pu6v8y8pLsv5j?si=QLiG0L1pT1eu7B5_FDmgGA&lt;/a&gt;&lt;/p&gt;
</description>
  <itunes:keywords>bagpipes, uilleann pipes, Highland, Scottish, Scotland, Donald MacDonald, History, Music, Great Highland Bagpipes, GHB, Celtic, history, pastoral pipes, union pipes, baroque, eighteenth Century, Irish Music, Scottish Music, </itunes:keywords>
  <content:encoded>
    <![CDATA[<p>Tunes: <br>
James Aird: Three 6/8s called North Highland Reel, Three Tunes called Highland Dance, A skye Dance, three tunes called “A Jig”, A Western Isle Air.<br>
Robert Miller: Two Highland Dances one Western Highland Dance and a Highland Jigg from Ross’s Music Page and North Highland Jigg (9/8) From Keith Sanger<br>
Reverend R Harrison: Western Isles Air<br>
My “Setting”: Braes of Mellinish</p>

<p>Thanks For Listening! Please Consider Supporting the Show on Patreon:<br>
<a href="https://www.patreon.com/wetootwaag" rel="nofollow">https://www.patreon.com/wetootwaag</a> </p>

<p>All the James Aird Tunes come from the 1801 Publication of Volume 5 <br>
Miller Tunes Are Mostly from 1820, except the 9/8 North Highland Jigg, which is from 1838</p>

<p>The First Friday of May will be another Band Camp Friday, which is a great day to buy some music from musicians that have been on the show, or my own album!</p>

<p>My Album: Oyster Wives Rant:<br>
<a href="https://jeremykingsbury.bandcamp.com/album/oyster-wives-rant-a-year-of-historic-tunes" rel="nofollow">https://jeremykingsbury.bandcamp.com/album/oyster-wives-rant-a-year-of-historic-tunes</a> <br>
Chris McMullan:<br>
<a href="https://chrismcmullan.bandcamp.com/album/uilleann-tales" rel="nofollow">https://chrismcmullan.bandcamp.com/album/uilleann-tales</a> <br>
Hamish Napier:<br>
<a href="https://hamishnapier.bandcamp.com/" rel="nofollow">https://hamishnapier.bandcamp.com/</a><br>
Tim MacDonald:<br>
<a href="https://tsmacdonald.bandcamp.com/releases" rel="nofollow">https://tsmacdonald.bandcamp.com/releases</a> <br>
Nicholas Brown:<br>
<a href="https://nicolasbrown.bandcamp.com/releases" rel="nofollow">https://nicolasbrown.bandcamp.com/releases</a> <br>
Donald Lindsay:<br>
<a href="https://goodenergy.bandcamp.com/" rel="nofollow">https://goodenergy.bandcamp.com/</a> <br>
Jarlath Henderson:<br>
<a href="https://jarlathhenderson.bandcamp.com/" rel="nofollow">https://jarlathhenderson.bandcamp.com/</a> <br>
Innes Watson and Jarlath Henderson:<br>
<a href="https://innojar.bandcamp.com/releases" rel="nofollow">https://innojar.bandcamp.com/releases</a> <br>
Blackie O’Connell will be on the show eventually:<br>
<a href="https://blackieoconnellcyrilodonoghue.bandcamp.com/" rel="nofollow">https://blackieoconnellcyrilodonoghue.bandcamp.com/</a><br><br>
Brìghde Chaimbeul<br>
<a href="https://brighdechaimbeul.bandcamp.com/track/turf-lodge-airds-jig" rel="nofollow">https://brighdechaimbeul.bandcamp.com/track/turf-lodge-airds-jig</a><br>
+++++++++++++++++++++++++++++++++++++++++++++</p>

<p>From James Aird, a collection of three 6/8s that work as a set he calls, “North Highland Reel” tunes 185, 186 and 187<br>
<a href="https://archive.org/stream/selectionofscotc00rugg#page/n78/mode/1up" rel="nofollow">https://archive.org/stream/selectionofscotc00rugg#page/n78/mode/1up</a></p>

<p>Miller Highland MS (From Ross’s Music Page Millar File 3 Tune No. 132): Highland Dance<br>
<a href="http://www.cl.cam.ac.uk/%7Erja14/musicfiles/manuscripts/millarhighland3.pdf" rel="nofollow">http://www.cl.cam.ac.uk/~rja14/musicfiles/manuscripts/millarhighland3.pdf</a>  </p>

<p>Which Geoff also so as a connection to Braes of Mellinish: From William Donaldson’s Book<br>
<a href="https://ceolsean.net/content/B2B/B2B_TOC.html" rel="nofollow">https://ceolsean.net/content/B2B/B2B_TOC.html</a> </p>

<p>I couldn’t handle Donaldson’s Setting, but William Gunn’s Setting was familiar enough to me that I recognized it from my own playing. I believe I got it off of Roddy MacLeod’s performance on the Piping Centre Recital Series: Piping Centre 1997 Recital Series Vol. 4 by Ian Duncan, Roddy MacLeod thanks to Brian May for helping me make the connection!<br>
Here is William Gunn’s Setting:<br>
<a href="https://ceolsean.net/content/Gunn/Book02/Book02%2027a.pdf" rel="nofollow">https://ceolsean.net/content/Gunn/Book02/Book02%2027a.pdf</a> </p>

<p>From The Same Page of Miller’s Highland MSS You will see “Highland Dance” tune 131. Which the Porridge men Recorded as “Clisham” a mountain on Harris.<br>
<a href="http://www.cl.cam.ac.uk/%7Erja14/musicfiles/manuscripts/millarhighland3.pdf" rel="nofollow">http://www.cl.cam.ac.uk/~rja14/musicfiles/manuscripts/millarhighland3.pdf</a> </p>

<p>This is the David Allan Painting I was Referencing with the Piper’s Drones sticking out from him like mine were when I switched arms to try and reach the High B.<br>
<a href="https://www.nationalgalleries.org/art-and-artists/21917/highland-dance" rel="nofollow">https://www.nationalgalleries.org/art-and-artists/21917/highland-dance</a>  </p>

<p>James Aird also has “Clisham” listed as “A Highland Dance”, (Tune 195)<br>
The other “A Highland Dances Are quite familiar, The 6/8 (Tune 194) I’m sure I have heard. Tune 196 I think I have played on the podcast before from Donald MacDonald or Angus MacKay but can’t recall the title.<br>
<a href="https://archive.org/stream/selectionofscotc00rugg#page/n81/mode/1up" rel="nofollow">https://archive.org/stream/selectionofscotc00rugg#page/n81/mode/1up</a> </p>

<p>Back to the Highland Miller MSS Page: Tune 134 is Called “Highland Jigg”<br>
<a href="http://www.cl.cam.ac.uk/%7Erja14/musicfiles/manuscripts/millarhighland3.pdf" rel="nofollow">http://www.cl.cam.ac.uk/~rja14/musicfiles/manuscripts/millarhighland3.pdf</a><br><br>
I asked Keith Sanger for a couple tunes from His Miller Archive, and include this one, “North Highland Jigg Tune 60. I don’t have the notes for this to share but I’ll be doing a tutorial on Patreon if you want to hear it played slower for ease of learning.</p>

<p>Here is a 9/8 “A Jig” (tune 192) from James Aird to pair with Miller’s<br>
<a href="https://archive.org/details/selectionofscotc00rugg/page/n80/mode/1up?view=theater" rel="nofollow">https://archive.org/details/selectionofscotc00rugg/page/n80/mode/1up?view=theater</a> </p>

<p>From James Aird A Western Isle Air (Tune No157)<br>
<a href="https://archive.org/stream/selectionofscotc00rugg#page/n68/mode/1up" rel="nofollow">https://archive.org/stream/selectionofscotc00rugg#page/n68/mode/1up</a></p>

<p>Reverend Harrison’s Western Isles Air. From Cumbria around 1815 is nearly identical to Aird.<br>
<a href="http://richardrobinson.tunebook.org.uk/tunes/9/04/9045.html" rel="nofollow">http://richardrobinson.tunebook.org.uk/tunes/9/04/9045.html</a> <br>
Or here:<br>
<a href="https://www.village-music-project.org.uk/?page_id=508" rel="nofollow">https://www.village-music-project.org.uk/?page_id=508</a> </p>

<p>Miller transposed this tune for Pipes quite differently from how I did, He Called it West Highland Dance (tune No. 133)<br>
<a href="http://www.cl.cam.ac.uk/%7Erja14/musicfiles/manuscripts/millarhighland3.pdf" rel="nofollow">http://www.cl.cam.ac.uk/~rja14/musicfiles/manuscripts/millarhighland3.pdf</a></p>

<p>Aird’s A Skye Dance (No. 183) and “A Jig” (no. 184)<br>
<a href="https://archive.org/details/selectionofscotc00rugg/page/n77/mode/1up?view=theater" rel="nofollow">https://archive.org/details/selectionofscotc00rugg/page/n77/mode/1up?view=theater</a> </p>

<p>“A Jig” (No. 193) from James Aird<br>
<a href="https://archive.org/details/selectionofscotc00rugg/page/n80/mode/1up?view=theater" rel="nofollow">https://archive.org/details/selectionofscotc00rugg/page/n80/mode/1up?view=theater</a> </p>

<p>And Finally! This lovely Set from Brìghde Chaimbeul <br>
Turf’s Lodge into Aird’s Jig<br>
<a href="https://brighdechaimbeul.bandcamp.com/track/turf-lodge-airds-jig" rel="nofollow">https://brighdechaimbeul.bandcamp.com/track/turf-lodge-airds-jig</a> </p>

<p>Please take advantage of the Tune Collection tab: <a href="https://www.wetootwaag.com/tunesources" rel="nofollow">https://www.wetootwaag.com/tunesources</a> <br>
Also Please take a minute to leave a review of the podcast! </p>

<p>Listen on Apple Podcasts: <a href="https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677" rel="nofollow">https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677</a> <br>
Listen on Itunes: <a href="https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677" rel="nofollow">https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677</a> <br>
Listen on Spotify: <a href="https://open.spotify.com/show/5QxzqrSm0pu6v8y8pLsv5j?si=QLiG0L1pT1eu7B5_FDmgGA" rel="nofollow">https://open.spotify.com/show/5QxzqrSm0pu6v8y8pLsv5j?si=QLiG0L1pT1eu7B5_FDmgGA</a></p><p><a rel="payment" href="https://www.patreon.com/wetootwaag">Support Wetootwaag&#39;s Bagpipe and History Podcast</a></p>]]>
  </content:encoded>
  <itunes:summary>
    <![CDATA[<p>Tunes: <br>
James Aird: Three 6/8s called North Highland Reel, Three Tunes called Highland Dance, A skye Dance, three tunes called “A Jig”, A Western Isle Air.<br>
Robert Miller: Two Highland Dances one Western Highland Dance and a Highland Jigg from Ross’s Music Page and North Highland Jigg (9/8) From Keith Sanger<br>
Reverend R Harrison: Western Isles Air<br>
My “Setting”: Braes of Mellinish</p>

<p>Thanks For Listening! Please Consider Supporting the Show on Patreon:<br>
<a href="https://www.patreon.com/wetootwaag" rel="nofollow">https://www.patreon.com/wetootwaag</a> </p>

<p>All the James Aird Tunes come from the 1801 Publication of Volume 5 <br>
Miller Tunes Are Mostly from 1820, except the 9/8 North Highland Jigg, which is from 1838</p>

<p>The First Friday of May will be another Band Camp Friday, which is a great day to buy some music from musicians that have been on the show, or my own album!</p>

<p>My Album: Oyster Wives Rant:<br>
<a href="https://jeremykingsbury.bandcamp.com/album/oyster-wives-rant-a-year-of-historic-tunes" rel="nofollow">https://jeremykingsbury.bandcamp.com/album/oyster-wives-rant-a-year-of-historic-tunes</a> <br>
Chris McMullan:<br>
<a href="https://chrismcmullan.bandcamp.com/album/uilleann-tales" rel="nofollow">https://chrismcmullan.bandcamp.com/album/uilleann-tales</a> <br>
Hamish Napier:<br>
<a href="https://hamishnapier.bandcamp.com/" rel="nofollow">https://hamishnapier.bandcamp.com/</a><br>
Tim MacDonald:<br>
<a href="https://tsmacdonald.bandcamp.com/releases" rel="nofollow">https://tsmacdonald.bandcamp.com/releases</a> <br>
Nicholas Brown:<br>
<a href="https://nicolasbrown.bandcamp.com/releases" rel="nofollow">https://nicolasbrown.bandcamp.com/releases</a> <br>
Donald Lindsay:<br>
<a href="https://goodenergy.bandcamp.com/" rel="nofollow">https://goodenergy.bandcamp.com/</a> <br>
Jarlath Henderson:<br>
<a href="https://jarlathhenderson.bandcamp.com/" rel="nofollow">https://jarlathhenderson.bandcamp.com/</a> <br>
Innes Watson and Jarlath Henderson:<br>
<a href="https://innojar.bandcamp.com/releases" rel="nofollow">https://innojar.bandcamp.com/releases</a> <br>
Blackie O’Connell will be on the show eventually:<br>
<a href="https://blackieoconnellcyrilodonoghue.bandcamp.com/" rel="nofollow">https://blackieoconnellcyrilodonoghue.bandcamp.com/</a><br><br>
Brìghde Chaimbeul<br>
<a href="https://brighdechaimbeul.bandcamp.com/track/turf-lodge-airds-jig" rel="nofollow">https://brighdechaimbeul.bandcamp.com/track/turf-lodge-airds-jig</a><br>
+++++++++++++++++++++++++++++++++++++++++++++</p>

<p>From James Aird, a collection of three 6/8s that work as a set he calls, “North Highland Reel” tunes 185, 186 and 187<br>
<a href="https://archive.org/stream/selectionofscotc00rugg#page/n78/mode/1up" rel="nofollow">https://archive.org/stream/selectionofscotc00rugg#page/n78/mode/1up</a></p>

<p>Miller Highland MS (From Ross’s Music Page Millar File 3 Tune No. 132): Highland Dance<br>
<a href="http://www.cl.cam.ac.uk/%7Erja14/musicfiles/manuscripts/millarhighland3.pdf" rel="nofollow">http://www.cl.cam.ac.uk/~rja14/musicfiles/manuscripts/millarhighland3.pdf</a>  </p>

<p>Which Geoff also so as a connection to Braes of Mellinish: From William Donaldson’s Book<br>
<a href="https://ceolsean.net/content/B2B/B2B_TOC.html" rel="nofollow">https://ceolsean.net/content/B2B/B2B_TOC.html</a> </p>

<p>I couldn’t handle Donaldson’s Setting, but William Gunn’s Setting was familiar enough to me that I recognized it from my own playing. I believe I got it off of Roddy MacLeod’s performance on the Piping Centre Recital Series: Piping Centre 1997 Recital Series Vol. 4 by Ian Duncan, Roddy MacLeod thanks to Brian May for helping me make the connection!<br>
Here is William Gunn’s Setting:<br>
<a href="https://ceolsean.net/content/Gunn/Book02/Book02%2027a.pdf" rel="nofollow">https://ceolsean.net/content/Gunn/Book02/Book02%2027a.pdf</a> </p>

<p>From The Same Page of Miller’s Highland MSS You will see “Highland Dance” tune 131. Which the Porridge men Recorded as “Clisham” a mountain on Harris.<br>
<a href="http://www.cl.cam.ac.uk/%7Erja14/musicfiles/manuscripts/millarhighland3.pdf" rel="nofollow">http://www.cl.cam.ac.uk/~rja14/musicfiles/manuscripts/millarhighland3.pdf</a> </p>

<p>This is the David Allan Painting I was Referencing with the Piper’s Drones sticking out from him like mine were when I switched arms to try and reach the High B.<br>
<a href="https://www.nationalgalleries.org/art-and-artists/21917/highland-dance" rel="nofollow">https://www.nationalgalleries.org/art-and-artists/21917/highland-dance</a>  </p>

<p>James Aird also has “Clisham” listed as “A Highland Dance”, (Tune 195)<br>
The other “A Highland Dances Are quite familiar, The 6/8 (Tune 194) I’m sure I have heard. Tune 196 I think I have played on the podcast before from Donald MacDonald or Angus MacKay but can’t recall the title.<br>
<a href="https://archive.org/stream/selectionofscotc00rugg#page/n81/mode/1up" rel="nofollow">https://archive.org/stream/selectionofscotc00rugg#page/n81/mode/1up</a> </p>

<p>Back to the Highland Miller MSS Page: Tune 134 is Called “Highland Jigg”<br>
<a href="http://www.cl.cam.ac.uk/%7Erja14/musicfiles/manuscripts/millarhighland3.pdf" rel="nofollow">http://www.cl.cam.ac.uk/~rja14/musicfiles/manuscripts/millarhighland3.pdf</a><br><br>
I asked Keith Sanger for a couple tunes from His Miller Archive, and include this one, “North Highland Jigg Tune 60. I don’t have the notes for this to share but I’ll be doing a tutorial on Patreon if you want to hear it played slower for ease of learning.</p>

<p>Here is a 9/8 “A Jig” (tune 192) from James Aird to pair with Miller’s<br>
<a href="https://archive.org/details/selectionofscotc00rugg/page/n80/mode/1up?view=theater" rel="nofollow">https://archive.org/details/selectionofscotc00rugg/page/n80/mode/1up?view=theater</a> </p>

<p>From James Aird A Western Isle Air (Tune No157)<br>
<a href="https://archive.org/stream/selectionofscotc00rugg#page/n68/mode/1up" rel="nofollow">https://archive.org/stream/selectionofscotc00rugg#page/n68/mode/1up</a></p>

<p>Reverend Harrison’s Western Isles Air. From Cumbria around 1815 is nearly identical to Aird.<br>
<a href="http://richardrobinson.tunebook.org.uk/tunes/9/04/9045.html" rel="nofollow">http://richardrobinson.tunebook.org.uk/tunes/9/04/9045.html</a> <br>
Or here:<br>
<a href="https://www.village-music-project.org.uk/?page_id=508" rel="nofollow">https://www.village-music-project.org.uk/?page_id=508</a> </p>

<p>Miller transposed this tune for Pipes quite differently from how I did, He Called it West Highland Dance (tune No. 133)<br>
<a href="http://www.cl.cam.ac.uk/%7Erja14/musicfiles/manuscripts/millarhighland3.pdf" rel="nofollow">http://www.cl.cam.ac.uk/~rja14/musicfiles/manuscripts/millarhighland3.pdf</a></p>

<p>Aird’s A Skye Dance (No. 183) and “A Jig” (no. 184)<br>
<a href="https://archive.org/details/selectionofscotc00rugg/page/n77/mode/1up?view=theater" rel="nofollow">https://archive.org/details/selectionofscotc00rugg/page/n77/mode/1up?view=theater</a> </p>

<p>“A Jig” (No. 193) from James Aird<br>
<a href="https://archive.org/details/selectionofscotc00rugg/page/n80/mode/1up?view=theater" rel="nofollow">https://archive.org/details/selectionofscotc00rugg/page/n80/mode/1up?view=theater</a> </p>

<p>And Finally! This lovely Set from Brìghde Chaimbeul <br>
Turf’s Lodge into Aird’s Jig<br>
<a href="https://brighdechaimbeul.bandcamp.com/track/turf-lodge-airds-jig" rel="nofollow">https://brighdechaimbeul.bandcamp.com/track/turf-lodge-airds-jig</a> </p>

<p>Please take advantage of the Tune Collection tab: <a href="https://www.wetootwaag.com/tunesources" rel="nofollow">https://www.wetootwaag.com/tunesources</a> <br>
Also Please take a minute to leave a review of the podcast! </p>

<p>Listen on Apple Podcasts: <a href="https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677" rel="nofollow">https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677</a> <br>
Listen on Itunes: <a href="https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677" rel="nofollow">https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677</a> <br>
Listen on Spotify: <a href="https://open.spotify.com/show/5QxzqrSm0pu6v8y8pLsv5j?si=QLiG0L1pT1eu7B5_FDmgGA" rel="nofollow">https://open.spotify.com/show/5QxzqrSm0pu6v8y8pLsv5j?si=QLiG0L1pT1eu7B5_FDmgGA</a></p><p><a rel="payment" href="https://www.patreon.com/wetootwaag">Support Wetootwaag&#39;s Bagpipe and History Podcast</a></p>]]>
  </itunes:summary>
</item>
<item>
  <title>Season 5 Episode 11 Jackson’s Celebrated Irish Tunes Conclusion </title>
  <link>https://www.wetootwaag.com/s5e11</link>
  <guid isPermaLink="false">d94f8425-d0ad-4a15-b953-574f1c752231</guid>
  <pubDate>Sat, 17 Apr 2021 23:00:00 -0400</pubDate>
  <author>Jeremy Kingsbury</author>
  <enclosure url="https://aphid.fireside.fm/d/1437767933/f158d1e4-b92d-4f8d-9eef-7382ca3c3ee8/d94f8425-d0ad-4a15-b953-574f1c752231.mp3" length="63286370" type="audio/mpeg"/>
  <itunes:episodeType>full</itunes:episodeType>
  <itunes:season>5</itunes:season>
  <itunes:author>Jeremy Kingsbury</itunes:author>
  <itunes:subtitle>O’Farrell: Jackson’s Lake, Maids in the Morning, Sheelina Gra Will You Be Mine
Broadside: The Price of My Pig
Goodman: Jackson Over the Water
Jackson: Jackson Over the Water, Humours to Listivain, Maids in the Morning, Jackson’s Turret, Bouner Bougher
Dixon: Cut and Dry Dolly New Way
Sutherland: Jackson’s Lake 
++++++++++++++++++++++++++++++++++++++++++++++++

Thanks For Listening! Please Consider Supporting the Show on Patreon:
https://www.patreon.com/wetootwaag 
</itunes:subtitle>
  <itunes:duration>41:34</itunes:duration>
  <itunes:explicit>no</itunes:explicit>
  <itunes:image href="https://media24.fireside.fm/file/fireside-images-2024/podcasts/images/f/f158d1e4-b92d-4f8d-9eef-7382ca3c3ee8/episodes/d/d94f8425-d0ad-4a15-b953-574f1c752231/cover.jpg?v=1"/>
  <description>&lt;p&gt;O’Farrell: Jackson’s Lake, Maids in the Morning, Sheelina Gra Will You Be Mine&lt;br&gt;
Broadside: The Price of My Pig&lt;br&gt;
Goodman: Jackson Over the Water&lt;br&gt;
Jackson: Jackson Over the Water, Humours to Listivain, Maids in the Morning, Jackson’s Turret, Bouner Bougher&lt;br&gt;
Dixon: Cut and Dry Dolly New Way&lt;br&gt;
Sutherland: Jackson’s Lake  &lt;/p&gt;

&lt;p&gt;++++++++++++++++++++++++++++++++++++++++++++++++&lt;/p&gt;

&lt;p&gt;Thanks For Listening! Please Consider Supporting the Show on Patreon:&lt;br&gt;
&lt;a href="https://www.patreon.com/wetootwaag" target="_blank" rel="nofollow noopener"&gt;https://www.patreon.com/wetootwaag&lt;/a&gt; &lt;/p&gt;

&lt;p&gt;R.D. Cannon, English Bagpipe Music:&lt;br&gt;
&lt;a href="https://www.jstor.org/stable/4521898" target="_blank" rel="nofollow noopener"&gt;https://www.jstor.org/stable/4521898&lt;/a&gt; &lt;/p&gt;

&lt;p&gt;John Burgess Playing his Walking Cane:&lt;br&gt;
&lt;a href="https://youtu.be/wox5DDwDpXg" target="_blank" rel="nofollow noopener"&gt;https://youtu.be/wox5DDwDpXg&lt;/a&gt; &lt;/p&gt;

&lt;p&gt;Hugh Cheape’s Books: &lt;br&gt;
Bagpipes: A National Collection of A National Instrument&lt;br&gt;
&lt;a href="https://www.google.com/books/edition/Bagpipes/pKMIAQAAMAAJ?hl=en" target="_blank" rel="nofollow noopener"&gt;https://www.google.com/books/edition/Bagpipes/pKMIAQAAMAAJ?hl=en&lt;/a&gt; &lt;/p&gt;

&lt;p&gt;Tartan: The Highland Habit&lt;br&gt;
&lt;a href="https://www.google.com/books/edition/Tartan/uZ5nAAAAMAAJ?hl=en" target="_blank" rel="nofollow noopener"&gt;https://www.google.com/books/edition/Tartan/uZ5nAAAAMAAJ?hl=en&lt;/a&gt; &lt;/p&gt;

&lt;p&gt;The First Friday of May will be another Band Camp Friday, which is a great day to buy some music from musicians that have been on the show, or my own album!&lt;/p&gt;

&lt;p&gt;My Album: Oyster Wives Rant:&lt;br&gt;
&lt;a href="https://jeremykingsbury.bandcamp.com/album/oyster-wives-rant-a-year-of-historic-tunes" target="_blank" rel="nofollow noopener"&gt;https://jeremykingsbury.bandcamp.com/album/oyster-wives-rant-a-year-of-historic-tunes&lt;/a&gt; &lt;br&gt;
Chris McMullan:&lt;br&gt;
&lt;a href="https://chrismcmullan.bandcamp.com/album/uilleann-tales" target="_blank" rel="nofollow noopener"&gt;https://chrismcmullan.bandcamp.com/album/uilleann-tales&lt;/a&gt; &lt;br&gt;
Hamish Napier:&lt;br&gt;
&lt;a href="https://hamishnapier.bandcamp.com/" target="_blank" rel="nofollow noopener"&gt;https://hamishnapier.bandcamp.com/&lt;/a&gt;&lt;br&gt;
Tim MacDonald:&lt;br&gt;
&lt;a href="https://tsmacdonald.bandcamp.com/releases" target="_blank" rel="nofollow noopener"&gt;https://tsmacdonald.bandcamp.com/releases&lt;/a&gt; &lt;br&gt;
Nicholas Brown:&lt;br&gt;
&lt;a href="https://nicolasbrown.bandcamp.com/releases" target="_blank" rel="nofollow noopener"&gt;https://nicolasbrown.bandcamp.com/releases&lt;/a&gt; &lt;br&gt;
Donald Lindsay:&lt;br&gt;
&lt;a href="https://goodenergy.bandcamp.com/" target="_blank" rel="nofollow noopener"&gt;https://goodenergy.bandcamp.com/&lt;/a&gt; &lt;br&gt;
Jarlath Henderson:&lt;br&gt;
&lt;a href="https://jarlathhenderson.bandcamp.com/" target="_blank" rel="nofollow noopener"&gt;https://jarlathhenderson.bandcamp.com/&lt;/a&gt; &lt;br&gt;
Innes Watson and Jarlath Henderson:&lt;br&gt;
&lt;a href="https://innojar.bandcamp.com/releases" target="_blank" rel="nofollow noopener"&gt;https://innojar.bandcamp.com/releases&lt;/a&gt; &lt;br&gt;
Blackie O’Connell will be on the show eventually:&lt;br&gt;
&lt;a href="https://blackieoconnellcyrilodonoghue.bandcamp.com/" target="_blank" rel="nofollow noopener"&gt;https://blackieoconnellcyrilodonoghue.bandcamp.com/&lt;/a&gt;  &lt;/p&gt;

&lt;p&gt;+++++++++++++++++++++++++++++++++++++++++++++&lt;br&gt;
1733: William Dixon Cut and Dry Dolly New Way:&lt;br&gt;
&lt;a href="https://www.mattseattle.scot/product-page/the-master-piper-new-edition" target="_blank" rel="nofollow noopener"&gt;https://www.mattseattle.scot/product-page/the-master-piper-new-edition&lt;/a&gt;&lt;/p&gt;

&lt;p&gt;1774: Jackson’s Over The Water:&lt;br&gt;
&lt;a href="http://www.capeirish.com/webabc/working/source.folders/jcit/jcit_table.html" target="_blank" rel="nofollow noopener"&gt;http://www.capeirish.com/webabc/working/source.folders/jcit/jcit_table.html&lt;/a&gt; &lt;/p&gt;

&lt;p&gt;1760-80: Sutherland’s Jackson’s Lake&lt;br&gt;
You can Mind Sutherland’s Manuscript on Ross’s Music Page, Jackson’s Lake is on page 81.&lt;br&gt;
&lt;a href="https://www.cl.cam.ac.uk/%7Erja14/music/index.html" target="_blank" rel="nofollow noopener"&gt;https://www.cl.cam.ac.uk/~rja14/music/index.html&lt;/a&gt;&lt;/p&gt;

&lt;p&gt;1800: O’Farrell’s Jackson’s Lake:&lt;br&gt;
&lt;a href="http://www.capeirish.com/webabc/working/source.folders/ofnim/ofnim_table.html" target="_blank" rel="nofollow noopener"&gt;http://www.capeirish.com/webabc/working/source.folders/ofnim/ofnim_table.html&lt;/a&gt; &lt;/p&gt;

&lt;p&gt;1860s: Goodman’s Jackson’s Over the Water:&lt;br&gt;
&lt;a href="http://goodman.itma.ie/volume-two#?c=0&amp;amp;m=0&amp;amp;s=0&amp;amp;cv=169&amp;amp;z=30.1152%2C670.7016%2C8901.5288%2C3216" target="_blank" rel="nofollow noopener"&gt;http://goodman.itma.ie/volume-two#?c=0&amp;amp;amp;m=0&amp;amp;amp;s=0&amp;amp;amp;cv=169&amp;amp;amp;z=30.1152%2C670.7016%2C8901.5288%2C3216&lt;/a&gt;&lt;/p&gt;

&lt;p&gt;1774: Jackson’s Maids in the Morning:&lt;br&gt;
&lt;a href="http://www.capeirish.com/webabc/working/source.folders/jcit/jcit_table.html" target="_blank" rel="nofollow noopener"&gt;http://www.capeirish.com/webabc/working/source.folders/jcit/jcit_table.html&lt;/a&gt;&lt;/p&gt;

&lt;p&gt;1806: O’Farrell’s Maids in the Morning:&lt;br&gt;
&lt;a href="https://digital.nls.uk/special-collections-of-printed-music/archive/87780878" target="_blank" rel="nofollow noopener"&gt;https://digital.nls.uk/special-collections-of-printed-music/archive/87780878&lt;/a&gt; &lt;/p&gt;

&lt;p&gt;1774: Jackson’s Setting for Jackson’s Turret:&lt;br&gt;
&lt;a href="http://www.capeirish.com/webabc/working/source.folders/jcit/jcit_table.html" target="_blank" rel="nofollow noopener"&gt;http://www.capeirish.com/webabc/working/source.folders/jcit/jcit_table.html&lt;/a&gt;&lt;/p&gt;

&lt;p&gt;1774: Jackson’s Bouner Bougher:&lt;br&gt;
&lt;a href="http://www.capeirish.com/webabc/working/source.folders/jcit/jcit_table.html" target="_blank" rel="nofollow noopener"&gt;http://www.capeirish.com/webabc/working/source.folders/jcit/jcit_table.html&lt;/a&gt;&lt;/p&gt;

&lt;p&gt;1806: O’Farrell’s Sheelina Gra Will You Be Mine:&lt;br&gt;
&lt;a href="https://digital.nls.uk/special-collections-of-printed-music/archive/87780290" target="_blank" rel="nofollow noopener"&gt;https://digital.nls.uk/special-collections-of-printed-music/archive/87780290&lt;/a&gt; &lt;/p&gt;

&lt;p&gt;Nineteenth Century: Broadside of The Price of My Pig:&lt;br&gt;
&lt;a href="https://www.itma.ie/digital-library/text/1967-bs" target="_blank" rel="nofollow noopener"&gt;https://www.itma.ie/digital-library/text/1967-bs&lt;/a&gt; &lt;/p&gt;

&lt;p&gt;1774: Jackson’s Humours of Listivain:&lt;br&gt;
&lt;a href="http://www.capeirish.com/webabc/working/source.folders/jcit/jcit_table.html" target="_blank" rel="nofollow noopener"&gt;http://www.capeirish.com/webabc/working/source.folders/jcit/jcit_table.html&lt;/a&gt;&lt;/p&gt;

&lt;p&gt;Apologies for my singing accent and likely mispronunciations, here is a much better version of Price of the Pig being sung by Tim Lyons:&lt;br&gt;
&lt;a href="https://youtu.be/usr23rnvbrY" target="_blank" rel="nofollow noopener"&gt;https://youtu.be/usr23rnvbrY&lt;/a&gt; &lt;/p&gt;

&lt;p&gt;Please take advantage of the Tune Collection tab: &lt;a href="https://www.wetootwaag.com/tunesources" target="_blank" rel="nofollow noopener"&gt;https://www.wetootwaag.com/tunesources&lt;/a&gt; &lt;br&gt;
Also Please take a minute to leave a review of the podcast! &lt;/p&gt;

&lt;p&gt;Listen on Apple Podcasts: &lt;a href="https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677" target="_blank" rel="nofollow noopener"&gt;https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677&lt;/a&gt; &lt;br&gt;
Listen on Itunes: &lt;a href="https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677" target="_blank" rel="nofollow noopener"&gt;https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677&lt;/a&gt; &lt;br&gt;
Listen on Spotify: &lt;a href="https://open.spotify.com/show/5QxzqrSm0pu6v8y8pLsv5j?si=QLiG0L1pT1eu7B5_FDmgGA" target="_blank" rel="nofollow noopener"&gt;https://open.spotify.com/show/5QxzqrSm0pu6v8y8pLsv5j?si=QLiG0L1pT1eu7B5_FDmgGA&lt;/a&gt;&lt;/p&gt;
</description>
  <itunes:keywords>bagpipes, uilleann pipes, Highland, Scottish, Scotland, Donald MacDonald, History, Music, Great Highland Bagpipes, GHB, Celtic, history, pastoral pipes, union pipes, baroque, eighteenth Century, Irish Music, Scottish Music, </itunes:keywords>
  <content:encoded>
    <![CDATA[<p>O’Farrell: Jackson’s Lake, Maids in the Morning, Sheelina Gra Will You Be Mine<br>
Broadside: The Price of My Pig<br>
Goodman: Jackson Over the Water<br>
Jackson: Jackson Over the Water, Humours to Listivain, Maids in the Morning, Jackson’s Turret, Bouner Bougher<br>
Dixon: Cut and Dry Dolly New Way<br>
Sutherland: Jackson’s Lake  </p>

<p>++++++++++++++++++++++++++++++++++++++++++++++++</p>

<p>Thanks For Listening! Please Consider Supporting the Show on Patreon:<br>
<a href="https://www.patreon.com/wetootwaag" rel="nofollow">https://www.patreon.com/wetootwaag</a> </p>

<p>R.D. Cannon, English Bagpipe Music:<br>
<a href="https://www.jstor.org/stable/4521898" rel="nofollow">https://www.jstor.org/stable/4521898</a> </p>

<p>John Burgess Playing his Walking Cane:<br>
<a href="https://youtu.be/wox5DDwDpXg" rel="nofollow">https://youtu.be/wox5DDwDpXg</a> </p>

<p>Hugh Cheape’s Books: <br>
Bagpipes: A National Collection of A National Instrument<br>
<a href="https://www.google.com/books/edition/Bagpipes/pKMIAQAAMAAJ?hl=en" rel="nofollow">https://www.google.com/books/edition/Bagpipes/pKMIAQAAMAAJ?hl=en</a> </p>

<p>Tartan: The Highland Habit<br>
<a href="https://www.google.com/books/edition/Tartan/uZ5nAAAAMAAJ?hl=en" rel="nofollow">https://www.google.com/books/edition/Tartan/uZ5nAAAAMAAJ?hl=en</a> </p>

<p>The First Friday of May will be another Band Camp Friday, which is a great day to buy some music from musicians that have been on the show, or my own album!</p>

<p>My Album: Oyster Wives Rant:<br>
<a href="https://jeremykingsbury.bandcamp.com/album/oyster-wives-rant-a-year-of-historic-tunes" rel="nofollow">https://jeremykingsbury.bandcamp.com/album/oyster-wives-rant-a-year-of-historic-tunes</a> <br>
Chris McMullan:<br>
<a href="https://chrismcmullan.bandcamp.com/album/uilleann-tales" rel="nofollow">https://chrismcmullan.bandcamp.com/album/uilleann-tales</a> <br>
Hamish Napier:<br>
<a href="https://hamishnapier.bandcamp.com/" rel="nofollow">https://hamishnapier.bandcamp.com/</a><br>
Tim MacDonald:<br>
<a href="https://tsmacdonald.bandcamp.com/releases" rel="nofollow">https://tsmacdonald.bandcamp.com/releases</a> <br>
Nicholas Brown:<br>
<a href="https://nicolasbrown.bandcamp.com/releases" rel="nofollow">https://nicolasbrown.bandcamp.com/releases</a> <br>
Donald Lindsay:<br>
<a href="https://goodenergy.bandcamp.com/" rel="nofollow">https://goodenergy.bandcamp.com/</a> <br>
Jarlath Henderson:<br>
<a href="https://jarlathhenderson.bandcamp.com/" rel="nofollow">https://jarlathhenderson.bandcamp.com/</a> <br>
Innes Watson and Jarlath Henderson:<br>
<a href="https://innojar.bandcamp.com/releases" rel="nofollow">https://innojar.bandcamp.com/releases</a> <br>
Blackie O’Connell will be on the show eventually:<br>
<a href="https://blackieoconnellcyrilodonoghue.bandcamp.com/" rel="nofollow">https://blackieoconnellcyrilodonoghue.bandcamp.com/</a>  </p>

<p>+++++++++++++++++++++++++++++++++++++++++++++<br>
1733: William Dixon Cut and Dry Dolly New Way:<br>
<a href="https://www.mattseattle.scot/product-page/the-master-piper-new-edition" rel="nofollow">https://www.mattseattle.scot/product-page/the-master-piper-new-edition</a></p>

<p>1774: Jackson’s Over The Water:<br>
<a href="http://www.capeirish.com/webabc/working/source.folders/jcit/jcit_table.html" rel="nofollow">http://www.capeirish.com/webabc/working/source.folders/jcit/jcit_table.html</a> </p>

<p>1760-80: Sutherland’s Jackson’s Lake<br>
You can Mind Sutherland’s Manuscript on Ross’s Music Page, Jackson’s Lake is on page 81.<br>
<a href="https://www.cl.cam.ac.uk/%7Erja14/music/index.html" rel="nofollow">https://www.cl.cam.ac.uk/~rja14/music/index.html</a></p>

<p>1800: O’Farrell’s Jackson’s Lake:<br>
<a href="http://www.capeirish.com/webabc/working/source.folders/ofnim/ofnim_table.html" rel="nofollow">http://www.capeirish.com/webabc/working/source.folders/ofnim/ofnim_table.html</a> </p>

<p>1860s: Goodman’s Jackson’s Over the Water:<br>
<a href="http://goodman.itma.ie/volume-two#?c=0&m=0&s=0&cv=169&z=30.1152%2C670.7016%2C8901.5288%2C3216" rel="nofollow">http://goodman.itma.ie/volume-two#?c=0&amp;m=0&amp;s=0&amp;cv=169&amp;z=30.1152%2C670.7016%2C8901.5288%2C3216</a></p>

<p>1774: Jackson’s Maids in the Morning:<br>
<a href="http://www.capeirish.com/webabc/working/source.folders/jcit/jcit_table.html" rel="nofollow">http://www.capeirish.com/webabc/working/source.folders/jcit/jcit_table.html</a></p>

<p>1806: O’Farrell’s Maids in the Morning:<br>
<a href="https://digital.nls.uk/special-collections-of-printed-music/archive/87780878" rel="nofollow">https://digital.nls.uk/special-collections-of-printed-music/archive/87780878</a> </p>

<p>1774: Jackson’s Setting for Jackson’s Turret:<br>
<a href="http://www.capeirish.com/webabc/working/source.folders/jcit/jcit_table.html" rel="nofollow">http://www.capeirish.com/webabc/working/source.folders/jcit/jcit_table.html</a></p>

<p>1774: Jackson’s Bouner Bougher:<br>
<a href="http://www.capeirish.com/webabc/working/source.folders/jcit/jcit_table.html" rel="nofollow">http://www.capeirish.com/webabc/working/source.folders/jcit/jcit_table.html</a></p>

<p>1806: O’Farrell’s Sheelina Gra Will You Be Mine:<br>
<a href="https://digital.nls.uk/special-collections-of-printed-music/archive/87780290" rel="nofollow">https://digital.nls.uk/special-collections-of-printed-music/archive/87780290</a> </p>

<p>Nineteenth Century: Broadside of The Price of My Pig:<br>
<a href="https://www.itma.ie/digital-library/text/1967-bs" rel="nofollow">https://www.itma.ie/digital-library/text/1967-bs</a> </p>

<p>1774: Jackson’s Humours of Listivain:<br>
<a href="http://www.capeirish.com/webabc/working/source.folders/jcit/jcit_table.html" rel="nofollow">http://www.capeirish.com/webabc/working/source.folders/jcit/jcit_table.html</a></p>

<p>Apologies for my singing accent and likely mispronunciations, here is a much better version of Price of the Pig being sung by Tim Lyons:<br>
<a href="https://youtu.be/usr23rnvbrY" rel="nofollow">https://youtu.be/usr23rnvbrY</a> </p>

<p>Please take advantage of the Tune Collection tab: <a href="https://www.wetootwaag.com/tunesources" rel="nofollow">https://www.wetootwaag.com/tunesources</a> <br>
Also Please take a minute to leave a review of the podcast! </p>

<p>Listen on Apple Podcasts: <a href="https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677" rel="nofollow">https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677</a> <br>
Listen on Itunes: <a href="https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677" rel="nofollow">https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677</a> <br>
Listen on Spotify: <a href="https://open.spotify.com/show/5QxzqrSm0pu6v8y8pLsv5j?si=QLiG0L1pT1eu7B5_FDmgGA" rel="nofollow">https://open.spotify.com/show/5QxzqrSm0pu6v8y8pLsv5j?si=QLiG0L1pT1eu7B5_FDmgGA</a></p><p><a rel="payment" href="https://www.patreon.com/wetootwaag">Support Wetootwaag&#39;s Bagpipe and History Podcast</a></p>]]>
  </content:encoded>
  <itunes:summary>
    <![CDATA[<p>O’Farrell: Jackson’s Lake, Maids in the Morning, Sheelina Gra Will You Be Mine<br>
Broadside: The Price of My Pig<br>
Goodman: Jackson Over the Water<br>
Jackson: Jackson Over the Water, Humours to Listivain, Maids in the Morning, Jackson’s Turret, Bouner Bougher<br>
Dixon: Cut and Dry Dolly New Way<br>
Sutherland: Jackson’s Lake  </p>

<p>++++++++++++++++++++++++++++++++++++++++++++++++</p>

<p>Thanks For Listening! Please Consider Supporting the Show on Patreon:<br>
<a href="https://www.patreon.com/wetootwaag" rel="nofollow">https://www.patreon.com/wetootwaag</a> </p>

<p>R.D. Cannon, English Bagpipe Music:<br>
<a href="https://www.jstor.org/stable/4521898" rel="nofollow">https://www.jstor.org/stable/4521898</a> </p>

<p>John Burgess Playing his Walking Cane:<br>
<a href="https://youtu.be/wox5DDwDpXg" rel="nofollow">https://youtu.be/wox5DDwDpXg</a> </p>

<p>Hugh Cheape’s Books: <br>
Bagpipes: A National Collection of A National Instrument<br>
<a href="https://www.google.com/books/edition/Bagpipes/pKMIAQAAMAAJ?hl=en" rel="nofollow">https://www.google.com/books/edition/Bagpipes/pKMIAQAAMAAJ?hl=en</a> </p>

<p>Tartan: The Highland Habit<br>
<a href="https://www.google.com/books/edition/Tartan/uZ5nAAAAMAAJ?hl=en" rel="nofollow">https://www.google.com/books/edition/Tartan/uZ5nAAAAMAAJ?hl=en</a> </p>

<p>The First Friday of May will be another Band Camp Friday, which is a great day to buy some music from musicians that have been on the show, or my own album!</p>

<p>My Album: Oyster Wives Rant:<br>
<a href="https://jeremykingsbury.bandcamp.com/album/oyster-wives-rant-a-year-of-historic-tunes" rel="nofollow">https://jeremykingsbury.bandcamp.com/album/oyster-wives-rant-a-year-of-historic-tunes</a> <br>
Chris McMullan:<br>
<a href="https://chrismcmullan.bandcamp.com/album/uilleann-tales" rel="nofollow">https://chrismcmullan.bandcamp.com/album/uilleann-tales</a> <br>
Hamish Napier:<br>
<a href="https://hamishnapier.bandcamp.com/" rel="nofollow">https://hamishnapier.bandcamp.com/</a><br>
Tim MacDonald:<br>
<a href="https://tsmacdonald.bandcamp.com/releases" rel="nofollow">https://tsmacdonald.bandcamp.com/releases</a> <br>
Nicholas Brown:<br>
<a href="https://nicolasbrown.bandcamp.com/releases" rel="nofollow">https://nicolasbrown.bandcamp.com/releases</a> <br>
Donald Lindsay:<br>
<a href="https://goodenergy.bandcamp.com/" rel="nofollow">https://goodenergy.bandcamp.com/</a> <br>
Jarlath Henderson:<br>
<a href="https://jarlathhenderson.bandcamp.com/" rel="nofollow">https://jarlathhenderson.bandcamp.com/</a> <br>
Innes Watson and Jarlath Henderson:<br>
<a href="https://innojar.bandcamp.com/releases" rel="nofollow">https://innojar.bandcamp.com/releases</a> <br>
Blackie O’Connell will be on the show eventually:<br>
<a href="https://blackieoconnellcyrilodonoghue.bandcamp.com/" rel="nofollow">https://blackieoconnellcyrilodonoghue.bandcamp.com/</a>  </p>

<p>+++++++++++++++++++++++++++++++++++++++++++++<br>
1733: William Dixon Cut and Dry Dolly New Way:<br>
<a href="https://www.mattseattle.scot/product-page/the-master-piper-new-edition" rel="nofollow">https://www.mattseattle.scot/product-page/the-master-piper-new-edition</a></p>

<p>1774: Jackson’s Over The Water:<br>
<a href="http://www.capeirish.com/webabc/working/source.folders/jcit/jcit_table.html" rel="nofollow">http://www.capeirish.com/webabc/working/source.folders/jcit/jcit_table.html</a> </p>

<p>1760-80: Sutherland’s Jackson’s Lake<br>
You can Mind Sutherland’s Manuscript on Ross’s Music Page, Jackson’s Lake is on page 81.<br>
<a href="https://www.cl.cam.ac.uk/%7Erja14/music/index.html" rel="nofollow">https://www.cl.cam.ac.uk/~rja14/music/index.html</a></p>

<p>1800: O’Farrell’s Jackson’s Lake:<br>
<a href="http://www.capeirish.com/webabc/working/source.folders/ofnim/ofnim_table.html" rel="nofollow">http://www.capeirish.com/webabc/working/source.folders/ofnim/ofnim_table.html</a> </p>

<p>1860s: Goodman’s Jackson’s Over the Water:<br>
<a href="http://goodman.itma.ie/volume-two#?c=0&m=0&s=0&cv=169&z=30.1152%2C670.7016%2C8901.5288%2C3216" rel="nofollow">http://goodman.itma.ie/volume-two#?c=0&amp;m=0&amp;s=0&amp;cv=169&amp;z=30.1152%2C670.7016%2C8901.5288%2C3216</a></p>

<p>1774: Jackson’s Maids in the Morning:<br>
<a href="http://www.capeirish.com/webabc/working/source.folders/jcit/jcit_table.html" rel="nofollow">http://www.capeirish.com/webabc/working/source.folders/jcit/jcit_table.html</a></p>

<p>1806: O’Farrell’s Maids in the Morning:<br>
<a href="https://digital.nls.uk/special-collections-of-printed-music/archive/87780878" rel="nofollow">https://digital.nls.uk/special-collections-of-printed-music/archive/87780878</a> </p>

<p>1774: Jackson’s Setting for Jackson’s Turret:<br>
<a href="http://www.capeirish.com/webabc/working/source.folders/jcit/jcit_table.html" rel="nofollow">http://www.capeirish.com/webabc/working/source.folders/jcit/jcit_table.html</a></p>

<p>1774: Jackson’s Bouner Bougher:<br>
<a href="http://www.capeirish.com/webabc/working/source.folders/jcit/jcit_table.html" rel="nofollow">http://www.capeirish.com/webabc/working/source.folders/jcit/jcit_table.html</a></p>

<p>1806: O’Farrell’s Sheelina Gra Will You Be Mine:<br>
<a href="https://digital.nls.uk/special-collections-of-printed-music/archive/87780290" rel="nofollow">https://digital.nls.uk/special-collections-of-printed-music/archive/87780290</a> </p>

<p>Nineteenth Century: Broadside of The Price of My Pig:<br>
<a href="https://www.itma.ie/digital-library/text/1967-bs" rel="nofollow">https://www.itma.ie/digital-library/text/1967-bs</a> </p>

<p>1774: Jackson’s Humours of Listivain:<br>
<a href="http://www.capeirish.com/webabc/working/source.folders/jcit/jcit_table.html" rel="nofollow">http://www.capeirish.com/webabc/working/source.folders/jcit/jcit_table.html</a></p>

<p>Apologies for my singing accent and likely mispronunciations, here is a much better version of Price of the Pig being sung by Tim Lyons:<br>
<a href="https://youtu.be/usr23rnvbrY" rel="nofollow">https://youtu.be/usr23rnvbrY</a> </p>

<p>Please take advantage of the Tune Collection tab: <a href="https://www.wetootwaag.com/tunesources" rel="nofollow">https://www.wetootwaag.com/tunesources</a> <br>
Also Please take a minute to leave a review of the podcast! </p>

<p>Listen on Apple Podcasts: <a href="https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677" rel="nofollow">https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677</a> <br>
Listen on Itunes: <a href="https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677" rel="nofollow">https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677</a> <br>
Listen on Spotify: <a href="https://open.spotify.com/show/5QxzqrSm0pu6v8y8pLsv5j?si=QLiG0L1pT1eu7B5_FDmgGA" rel="nofollow">https://open.spotify.com/show/5QxzqrSm0pu6v8y8pLsv5j?si=QLiG0L1pT1eu7B5_FDmgGA</a></p><p><a rel="payment" href="https://www.patreon.com/wetootwaag">Support Wetootwaag&#39;s Bagpipe and History Podcast</a></p>]]>
  </itunes:summary>
</item>
<item>
  <title>Season 5 Episode 09 Pinched Notes On Highland Pipes and Tunes</title>
  <link>https://www.wetootwaag.com/s5e09</link>
  <guid isPermaLink="false">392cb999-0d5a-4bc7-8105-93e67f8c7b92</guid>
  <pubDate>Sun, 04 Apr 2021 01:00:00 -0400</pubDate>
  <author>Jeremy Kingsbury</author>
  <enclosure url="https://aphid.fireside.fm/d/1437767933/f158d1e4-b92d-4f8d-9eef-7382ca3c3ee8/392cb999-0d5a-4bc7-8105-93e67f8c7b92.mp3" length="58507394" type="audio/mpeg"/>
  <itunes:episodeType>full</itunes:episodeType>
  <itunes:season>5</itunes:season>
  <itunes:author>Jeremy Kingsbury</itunes:author>
  <itunes:subtitle>
Tunes: 
Trad: (Feels absurd to use “trad” on this podcast as a source, these are both just versions I’m playing from memory: When the King Enjoys His Own Again, Auld Lang Syne, A conversation with Death. 
Matt Seattle: Green Brackin, Small Drink Won’t Comfort Me
William Dixon: Cock on the Midden
James Aird: The Feathers, Dribbles of Brandy, Grace’s Farewell 
Check out my New Patreon Account:
https://www.patreon.com/wetootwaag </itunes:subtitle>
  <itunes:duration>41:27</itunes:duration>
  <itunes:explicit>no</itunes:explicit>
  <itunes:image href="https://media24.fireside.fm/file/fireside-images-2024/podcasts/images/f/f158d1e4-b92d-4f8d-9eef-7382ca3c3ee8/episodes/3/392cb999-0d5a-4bc7-8105-93e67f8c7b92/cover.jpg?v=1"/>
  <description>&lt;p&gt;Tunes: &lt;br&gt;
Trad: (Feels absurd to use “trad” on this podcast as a source, these are both just versions I’m playing from memory: When the King Enjoys His Own Again, Auld Lang Syne, A conversation with Death. &lt;br&gt;
Matt Seattle: Green Brackin, Small Drink Won’t Comfort Me&lt;br&gt;
William Dixon: Cock on the Midden&lt;br&gt;
James Aird: The Feathers, Dribbles of Brandy, Grace’s Farewell &lt;br&gt;
Check out my New Patreon Account:&lt;br&gt;
&lt;a href="https://www.patreon.com/wetootwaag" target="_blank" rel="nofollow noopener"&gt;https://www.patreon.com/wetootwaag&lt;/a&gt; &lt;/p&gt;

&lt;p&gt;Thanks to Bob Cameron for Cluing me into the High Notes, and Abe Zettek for directing me to Sutherland’s fingering chart to achieve them. &lt;/p&gt;

&lt;p&gt;On Ross's Music Page you can look through Sutherland's Manuscript, and Read Ross's write up about Sutherlands High notes, but I couldn't find the actual fingering chart, if/when I hear back from Ross I'll update the show notes here:&lt;br&gt;
&lt;a href="https://www.cl.cam.ac.uk/%7Erja14/music/index.html" target="_blank" rel="nofollow noopener"&gt;https://www.cl.cam.ac.uk/~rja14/music/index.html&lt;/a&gt; &lt;/p&gt;

&lt;p&gt;Peter Bellamy’s Version of Conversation with Death:&lt;br&gt;
&lt;a href="https://youtu.be/jhC3-yqndlo" target="_blank" rel="nofollow noopener"&gt;https://youtu.be/jhC3-yqndlo&lt;/a&gt; &lt;/p&gt;

&lt;p&gt;Matt Seattle’s Green Bracken and Small Drink Won’t Comfort Me: these tunes are both in Seattle’s Over the Hills and Far Away&lt;br&gt;
&lt;a href="https://www.mattseattle.scot/product-page/over-the-hills-and-far-away" target="_blank" rel="nofollow noopener"&gt;https://www.mattseattle.scot/product-page/over-the-hills-and-far-away&lt;/a&gt; &lt;/p&gt;

&lt;p&gt;James Aird’s Grace’s Farewell: &lt;a href="https://digital.nls.uk/special-collections-of-printed-music/archive/87707516" target="_blank" rel="nofollow noopener"&gt;https://digital.nls.uk/special-collections-of-printed-music/archive/87707516&lt;/a&gt;&lt;/p&gt;

&lt;p&gt;1848: William Gunn’s The Bride will be no more wi her Mother:&lt;br&gt;
&lt;a href="https://ceolsean.net/content/Gunn/Book05/Book05%2019.pdf" target="_blank" rel="nofollow noopener"&gt;https://ceolsean.net/content/Gunn/Book05/Book05%2019.pdf&lt;/a&gt; &lt;br&gt;
Index Willam Gunn’s Collection here:&lt;br&gt;
&lt;a href="https://ceolsean.net/content/Gunn/Gunn_TOC.html" target="_blank" rel="nofollow noopener"&gt;https://ceolsean.net/content/Gunn/Gunn_TOC.html&lt;/a&gt; &lt;/p&gt;

&lt;p&gt;William Dixon: Cock on the Midden&lt;br&gt;
&lt;a href="https://www.mattseattle.scot/product-page/the-master-piper-new-edition" target="_blank" rel="nofollow noopener"&gt;https://www.mattseattle.scot/product-page/the-master-piper-new-edition&lt;/a&gt;&lt;/p&gt;

&lt;p&gt;James Aird: The Feathers&lt;br&gt;
&lt;a href="https://digital.nls.uk/special-collections-of-printed-music/archive/87704775" target="_blank" rel="nofollow noopener"&gt;https://digital.nls.uk/special-collections-of-printed-music/archive/87704775&lt;/a&gt; &lt;/p&gt;

&lt;p&gt;James Aird: Dribbles of Brandy:&lt;br&gt;
&lt;a href="https://digital.nls.uk/special-collections-of-printed-music/archive/87704763" target="_blank" rel="nofollow noopener"&gt;https://digital.nls.uk/special-collections-of-printed-music/archive/87704763&lt;/a&gt; &lt;/p&gt;

&lt;p&gt;Please take advantage of the Tune Collection tab: &lt;a href="https://www.wetootwaag.com/tunesources" target="_blank" rel="nofollow noopener"&gt;https://www.wetootwaag.com/tunesources&lt;/a&gt; &lt;br&gt;
Also Please take a minute to leave a review of the podcast! &lt;/p&gt;

&lt;p&gt;Listen on Apple Podcasts: &lt;a href="https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677" target="_blank" rel="nofollow noopener"&gt;https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677&lt;/a&gt; &lt;br&gt;
Listen on Itunes: &lt;a href="https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677" target="_blank" rel="nofollow noopener"&gt;https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677&lt;/a&gt; &lt;br&gt;
Listen on Spotify: &lt;a href="https://open.spotify.com/show/5QxzqrSm0pu6v8y8pLsv5j?si=QLiG0L1pT1eu7B5_FDmgGA" target="_blank" rel="nofollow noopener"&gt;https://open.spotify.com/show/5QxzqrSm0pu6v8y8pLsv5j?si=QLiG0L1pT1eu7B5_FDmgGA&lt;/a&gt;&lt;/p&gt;
</description>
  <itunes:keywords>bagpipes, uilleann pipes, Highland, Scottish, Scotland, Donald MacDonald, History, Music, Great Highland Bagpipes, GHB, Celtic, history, pastoral pipes, union pipes, baroque, eighteenth Century, Irish Music, Scottish Music, </itunes:keywords>
  <content:encoded>
    <![CDATA[<p>Tunes: <br>
Trad: (Feels absurd to use “trad” on this podcast as a source, these are both just versions I’m playing from memory: When the King Enjoys His Own Again, Auld Lang Syne, A conversation with Death. <br>
Matt Seattle: Green Brackin, Small Drink Won’t Comfort Me<br>
William Dixon: Cock on the Midden<br>
James Aird: The Feathers, Dribbles of Brandy, Grace’s Farewell <br>
Check out my New Patreon Account:<br>
<a href="https://www.patreon.com/wetootwaag" rel="nofollow">https://www.patreon.com/wetootwaag</a> </p>

<p>Thanks to Bob Cameron for Cluing me into the High Notes, and Abe Zettek for directing me to Sutherland’s fingering chart to achieve them. </p>

<p>On Ross&#39;s Music Page you can look through Sutherland&#39;s Manuscript, and Read Ross&#39;s write up about Sutherlands High notes, but I couldn&#39;t find the actual fingering chart, if/when I hear back from Ross I&#39;ll update the show notes here:<br>
<a href="https://www.cl.cam.ac.uk/%7Erja14/music/index.html" rel="nofollow">https://www.cl.cam.ac.uk/~rja14/music/index.html</a> </p>

<p>Peter Bellamy’s Version of Conversation with Death:<br>
<a href="https://youtu.be/jhC3-yqndlo" rel="nofollow">https://youtu.be/jhC3-yqndlo</a> </p>

<p>Matt Seattle’s Green Bracken and Small Drink Won’t Comfort Me: these tunes are both in Seattle’s Over the Hills and Far Away<br>
<a href="https://www.mattseattle.scot/product-page/over-the-hills-and-far-away" rel="nofollow">https://www.mattseattle.scot/product-page/over-the-hills-and-far-away</a> </p>

<p>James Aird’s Grace’s Farewell: <a href="https://digital.nls.uk/special-collections-of-printed-music/archive/87707516" rel="nofollow">https://digital.nls.uk/special-collections-of-printed-music/archive/87707516</a></p>

<p>1848: William Gunn’s The Bride will be no more wi her Mother:<br>
<a href="https://ceolsean.net/content/Gunn/Book05/Book05%2019.pdf" rel="nofollow">https://ceolsean.net/content/Gunn/Book05/Book05%2019.pdf</a> <br>
Index Willam Gunn’s Collection here:<br>
<a href="https://ceolsean.net/content/Gunn/Gunn_TOC.html" rel="nofollow">https://ceolsean.net/content/Gunn/Gunn_TOC.html</a> </p>

<p>William Dixon: Cock on the Midden<br>
<a href="https://www.mattseattle.scot/product-page/the-master-piper-new-edition" rel="nofollow">https://www.mattseattle.scot/product-page/the-master-piper-new-edition</a></p>

<p>James Aird: The Feathers<br>
<a href="https://digital.nls.uk/special-collections-of-printed-music/archive/87704775" rel="nofollow">https://digital.nls.uk/special-collections-of-printed-music/archive/87704775</a> </p>

<p>James Aird: Dribbles of Brandy:<br>
<a href="https://digital.nls.uk/special-collections-of-printed-music/archive/87704763" rel="nofollow">https://digital.nls.uk/special-collections-of-printed-music/archive/87704763</a> </p>

<p>Please take advantage of the Tune Collection tab: <a href="https://www.wetootwaag.com/tunesources" rel="nofollow">https://www.wetootwaag.com/tunesources</a> <br>
Also Please take a minute to leave a review of the podcast! </p>

<p>Listen on Apple Podcasts: <a href="https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677" rel="nofollow">https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677</a> <br>
Listen on Itunes: <a href="https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677" rel="nofollow">https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677</a> <br>
Listen on Spotify: <a href="https://open.spotify.com/show/5QxzqrSm0pu6v8y8pLsv5j?si=QLiG0L1pT1eu7B5_FDmgGA" rel="nofollow">https://open.spotify.com/show/5QxzqrSm0pu6v8y8pLsv5j?si=QLiG0L1pT1eu7B5_FDmgGA</a></p><p><a rel="payment" href="https://www.patreon.com/wetootwaag">Support Wetootwaag&#39;s Bagpipe and History Podcast</a></p>]]>
  </content:encoded>
  <itunes:summary>
    <![CDATA[<p>Tunes: <br>
Trad: (Feels absurd to use “trad” on this podcast as a source, these are both just versions I’m playing from memory: When the King Enjoys His Own Again, Auld Lang Syne, A conversation with Death. <br>
Matt Seattle: Green Brackin, Small Drink Won’t Comfort Me<br>
William Dixon: Cock on the Midden<br>
James Aird: The Feathers, Dribbles of Brandy, Grace’s Farewell <br>
Check out my New Patreon Account:<br>
<a href="https://www.patreon.com/wetootwaag" rel="nofollow">https://www.patreon.com/wetootwaag</a> </p>

<p>Thanks to Bob Cameron for Cluing me into the High Notes, and Abe Zettek for directing me to Sutherland’s fingering chart to achieve them. </p>

<p>On Ross&#39;s Music Page you can look through Sutherland&#39;s Manuscript, and Read Ross&#39;s write up about Sutherlands High notes, but I couldn&#39;t find the actual fingering chart, if/when I hear back from Ross I&#39;ll update the show notes here:<br>
<a href="https://www.cl.cam.ac.uk/%7Erja14/music/index.html" rel="nofollow">https://www.cl.cam.ac.uk/~rja14/music/index.html</a> </p>

<p>Peter Bellamy’s Version of Conversation with Death:<br>
<a href="https://youtu.be/jhC3-yqndlo" rel="nofollow">https://youtu.be/jhC3-yqndlo</a> </p>

<p>Matt Seattle’s Green Bracken and Small Drink Won’t Comfort Me: these tunes are both in Seattle’s Over the Hills and Far Away<br>
<a href="https://www.mattseattle.scot/product-page/over-the-hills-and-far-away" rel="nofollow">https://www.mattseattle.scot/product-page/over-the-hills-and-far-away</a> </p>

<p>James Aird’s Grace’s Farewell: <a href="https://digital.nls.uk/special-collections-of-printed-music/archive/87707516" rel="nofollow">https://digital.nls.uk/special-collections-of-printed-music/archive/87707516</a></p>

<p>1848: William Gunn’s The Bride will be no more wi her Mother:<br>
<a href="https://ceolsean.net/content/Gunn/Book05/Book05%2019.pdf" rel="nofollow">https://ceolsean.net/content/Gunn/Book05/Book05%2019.pdf</a> <br>
Index Willam Gunn’s Collection here:<br>
<a href="https://ceolsean.net/content/Gunn/Gunn_TOC.html" rel="nofollow">https://ceolsean.net/content/Gunn/Gunn_TOC.html</a> </p>

<p>William Dixon: Cock on the Midden<br>
<a href="https://www.mattseattle.scot/product-page/the-master-piper-new-edition" rel="nofollow">https://www.mattseattle.scot/product-page/the-master-piper-new-edition</a></p>

<p>James Aird: The Feathers<br>
<a href="https://digital.nls.uk/special-collections-of-printed-music/archive/87704775" rel="nofollow">https://digital.nls.uk/special-collections-of-printed-music/archive/87704775</a> </p>

<p>James Aird: Dribbles of Brandy:<br>
<a href="https://digital.nls.uk/special-collections-of-printed-music/archive/87704763" rel="nofollow">https://digital.nls.uk/special-collections-of-printed-music/archive/87704763</a> </p>

<p>Please take advantage of the Tune Collection tab: <a href="https://www.wetootwaag.com/tunesources" rel="nofollow">https://www.wetootwaag.com/tunesources</a> <br>
Also Please take a minute to leave a review of the podcast! </p>

<p>Listen on Apple Podcasts: <a href="https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677" rel="nofollow">https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677</a> <br>
Listen on Itunes: <a href="https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677" rel="nofollow">https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677</a> <br>
Listen on Spotify: <a href="https://open.spotify.com/show/5QxzqrSm0pu6v8y8pLsv5j?si=QLiG0L1pT1eu7B5_FDmgGA" rel="nofollow">https://open.spotify.com/show/5QxzqrSm0pu6v8y8pLsv5j?si=QLiG0L1pT1eu7B5_FDmgGA</a></p><p><a rel="payment" href="https://www.patreon.com/wetootwaag">Support Wetootwaag&#39;s Bagpipe and History Podcast</a></p>]]>
  </itunes:summary>
</item>
<item>
  <title>S5E08 One Year Anniversary from the Reboot! And my new Koehler &amp; Quinn Chanter plays loads of O’Farrell tunes</title>
  <link>https://www.wetootwaag.com/s5e08</link>
  <guid isPermaLink="false">2d2b374e-b678-4511-8ee3-e49ded960abf</guid>
  <pubDate>Sat, 20 Mar 2021 03:00:00 -0400</pubDate>
  <author>Jeremy Kingsbury</author>
  <enclosure url="https://aphid.fireside.fm/d/1437767933/f158d1e4-b92d-4f8d-9eef-7382ca3c3ee8/2d2b374e-b678-4511-8ee3-e49ded960abf.mp3" length="73121665" type="audio/mpeg"/>
  <itunes:episodeType>full</itunes:episodeType>
  <itunes:season>5</itunes:season>
  <itunes:author>Jeremy Kingsbury</itunes:author>
  <itunes:subtitle>Tunes:
William Dixon: Cuddy Claw’d Her
O’Farrell: Blush of Aurora, St. Patrick’s Day, Princess Royal (Air by Carolan), Hen’s Concert, Carolan’s Farewell to Music, Fall of Paris, Quck-Step, Gobyo,The Happy Mistake, Pay the Reckoning, Carolan’s Concerto
Hibernian Muse: St. Patrick’s Day
Ennis: Bucks of Oranmore
</itunes:subtitle>
  <itunes:duration>51:29</itunes:duration>
  <itunes:explicit>no</itunes:explicit>
  <itunes:image href="https://media24.fireside.fm/file/fireside-images-2024/podcasts/images/f/f158d1e4-b92d-4f8d-9eef-7382ca3c3ee8/episodes/2/2d2b374e-b678-4511-8ee3-e49ded960abf/cover.jpg?v=1"/>
  <description>&lt;p&gt;Tunes:&lt;br&gt;
William Dixon: Cuddy Claw’d Her&lt;br&gt;
O’Farrell: Blush of Aurora, St. Patrick’s Day, Princess Royal (Air by Carolan), Hen’s Concert, Carolan’s Farewell to Music, Fall of Paris, Quck-Step, Gobyo,The Happy Mistake, Pay the Reckoning, Carolan’s Concerto&lt;br&gt;
Hibernian Muse: St. Patrick’s Day&lt;br&gt;
Ennis: Bucks of Oranmore&lt;/p&gt;

&lt;p&gt;Order:&lt;/p&gt;

&lt;p&gt;1806: O’Farrell’s Quick Step: &lt;a href="https://digital.nls.uk/special-collections-of-printed-music/archive/87779906" target="_blank" rel="nofollow noopener"&gt;https://digital.nls.uk/special-collections-of-printed-music/archive/87779906&lt;/a&gt; &lt;/p&gt;

&lt;p&gt;1806: O’Farrell’s Gobyo: &lt;br&gt;
&lt;a href="https://digital.nls.uk/special-collections-of-printed-music/archive/87779858" target="_blank" rel="nofollow noopener"&gt;https://digital.nls.uk/special-collections-of-printed-music/archive/87779858&lt;/a&gt; &lt;/p&gt;

&lt;p&gt;1806: O’Farrell’s Hen’s Concert:&lt;br&gt;
&lt;a href="https://digital.nls.uk/special-collections-of-printed-music/archive/87780134" target="_blank" rel="nofollow noopener"&gt;https://digital.nls.uk/special-collections-of-printed-music/archive/87780134&lt;/a&gt;  &lt;/p&gt;

&lt;p&gt;1806: O’Farrell’s Carolan’s Concerto:&lt;br&gt;
&lt;a href="https://digital.nls.uk/special-collections-of-printed-music/archive/87779822" target="_blank" rel="nofollow noopener"&gt;https://digital.nls.uk/special-collections-of-printed-music/archive/87779822&lt;/a&gt; &lt;/p&gt;

&lt;p&gt;1810ish:O’Farrell’s Air by Carolan (Princess Royal)&lt;br&gt;
&lt;a href="http://www.capeirish.com/webabc/working/source.folders/ofpc/ofpc.4/ofpc.4_plus/084proy.pdf" target="_blank" rel="nofollow noopener"&gt;http://www.capeirish.com/webabc/working/source.folders/ofpc/ofpc.4/ofpc.4_plus/084proy.pdf&lt;/a&gt; &lt;/p&gt;

&lt;p&gt;1799ish: O’Farrell’s Carolan’s Farewell to Music From the National Tutor:&lt;br&gt;
&lt;a href="http://www.capeirish.com/webabc/working/source.folders/ofnim/ofnim_plus/05cfm.pdf" target="_blank" rel="nofollow noopener"&gt;http://www.capeirish.com/webabc/working/source.folders/ofnim/ofnim_plus/05cfm.pdf&lt;/a&gt; &lt;/p&gt;

&lt;p&gt;1806: O’Farrell’s Carolan’s Farewell to Music:&lt;br&gt;
&lt;a href="https://digital.nls.uk/special-collections-of-printed-music/archive/87780122" target="_blank" rel="nofollow noopener"&gt;https://digital.nls.uk/special-collections-of-printed-music/archive/87780122&lt;/a&gt; &lt;/p&gt;

&lt;p&gt;1733: William Dixon’s Cuddy Claw’d Her: from Matt Seattle’s publication:&lt;br&gt;
&lt;a href="https://www.mattseattle.scot/product-page/the-master-piper-new-edition" target="_blank" rel="nofollow noopener"&gt;https://www.mattseattle.scot/product-page/the-master-piper-new-edition&lt;/a&gt;&lt;/p&gt;

&lt;p&gt;1810ish: O’Farrell’s Blush of Aurora:&lt;br&gt;
&lt;a href="http://www.capeirish.com/webabc/working/source.folders/ofpc/ofpc.4/ofpc.4_plus/008blush.pdf" target="_blank" rel="nofollow noopener"&gt;http://www.capeirish.com/webabc/working/source.folders/ofpc/ofpc.4/ofpc.4_plus/008blush.pdf&lt;/a&gt; &lt;br&gt;
You can Also Download Volume 4 Here on Ross’s Music Page to Find Air By Carolan, and Blush of Aurora:&lt;br&gt;
&lt;a href="http://www.cl.cam.ac.uk/%7Erja14/Papers/ofarrellspc4.pdf" target="_blank" rel="nofollow noopener"&gt;http://www.cl.cam.ac.uk/~rja14/Papers/ofarrellspc4.pdf&lt;/a&gt; &lt;/p&gt;

&lt;p&gt;1787: Hibernian Muse’s St. Patrick’s Day &lt;br&gt;
&lt;a href="https://archive.org/details/imslp-hibernian-muse-a-collection-of-irish-airs-various/page/n20/mode/1up" target="_blank" rel="nofollow noopener"&gt;https://archive.org/details/imslp-hibernian-muse-a-collection-of-irish-airs-various/page/n20/mode/1up&lt;/a&gt; &lt;/p&gt;

&lt;p&gt;1806: O’Farrell’s St. Patrick’s Day:&lt;br&gt;
&lt;a href="https://digital.nls.uk/special-collections-of-printed-music/archive/87779750" target="_blank" rel="nofollow noopener"&gt;https://digital.nls.uk/special-collections-of-printed-music/archive/87779750&lt;/a&gt; &lt;/p&gt;

&lt;p&gt;1806: O’Farrell’s The Happy Mistake:&lt;br&gt;
&lt;a href="https://digital.nls.uk/special-collections-of-printed-music/archive/87779846" target="_blank" rel="nofollow noopener"&gt;https://digital.nls.uk/special-collections-of-printed-music/archive/87779846&lt;/a&gt; &lt;/p&gt;

&lt;p&gt;1806: O’Farrell’s Pay the Reckoning:&lt;br&gt;
&lt;a href="https://digital.nls.uk/special-collections-of-printed-music/archive/87779834" target="_blank" rel="nofollow noopener"&gt;https://digital.nls.uk/special-collections-of-printed-music/archive/87779834&lt;/a&gt; &lt;/p&gt;

&lt;p&gt;1806: O’Farrell’s Fall of Paris&lt;br&gt;
&lt;a href="https://digital.nls.uk/special-collections-of-printed-music/archive/87779894" target="_blank" rel="nofollow noopener"&gt;https://digital.nls.uk/special-collections-of-printed-music/archive/87779894&lt;/a&gt; &lt;/p&gt;

&lt;p&gt;Seamus Ennis’s Bucks of Oranmore: I’m clearly not playing note for note, and I looked at some generic music on Tunearch, so I’m playing the parts in the order most folks do rather than how Ennis does.&lt;br&gt;
&lt;a href="https://youtu.be/GrXsmfmqcFA" target="_blank" rel="nofollow noopener"&gt;https://youtu.be/GrXsmfmqcFA&lt;/a&gt; &lt;/p&gt;

&lt;p&gt;Please take advantage of the Tune Collection tab: &lt;a href="https://www.wetootwaag.com/tunesources" target="_blank" rel="nofollow noopener"&gt;https://www.wetootwaag.com/tunesources&lt;/a&gt; &lt;br&gt;
Also Please take a minute to leave a review of the podcast! &lt;/p&gt;

&lt;p&gt;Listen on Apple Podcasts: &lt;a href="https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677" target="_blank" rel="nofollow noopener"&gt;https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677&lt;/a&gt; &lt;br&gt;
Listen on Itunes: &lt;a href="https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677" target="_blank" rel="nofollow noopener"&gt;https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677&lt;/a&gt; &lt;br&gt;
Listen on Spotify: &lt;a href="https://open.spotify.com/show/5QxzqrSm0pu6v8y8pLsv5j?si=QLiG0L1pT1eu7B5_FDmgGA" target="_blank" rel="nofollow noopener"&gt;https://open.spotify.com/show/5QxzqrSm0pu6v8y8pLsv5j?si=QLiG0L1pT1eu7B5_FDmgGA&lt;/a&gt;&lt;/p&gt;
</description>
  <itunes:keywords>Koehler &amp; Quinn, bagpipes, uilleann pipes, Highland, Scottish, Scotland, Donald MacDonald, History, Music, Great Highland Bagpipes, GHB, Celtic, history, pastoral pipes, union pipes, baroque, eighteenth Century, Irish Music, Scottish Music, </itunes:keywords>
  <content:encoded>
    <![CDATA[<p>Tunes:<br>
William Dixon: Cuddy Claw’d Her<br>
O’Farrell: Blush of Aurora, St. Patrick’s Day, Princess Royal (Air by Carolan), Hen’s Concert, Carolan’s Farewell to Music, Fall of Paris, Quck-Step, Gobyo,The Happy Mistake, Pay the Reckoning, Carolan’s Concerto<br>
Hibernian Muse: St. Patrick’s Day<br>
Ennis: Bucks of Oranmore</p>

<p>Order:</p>

<p>1806: O’Farrell’s Quick Step: <a href="https://digital.nls.uk/special-collections-of-printed-music/archive/87779906" rel="nofollow">https://digital.nls.uk/special-collections-of-printed-music/archive/87779906</a> </p>

<p>1806: O’Farrell’s Gobyo: <br>
<a href="https://digital.nls.uk/special-collections-of-printed-music/archive/87779858" rel="nofollow">https://digital.nls.uk/special-collections-of-printed-music/archive/87779858</a> </p>

<p>1806: O’Farrell’s Hen’s Concert:<br>
<a href="https://digital.nls.uk/special-collections-of-printed-music/archive/87780134" rel="nofollow">https://digital.nls.uk/special-collections-of-printed-music/archive/87780134</a>  </p>

<p>1806: O’Farrell’s Carolan’s Concerto:<br>
<a href="https://digital.nls.uk/special-collections-of-printed-music/archive/87779822" rel="nofollow">https://digital.nls.uk/special-collections-of-printed-music/archive/87779822</a> </p>

<p>1810ish:O’Farrell’s Air by Carolan (Princess Royal)<br>
<a href="http://www.capeirish.com/webabc/working/source.folders/ofpc/ofpc.4/ofpc.4_plus/084proy.pdf" rel="nofollow">http://www.capeirish.com/webabc/working/source.folders/ofpc/ofpc.4/ofpc.4_plus/084proy.pdf</a> </p>

<p>1799ish: O’Farrell’s Carolan’s Farewell to Music From the National Tutor:<br>
<a href="http://www.capeirish.com/webabc/working/source.folders/ofnim/ofnim_plus/05cfm.pdf" rel="nofollow">http://www.capeirish.com/webabc/working/source.folders/ofnim/ofnim_plus/05cfm.pdf</a> </p>

<p>1806: O’Farrell’s Carolan’s Farewell to Music:<br>
<a href="https://digital.nls.uk/special-collections-of-printed-music/archive/87780122" rel="nofollow">https://digital.nls.uk/special-collections-of-printed-music/archive/87780122</a> </p>

<p>1733: William Dixon’s Cuddy Claw’d Her: from Matt Seattle’s publication:<br>
<a href="https://www.mattseattle.scot/product-page/the-master-piper-new-edition" rel="nofollow">https://www.mattseattle.scot/product-page/the-master-piper-new-edition</a></p>

<p>1810ish: O’Farrell’s Blush of Aurora:<br>
<a href="http://www.capeirish.com/webabc/working/source.folders/ofpc/ofpc.4/ofpc.4_plus/008blush.pdf" rel="nofollow">http://www.capeirish.com/webabc/working/source.folders/ofpc/ofpc.4/ofpc.4_plus/008blush.pdf</a> <br>
You can Also Download Volume 4 Here on Ross’s Music Page to Find Air By Carolan, and Blush of Aurora:<br>
<a href="http://www.cl.cam.ac.uk/%7Erja14/Papers/ofarrellspc4.pdf" rel="nofollow">http://www.cl.cam.ac.uk/~rja14/Papers/ofarrellspc4.pdf</a> </p>

<p>1787: Hibernian Muse’s St. Patrick’s Day <br>
<a href="https://archive.org/details/imslp-hibernian-muse-a-collection-of-irish-airs-various/page/n20/mode/1up" rel="nofollow">https://archive.org/details/imslp-hibernian-muse-a-collection-of-irish-airs-various/page/n20/mode/1up</a> </p>

<p>1806: O’Farrell’s St. Patrick’s Day:<br>
<a href="https://digital.nls.uk/special-collections-of-printed-music/archive/87779750" rel="nofollow">https://digital.nls.uk/special-collections-of-printed-music/archive/87779750</a> </p>

<p>1806: O’Farrell’s The Happy Mistake:<br>
<a href="https://digital.nls.uk/special-collections-of-printed-music/archive/87779846" rel="nofollow">https://digital.nls.uk/special-collections-of-printed-music/archive/87779846</a> </p>

<p>1806: O’Farrell’s Pay the Reckoning:<br>
<a href="https://digital.nls.uk/special-collections-of-printed-music/archive/87779834" rel="nofollow">https://digital.nls.uk/special-collections-of-printed-music/archive/87779834</a> </p>

<p>1806: O’Farrell’s Fall of Paris<br>
<a href="https://digital.nls.uk/special-collections-of-printed-music/archive/87779894" rel="nofollow">https://digital.nls.uk/special-collections-of-printed-music/archive/87779894</a> </p>

<p>Seamus Ennis’s Bucks of Oranmore: I’m clearly not playing note for note, and I looked at some generic music on Tunearch, so I’m playing the parts in the order most folks do rather than how Ennis does.<br>
<a href="https://youtu.be/GrXsmfmqcFA" rel="nofollow">https://youtu.be/GrXsmfmqcFA</a> </p>

<p>Please take advantage of the Tune Collection tab: <a href="https://www.wetootwaag.com/tunesources" rel="nofollow">https://www.wetootwaag.com/tunesources</a> <br>
Also Please take a minute to leave a review of the podcast! </p>

<p>Listen on Apple Podcasts: <a href="https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677" rel="nofollow">https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677</a> <br>
Listen on Itunes: <a href="https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677" rel="nofollow">https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677</a> <br>
Listen on Spotify: <a href="https://open.spotify.com/show/5QxzqrSm0pu6v8y8pLsv5j?si=QLiG0L1pT1eu7B5_FDmgGA" rel="nofollow">https://open.spotify.com/show/5QxzqrSm0pu6v8y8pLsv5j?si=QLiG0L1pT1eu7B5_FDmgGA</a></p><p><a rel="payment" href="https://www.patreon.com/wetootwaag">Support Wetootwaag&#39;s Bagpipe and History Podcast</a></p>]]>
  </content:encoded>
  <itunes:summary>
    <![CDATA[<p>Tunes:<br>
William Dixon: Cuddy Claw’d Her<br>
O’Farrell: Blush of Aurora, St. Patrick’s Day, Princess Royal (Air by Carolan), Hen’s Concert, Carolan’s Farewell to Music, Fall of Paris, Quck-Step, Gobyo,The Happy Mistake, Pay the Reckoning, Carolan’s Concerto<br>
Hibernian Muse: St. Patrick’s Day<br>
Ennis: Bucks of Oranmore</p>

<p>Order:</p>

<p>1806: O’Farrell’s Quick Step: <a href="https://digital.nls.uk/special-collections-of-printed-music/archive/87779906" rel="nofollow">https://digital.nls.uk/special-collections-of-printed-music/archive/87779906</a> </p>

<p>1806: O’Farrell’s Gobyo: <br>
<a href="https://digital.nls.uk/special-collections-of-printed-music/archive/87779858" rel="nofollow">https://digital.nls.uk/special-collections-of-printed-music/archive/87779858</a> </p>

<p>1806: O’Farrell’s Hen’s Concert:<br>
<a href="https://digital.nls.uk/special-collections-of-printed-music/archive/87780134" rel="nofollow">https://digital.nls.uk/special-collections-of-printed-music/archive/87780134</a>  </p>

<p>1806: O’Farrell’s Carolan’s Concerto:<br>
<a href="https://digital.nls.uk/special-collections-of-printed-music/archive/87779822" rel="nofollow">https://digital.nls.uk/special-collections-of-printed-music/archive/87779822</a> </p>

<p>1810ish:O’Farrell’s Air by Carolan (Princess Royal)<br>
<a href="http://www.capeirish.com/webabc/working/source.folders/ofpc/ofpc.4/ofpc.4_plus/084proy.pdf" rel="nofollow">http://www.capeirish.com/webabc/working/source.folders/ofpc/ofpc.4/ofpc.4_plus/084proy.pdf</a> </p>

<p>1799ish: O’Farrell’s Carolan’s Farewell to Music From the National Tutor:<br>
<a href="http://www.capeirish.com/webabc/working/source.folders/ofnim/ofnim_plus/05cfm.pdf" rel="nofollow">http://www.capeirish.com/webabc/working/source.folders/ofnim/ofnim_plus/05cfm.pdf</a> </p>

<p>1806: O’Farrell’s Carolan’s Farewell to Music:<br>
<a href="https://digital.nls.uk/special-collections-of-printed-music/archive/87780122" rel="nofollow">https://digital.nls.uk/special-collections-of-printed-music/archive/87780122</a> </p>

<p>1733: William Dixon’s Cuddy Claw’d Her: from Matt Seattle’s publication:<br>
<a href="https://www.mattseattle.scot/product-page/the-master-piper-new-edition" rel="nofollow">https://www.mattseattle.scot/product-page/the-master-piper-new-edition</a></p>

<p>1810ish: O’Farrell’s Blush of Aurora:<br>
<a href="http://www.capeirish.com/webabc/working/source.folders/ofpc/ofpc.4/ofpc.4_plus/008blush.pdf" rel="nofollow">http://www.capeirish.com/webabc/working/source.folders/ofpc/ofpc.4/ofpc.4_plus/008blush.pdf</a> <br>
You can Also Download Volume 4 Here on Ross’s Music Page to Find Air By Carolan, and Blush of Aurora:<br>
<a href="http://www.cl.cam.ac.uk/%7Erja14/Papers/ofarrellspc4.pdf" rel="nofollow">http://www.cl.cam.ac.uk/~rja14/Papers/ofarrellspc4.pdf</a> </p>

<p>1787: Hibernian Muse’s St. Patrick’s Day <br>
<a href="https://archive.org/details/imslp-hibernian-muse-a-collection-of-irish-airs-various/page/n20/mode/1up" rel="nofollow">https://archive.org/details/imslp-hibernian-muse-a-collection-of-irish-airs-various/page/n20/mode/1up</a> </p>

<p>1806: O’Farrell’s St. Patrick’s Day:<br>
<a href="https://digital.nls.uk/special-collections-of-printed-music/archive/87779750" rel="nofollow">https://digital.nls.uk/special-collections-of-printed-music/archive/87779750</a> </p>

<p>1806: O’Farrell’s The Happy Mistake:<br>
<a href="https://digital.nls.uk/special-collections-of-printed-music/archive/87779846" rel="nofollow">https://digital.nls.uk/special-collections-of-printed-music/archive/87779846</a> </p>

<p>1806: O’Farrell’s Pay the Reckoning:<br>
<a href="https://digital.nls.uk/special-collections-of-printed-music/archive/87779834" rel="nofollow">https://digital.nls.uk/special-collections-of-printed-music/archive/87779834</a> </p>

<p>1806: O’Farrell’s Fall of Paris<br>
<a href="https://digital.nls.uk/special-collections-of-printed-music/archive/87779894" rel="nofollow">https://digital.nls.uk/special-collections-of-printed-music/archive/87779894</a> </p>

<p>Seamus Ennis’s Bucks of Oranmore: I’m clearly not playing note for note, and I looked at some generic music on Tunearch, so I’m playing the parts in the order most folks do rather than how Ennis does.<br>
<a href="https://youtu.be/GrXsmfmqcFA" rel="nofollow">https://youtu.be/GrXsmfmqcFA</a> </p>

<p>Please take advantage of the Tune Collection tab: <a href="https://www.wetootwaag.com/tunesources" rel="nofollow">https://www.wetootwaag.com/tunesources</a> <br>
Also Please take a minute to leave a review of the podcast! </p>

<p>Listen on Apple Podcasts: <a href="https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677" rel="nofollow">https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677</a> <br>
Listen on Itunes: <a href="https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677" rel="nofollow">https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677</a> <br>
Listen on Spotify: <a href="https://open.spotify.com/show/5QxzqrSm0pu6v8y8pLsv5j?si=QLiG0L1pT1eu7B5_FDmgGA" rel="nofollow">https://open.spotify.com/show/5QxzqrSm0pu6v8y8pLsv5j?si=QLiG0L1pT1eu7B5_FDmgGA</a></p><p><a rel="payment" href="https://www.patreon.com/wetootwaag">Support Wetootwaag&#39;s Bagpipe and History Podcast</a></p>]]>
  </itunes:summary>
</item>
<item>
  <title>Season 5 Episode 4 Drummond Castle Manuscript</title>
  <link>https://www.wetootwaag.com/s5e04</link>
  <guid isPermaLink="false">021e7095-02f8-43aa-9ca9-c7f48ee7cbf1</guid>
  <pubDate>Sat, 13 Feb 2021 03:00:00 -0500</pubDate>
  <author>Jeremy Kingsbury</author>
  <enclosure url="https://aphid.fireside.fm/d/1437767933/f158d1e4-b92d-4f8d-9eef-7382ca3c3ee8/021e7095-02f8-43aa-9ca9-c7f48ee7cbf1.mp3" length="66344095" type="audio/mpeg"/>
  <itunes:episodeType>full</itunes:episodeType>
  <itunes:season>5</itunes:season>
  <itunes:author>Jeremy Kingsbury</itunes:author>
  <itunes:subtitle>
Tunes:
David Young’s Drummond Castle Manuscript: Athol Braes, Kiss’d Yestereen, New Bigging, The Malt Man, Kick the World Before You
William Napier: Braes of Athol
Neil Gow &amp; Sons: Oh as I was Kiss’d Yestreen
James Rook: Oh as I was Kiss’d Yestreen
William Gunn: Oh How I was Kiss’d Yestreen
Donald MacDonald: Kick the Rogues Out
Elizabeth Ross: You Silly Fool</itunes:subtitle>
  <itunes:duration>45:43</itunes:duration>
  <itunes:explicit>no</itunes:explicit>
  <itunes:image href="https://media24.fireside.fm/file/fireside-images-2024/podcasts/images/f/f158d1e4-b92d-4f8d-9eef-7382ca3c3ee8/episodes/0/021e7095-02f8-43aa-9ca9-c7f48ee7cbf1/cover.jpg?v=1"/>
  <description>&lt;p&gt;Season 5 Episode 4 Drummond Castle Manuscript&lt;/p&gt;

&lt;p&gt;Tunes:&lt;br&gt;
David Young’s Drummond Castle Manuscript: Athol Braes, Kiss’d Yestereen, New Bigging, The Malt Man, Kick the World Before You&lt;br&gt;
William Napier: Braes of Athol&lt;br&gt;
Neil Gow &amp;amp; Sons: Oh as I was Kiss’d Yestreen&lt;br&gt;
James Rook: Oh as I was Kiss’d Yestreen&lt;br&gt;
William Gunn: Oh How I was Kiss’d Yestreen&lt;br&gt;
Donald MacDonald: Kick the Rogues Out&lt;br&gt;
Elizabeth Ross: You Silly Fool&lt;/p&gt;

&lt;p&gt;Here is a link to the Gordon Mooney Article on Border/Lowland Pipe Revival I was referencing.&lt;br&gt;
&lt;a href="https://oddscotland.com/lowland-and-border-pipers-society-history" target="_blank" rel="nofollow noopener"&gt;https://oddscotland.com/lowland-and-border-pipers-society-history&lt;/a&gt; &lt;/p&gt;

&lt;p&gt;The Art for this episode comes from the Natinol Library of Scotland, by Susan Fletcher Crawford&lt;br&gt;
&lt;a href="https://www.nationalgalleries.org/art-and-artists/22521/drummond-castle-perthshire" target="_blank" rel="nofollow noopener"&gt;https://www.nationalgalleries.org/art-and-artists/22521/drummond-castle-perthshire&lt;/a&gt; &lt;/p&gt;

&lt;p&gt;David Young Wrote these settings for the Duke of Perth at Drummond Castle in 1734, I have used the copies available from Ross’s Music Page, all the tunes in this episode come from the first of two PDFs on Ross’s Music Page:&lt;br&gt;
&lt;a href="https://www.cl.cam.ac.uk/%7Erja14/music/index.html" target="_blank" rel="nofollow noopener"&gt;https://www.cl.cam.ac.uk/~rja14/music/index.html&lt;/a&gt; &lt;br&gt;
The actual PDF download is the below link:&lt;br&gt;
&lt;a href="http://www.cl.cam.ac.uk/%7Erja14/musicfiles/manuscripts/drummond1.pdf" target="_blank" rel="nofollow noopener"&gt;http://www.cl.cam.ac.uk/~rja14/musicfiles/manuscripts/drummond1.pdf&lt;/a&gt;  &lt;/p&gt;

&lt;p&gt;First Tune from David Young is Braes of Atholl&lt;br&gt;
Decent information on David Young’s numerous other publications can be found here:&lt;br&gt;
&lt;a href="https://www.altpibroch.com/y3/" target="_blank" rel="nofollow noopener"&gt;https://www.altpibroch.com/y3/&lt;/a&gt; &lt;br&gt;
Note that the tune also appears in John Walsh’s Country Dance books both English and Scottish according to Traditional Tune Archive, I could not find it there.&lt;br&gt;
It does appear with slight variations in Robert Bremner’s Scots Reels book from 1757: &lt;a href="https://digital.nls.uk/special-collections-of-printed-music/archive/105003153" target="_blank" rel="nofollow noopener"&gt;https://digital.nls.uk/special-collections-of-printed-music/archive/105003153&lt;/a&gt;&lt;br&gt;&lt;br&gt;
Also according to Traditional Tune Archive it is in William Vickers MS.&lt;/p&gt;

&lt;p&gt;Braes of Atholl from William Napier’s 1798 collection is quite different and fun for Uilleann Pipes:&lt;br&gt;
&lt;a href="https://digital.nls.uk/special-collections-of-printed-music/archive/105015671" target="_blank" rel="nofollow noopener"&gt;https://digital.nls.uk/special-collections-of-printed-music/archive/105015671&lt;/a&gt; &lt;br&gt;
Bio on William Napier from HMS.Scot: Biographical info: Napier lived c.1740-1812, and died in London. He was a violinist both at Edinburgh's Canongate Theatre, and for Edinburgh Musical Society, before moving to London. (Alburger, 120; Macleod) He played in prestigious bands including the court of George III, and in middle life set up as publisher, later also starting a circulating library. Napier comissioned music from Haydn and was well-connected with other classical composers. (Grove; Baptie) (&lt;a href="https://hms.scot/fiddle/source/201/" target="_blank" rel="nofollow noopener"&gt;https://hms.scot/fiddle/source/201/&lt;/a&gt;) &lt;/p&gt;

&lt;p&gt;David Young: New Bigging. The Next Tune I play is New Bigging, likely named for the tune of Newbigging, in Angus. It sounds very familiar, but it also may just remind me of the mystery tune I play before it. Do you know what it is called?&lt;/p&gt;

&lt;p&gt;The Next tune I play from Drummond Castle is Kiss’d Yestereen.&lt;/p&gt;

&lt;p&gt;18teens: Neil Gow &amp;amp; Sons: Oh How I was kiss’d Yestreen in the Second repository of The Dance Music of Scotland:&lt;br&gt;
&lt;a href="https://imslp.org/wiki/Gow%27s_Repository_of_the_Dance_Music_of_Scotland_(Gow%2C_Niel)" target="_blank" rel="nofollow noopener"&gt;https://imslp.org/wiki/Gow%27s_Repository_of_the_Dance_Music_of_Scotland_(Gow%2C_Niel)&lt;/a&gt; &lt;/p&gt;

&lt;p&gt;1840s: James Rook’s Manuscript: Oh How I was Kissed Yestereen:&lt;br&gt;
&lt;a href="https://www.cl.cam.ac.uk/%7Erja14/musicfiles/rook/rook_pages/033.htm" target="_blank" rel="nofollow noopener"&gt;https://www.cl.cam.ac.uk/~rja14/musicfiles/rook/rook_pages/033.htm&lt;/a&gt; &lt;/p&gt;

&lt;p&gt;1848: William Gunn: Oh How I was Kiss’d Yestreen, He calls it a quickstep, so I play it like I would a 6/8 march, then play it as written. &lt;br&gt;
&lt;a href="https://ceolsean.net/content/Gunn/Gunn_TOC.html" target="_blank" rel="nofollow noopener"&gt;https://ceolsean.net/content/Gunn/Gunn_TOC.html&lt;/a&gt; &lt;/p&gt;

&lt;p&gt;David Young: The Malt Man. This tune again also appears in Gow’s Repository and Rook’s Manuscript.  &lt;/p&gt;

&lt;p&gt;1828: Donald MacDonald’s Setting for Kick the Rogues Out: Can you recognize the funky gracing in the beginning?&lt;br&gt;
&lt;a href="https://digital.nls.uk/special-collections-of-printed-music/archive/105683188" target="_blank" rel="nofollow noopener"&gt;https://digital.nls.uk/special-collections-of-printed-music/archive/105683188&lt;/a&gt; &lt;/p&gt;

&lt;p&gt;1812: Elizabeth Ross’s You Silly Fool or "Amedain ghórich" &lt;br&gt;
Elizabeth Ross’s Impressive collection from Raasay in 1812. We will certainly be talking about this collection in the future. You can download the impressive PDF here:&lt;br&gt;
&lt;a href="https://www.ed.ac.uk/files/imports/fileManager/RossMS.pdf" target="_blank" rel="nofollow noopener"&gt;https://www.ed.ac.uk/files/imports/fileManager/RossMS.pdf&lt;/a&gt; &lt;/p&gt;

&lt;p&gt;1757: Robert Bremner (I didn’t play this setting but you can look at it here)&lt;br&gt;
&lt;a href="https://digital.nls.uk/special-collections-of-printed-music/archive/105002691" target="_blank" rel="nofollow noopener"&gt;https://digital.nls.uk/special-collections-of-printed-music/archive/105002691&lt;/a&gt;&lt;/p&gt;

&lt;p&gt;1734: David Young: Kick the World Before You&lt;/p&gt;

&lt;p&gt;My First Album is out! You Can Buy it here:&lt;br&gt;
&lt;a href="https://jeremykingsbury.bandcamp.com/album/oyster-wives-rant-a-year-of-historic-tunes" target="_blank" rel="nofollow noopener"&gt;https://jeremykingsbury.bandcamp.com/album/oyster-wives-rant-a-year-of-historic-tunes&lt;/a&gt; &lt;/p&gt;

&lt;p&gt;Please take advantage of the Tune Collection tab: &lt;a href="https://www.wetootwaag.com/tunesources" target="_blank" rel="nofollow noopener"&gt;https://www.wetootwaag.com/tunesources&lt;/a&gt; &lt;br&gt;
Also Please take a minute to leave a review of the podcast! &lt;/p&gt;

&lt;p&gt;Listen on Apple Podcasts: &lt;a href="https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677" target="_blank" rel="nofollow noopener"&gt;https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677&lt;/a&gt; &lt;br&gt;
Listen on Itunes: &lt;a href="https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677" target="_blank" rel="nofollow noopener"&gt;https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677&lt;/a&gt; &lt;br&gt;
Listen on Spotify: &lt;a href="https://open.spotify.com/show/5QxzqrSm0pu6v8y8pLsv5j?si=QLiG0L1pT1eu7B5_FDmgGA" target="_blank" rel="nofollow noopener"&gt;https://open.spotify.com/show/5QxzqrSm0pu6v8y8pLsv5j?si=QLiG0L1pT1eu7B5_FDmgGA&lt;/a&gt;&lt;/p&gt;
</description>
  <itunes:keywords>bagpipes, uilleann pipes, Highland, Scottish, Scotland, Donald MacDonald, History, Music, Great Highland Bagpipes, GHB, Celtic, history, pastoral pipes, union pipes, baroque, eighteenth Century, Irish Music, Scottish Music, </itunes:keywords>
  <content:encoded>
    <![CDATA[<p>Season 5 Episode 4 Drummond Castle Manuscript</p>

<p>Tunes:<br>
David Young’s Drummond Castle Manuscript: Athol Braes, Kiss’d Yestereen, New Bigging, The Malt Man, Kick the World Before You<br>
William Napier: Braes of Athol<br>
Neil Gow &amp; Sons: Oh as I was Kiss’d Yestreen<br>
James Rook: Oh as I was Kiss’d Yestreen<br>
William Gunn: Oh How I was Kiss’d Yestreen<br>
Donald MacDonald: Kick the Rogues Out<br>
Elizabeth Ross: You Silly Fool</p>

<p>Here is a link to the Gordon Mooney Article on Border/Lowland Pipe Revival I was referencing.<br>
<a href="https://oddscotland.com/lowland-and-border-pipers-society-history" rel="nofollow">https://oddscotland.com/lowland-and-border-pipers-society-history</a> </p>

<p>The Art for this episode comes from the Natinol Library of Scotland, by Susan Fletcher Crawford<br>
<a href="https://www.nationalgalleries.org/art-and-artists/22521/drummond-castle-perthshire" rel="nofollow">https://www.nationalgalleries.org/art-and-artists/22521/drummond-castle-perthshire</a> </p>

<p>David Young Wrote these settings for the Duke of Perth at Drummond Castle in 1734, I have used the copies available from Ross’s Music Page, all the tunes in this episode come from the first of two PDFs on Ross’s Music Page:<br>
<a href="https://www.cl.cam.ac.uk/%7Erja14/music/index.html" rel="nofollow">https://www.cl.cam.ac.uk/~rja14/music/index.html</a> <br>
The actual PDF download is the below link:<br>
<a href="http://www.cl.cam.ac.uk/%7Erja14/musicfiles/manuscripts/drummond1.pdf" rel="nofollow">http://www.cl.cam.ac.uk/~rja14/musicfiles/manuscripts/drummond1.pdf</a>  </p>

<p>First Tune from David Young is Braes of Atholl<br>
Decent information on David Young’s numerous other publications can be found here:<br>
<a href="https://www.altpibroch.com/y3/" rel="nofollow">https://www.altpibroch.com/y3/</a> <br>
Note that the tune also appears in John Walsh’s Country Dance books both English and Scottish according to Traditional Tune Archive, I could not find it there.<br>
It does appear with slight variations in Robert Bremner’s Scots Reels book from 1757: <a href="https://digital.nls.uk/special-collections-of-printed-music/archive/105003153" rel="nofollow">https://digital.nls.uk/special-collections-of-printed-music/archive/105003153</a><br><br>
Also according to Traditional Tune Archive it is in William Vickers MS.</p>

<p>Braes of Atholl from William Napier’s 1798 collection is quite different and fun for Uilleann Pipes:<br>
<a href="https://digital.nls.uk/special-collections-of-printed-music/archive/105015671" rel="nofollow">https://digital.nls.uk/special-collections-of-printed-music/archive/105015671</a> <br>
Bio on William Napier from HMS.Scot: Biographical info: Napier lived c.1740-1812, and died in London. He was a violinist both at Edinburgh&#39;s Canongate Theatre, and for Edinburgh Musical Society, before moving to London. (Alburger, 120; Macleod) He played in prestigious bands including the court of George III, and in middle life set up as publisher, later also starting a circulating library. Napier comissioned music from Haydn and was well-connected with other classical composers. (Grove; Baptie) (<a href="https://hms.scot/fiddle/source/201/" rel="nofollow">https://hms.scot/fiddle/source/201/</a>) </p>

<p>David Young: New Bigging. The Next Tune I play is New Bigging, likely named for the tune of Newbigging, in Angus. It sounds very familiar, but it also may just remind me of the mystery tune I play before it. Do you know what it is called?</p>

<p>The Next tune I play from Drummond Castle is Kiss’d Yestereen.</p>

<p>18teens: Neil Gow &amp; Sons: Oh How I was kiss’d Yestreen in the Second repository of The Dance Music of Scotland:<br>
<a href="https://imslp.org/wiki/Gow%27s_Repository_of_the_Dance_Music_of_Scotland_(Gow%2C_Niel)" rel="nofollow">https://imslp.org/wiki/Gow%27s_Repository_of_the_Dance_Music_of_Scotland_(Gow%2C_Niel)</a> </p>

<p>1840s: James Rook’s Manuscript: Oh How I was Kissed Yestereen:<br>
<a href="https://www.cl.cam.ac.uk/%7Erja14/musicfiles/rook/rook_pages/033.htm" rel="nofollow">https://www.cl.cam.ac.uk/~rja14/musicfiles/rook/rook_pages/033.htm</a> </p>

<p>1848: William Gunn: Oh How I was Kiss’d Yestreen, He calls it a quickstep, so I play it like I would a 6/8 march, then play it as written. <br>
<a href="https://ceolsean.net/content/Gunn/Gunn_TOC.html" rel="nofollow">https://ceolsean.net/content/Gunn/Gunn_TOC.html</a> </p>

<p>David Young: The Malt Man. This tune again also appears in Gow’s Repository and Rook’s Manuscript.  </p>

<p>1828: Donald MacDonald’s Setting for Kick the Rogues Out: Can you recognize the funky gracing in the beginning?<br>
<a href="https://digital.nls.uk/special-collections-of-printed-music/archive/105683188" rel="nofollow">https://digital.nls.uk/special-collections-of-printed-music/archive/105683188</a> </p>

<p>1812: Elizabeth Ross’s You Silly Fool or &quot;Amedain ghórich&quot; <br>
Elizabeth Ross’s Impressive collection from Raasay in 1812. We will certainly be talking about this collection in the future. You can download the impressive PDF here:<br>
<a href="https://www.ed.ac.uk/files/imports/fileManager/RossMS.pdf" rel="nofollow">https://www.ed.ac.uk/files/imports/fileManager/RossMS.pdf</a> </p>

<p>1757: Robert Bremner (I didn’t play this setting but you can look at it here)<br>
<a href="https://digital.nls.uk/special-collections-of-printed-music/archive/105002691" rel="nofollow">https://digital.nls.uk/special-collections-of-printed-music/archive/105002691</a></p>

<p>1734: David Young: Kick the World Before You</p>

<p>My First Album is out! You Can Buy it here:<br>
<a href="https://jeremykingsbury.bandcamp.com/album/oyster-wives-rant-a-year-of-historic-tunes" rel="nofollow">https://jeremykingsbury.bandcamp.com/album/oyster-wives-rant-a-year-of-historic-tunes</a> </p>

<p>Please take advantage of the Tune Collection tab: <a href="https://www.wetootwaag.com/tunesources" rel="nofollow">https://www.wetootwaag.com/tunesources</a> <br>
Also Please take a minute to leave a review of the podcast! </p>

<p>Listen on Apple Podcasts: <a href="https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677" rel="nofollow">https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677</a> <br>
Listen on Itunes: <a href="https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677" rel="nofollow">https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677</a> <br>
Listen on Spotify: <a href="https://open.spotify.com/show/5QxzqrSm0pu6v8y8pLsv5j?si=QLiG0L1pT1eu7B5_FDmgGA" rel="nofollow">https://open.spotify.com/show/5QxzqrSm0pu6v8y8pLsv5j?si=QLiG0L1pT1eu7B5_FDmgGA</a></p><p><a rel="payment" href="https://www.patreon.com/wetootwaag">Support Wetootwaag&#39;s Bagpipe and History Podcast</a></p>]]>
  </content:encoded>
  <itunes:summary>
    <![CDATA[<p>Season 5 Episode 4 Drummond Castle Manuscript</p>

<p>Tunes:<br>
David Young’s Drummond Castle Manuscript: Athol Braes, Kiss’d Yestereen, New Bigging, The Malt Man, Kick the World Before You<br>
William Napier: Braes of Athol<br>
Neil Gow &amp; Sons: Oh as I was Kiss’d Yestreen<br>
James Rook: Oh as I was Kiss’d Yestreen<br>
William Gunn: Oh How I was Kiss’d Yestreen<br>
Donald MacDonald: Kick the Rogues Out<br>
Elizabeth Ross: You Silly Fool</p>

<p>Here is a link to the Gordon Mooney Article on Border/Lowland Pipe Revival I was referencing.<br>
<a href="https://oddscotland.com/lowland-and-border-pipers-society-history" rel="nofollow">https://oddscotland.com/lowland-and-border-pipers-society-history</a> </p>

<p>The Art for this episode comes from the Natinol Library of Scotland, by Susan Fletcher Crawford<br>
<a href="https://www.nationalgalleries.org/art-and-artists/22521/drummond-castle-perthshire" rel="nofollow">https://www.nationalgalleries.org/art-and-artists/22521/drummond-castle-perthshire</a> </p>

<p>David Young Wrote these settings for the Duke of Perth at Drummond Castle in 1734, I have used the copies available from Ross’s Music Page, all the tunes in this episode come from the first of two PDFs on Ross’s Music Page:<br>
<a href="https://www.cl.cam.ac.uk/%7Erja14/music/index.html" rel="nofollow">https://www.cl.cam.ac.uk/~rja14/music/index.html</a> <br>
The actual PDF download is the below link:<br>
<a href="http://www.cl.cam.ac.uk/%7Erja14/musicfiles/manuscripts/drummond1.pdf" rel="nofollow">http://www.cl.cam.ac.uk/~rja14/musicfiles/manuscripts/drummond1.pdf</a>  </p>

<p>First Tune from David Young is Braes of Atholl<br>
Decent information on David Young’s numerous other publications can be found here:<br>
<a href="https://www.altpibroch.com/y3/" rel="nofollow">https://www.altpibroch.com/y3/</a> <br>
Note that the tune also appears in John Walsh’s Country Dance books both English and Scottish according to Traditional Tune Archive, I could not find it there.<br>
It does appear with slight variations in Robert Bremner’s Scots Reels book from 1757: <a href="https://digital.nls.uk/special-collections-of-printed-music/archive/105003153" rel="nofollow">https://digital.nls.uk/special-collections-of-printed-music/archive/105003153</a><br><br>
Also according to Traditional Tune Archive it is in William Vickers MS.</p>

<p>Braes of Atholl from William Napier’s 1798 collection is quite different and fun for Uilleann Pipes:<br>
<a href="https://digital.nls.uk/special-collections-of-printed-music/archive/105015671" rel="nofollow">https://digital.nls.uk/special-collections-of-printed-music/archive/105015671</a> <br>
Bio on William Napier from HMS.Scot: Biographical info: Napier lived c.1740-1812, and died in London. He was a violinist both at Edinburgh&#39;s Canongate Theatre, and for Edinburgh Musical Society, before moving to London. (Alburger, 120; Macleod) He played in prestigious bands including the court of George III, and in middle life set up as publisher, later also starting a circulating library. Napier comissioned music from Haydn and was well-connected with other classical composers. (Grove; Baptie) (<a href="https://hms.scot/fiddle/source/201/" rel="nofollow">https://hms.scot/fiddle/source/201/</a>) </p>

<p>David Young: New Bigging. The Next Tune I play is New Bigging, likely named for the tune of Newbigging, in Angus. It sounds very familiar, but it also may just remind me of the mystery tune I play before it. Do you know what it is called?</p>

<p>The Next tune I play from Drummond Castle is Kiss’d Yestereen.</p>

<p>18teens: Neil Gow &amp; Sons: Oh How I was kiss’d Yestreen in the Second repository of The Dance Music of Scotland:<br>
<a href="https://imslp.org/wiki/Gow%27s_Repository_of_the_Dance_Music_of_Scotland_(Gow%2C_Niel)" rel="nofollow">https://imslp.org/wiki/Gow%27s_Repository_of_the_Dance_Music_of_Scotland_(Gow%2C_Niel)</a> </p>

<p>1840s: James Rook’s Manuscript: Oh How I was Kissed Yestereen:<br>
<a href="https://www.cl.cam.ac.uk/%7Erja14/musicfiles/rook/rook_pages/033.htm" rel="nofollow">https://www.cl.cam.ac.uk/~rja14/musicfiles/rook/rook_pages/033.htm</a> </p>

<p>1848: William Gunn: Oh How I was Kiss’d Yestreen, He calls it a quickstep, so I play it like I would a 6/8 march, then play it as written. <br>
<a href="https://ceolsean.net/content/Gunn/Gunn_TOC.html" rel="nofollow">https://ceolsean.net/content/Gunn/Gunn_TOC.html</a> </p>

<p>David Young: The Malt Man. This tune again also appears in Gow’s Repository and Rook’s Manuscript.  </p>

<p>1828: Donald MacDonald’s Setting for Kick the Rogues Out: Can you recognize the funky gracing in the beginning?<br>
<a href="https://digital.nls.uk/special-collections-of-printed-music/archive/105683188" rel="nofollow">https://digital.nls.uk/special-collections-of-printed-music/archive/105683188</a> </p>

<p>1812: Elizabeth Ross’s You Silly Fool or &quot;Amedain ghórich&quot; <br>
Elizabeth Ross’s Impressive collection from Raasay in 1812. We will certainly be talking about this collection in the future. You can download the impressive PDF here:<br>
<a href="https://www.ed.ac.uk/files/imports/fileManager/RossMS.pdf" rel="nofollow">https://www.ed.ac.uk/files/imports/fileManager/RossMS.pdf</a> </p>

<p>1757: Robert Bremner (I didn’t play this setting but you can look at it here)<br>
<a href="https://digital.nls.uk/special-collections-of-printed-music/archive/105002691" rel="nofollow">https://digital.nls.uk/special-collections-of-printed-music/archive/105002691</a></p>

<p>1734: David Young: Kick the World Before You</p>

<p>My First Album is out! You Can Buy it here:<br>
<a href="https://jeremykingsbury.bandcamp.com/album/oyster-wives-rant-a-year-of-historic-tunes" rel="nofollow">https://jeremykingsbury.bandcamp.com/album/oyster-wives-rant-a-year-of-historic-tunes</a> </p>

<p>Please take advantage of the Tune Collection tab: <a href="https://www.wetootwaag.com/tunesources" rel="nofollow">https://www.wetootwaag.com/tunesources</a> <br>
Also Please take a minute to leave a review of the podcast! </p>

<p>Listen on Apple Podcasts: <a href="https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677" rel="nofollow">https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677</a> <br>
Listen on Itunes: <a href="https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677" rel="nofollow">https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677</a> <br>
Listen on Spotify: <a href="https://open.spotify.com/show/5QxzqrSm0pu6v8y8pLsv5j?si=QLiG0L1pT1eu7B5_FDmgGA" rel="nofollow">https://open.spotify.com/show/5QxzqrSm0pu6v8y8pLsv5j?si=QLiG0L1pT1eu7B5_FDmgGA</a></p><p><a rel="payment" href="https://www.patreon.com/wetootwaag">Support Wetootwaag&#39;s Bagpipe and History Podcast</a></p>]]>
  </itunes:summary>
</item>
<item>
  <title>Season 5 Episode 3 Play Through of Jackson’s Celebrated Irish Tunes Part 1</title>
  <link>https://www.wetootwaag.com/s5e03</link>
  <guid isPermaLink="false">a5679d73-6ca8-4a8e-83c4-72591103dc6f</guid>
  <pubDate>Fri, 05 Feb 2021 17:00:00 -0500</pubDate>
  <author>Jeremy Kingsbury</author>
  <enclosure url="https://aphid.fireside.fm/d/1437767933/f158d1e4-b92d-4f8d-9eef-7382ca3c3ee8/a5679d73-6ca8-4a8e-83c4-72591103dc6f.mp3" length="41399522" type="audio/mpeg"/>
  <itunes:episodeType>full</itunes:episodeType>
  <itunes:season>5</itunes:season>
  <itunes:author>Jeremy Kingsbury</itunes:author>
  <itunes:subtitle>Tunes:
Anderson: Mail Coach
Jackson: The Figure 3, The Cossey Jig, Pither in Enough
O’Farrell: Jackson’s Maid at the Fair, Jackson’s Punch Bowl
Angus MacKay: The Braes of Tullymet
William Dixon: Hit her between the legs
Sutherland MS: Whip her and Gird Her</itunes:subtitle>
  <itunes:duration>36:54</itunes:duration>
  <itunes:explicit>no</itunes:explicit>
  <itunes:image href="https://media24.fireside.fm/file/fireside-images-2024/podcasts/images/f/f158d1e4-b92d-4f8d-9eef-7382ca3c3ee8/episodes/a/a5679d73-6ca8-4a8e-83c4-72591103dc6f/cover.jpg?v=1"/>
  <description>&lt;p&gt;Tunes:&lt;br&gt;
Anderson: Mail Coach&lt;br&gt;
Jackson: The Figure 3, The Cossey Jig, Pither in Enough&lt;br&gt;
O’Farrell: Jackson’s Maid at the Fair, Jackson’s Punch Bowl&lt;br&gt;
Angus MacKay: The Braes of Tullymet&lt;br&gt;
William Dixon: Hit her between the legs&lt;br&gt;
Sutherland MS: Whip her and Gird Her&lt;/p&gt;

&lt;p&gt;Be Sure to Check out Oyster Wives Rant Released on Bandcamp today!&lt;/p&gt;

&lt;p&gt;&lt;a href="https://jeremykingsbury.bandcamp.com/album/oyster-wives-rant-a-year-of-historic-tunes" target="_blank" rel="nofollow noopener"&gt;https://jeremykingsbury.bandcamp.com/album/oyster-wives-rant-a-year-of-historic-tunes&lt;/a&gt; &lt;/p&gt;

&lt;p&gt;And I’ll be Doing a bit of a get tother at 7 PM US Central time on Facebook:&lt;br&gt;
&lt;a href="https://fb.me/e/3niVO7YJp" target="_blank" rel="nofollow noopener"&gt;https://fb.me/e/3niVO7YJp&lt;/a&gt; &lt;/p&gt;

&lt;p&gt;It is Bandcamp Friday, Here are links to all the musician’s pages that have contributed to the podcast in the past year:&lt;br&gt;
Hamish Napier:&lt;br&gt;
&lt;a href="https://hamishnapier.bandcamp.com/" target="_blank" rel="nofollow noopener"&gt;https://hamishnapier.bandcamp.com/&lt;/a&gt;&lt;br&gt;
Tim MacDonald:&lt;br&gt;
&lt;a href="https://tsmacdonald.bandcamp.com/releases" target="_blank" rel="nofollow noopener"&gt;https://tsmacdonald.bandcamp.com/releases&lt;/a&gt; &lt;br&gt;
Nicholas Brown:&lt;br&gt;
&lt;a href="https://nicolasbrown.bandcamp.com/releases" target="_blank" rel="nofollow noopener"&gt;https://nicolasbrown.bandcamp.com/releases&lt;/a&gt; &lt;br&gt;
Donald Lindsay:&lt;br&gt;
&lt;a href="https://goodenergy.bandcamp.com/" target="_blank" rel="nofollow noopener"&gt;https://goodenergy.bandcamp.com/&lt;/a&gt; &lt;br&gt;
Jarlath Henderson:&lt;br&gt;
&lt;a href="https://jarlathhenderson.bandcamp.com/" target="_blank" rel="nofollow noopener"&gt;https://jarlathhenderson.bandcamp.com/&lt;/a&gt; &lt;br&gt;
Innes Watson and Jarlath Henderson:&lt;br&gt;
&lt;a href="https://innojar.bandcamp.com/releases" target="_blank" rel="nofollow noopener"&gt;https://innojar.bandcamp.com/releases&lt;/a&gt; &lt;br&gt;
Blackie O’Connell will be on the show shortly:&lt;br&gt;
&lt;a href="https://blackieoconnellcyrilodonoghue.bandcamp.com/" target="_blank" rel="nofollow noopener"&gt;https://blackieoconnellcyrilodonoghue.bandcamp.com/&lt;/a&gt;&lt;br&gt;&lt;br&gt;
I played O’Farrell’s Setting for Coosey’s Jig on Season 4 Episode 5 if you’d like to listen:&lt;br&gt;
&lt;a href="https://www.wetootwaag.com/s4e5" target="_blank" rel="nofollow noopener"&gt;https://www.wetootwaag.com/s4e5&lt;/a&gt; &lt;/p&gt;

&lt;p&gt;The Art for this episode comes from Rosslyn Chapel’s own website:&lt;br&gt;
&lt;a href="https://www.rosslynchapel.com/visit/things-to-do/explore-the-carvings/" target="_blank" rel="nofollow noopener"&gt;https://www.rosslynchapel.com/visit/things-to-do/explore-the-carvings/&lt;/a&gt; &lt;/p&gt;

&lt;p&gt;1820s: Anderson’s Mail Coach from Anderson's pocket companion of the most approved Highland strathspeys, country dances, &amp;amp;c. for the German flute, fife, hautboy, &amp;amp; violin &lt;/p&gt;

&lt;p&gt;&lt;a href="https://digital.nls.uk/special-collections-of-printed-music/archive/105006453" target="_blank" rel="nofollow noopener"&gt;https://digital.nls.uk/special-collections-of-printed-music/archive/105006453&lt;/a&gt; &lt;br&gt;
I first played and discussed Hit Her Between the legs on this episode:&lt;br&gt;
&lt;a href="https://www.wetootwaag.com/s4e22" target="_blank" rel="nofollow noopener"&gt;https://www.wetootwaag.com/s4e22&lt;/a&gt; &lt;br&gt;
For a discussion of bawdy tunes in general check out:&lt;br&gt;
&lt;a href="https://www.wetootwaag.com/s4e28" target="_blank" rel="nofollow noopener"&gt;https://www.wetootwaag.com/s4e28&lt;/a&gt; &lt;/p&gt;

&lt;p&gt;1733: I am first Playing William Dixon’s Setting for Hit her Between the Legs from Matt Seattle’s book:&lt;br&gt;
&lt;a href="https://www.mattseattle.scot/product-page/the-master-piper-new-edition" target="_blank" rel="nofollow noopener"&gt;https://www.mattseattle.scot/product-page/the-master-piper-new-edition&lt;/a&gt; &lt;/p&gt;

&lt;p&gt;1734: For Dummond Castle’s setting for Whip her and Gerd Her Download this file hosted by Ross’s Music Page:&lt;br&gt;
&lt;a href="http://www.cl.cam.ac.uk/%7Erja14/musicfiles/manuscripts/drummond1.pdf" target="_blank" rel="nofollow noopener"&gt;http://www.cl.cam.ac.uk/~rja14/musicfiles/manuscripts/drummond1.pdf&lt;/a&gt; &lt;/p&gt;

&lt;p&gt;1774: Unfortunately Jackson’s Celebrated Irish Tunes is not available online as far as I know, but You can read it from the ABC notation on The Cape Irish site courtesy of Mr. Black: &lt;br&gt;
The Settings for Cossey’s Jig, Pither in Enough and The Figure of Three can be found here: &lt;br&gt;
&lt;a href="http://www.capeirish.com/webabc/working/source.folders/jcit/jcit_table.html" target="_blank" rel="nofollow noopener"&gt;http://www.capeirish.com/webabc/working/source.folders/jcit/jcit_table.html&lt;/a&gt; &lt;/p&gt;

&lt;p&gt;1808: O’Farrell’s Setting for Jackson’s Punch Bowl (The Figure of Three) comes from the third volume, which is not online, easily (you can download it from Ross’s Music Page: &lt;a href="http://www.cl.cam.ac.uk/%7Erja14/Papers/ofarrellspc3.pdf" target="_blank" rel="nofollow noopener"&gt;http://www.cl.cam.ac.uk/~rja14/Papers/ofarrellspc3.pdf&lt;/a&gt;  And you can see the ABC courtesy of the Cape Irish Site:&lt;br&gt;
&lt;a href="http://www.capeirish.com/webabc/working/source.folders/ofpc/ofpc.3/ofpc.3_table.html" target="_blank" rel="nofollow noopener"&gt;http://www.capeirish.com/webabc/working/source.folders/ofpc/ofpc.3/ofpc.3_table.html&lt;/a&gt; &lt;/p&gt;

&lt;p&gt;1806: O’Farrel’s setting for “Jackson’s Maid at the Fair” (Pither in Enough)&lt;br&gt;
&lt;a href="https://digital.nls.uk/special-collections-of-printed-music/archive/87780482" target="_blank" rel="nofollow noopener"&gt;https://digital.nls.uk/special-collections-of-printed-music/archive/87780482&lt;/a&gt; &lt;/p&gt;

&lt;p&gt;1854: Angus MacKay’s The Braes of Tullymet:&lt;br&gt;
&lt;a href="https://digital.nls.uk/special-collections-of-printed-music/archive/105007047" target="_blank" rel="nofollow noopener"&gt;https://digital.nls.uk/special-collections-of-printed-music/archive/105007047&lt;/a&gt;&lt;/p&gt;

&lt;p&gt;Please take advantage of the Tune Collection tab: &lt;a href="https://www.wetootwaag.com/tunesources" target="_blank" rel="nofollow noopener"&gt;https://www.wetootwaag.com/tunesources&lt;/a&gt; &lt;br&gt;
Also Please take a minute to leave a review of the podcast! &lt;/p&gt;

&lt;p&gt;Listen on Apple Podcasts: &lt;a href="https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677" target="_blank" rel="nofollow noopener"&gt;https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677&lt;/a&gt; &lt;br&gt;
Listen on Itunes: &lt;a href="https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677" target="_blank" rel="nofollow noopener"&gt;https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677&lt;/a&gt; &lt;br&gt;
Listen on Spotify: &lt;a href="https://open.spotify.com/show/5QxzqrSm0pu6v8y8pLsv5j?si=QLiG0L1pT1eu7B5_FDmgGA" target="_blank" rel="nofollow noopener"&gt;https://open.spotify.com/show/5QxzqrSm0pu6v8y8pLsv5j?si=QLiG0L1pT1eu7B5_FDmgGA&lt;/a&gt;&lt;/p&gt;
</description>
  <itunes:keywords>bagpipes, uilleann pipes, Highland, Scottish, Scotland, Donald MacDonald, History, Music, Great Highland Bagpipes, GHB, Celtic, history, pastoral pipes, union pipes, baroque, eighteenth Century, Irish Music, Scottish Music, </itunes:keywords>
  <content:encoded>
    <![CDATA[<p>Tunes:<br>
Anderson: Mail Coach<br>
Jackson: The Figure 3, The Cossey Jig, Pither in Enough<br>
O’Farrell: Jackson’s Maid at the Fair, Jackson’s Punch Bowl<br>
Angus MacKay: The Braes of Tullymet<br>
William Dixon: Hit her between the legs<br>
Sutherland MS: Whip her and Gird Her</p>

<p>Be Sure to Check out Oyster Wives Rant Released on Bandcamp today!</p>

<p><a href="https://jeremykingsbury.bandcamp.com/album/oyster-wives-rant-a-year-of-historic-tunes" rel="nofollow">https://jeremykingsbury.bandcamp.com/album/oyster-wives-rant-a-year-of-historic-tunes</a> </p>

<p>And I’ll be Doing a bit of a get tother at 7 PM US Central time on Facebook:<br>
<a href="https://fb.me/e/3niVO7YJp" rel="nofollow">https://fb.me/e/3niVO7YJp</a> </p>

<p>It is Bandcamp Friday, Here are links to all the musician’s pages that have contributed to the podcast in the past year:<br>
Hamish Napier:<br>
<a href="https://hamishnapier.bandcamp.com/" rel="nofollow">https://hamishnapier.bandcamp.com/</a><br>
Tim MacDonald:<br>
<a href="https://tsmacdonald.bandcamp.com/releases" rel="nofollow">https://tsmacdonald.bandcamp.com/releases</a> <br>
Nicholas Brown:<br>
<a href="https://nicolasbrown.bandcamp.com/releases" rel="nofollow">https://nicolasbrown.bandcamp.com/releases</a> <br>
Donald Lindsay:<br>
<a href="https://goodenergy.bandcamp.com/" rel="nofollow">https://goodenergy.bandcamp.com/</a> <br>
Jarlath Henderson:<br>
<a href="https://jarlathhenderson.bandcamp.com/" rel="nofollow">https://jarlathhenderson.bandcamp.com/</a> <br>
Innes Watson and Jarlath Henderson:<br>
<a href="https://innojar.bandcamp.com/releases" rel="nofollow">https://innojar.bandcamp.com/releases</a> <br>
Blackie O’Connell will be on the show shortly:<br>
<a href="https://blackieoconnellcyrilodonoghue.bandcamp.com/" rel="nofollow">https://blackieoconnellcyrilodonoghue.bandcamp.com/</a><br><br>
I played O’Farrell’s Setting for Coosey’s Jig on Season 4 Episode 5 if you’d like to listen:<br>
<a href="https://www.wetootwaag.com/s4e5" rel="nofollow">https://www.wetootwaag.com/s4e5</a> </p>

<p>The Art for this episode comes from Rosslyn Chapel’s own website:<br>
<a href="https://www.rosslynchapel.com/visit/things-to-do/explore-the-carvings/" rel="nofollow">https://www.rosslynchapel.com/visit/things-to-do/explore-the-carvings/</a> </p>

<p>1820s: Anderson’s Mail Coach from Anderson&#39;s pocket companion of the most approved Highland strathspeys, country dances, &amp;c. for the German flute, fife, hautboy, &amp; violin </p>

<p><a href="https://digital.nls.uk/special-collections-of-printed-music/archive/105006453" rel="nofollow">https://digital.nls.uk/special-collections-of-printed-music/archive/105006453</a> <br>
I first played and discussed Hit Her Between the legs on this episode:<br>
<a href="https://www.wetootwaag.com/s4e22" rel="nofollow">https://www.wetootwaag.com/s4e22</a> <br>
For a discussion of bawdy tunes in general check out:<br>
<a href="https://www.wetootwaag.com/s4e28" rel="nofollow">https://www.wetootwaag.com/s4e28</a> </p>

<p>1733: I am first Playing William Dixon’s Setting for Hit her Between the Legs from Matt Seattle’s book:<br>
<a href="https://www.mattseattle.scot/product-page/the-master-piper-new-edition" rel="nofollow">https://www.mattseattle.scot/product-page/the-master-piper-new-edition</a> </p>

<p>1734: For Dummond Castle’s setting for Whip her and Gerd Her Download this file hosted by Ross’s Music Page:<br>
<a href="http://www.cl.cam.ac.uk/%7Erja14/musicfiles/manuscripts/drummond1.pdf" rel="nofollow">http://www.cl.cam.ac.uk/~rja14/musicfiles/manuscripts/drummond1.pdf</a> </p>

<p>1774: Unfortunately Jackson’s Celebrated Irish Tunes is not available online as far as I know, but You can read it from the ABC notation on The Cape Irish site courtesy of Mr. Black: <br>
The Settings for Cossey’s Jig, Pither in Enough and The Figure of Three can be found here: <br>
<a href="http://www.capeirish.com/webabc/working/source.folders/jcit/jcit_table.html" rel="nofollow">http://www.capeirish.com/webabc/working/source.folders/jcit/jcit_table.html</a> </p>

<p>1808: O’Farrell’s Setting for Jackson’s Punch Bowl (The Figure of Three) comes from the third volume, which is not online, easily (you can download it from Ross’s Music Page: <a href="http://www.cl.cam.ac.uk/%7Erja14/Papers/ofarrellspc3.pdf" rel="nofollow">http://www.cl.cam.ac.uk/~rja14/Papers/ofarrellspc3.pdf</a>  And you can see the ABC courtesy of the Cape Irish Site:<br>
<a href="http://www.capeirish.com/webabc/working/source.folders/ofpc/ofpc.3/ofpc.3_table.html" rel="nofollow">http://www.capeirish.com/webabc/working/source.folders/ofpc/ofpc.3/ofpc.3_table.html</a> </p>

<p>1806: O’Farrel’s setting for “Jackson’s Maid at the Fair” (Pither in Enough)<br>
<a href="https://digital.nls.uk/special-collections-of-printed-music/archive/87780482" rel="nofollow">https://digital.nls.uk/special-collections-of-printed-music/archive/87780482</a> </p>

<p>1854: Angus MacKay’s The Braes of Tullymet:<br>
<a href="https://digital.nls.uk/special-collections-of-printed-music/archive/105007047" rel="nofollow">https://digital.nls.uk/special-collections-of-printed-music/archive/105007047</a></p>

<p>Please take advantage of the Tune Collection tab: <a href="https://www.wetootwaag.com/tunesources" rel="nofollow">https://www.wetootwaag.com/tunesources</a> <br>
Also Please take a minute to leave a review of the podcast! </p>

<p>Listen on Apple Podcasts: <a href="https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677" rel="nofollow">https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677</a> <br>
Listen on Itunes: <a href="https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677" rel="nofollow">https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677</a> <br>
Listen on Spotify: <a href="https://open.spotify.com/show/5QxzqrSm0pu6v8y8pLsv5j?si=QLiG0L1pT1eu7B5_FDmgGA" rel="nofollow">https://open.spotify.com/show/5QxzqrSm0pu6v8y8pLsv5j?si=QLiG0L1pT1eu7B5_FDmgGA</a></p><p><a rel="payment" href="https://www.patreon.com/wetootwaag">Support Wetootwaag&#39;s Bagpipe and History Podcast</a></p>]]>
  </content:encoded>
  <itunes:summary>
    <![CDATA[<p>Tunes:<br>
Anderson: Mail Coach<br>
Jackson: The Figure 3, The Cossey Jig, Pither in Enough<br>
O’Farrell: Jackson’s Maid at the Fair, Jackson’s Punch Bowl<br>
Angus MacKay: The Braes of Tullymet<br>
William Dixon: Hit her between the legs<br>
Sutherland MS: Whip her and Gird Her</p>

<p>Be Sure to Check out Oyster Wives Rant Released on Bandcamp today!</p>

<p><a href="https://jeremykingsbury.bandcamp.com/album/oyster-wives-rant-a-year-of-historic-tunes" rel="nofollow">https://jeremykingsbury.bandcamp.com/album/oyster-wives-rant-a-year-of-historic-tunes</a> </p>

<p>And I’ll be Doing a bit of a get tother at 7 PM US Central time on Facebook:<br>
<a href="https://fb.me/e/3niVO7YJp" rel="nofollow">https://fb.me/e/3niVO7YJp</a> </p>

<p>It is Bandcamp Friday, Here are links to all the musician’s pages that have contributed to the podcast in the past year:<br>
Hamish Napier:<br>
<a href="https://hamishnapier.bandcamp.com/" rel="nofollow">https://hamishnapier.bandcamp.com/</a><br>
Tim MacDonald:<br>
<a href="https://tsmacdonald.bandcamp.com/releases" rel="nofollow">https://tsmacdonald.bandcamp.com/releases</a> <br>
Nicholas Brown:<br>
<a href="https://nicolasbrown.bandcamp.com/releases" rel="nofollow">https://nicolasbrown.bandcamp.com/releases</a> <br>
Donald Lindsay:<br>
<a href="https://goodenergy.bandcamp.com/" rel="nofollow">https://goodenergy.bandcamp.com/</a> <br>
Jarlath Henderson:<br>
<a href="https://jarlathhenderson.bandcamp.com/" rel="nofollow">https://jarlathhenderson.bandcamp.com/</a> <br>
Innes Watson and Jarlath Henderson:<br>
<a href="https://innojar.bandcamp.com/releases" rel="nofollow">https://innojar.bandcamp.com/releases</a> <br>
Blackie O’Connell will be on the show shortly:<br>
<a href="https://blackieoconnellcyrilodonoghue.bandcamp.com/" rel="nofollow">https://blackieoconnellcyrilodonoghue.bandcamp.com/</a><br><br>
I played O’Farrell’s Setting for Coosey’s Jig on Season 4 Episode 5 if you’d like to listen:<br>
<a href="https://www.wetootwaag.com/s4e5" rel="nofollow">https://www.wetootwaag.com/s4e5</a> </p>

<p>The Art for this episode comes from Rosslyn Chapel’s own website:<br>
<a href="https://www.rosslynchapel.com/visit/things-to-do/explore-the-carvings/" rel="nofollow">https://www.rosslynchapel.com/visit/things-to-do/explore-the-carvings/</a> </p>

<p>1820s: Anderson’s Mail Coach from Anderson&#39;s pocket companion of the most approved Highland strathspeys, country dances, &amp;c. for the German flute, fife, hautboy, &amp; violin </p>

<p><a href="https://digital.nls.uk/special-collections-of-printed-music/archive/105006453" rel="nofollow">https://digital.nls.uk/special-collections-of-printed-music/archive/105006453</a> <br>
I first played and discussed Hit Her Between the legs on this episode:<br>
<a href="https://www.wetootwaag.com/s4e22" rel="nofollow">https://www.wetootwaag.com/s4e22</a> <br>
For a discussion of bawdy tunes in general check out:<br>
<a href="https://www.wetootwaag.com/s4e28" rel="nofollow">https://www.wetootwaag.com/s4e28</a> </p>

<p>1733: I am first Playing William Dixon’s Setting for Hit her Between the Legs from Matt Seattle’s book:<br>
<a href="https://www.mattseattle.scot/product-page/the-master-piper-new-edition" rel="nofollow">https://www.mattseattle.scot/product-page/the-master-piper-new-edition</a> </p>

<p>1734: For Dummond Castle’s setting for Whip her and Gerd Her Download this file hosted by Ross’s Music Page:<br>
<a href="http://www.cl.cam.ac.uk/%7Erja14/musicfiles/manuscripts/drummond1.pdf" rel="nofollow">http://www.cl.cam.ac.uk/~rja14/musicfiles/manuscripts/drummond1.pdf</a> </p>

<p>1774: Unfortunately Jackson’s Celebrated Irish Tunes is not available online as far as I know, but You can read it from the ABC notation on The Cape Irish site courtesy of Mr. Black: <br>
The Settings for Cossey’s Jig, Pither in Enough and The Figure of Three can be found here: <br>
<a href="http://www.capeirish.com/webabc/working/source.folders/jcit/jcit_table.html" rel="nofollow">http://www.capeirish.com/webabc/working/source.folders/jcit/jcit_table.html</a> </p>

<p>1808: O’Farrell’s Setting for Jackson’s Punch Bowl (The Figure of Three) comes from the third volume, which is not online, easily (you can download it from Ross’s Music Page: <a href="http://www.cl.cam.ac.uk/%7Erja14/Papers/ofarrellspc3.pdf" rel="nofollow">http://www.cl.cam.ac.uk/~rja14/Papers/ofarrellspc3.pdf</a>  And you can see the ABC courtesy of the Cape Irish Site:<br>
<a href="http://www.capeirish.com/webabc/working/source.folders/ofpc/ofpc.3/ofpc.3_table.html" rel="nofollow">http://www.capeirish.com/webabc/working/source.folders/ofpc/ofpc.3/ofpc.3_table.html</a> </p>

<p>1806: O’Farrel’s setting for “Jackson’s Maid at the Fair” (Pither in Enough)<br>
<a href="https://digital.nls.uk/special-collections-of-printed-music/archive/87780482" rel="nofollow">https://digital.nls.uk/special-collections-of-printed-music/archive/87780482</a> </p>

<p>1854: Angus MacKay’s The Braes of Tullymet:<br>
<a href="https://digital.nls.uk/special-collections-of-printed-music/archive/105007047" rel="nofollow">https://digital.nls.uk/special-collections-of-printed-music/archive/105007047</a></p>

<p>Please take advantage of the Tune Collection tab: <a href="https://www.wetootwaag.com/tunesources" rel="nofollow">https://www.wetootwaag.com/tunesources</a> <br>
Also Please take a minute to leave a review of the podcast! </p>

<p>Listen on Apple Podcasts: <a href="https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677" rel="nofollow">https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677</a> <br>
Listen on Itunes: <a href="https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677" rel="nofollow">https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677</a> <br>
Listen on Spotify: <a href="https://open.spotify.com/show/5QxzqrSm0pu6v8y8pLsv5j?si=QLiG0L1pT1eu7B5_FDmgGA" rel="nofollow">https://open.spotify.com/show/5QxzqrSm0pu6v8y8pLsv5j?si=QLiG0L1pT1eu7B5_FDmgGA</a></p><p><a rel="payment" href="https://www.patreon.com/wetootwaag">Support Wetootwaag&#39;s Bagpipe and History Podcast</a></p>]]>
  </itunes:summary>
</item>
<item>
  <title>Season 5 Episode 2 Dixon and Fitzmaurice Travel to Roslin Castle looking for a Bonny Lass</title>
  <link>https://www.wetootwaag.com/s5e02</link>
  <guid isPermaLink="false">4f9b7c23-be1b-4ec2-8a8c-a44ed7c65170</guid>
  <pubDate>Sat, 30 Jan 2021 01:00:00 -0500</pubDate>
  <author>Jeremy Kingsbury</author>
  <enclosure url="https://aphid.fireside.fm/d/1437767933/f158d1e4-b92d-4f8d-9eef-7382ca3c3ee8/4f9b7c23-be1b-4ec2-8a8c-a44ed7c65170.mp3" length="63657122" type="audio/mpeg"/>
  <itunes:episodeType>full</itunes:episodeType>
  <itunes:season>5</itunes:season>
  <itunes:author>Jeremy Kingsbury</itunes:author>
  <itunes:subtitle>Tunes:
William Dixon: Saw ye Never a Bonny lass
Vickers Manuscript: Kiss’d her under the Coverlet
Fitzmaurice: Loose the Belt
Hamilton’s Universal Tune Book: The Berlin Waltz
Fitzmaurice’s Trip to Roslin Castle
William McGibbon: Rosline Castle
James Manson (David Glen): Roslin Picnic
Donald MacDonald: Roslin Castle, MacPharlane’s lilt
Angus MacKay: Roslin Castle
O’Farrell: Pay The Reckoning (Jackson’s Bottle of Brandy, Bobbing for Eels) 
</itunes:subtitle>
  <itunes:duration>45:07</itunes:duration>
  <itunes:explicit>no</itunes:explicit>
  <itunes:image href="https://media24.fireside.fm/file/fireside-images-2024/podcasts/images/f/f158d1e4-b92d-4f8d-9eef-7382ca3c3ee8/episodes/4/4f9b7c23-be1b-4ec2-8a8c-a44ed7c65170/cover.jpg?v=1"/>
  <description>&lt;p&gt;Tunes:&lt;br&gt;
William Dixon: Saw ye Never a Bonny lass&lt;br&gt;
Vickers Manuscript: Kiss’d her under the Coverlet&lt;br&gt;
Fitzmaurice: Loose the Belt&lt;br&gt;
Hamilton’s Universal Tune Book: The Berlin Waltz&lt;br&gt;
Fitzmaurice’s Trip to Roslin Castle&lt;br&gt;
William McGibbon: Rosline Castle&lt;br&gt;
James Manson (David Glen): Roslin Picnic&lt;br&gt;
Donald MacDonald: Roslin Castle, MacPharlane’s lilt&lt;br&gt;
Angus MacKay: Roslin Castle&lt;br&gt;
O’Farrell: Pay The Reckoning (Jackson’s Bottle of Brandy, Bobbing for Eels &lt;/p&gt;

&lt;p&gt;To Sign Up for the Livestream for the Album Launch follow this link. At 7pm Friday February 5th I’m going to go live, chatting with people, listening to some tracks, playing some tunes, drinking some whisky. &lt;br&gt;
&lt;a href="https://fb.me/e/3niVO7YJp" target="_blank" rel="nofollow noopener"&gt;https://fb.me/e/3niVO7YJp&lt;/a&gt; &lt;/p&gt;

&lt;p&gt;To Read Mary Anne Hanway’s Letters You can find the book on Archive.org:&lt;br&gt;
&lt;a href="https://archive.org/details/journeytohighlan00hanw" target="_blank" rel="nofollow noopener"&gt;https://archive.org/details/journeytohighlan00hanw&lt;/a&gt; &lt;br&gt;
The Passage about Roslin Castle begins on page 68:&lt;br&gt;
The Passage about Bagpipers at dinner begins on page 132:&lt;br&gt;
“they love dancing to excess, and are the best country-dancers I ever saw, and keep it up (as the phrase is) for hours together, with a life, vivactiy and spirit, of which you can have no conception. In many houses, they still retain the ancienty custom of the pipers playing all the time the company are at dinner, on his horrid bagpipes; this is to me more dreadful, than the grunting of pigs, the screaming of owls, and the squalling of cats. All these creatures in a concert would be to my ears pleasing, compared to that discordant instrument to which I have a natural antipathy." (132-133)&lt;/p&gt;

&lt;p&gt;The Cover Art is a Paul Sandby, Painting “Roslin Castle, Midlothian” from around the time Mary Anne Hanway visited:&lt;br&gt;
&lt;a href="https://collections.britishart.yale.edu/catalog/tms:13045" target="_blank" rel="nofollow noopener"&gt;https://collections.britishart.yale.edu/catalog/tms:13045&lt;/a&gt; &lt;/p&gt;

&lt;p&gt;(1733) William Dixon’s Saw Ye Never a Bonny Lass From Matt Seattle’s publication:&lt;br&gt;
&lt;a href="https://www.mattseattle.scot/product-page/the-master-piper-new-edition" target="_blank" rel="nofollow noopener"&gt;https://www.mattseattle.scot/product-page/the-master-piper-new-edition&lt;/a&gt; &lt;br&gt;
(1770) William Vickers Kiss’d her under the Coverlet: (You can get this setting in Matt’s book, or look at the original on Farne, Just type Coverlet into the search and it should come up, Farne can be a bit picky though, and I can never get a stable link to copy in here:&lt;br&gt;
&lt;a href="http://www.farnearchive.com/" target="_blank" rel="nofollow noopener"&gt;http://www.farnearchive.com/&lt;/a&gt; &lt;/p&gt;

&lt;p&gt;(1805) Fitzmaurice’s Trip to Roslin Castle and Lose the Belt both in: Fitzmaurice's New Collection of Irish Tunes. Adapted for the Piano Forte, Union Pipe, Flute,&amp;amp;Violin:&lt;br&gt;
&lt;a href="https://www.google.com/books/edition/Fitzmaurice_s_New_Collection_of_Irish_Tu/vq4Fb5TyTK4C?hl=en&amp;amp;gbpv=0&amp;amp;kptab=overview" target="_blank" rel="nofollow noopener"&gt;https://www.google.com/books/edition/Fitzmaurice_s_New_Collection_of_Irish_Tu/vq4Fb5TyTK4C?hl=en&amp;amp;amp;gbpv=0&amp;amp;amp;kptab=overview&lt;/a&gt; &lt;/p&gt;

&lt;p&gt;(1853) Hamilton’s Universal Tune-book setting for The Berlin Waltz&lt;br&gt;
&lt;a href="https://digital.nls.uk/special-collections-of-printed-music/archive/94521216" target="_blank" rel="nofollow noopener"&gt;https://digital.nls.uk/special-collections-of-printed-music/archive/94521216&lt;/a&gt; &lt;/p&gt;

&lt;p&gt;(1746) William McGibbon’s Setting for Rosline Castle&lt;br&gt;
&lt;a href="https://imslp.org/wiki/A_Collection_of_Scots_Tunes_(McGibbon%2C_William)" target="_blank" rel="nofollow noopener"&gt;https://imslp.org/wiki/A_Collection_of_Scots_Tunes_(McGibbon%2C_William)&lt;/a&gt;&lt;/p&gt;

&lt;p&gt;Angus MacKay’s Roslin Castle from The Piper’s Assistant:&lt;br&gt;
&lt;a href="https://digital.nls.uk/special-collections-of-printed-music/archive/105007146" target="_blank" rel="nofollow noopener"&gt;https://digital.nls.uk/special-collections-of-printed-music/archive/105007146&lt;/a&gt;  &lt;/p&gt;

&lt;p&gt;(1828) Donald MacDonald’s Setting for Roslin Castle and Macfarlane’s Lilt:&lt;br&gt;
&lt;a href="https://digital.nls.uk/special-collections-of-printed-music/archive/105682715" target="_blank" rel="nofollow noopener"&gt;https://digital.nls.uk/special-collections-of-printed-music/archive/105682715&lt;/a&gt; &lt;/p&gt;

&lt;p&gt;(1806) O’Farrell’s Pay the Reckoning (bobing for eels/ Jackson’s Bottle of Brandy)&lt;br&gt;
&lt;a href="https://digital.nls.uk/special-collections-of-printed-music/archive/87779834" target="_blank" rel="nofollow noopener"&gt;https://digital.nls.uk/special-collections-of-printed-music/archive/87779834&lt;/a&gt; &lt;/p&gt;

&lt;p&gt;(1880s) James Manson (By way of David Glen) The Roslin Picnic:&lt;br&gt;
&lt;a href="https://ceolsean.net/content/EdinColl/EdinColl_TOC.html" target="_blank" rel="nofollow noopener"&gt;https://ceolsean.net/content/EdinColl/EdinColl_TOC.html&lt;/a&gt; &lt;/p&gt;

&lt;p&gt;Please take advantage of the Tune Collection tab: &lt;a href="https://www.wetootwaag.com/tunesources" target="_blank" rel="nofollow noopener"&gt;https://www.wetootwaag.com/tunesources&lt;/a&gt; &lt;br&gt;
Also Please take a minute to leave a review of the podcast! &lt;/p&gt;

&lt;p&gt;Listen on Apple Podcasts: &lt;a href="https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677" target="_blank" rel="nofollow noopener"&gt;https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677&lt;/a&gt; &lt;br&gt;
Listen on Itunes: &lt;a href="https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677" target="_blank" rel="nofollow noopener"&gt;https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677&lt;/a&gt; &lt;br&gt;
Listen on Spotify: &lt;a href="https://open.spotify.com/show/5QxzqrSm0pu6v8y8pLsv5j?si=QLiG0L1pT1eu7B5_FDmgGA" target="_blank" rel="nofollow noopener"&gt;https://open.spotify.com/show/5QxzqrSm0pu6v8y8pLsv5j?si=QLiG0L1pT1eu7B5_FDmgGA&lt;/a&gt;&lt;/p&gt;
</description>
  <itunes:keywords>bagpipes, uilleann pipes, Highland, Scottish, Scotland, Donald MacDonald, History, Music, Great Highland Bagpipes, GHB, Celtic, history, pastoral pipes, union pipes, baroque, eighteenth Century, Irish Music, Scottish Music, </itunes:keywords>
  <content:encoded>
    <![CDATA[<p>Tunes:<br>
William Dixon: Saw ye Never a Bonny lass<br>
Vickers Manuscript: Kiss’d her under the Coverlet<br>
Fitzmaurice: Loose the Belt<br>
Hamilton’s Universal Tune Book: The Berlin Waltz<br>
Fitzmaurice’s Trip to Roslin Castle<br>
William McGibbon: Rosline Castle<br>
James Manson (David Glen): Roslin Picnic<br>
Donald MacDonald: Roslin Castle, MacPharlane’s lilt<br>
Angus MacKay: Roslin Castle<br>
O’Farrell: Pay The Reckoning (Jackson’s Bottle of Brandy, Bobbing for Eels </p>

<p>To Sign Up for the Livestream for the Album Launch follow this link. At 7pm Friday February 5th I’m going to go live, chatting with people, listening to some tracks, playing some tunes, drinking some whisky. <br>
<a href="https://fb.me/e/3niVO7YJp" rel="nofollow">https://fb.me/e/3niVO7YJp</a> </p>

<p>To Read Mary Anne Hanway’s Letters You can find the book on Archive.org:<br>
<a href="https://archive.org/details/journeytohighlan00hanw" rel="nofollow">https://archive.org/details/journeytohighlan00hanw</a> <br>
The Passage about Roslin Castle begins on page 68:<br>
The Passage about Bagpipers at dinner begins on page 132:<br>
“they love dancing to excess, and are the best country-dancers I ever saw, and keep it up (as the phrase is) for hours together, with a life, vivactiy and spirit, of which you can have no conception. In many houses, they still retain the ancienty custom of the pipers playing all the time the company are at dinner, on his horrid bagpipes; this is to me more dreadful, than the grunting of pigs, the screaming of owls, and the squalling of cats. All these creatures in a concert would be to my ears pleasing, compared to that discordant instrument to which I have a natural antipathy.&quot; (132-133)</p>

<p>The Cover Art is a Paul Sandby, Painting “Roslin Castle, Midlothian” from around the time Mary Anne Hanway visited:<br>
<a href="https://collections.britishart.yale.edu/catalog/tms:13045" rel="nofollow">https://collections.britishart.yale.edu/catalog/tms:13045</a> </p>

<p>(1733) William Dixon’s Saw Ye Never a Bonny Lass From Matt Seattle’s publication:<br>
<a href="https://www.mattseattle.scot/product-page/the-master-piper-new-edition" rel="nofollow">https://www.mattseattle.scot/product-page/the-master-piper-new-edition</a> <br>
(1770) William Vickers Kiss’d her under the Coverlet: (You can get this setting in Matt’s book, or look at the original on Farne, Just type Coverlet into the search and it should come up, Farne can be a bit picky though, and I can never get a stable link to copy in here:<br>
<a href="http://www.farnearchive.com/" rel="nofollow">http://www.farnearchive.com/</a> </p>

<p>(1805) Fitzmaurice’s Trip to Roslin Castle and Lose the Belt both in: Fitzmaurice&#39;s New Collection of Irish Tunes. Adapted for the Piano Forte, Union Pipe, Flute,&amp;Violin:<br>
<a href="https://www.google.com/books/edition/Fitzmaurice_s_New_Collection_of_Irish_Tu/vq4Fb5TyTK4C?hl=en&gbpv=0&kptab=overview" rel="nofollow">https://www.google.com/books/edition/Fitzmaurice_s_New_Collection_of_Irish_Tu/vq4Fb5TyTK4C?hl=en&amp;gbpv=0&amp;kptab=overview</a> </p>

<p>(1853) Hamilton’s Universal Tune-book setting for The Berlin Waltz<br>
<a href="https://digital.nls.uk/special-collections-of-printed-music/archive/94521216" rel="nofollow">https://digital.nls.uk/special-collections-of-printed-music/archive/94521216</a> </p>

<p>(1746) William McGibbon’s Setting for Rosline Castle<br>
<a href="https://imslp.org/wiki/A_Collection_of_Scots_Tunes_(McGibbon%2C_William)" rel="nofollow">https://imslp.org/wiki/A_Collection_of_Scots_Tunes_(McGibbon%2C_William)</a></p>

<p>Angus MacKay’s Roslin Castle from The Piper’s Assistant:<br>
<a href="https://digital.nls.uk/special-collections-of-printed-music/archive/105007146" rel="nofollow">https://digital.nls.uk/special-collections-of-printed-music/archive/105007146</a>  </p>

<p>(1828) Donald MacDonald’s Setting for Roslin Castle and Macfarlane’s Lilt:<br>
<a href="https://digital.nls.uk/special-collections-of-printed-music/archive/105682715" rel="nofollow">https://digital.nls.uk/special-collections-of-printed-music/archive/105682715</a> </p>

<p>(1806) O’Farrell’s Pay the Reckoning (bobing for eels/ Jackson’s Bottle of Brandy)<br>
<a href="https://digital.nls.uk/special-collections-of-printed-music/archive/87779834" rel="nofollow">https://digital.nls.uk/special-collections-of-printed-music/archive/87779834</a> </p>

<p>(1880s) James Manson (By way of David Glen) The Roslin Picnic:<br>
<a href="https://ceolsean.net/content/EdinColl/EdinColl_TOC.html" rel="nofollow">https://ceolsean.net/content/EdinColl/EdinColl_TOC.html</a> </p>

<p>Please take advantage of the Tune Collection tab: <a href="https://www.wetootwaag.com/tunesources" rel="nofollow">https://www.wetootwaag.com/tunesources</a> <br>
Also Please take a minute to leave a review of the podcast! </p>

<p>Listen on Apple Podcasts: <a href="https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677" rel="nofollow">https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677</a> <br>
Listen on Itunes: <a href="https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677" rel="nofollow">https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677</a> <br>
Listen on Spotify: <a href="https://open.spotify.com/show/5QxzqrSm0pu6v8y8pLsv5j?si=QLiG0L1pT1eu7B5_FDmgGA" rel="nofollow">https://open.spotify.com/show/5QxzqrSm0pu6v8y8pLsv5j?si=QLiG0L1pT1eu7B5_FDmgGA</a></p><p><a rel="payment" href="https://www.patreon.com/wetootwaag">Support Wetootwaag&#39;s Bagpipe and History Podcast</a></p>]]>
  </content:encoded>
  <itunes:summary>
    <![CDATA[<p>Tunes:<br>
William Dixon: Saw ye Never a Bonny lass<br>
Vickers Manuscript: Kiss’d her under the Coverlet<br>
Fitzmaurice: Loose the Belt<br>
Hamilton’s Universal Tune Book: The Berlin Waltz<br>
Fitzmaurice’s Trip to Roslin Castle<br>
William McGibbon: Rosline Castle<br>
James Manson (David Glen): Roslin Picnic<br>
Donald MacDonald: Roslin Castle, MacPharlane’s lilt<br>
Angus MacKay: Roslin Castle<br>
O’Farrell: Pay The Reckoning (Jackson’s Bottle of Brandy, Bobbing for Eels </p>

<p>To Sign Up for the Livestream for the Album Launch follow this link. At 7pm Friday February 5th I’m going to go live, chatting with people, listening to some tracks, playing some tunes, drinking some whisky. <br>
<a href="https://fb.me/e/3niVO7YJp" rel="nofollow">https://fb.me/e/3niVO7YJp</a> </p>

<p>To Read Mary Anne Hanway’s Letters You can find the book on Archive.org:<br>
<a href="https://archive.org/details/journeytohighlan00hanw" rel="nofollow">https://archive.org/details/journeytohighlan00hanw</a> <br>
The Passage about Roslin Castle begins on page 68:<br>
The Passage about Bagpipers at dinner begins on page 132:<br>
“they love dancing to excess, and are the best country-dancers I ever saw, and keep it up (as the phrase is) for hours together, with a life, vivactiy and spirit, of which you can have no conception. In many houses, they still retain the ancienty custom of the pipers playing all the time the company are at dinner, on his horrid bagpipes; this is to me more dreadful, than the grunting of pigs, the screaming of owls, and the squalling of cats. All these creatures in a concert would be to my ears pleasing, compared to that discordant instrument to which I have a natural antipathy.&quot; (132-133)</p>

<p>The Cover Art is a Paul Sandby, Painting “Roslin Castle, Midlothian” from around the time Mary Anne Hanway visited:<br>
<a href="https://collections.britishart.yale.edu/catalog/tms:13045" rel="nofollow">https://collections.britishart.yale.edu/catalog/tms:13045</a> </p>

<p>(1733) William Dixon’s Saw Ye Never a Bonny Lass From Matt Seattle’s publication:<br>
<a href="https://www.mattseattle.scot/product-page/the-master-piper-new-edition" rel="nofollow">https://www.mattseattle.scot/product-page/the-master-piper-new-edition</a> <br>
(1770) William Vickers Kiss’d her under the Coverlet: (You can get this setting in Matt’s book, or look at the original on Farne, Just type Coverlet into the search and it should come up, Farne can be a bit picky though, and I can never get a stable link to copy in here:<br>
<a href="http://www.farnearchive.com/" rel="nofollow">http://www.farnearchive.com/</a> </p>

<p>(1805) Fitzmaurice’s Trip to Roslin Castle and Lose the Belt both in: Fitzmaurice&#39;s New Collection of Irish Tunes. Adapted for the Piano Forte, Union Pipe, Flute,&amp;Violin:<br>
<a href="https://www.google.com/books/edition/Fitzmaurice_s_New_Collection_of_Irish_Tu/vq4Fb5TyTK4C?hl=en&gbpv=0&kptab=overview" rel="nofollow">https://www.google.com/books/edition/Fitzmaurice_s_New_Collection_of_Irish_Tu/vq4Fb5TyTK4C?hl=en&amp;gbpv=0&amp;kptab=overview</a> </p>

<p>(1853) Hamilton’s Universal Tune-book setting for The Berlin Waltz<br>
<a href="https://digital.nls.uk/special-collections-of-printed-music/archive/94521216" rel="nofollow">https://digital.nls.uk/special-collections-of-printed-music/archive/94521216</a> </p>

<p>(1746) William McGibbon’s Setting for Rosline Castle<br>
<a href="https://imslp.org/wiki/A_Collection_of_Scots_Tunes_(McGibbon%2C_William)" rel="nofollow">https://imslp.org/wiki/A_Collection_of_Scots_Tunes_(McGibbon%2C_William)</a></p>

<p>Angus MacKay’s Roslin Castle from The Piper’s Assistant:<br>
<a href="https://digital.nls.uk/special-collections-of-printed-music/archive/105007146" rel="nofollow">https://digital.nls.uk/special-collections-of-printed-music/archive/105007146</a>  </p>

<p>(1828) Donald MacDonald’s Setting for Roslin Castle and Macfarlane’s Lilt:<br>
<a href="https://digital.nls.uk/special-collections-of-printed-music/archive/105682715" rel="nofollow">https://digital.nls.uk/special-collections-of-printed-music/archive/105682715</a> </p>

<p>(1806) O’Farrell’s Pay the Reckoning (bobing for eels/ Jackson’s Bottle of Brandy)<br>
<a href="https://digital.nls.uk/special-collections-of-printed-music/archive/87779834" rel="nofollow">https://digital.nls.uk/special-collections-of-printed-music/archive/87779834</a> </p>

<p>(1880s) James Manson (By way of David Glen) The Roslin Picnic:<br>
<a href="https://ceolsean.net/content/EdinColl/EdinColl_TOC.html" rel="nofollow">https://ceolsean.net/content/EdinColl/EdinColl_TOC.html</a> </p>

<p>Please take advantage of the Tune Collection tab: <a href="https://www.wetootwaag.com/tunesources" rel="nofollow">https://www.wetootwaag.com/tunesources</a> <br>
Also Please take a minute to leave a review of the podcast! </p>

<p>Listen on Apple Podcasts: <a href="https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677" rel="nofollow">https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677</a> <br>
Listen on Itunes: <a href="https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677" rel="nofollow">https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677</a> <br>
Listen on Spotify: <a href="https://open.spotify.com/show/5QxzqrSm0pu6v8y8pLsv5j?si=QLiG0L1pT1eu7B5_FDmgGA" rel="nofollow">https://open.spotify.com/show/5QxzqrSm0pu6v8y8pLsv5j?si=QLiG0L1pT1eu7B5_FDmgGA</a></p><p><a rel="payment" href="https://www.patreon.com/wetootwaag">Support Wetootwaag&#39;s Bagpipe and History Podcast</a></p>]]>
  </itunes:summary>
</item>
<item>
  <title>S5E01 Uilleann Pipes and Strathspeys with Tunes from Jarlath Henderson &amp; Innes Watson and Paul Anderson</title>
  <link>https://www.wetootwaag.com/s5e01</link>
  <guid isPermaLink="false">e21f9c0d-dfe9-4643-9c04-7f4f35ff44f4</guid>
  <pubDate>Fri, 22 Jan 2021 14:00:00 -0500</pubDate>
  <author>Jeremy Kingsbury</author>
  <enclosure url="https://aphid.fireside.fm/d/1437767933/f158d1e4-b92d-4f8d-9eef-7382ca3c3ee8/e21f9c0d-dfe9-4643-9c04-7f4f35ff44f4.mp3" length="87049540" type="audio/mpeg"/>
  <itunes:episodeType>full</itunes:episodeType>
  <itunes:season>5</itunes:season>
  <itunes:author>Jeremy Kingsbury</itunes:author>
  <itunes:subtitle>Tunes:
James Aird: Irish Hautboy
Jar and Innes: Top Gallantsail (Comp Innes Watson), John Stephen Of Chance Inn (Comp Angus Fitchet),
Travers Jig (trad), Gustys Frolics (trad: Mick Dohertys Version)
O’Farrell: Roys Wife of Aldivalock 
O’Farrell: Rothemurchus’s Rant
Paul Anderson Playing: The Rothiemurchus Rant (Bremner) , Dogs Bite Chapmen (Traditional he Says) and The Fairy Dance (Nataniel Gow)
From Sutherland: Haughs of Cromdale and Merry Maid’s Wedding
O’Farrell: Ewe with the Crooked Horn 
George MacLellan: The Little Cascade
Neil Gow: Lady Baird’s Strathspey
Drummond Castle MS: Allastor
Joseph Dales: Jenny Sutton
</itunes:subtitle>
  <itunes:duration>59:01</itunes:duration>
  <itunes:explicit>no</itunes:explicit>
  <itunes:image href="https://media24.fireside.fm/file/fireside-images-2024/podcasts/images/f/f158d1e4-b92d-4f8d-9eef-7382ca3c3ee8/episodes/e/e21f9c0d-dfe9-4643-9c04-7f4f35ff44f4/cover.jpg?v=4"/>
  <description>&lt;p&gt;Tunes:&lt;br&gt;
James Aird: Irish Hautboy&lt;br&gt;
Jar and Innes: Top Gallantsail (Comp Innes Watson), John Stephen Of Chance Inn (Comp Angus Fitchet),&lt;br&gt;
Travers Jig (trad), Gustys Frolics (trad: Mick Dohertys Version)&lt;br&gt;
O’Farrell: Roys Wife of Aldivalock &lt;br&gt;
O’Farrell: Rothemurchus’s Rant&lt;br&gt;
Paul Anderson Playing: The Rothiemurchus Rant (Bremner) , Dogs Bite Chapmen (Traditional he Says) and The Fairy Dance (Nataniel Gow)&lt;br&gt;
From Sutherland: Haughs of Cromdale and Merry Maid’s Wedding&lt;br&gt;
O’Farrell: Ewe with the Crooked Horn &lt;br&gt;
George MacLellan: The Little Cascade&lt;br&gt;
Neil Gow: Lady Baird’s Strathspey&lt;br&gt;
Drummond Castle MS: Allastor&lt;br&gt;
Joseph Dales: Jenny Sutton&lt;/p&gt;

&lt;p&gt;Big thanks to Jarlath Hendersond and Innes Watson for letting me play a track off their stellar album A Moment in Time. You can buy it now on Bandcamp:&lt;br&gt;
&lt;a href="https://innojar.bandcamp.com/album/a-moment-in-time-2" target="_blank" rel="nofollow noopener"&gt;https://innojar.bandcamp.com/album/a-moment-in-time-2&lt;/a&gt; &lt;/p&gt;

&lt;p&gt;Paul Anderson is a remarkably talented Fiddler that has published many albums that you can stream or purchase. You can check out his website Here:&lt;br&gt;
&lt;a href="https://www.paulandersonscottishfiddler.com/home" target="_blank" rel="nofollow noopener"&gt;https://www.paulandersonscottishfiddler.com/home&lt;/a&gt; &lt;/p&gt;

&lt;p&gt;I highly recommend following him on Facebook as he has been doing a great “Live from the Lounge” series the entire Pandemic:&lt;br&gt;
&lt;a href="https://www.facebook.com/paul.anderson.3591" target="_blank" rel="nofollow noopener"&gt;https://www.facebook.com/paul.anderson.3591&lt;/a&gt; &lt;/p&gt;

&lt;p&gt;And his Youtube account is host to a plethora of Historic Fiddle tunes, often played on the Fiddle of the person that wrote or printed the tune:&lt;br&gt;
&lt;a href="https://www.youtube.com/channel/UC44-9TrxIewyzCoz8wKcxQA" target="_blank" rel="nofollow noopener"&gt;https://www.youtube.com/channel/UC44-9TrxIewyzCoz8wKcxQA&lt;/a&gt; &lt;/p&gt;

&lt;p&gt;I believe I was helped tremendously by watching the Royal Scottish Country Dancers on mute.&lt;br&gt;
&lt;a href="https://youtu.be/lV-0JQzUXKM" target="_blank" rel="nofollow noopener"&gt;https://youtu.be/lV-0JQzUXKM&lt;/a&gt; &lt;/p&gt;

&lt;p&gt;The William Lamb articles I read can be found here:&lt;br&gt;
The Strathspey in Scottish Music: On Its origins and Uneasy Relationship with the Highland Bagpipes, seems to be a abbreviated version of the paper I quote from:&lt;br&gt;
&lt;a href="https://www.academia.edu/29913697/The_Strathspey_in_Scottish_Music_On_Its_Origins_and_Uneasy_Relationship_with_the_Highland_Bagpipes?source=swp_share" target="_blank" rel="nofollow noopener"&gt;https://www.academia.edu/29913697/The_Strathspey_in_Scottish_Music_On_Its_Origins_and_Uneasy_Relationship_with_the_Highland_Bagpipes?source=swp_share&lt;/a&gt; &lt;/p&gt;

&lt;p&gt;Reeling in the Strathspey: The Origins of Scotland’s National Music is the paper I quoted from. &lt;br&gt;
&lt;a href="https://www.academia.edu/4007917/Reeling_in_the_Strathspey_The_Origins_of_Scotlands_National_Music?source=swp_share" target="_blank" rel="nofollow noopener"&gt;https://www.academia.edu/4007917/Reeling_in_the_Strathspey_The_Origins_of_Scotlands_National_Music?source=swp_share&lt;/a&gt; &lt;/p&gt;

&lt;p&gt;James Aird’s The Irish Hautboy: I’ll talk about this tune in greater detail in a future episode, but here is the link to the notes. &lt;br&gt;
&lt;a href="https://digital.nls.uk/special-collections-of-printed-music/archive/87706892" target="_blank" rel="nofollow noopener"&gt;https://digital.nls.uk/special-collections-of-printed-music/archive/87706892&lt;/a&gt; &lt;/p&gt;

&lt;p&gt;Jarlath Henderson agreed to let me include his Strathspey set from his stellar album with Innes Watson, A Moment in Time: You can Buy it on Bandcamp&lt;br&gt;
&lt;a href="https://innojar.bandcamp.com/album/a-moment-in-time-2" target="_blank" rel="nofollow noopener"&gt;https://innojar.bandcamp.com/album/a-moment-in-time-2&lt;/a&gt; &lt;/p&gt;

&lt;p&gt;The Set is track 2 on the album: &lt;br&gt;
Top Gallantsail (Comp Innes Watson), John Stephen Of Chance Inn (Comp Angus Fitchet),&lt;br&gt;
Travers Jig (trad), Gustys Frolics (trad: Mick Dohertys Version)&lt;/p&gt;

&lt;p&gt;O’Farrell’s Setting for Roys Wife of Aldivalock (supposedly close kin to Kilt is my delight)&lt;br&gt;
&lt;a href="http://www.capeirish.com/webabc/working/source.folders/ofnim/ofnim_table.html" target="_blank" rel="nofollow noopener"&gt;http://www.capeirish.com/webabc/working/source.folders/ofnim/ofnim_table.html&lt;/a&gt;&lt;/p&gt;

&lt;p&gt;O’Farrell’s Setting for Rothemurchus’s Rant&lt;br&gt;
&lt;a href="http://www.capeirish.com/webabc/working/source.folders/ofnim/ofnim_table.html" target="_blank" rel="nofollow noopener"&gt;http://www.capeirish.com/webabc/working/source.folders/ofnim/ofnim_table.html&lt;/a&gt; &lt;/p&gt;

&lt;p&gt;Paul Anderson Graciously agreed to let me play his set:&lt;br&gt;
&lt;a href="https://www.youtube.com/watch?v=TNRr8jpaUos&amp;amp;feature=youtu.be" target="_blank" rel="nofollow noopener"&gt;https://www.youtube.com/watch?v=TNRr8jpaUos&amp;amp;amp;feature=youtu.be&lt;/a&gt; &lt;br&gt;
It is: The Rothiemurchus Rant (Bremner) , Dogs Bite Chapmen (Traditional he Says) and The Fairy Dance (Nataniel Gow)&lt;br&gt;
Paul pointed out the Tune Is better known in Irish tradition as Graf Spee, and also that it was Robert Burns’ favorite fiddle tune, and he set lyrics of Lassie with the lint white locks to it.&lt;/p&gt;

&lt;p&gt;Robert Bremner’s Rothemurches Rant, from 1757 collection of Scots Reels&lt;br&gt;
&lt;a href="https://digital.nls.uk/special-collections-of-printed-music/archive/105002757" target="_blank" rel="nofollow noopener"&gt;https://digital.nls.uk/special-collections-of-printed-music/archive/105002757&lt;/a&gt;&lt;/p&gt;

&lt;p&gt;John Glen put The Fairy Dance and Dogs Bite Chapmen on the Same page of his book &lt;a href="https://digital.nls.uk/special-collections-of-printed-music/archive/105002020" target="_blank" rel="nofollow noopener"&gt;https://digital.nls.uk/special-collections-of-printed-music/archive/105002020&lt;/a&gt; &lt;/p&gt;

&lt;p&gt;Sutherland’s Setting for Haughs of Cromdale and Merry Maid’s Wedding are on the same PDF available thanks to Ross’s Music page on page 5 and 6 of the PDF respectively:&lt;br&gt;
&lt;a href="http://www.cl.cam.ac.uk/%7Erja14/musicfiles/manuscripts/sutherland/suth-pp-81-120.pdf" target="_blank" rel="nofollow noopener"&gt;http://www.cl.cam.ac.uk/~rja14/musicfiles/manuscripts/sutherland/suth-pp-81-120.pdf&lt;/a&gt; &lt;/p&gt;

&lt;p&gt;O’Farrell’s Setting for the Ewe with the Crooked Horn:&lt;br&gt;
&lt;a href="https://digital.nls.uk/special-collections-of-printed-music/archive/87781202" target="_blank" rel="nofollow noopener"&gt;https://digital.nls.uk/special-collections-of-printed-music/archive/87781202&lt;/a&gt; &lt;/p&gt;

&lt;p&gt;George McLennan’s The Little Cascade is From Highland Bagpipe Music by George S. McLennan (1884): You can download it from CEOL Sean:&lt;br&gt;
&lt;a href="https://ceolsean.net/content/McLennan/Book02/Book02%2016.pdf" target="_blank" rel="nofollow noopener"&gt;https://ceolsean.net/content/McLennan/Book02/Book02%2016.pdf&lt;/a&gt; &lt;/p&gt;

&lt;p&gt;1788, Neil Gow “A Second Collection of Strathspey, Reels, &amp;amp; C…” &lt;br&gt;
Lady Baird’s Strathspey (page 4)&lt;br&gt;
&lt;a href="https://imslp.org/wiki/A_Second_Collection_of_Strathspey_Reels,_etc._(Gow,_Niel)#IMSLP338815" target="_blank" rel="nofollow noopener"&gt;https://imslp.org/wiki/A_Second_Collection_of_Strathspey_Reels,_etc._(Gow,_Niel)#IMSLP338815&lt;/a&gt;   &lt;/p&gt;

&lt;p&gt;Drummond Castle Manuscript (1734) the Setting for Allastor is on the 19th page of this PDF hosted by Ross’s Music Page:&lt;br&gt;
&lt;a href="http://www.cl.cam.ac.uk/%7Erja14/musicfiles/manuscripts/drummond1.pdf" target="_blank" rel="nofollow noopener"&gt;http://www.cl.cam.ac.uk/~rja14/musicfiles/manuscripts/drummond1.pdf&lt;/a&gt; &lt;/p&gt;

&lt;p&gt;Joseph Dales, (ca. 1800) Selection of The Most Favorite Country Dances and Reels&lt;br&gt;
Jenny Sutton (page 10)&lt;br&gt;
&lt;a href="https://imslp.org/wiki/Dale%27s_Selection_of_the_Most_Favorite_Country_Dances_and_Reels_(Dale,_Joseph)#IMSLP178714" target="_blank" rel="nofollow noopener"&gt;https://imslp.org/wiki/Dale%27s_Selection_of_the_Most_Favorite_Country_Dances_and_Reels_(Dale,_Joseph)#IMSLP178714&lt;/a&gt; &lt;/p&gt;

&lt;p&gt;Please take advantage of the Tune Collection tab: &lt;a href="https://www.wetootwaag.com/tunesources" target="_blank" rel="nofollow noopener"&gt;https://www.wetootwaag.com/tunesources&lt;/a&gt; &lt;br&gt;
Also Please take a minute to leave a review of the podcast! &lt;/p&gt;

&lt;p&gt;Listen on Apple Podcasts: &lt;a href="https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677" target="_blank" rel="nofollow noopener"&gt;https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677&lt;/a&gt; &lt;br&gt;
Listen on Itunes: &lt;a href="https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677" target="_blank" rel="nofollow noopener"&gt;https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677&lt;/a&gt; &lt;br&gt;
Listen on Spotify: &lt;a href="https://open.spotify.com/show/5QxzqrSm0pu6v8y8pLsv5j?si=QLiG0L1pT1eu7B5_FDmgGA" target="_blank" rel="nofollow noopener"&gt;https://open.spotify.com/show/5QxzqrSm0pu6v8y8pLsv5j?si=QLiG0L1pT1eu7B5_FDmgGA&lt;/a&gt;&lt;/p&gt;
</description>
  <itunes:keywords>bagpipes, uilleann pipes, Highland, Scottish, Scotland, Donald MacDonald, History, Music, Great Highland Bagpipes, GHB, Celtic, history, pastoral pipes, union pipes, baroque, eighteenth Century, Irish Music, Scottish Music, </itunes:keywords>
  <content:encoded>
    <![CDATA[<p>Tunes:<br>
James Aird: Irish Hautboy<br>
Jar and Innes: Top Gallantsail (Comp Innes Watson), John Stephen Of Chance Inn (Comp Angus Fitchet),<br>
Travers Jig (trad), Gustys Frolics (trad: Mick Dohertys Version)<br>
O’Farrell: Roys Wife of Aldivalock <br>
O’Farrell: Rothemurchus’s Rant<br>
Paul Anderson Playing: The Rothiemurchus Rant (Bremner) , Dogs Bite Chapmen (Traditional he Says) and The Fairy Dance (Nataniel Gow)<br>
From Sutherland: Haughs of Cromdale and Merry Maid’s Wedding<br>
O’Farrell: Ewe with the Crooked Horn <br>
George MacLellan: The Little Cascade<br>
Neil Gow: Lady Baird’s Strathspey<br>
Drummond Castle MS: Allastor<br>
Joseph Dales: Jenny Sutton</p>

<p>Big thanks to Jarlath Hendersond and Innes Watson for letting me play a track off their stellar album A Moment in Time. You can buy it now on Bandcamp:<br>
<a href="https://innojar.bandcamp.com/album/a-moment-in-time-2" rel="nofollow">https://innojar.bandcamp.com/album/a-moment-in-time-2</a> </p>

<p>Paul Anderson is a remarkably talented Fiddler that has published many albums that you can stream or purchase. You can check out his website Here:<br>
<a href="https://www.paulandersonscottishfiddler.com/home" rel="nofollow">https://www.paulandersonscottishfiddler.com/home</a> </p>

<p>I highly recommend following him on Facebook as he has been doing a great “Live from the Lounge” series the entire Pandemic:<br>
<a href="https://www.facebook.com/paul.anderson.3591" rel="nofollow">https://www.facebook.com/paul.anderson.3591</a> </p>

<p>And his Youtube account is host to a plethora of Historic Fiddle tunes, often played on the Fiddle of the person that wrote or printed the tune:<br>
<a href="https://www.youtube.com/channel/UC44-9TrxIewyzCoz8wKcxQA" rel="nofollow">https://www.youtube.com/channel/UC44-9TrxIewyzCoz8wKcxQA</a> </p>

<p>I believe I was helped tremendously by watching the Royal Scottish Country Dancers on mute.<br>
<a href="https://youtu.be/lV-0JQzUXKM" rel="nofollow">https://youtu.be/lV-0JQzUXKM</a> </p>

<p>The William Lamb articles I read can be found here:<br>
The Strathspey in Scottish Music: On Its origins and Uneasy Relationship with the Highland Bagpipes, seems to be a abbreviated version of the paper I quote from:<br>
<a href="https://www.academia.edu/29913697/The_Strathspey_in_Scottish_Music_On_Its_Origins_and_Uneasy_Relationship_with_the_Highland_Bagpipes?source=swp_share" rel="nofollow">https://www.academia.edu/29913697/The_Strathspey_in_Scottish_Music_On_Its_Origins_and_Uneasy_Relationship_with_the_Highland_Bagpipes?source=swp_share</a> </p>

<p>Reeling in the Strathspey: The Origins of Scotland’s National Music is the paper I quoted from. <br>
<a href="https://www.academia.edu/4007917/Reeling_in_the_Strathspey_The_Origins_of_Scotlands_National_Music?source=swp_share" rel="nofollow">https://www.academia.edu/4007917/Reeling_in_the_Strathspey_The_Origins_of_Scotlands_National_Music?source=swp_share</a> </p>

<p>James Aird’s The Irish Hautboy: I’ll talk about this tune in greater detail in a future episode, but here is the link to the notes. <br>
<a href="https://digital.nls.uk/special-collections-of-printed-music/archive/87706892" rel="nofollow">https://digital.nls.uk/special-collections-of-printed-music/archive/87706892</a> </p>

<p>Jarlath Henderson agreed to let me include his Strathspey set from his stellar album with Innes Watson, A Moment in Time: You can Buy it on Bandcamp<br>
<a href="https://innojar.bandcamp.com/album/a-moment-in-time-2" rel="nofollow">https://innojar.bandcamp.com/album/a-moment-in-time-2</a> </p>

<p>The Set is track 2 on the album: <br>
Top Gallantsail (Comp Innes Watson), John Stephen Of Chance Inn (Comp Angus Fitchet),<br>
Travers Jig (trad), Gustys Frolics (trad: Mick Dohertys Version)</p>

<p>O’Farrell’s Setting for Roys Wife of Aldivalock (supposedly close kin to Kilt is my delight)<br>
<a href="http://www.capeirish.com/webabc/working/source.folders/ofnim/ofnim_table.html" rel="nofollow">http://www.capeirish.com/webabc/working/source.folders/ofnim/ofnim_table.html</a></p>

<p>O’Farrell’s Setting for Rothemurchus’s Rant<br>
<a href="http://www.capeirish.com/webabc/working/source.folders/ofnim/ofnim_table.html" rel="nofollow">http://www.capeirish.com/webabc/working/source.folders/ofnim/ofnim_table.html</a> </p>

<p>Paul Anderson Graciously agreed to let me play his set:<br>
<a href="https://www.youtube.com/watch?v=TNRr8jpaUos&feature=youtu.be" rel="nofollow">https://www.youtube.com/watch?v=TNRr8jpaUos&amp;feature=youtu.be</a> <br>
It is: The Rothiemurchus Rant (Bremner) , Dogs Bite Chapmen (Traditional he Says) and The Fairy Dance (Nataniel Gow)<br>
Paul pointed out the Tune Is better known in Irish tradition as Graf Spee, and also that it was Robert Burns’ favorite fiddle tune, and he set lyrics of Lassie with the lint white locks to it.</p>

<p>Robert Bremner’s Rothemurches Rant, from 1757 collection of Scots Reels<br>
<a href="https://digital.nls.uk/special-collections-of-printed-music/archive/105002757" rel="nofollow">https://digital.nls.uk/special-collections-of-printed-music/archive/105002757</a></p>

<p>John Glen put The Fairy Dance and Dogs Bite Chapmen on the Same page of his book <a href="https://digital.nls.uk/special-collections-of-printed-music/archive/105002020" rel="nofollow">https://digital.nls.uk/special-collections-of-printed-music/archive/105002020</a> </p>

<p>Sutherland’s Setting for Haughs of Cromdale and Merry Maid’s Wedding are on the same PDF available thanks to Ross’s Music page on page 5 and 6 of the PDF respectively:<br>
<a href="http://www.cl.cam.ac.uk/%7Erja14/musicfiles/manuscripts/sutherland/suth-pp-81-120.pdf" rel="nofollow">http://www.cl.cam.ac.uk/~rja14/musicfiles/manuscripts/sutherland/suth-pp-81-120.pdf</a> </p>

<p>O’Farrell’s Setting for the Ewe with the Crooked Horn:<br>
<a href="https://digital.nls.uk/special-collections-of-printed-music/archive/87781202" rel="nofollow">https://digital.nls.uk/special-collections-of-printed-music/archive/87781202</a> </p>

<p>George McLennan’s The Little Cascade is From Highland Bagpipe Music by George S. McLennan (1884): You can download it from CEOL Sean:<br>
<a href="https://ceolsean.net/content/McLennan/Book02/Book02%2016.pdf" rel="nofollow">https://ceolsean.net/content/McLennan/Book02/Book02%2016.pdf</a> </p>

<p>1788, Neil Gow “A Second Collection of Strathspey, Reels, &amp; C…” <br>
Lady Baird’s Strathspey (page 4)<br>
<a href="https://imslp.org/wiki/A_Second_Collection_of_Strathspey_Reels,_etc._(Gow,_Niel)#IMSLP338815" rel="nofollow">https://imslp.org/wiki/A_Second_Collection_of_Strathspey_Reels,_etc._(Gow,_Niel)#IMSLP338815</a>   </p>

<p>Drummond Castle Manuscript (1734) the Setting for Allastor is on the 19th page of this PDF hosted by Ross’s Music Page:<br>
<a href="http://www.cl.cam.ac.uk/%7Erja14/musicfiles/manuscripts/drummond1.pdf" rel="nofollow">http://www.cl.cam.ac.uk/~rja14/musicfiles/manuscripts/drummond1.pdf</a> </p>

<p>Joseph Dales, (ca. 1800) Selection of The Most Favorite Country Dances and Reels<br>
Jenny Sutton (page 10)<br>
<a href="https://imslp.org/wiki/Dale%27s_Selection_of_the_Most_Favorite_Country_Dances_and_Reels_(Dale,_Joseph)#IMSLP178714" rel="nofollow">https://imslp.org/wiki/Dale%27s_Selection_of_the_Most_Favorite_Country_Dances_and_Reels_(Dale,_Joseph)#IMSLP178714</a> </p>

<p>Please take advantage of the Tune Collection tab: <a href="https://www.wetootwaag.com/tunesources" rel="nofollow">https://www.wetootwaag.com/tunesources</a> <br>
Also Please take a minute to leave a review of the podcast! </p>

<p>Listen on Apple Podcasts: <a href="https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677" rel="nofollow">https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677</a> <br>
Listen on Itunes: <a href="https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677" rel="nofollow">https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677</a> <br>
Listen on Spotify: <a href="https://open.spotify.com/show/5QxzqrSm0pu6v8y8pLsv5j?si=QLiG0L1pT1eu7B5_FDmgGA" rel="nofollow">https://open.spotify.com/show/5QxzqrSm0pu6v8y8pLsv5j?si=QLiG0L1pT1eu7B5_FDmgGA</a></p><p><a rel="payment" href="https://www.patreon.com/wetootwaag">Support Wetootwaag&#39;s Bagpipe and History Podcast</a></p>]]>
  </content:encoded>
  <itunes:summary>
    <![CDATA[<p>Tunes:<br>
James Aird: Irish Hautboy<br>
Jar and Innes: Top Gallantsail (Comp Innes Watson), John Stephen Of Chance Inn (Comp Angus Fitchet),<br>
Travers Jig (trad), Gustys Frolics (trad: Mick Dohertys Version)<br>
O’Farrell: Roys Wife of Aldivalock <br>
O’Farrell: Rothemurchus’s Rant<br>
Paul Anderson Playing: The Rothiemurchus Rant (Bremner) , Dogs Bite Chapmen (Traditional he Says) and The Fairy Dance (Nataniel Gow)<br>
From Sutherland: Haughs of Cromdale and Merry Maid’s Wedding<br>
O’Farrell: Ewe with the Crooked Horn <br>
George MacLellan: The Little Cascade<br>
Neil Gow: Lady Baird’s Strathspey<br>
Drummond Castle MS: Allastor<br>
Joseph Dales: Jenny Sutton</p>

<p>Big thanks to Jarlath Hendersond and Innes Watson for letting me play a track off their stellar album A Moment in Time. You can buy it now on Bandcamp:<br>
<a href="https://innojar.bandcamp.com/album/a-moment-in-time-2" rel="nofollow">https://innojar.bandcamp.com/album/a-moment-in-time-2</a> </p>

<p>Paul Anderson is a remarkably talented Fiddler that has published many albums that you can stream or purchase. You can check out his website Here:<br>
<a href="https://www.paulandersonscottishfiddler.com/home" rel="nofollow">https://www.paulandersonscottishfiddler.com/home</a> </p>

<p>I highly recommend following him on Facebook as he has been doing a great “Live from the Lounge” series the entire Pandemic:<br>
<a href="https://www.facebook.com/paul.anderson.3591" rel="nofollow">https://www.facebook.com/paul.anderson.3591</a> </p>

<p>And his Youtube account is host to a plethora of Historic Fiddle tunes, often played on the Fiddle of the person that wrote or printed the tune:<br>
<a href="https://www.youtube.com/channel/UC44-9TrxIewyzCoz8wKcxQA" rel="nofollow">https://www.youtube.com/channel/UC44-9TrxIewyzCoz8wKcxQA</a> </p>

<p>I believe I was helped tremendously by watching the Royal Scottish Country Dancers on mute.<br>
<a href="https://youtu.be/lV-0JQzUXKM" rel="nofollow">https://youtu.be/lV-0JQzUXKM</a> </p>

<p>The William Lamb articles I read can be found here:<br>
The Strathspey in Scottish Music: On Its origins and Uneasy Relationship with the Highland Bagpipes, seems to be a abbreviated version of the paper I quote from:<br>
<a href="https://www.academia.edu/29913697/The_Strathspey_in_Scottish_Music_On_Its_Origins_and_Uneasy_Relationship_with_the_Highland_Bagpipes?source=swp_share" rel="nofollow">https://www.academia.edu/29913697/The_Strathspey_in_Scottish_Music_On_Its_Origins_and_Uneasy_Relationship_with_the_Highland_Bagpipes?source=swp_share</a> </p>

<p>Reeling in the Strathspey: The Origins of Scotland’s National Music is the paper I quoted from. <br>
<a href="https://www.academia.edu/4007917/Reeling_in_the_Strathspey_The_Origins_of_Scotlands_National_Music?source=swp_share" rel="nofollow">https://www.academia.edu/4007917/Reeling_in_the_Strathspey_The_Origins_of_Scotlands_National_Music?source=swp_share</a> </p>

<p>James Aird’s The Irish Hautboy: I’ll talk about this tune in greater detail in a future episode, but here is the link to the notes. <br>
<a href="https://digital.nls.uk/special-collections-of-printed-music/archive/87706892" rel="nofollow">https://digital.nls.uk/special-collections-of-printed-music/archive/87706892</a> </p>

<p>Jarlath Henderson agreed to let me include his Strathspey set from his stellar album with Innes Watson, A Moment in Time: You can Buy it on Bandcamp<br>
<a href="https://innojar.bandcamp.com/album/a-moment-in-time-2" rel="nofollow">https://innojar.bandcamp.com/album/a-moment-in-time-2</a> </p>

<p>The Set is track 2 on the album: <br>
Top Gallantsail (Comp Innes Watson), John Stephen Of Chance Inn (Comp Angus Fitchet),<br>
Travers Jig (trad), Gustys Frolics (trad: Mick Dohertys Version)</p>

<p>O’Farrell’s Setting for Roys Wife of Aldivalock (supposedly close kin to Kilt is my delight)<br>
<a href="http://www.capeirish.com/webabc/working/source.folders/ofnim/ofnim_table.html" rel="nofollow">http://www.capeirish.com/webabc/working/source.folders/ofnim/ofnim_table.html</a></p>

<p>O’Farrell’s Setting for Rothemurchus’s Rant<br>
<a href="http://www.capeirish.com/webabc/working/source.folders/ofnim/ofnim_table.html" rel="nofollow">http://www.capeirish.com/webabc/working/source.folders/ofnim/ofnim_table.html</a> </p>

<p>Paul Anderson Graciously agreed to let me play his set:<br>
<a href="https://www.youtube.com/watch?v=TNRr8jpaUos&feature=youtu.be" rel="nofollow">https://www.youtube.com/watch?v=TNRr8jpaUos&amp;feature=youtu.be</a> <br>
It is: The Rothiemurchus Rant (Bremner) , Dogs Bite Chapmen (Traditional he Says) and The Fairy Dance (Nataniel Gow)<br>
Paul pointed out the Tune Is better known in Irish tradition as Graf Spee, and also that it was Robert Burns’ favorite fiddle tune, and he set lyrics of Lassie with the lint white locks to it.</p>

<p>Robert Bremner’s Rothemurches Rant, from 1757 collection of Scots Reels<br>
<a href="https://digital.nls.uk/special-collections-of-printed-music/archive/105002757" rel="nofollow">https://digital.nls.uk/special-collections-of-printed-music/archive/105002757</a></p>

<p>John Glen put The Fairy Dance and Dogs Bite Chapmen on the Same page of his book <a href="https://digital.nls.uk/special-collections-of-printed-music/archive/105002020" rel="nofollow">https://digital.nls.uk/special-collections-of-printed-music/archive/105002020</a> </p>

<p>Sutherland’s Setting for Haughs of Cromdale and Merry Maid’s Wedding are on the same PDF available thanks to Ross’s Music page on page 5 and 6 of the PDF respectively:<br>
<a href="http://www.cl.cam.ac.uk/%7Erja14/musicfiles/manuscripts/sutherland/suth-pp-81-120.pdf" rel="nofollow">http://www.cl.cam.ac.uk/~rja14/musicfiles/manuscripts/sutherland/suth-pp-81-120.pdf</a> </p>

<p>O’Farrell’s Setting for the Ewe with the Crooked Horn:<br>
<a href="https://digital.nls.uk/special-collections-of-printed-music/archive/87781202" rel="nofollow">https://digital.nls.uk/special-collections-of-printed-music/archive/87781202</a> </p>

<p>George McLennan’s The Little Cascade is From Highland Bagpipe Music by George S. McLennan (1884): You can download it from CEOL Sean:<br>
<a href="https://ceolsean.net/content/McLennan/Book02/Book02%2016.pdf" rel="nofollow">https://ceolsean.net/content/McLennan/Book02/Book02%2016.pdf</a> </p>

<p>1788, Neil Gow “A Second Collection of Strathspey, Reels, &amp; C…” <br>
Lady Baird’s Strathspey (page 4)<br>
<a href="https://imslp.org/wiki/A_Second_Collection_of_Strathspey_Reels,_etc._(Gow,_Niel)#IMSLP338815" rel="nofollow">https://imslp.org/wiki/A_Second_Collection_of_Strathspey_Reels,_etc._(Gow,_Niel)#IMSLP338815</a>   </p>

<p>Drummond Castle Manuscript (1734) the Setting for Allastor is on the 19th page of this PDF hosted by Ross’s Music Page:<br>
<a href="http://www.cl.cam.ac.uk/%7Erja14/musicfiles/manuscripts/drummond1.pdf" rel="nofollow">http://www.cl.cam.ac.uk/~rja14/musicfiles/manuscripts/drummond1.pdf</a> </p>

<p>Joseph Dales, (ca. 1800) Selection of The Most Favorite Country Dances and Reels<br>
Jenny Sutton (page 10)<br>
<a href="https://imslp.org/wiki/Dale%27s_Selection_of_the_Most_Favorite_Country_Dances_and_Reels_(Dale,_Joseph)#IMSLP178714" rel="nofollow">https://imslp.org/wiki/Dale%27s_Selection_of_the_Most_Favorite_Country_Dances_and_Reels_(Dale,_Joseph)#IMSLP178714</a> </p>

<p>Please take advantage of the Tune Collection tab: <a href="https://www.wetootwaag.com/tunesources" rel="nofollow">https://www.wetootwaag.com/tunesources</a> <br>
Also Please take a minute to leave a review of the podcast! </p>

<p>Listen on Apple Podcasts: <a href="https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677" rel="nofollow">https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677</a> <br>
Listen on Itunes: <a href="https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677" rel="nofollow">https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677</a> <br>
Listen on Spotify: <a href="https://open.spotify.com/show/5QxzqrSm0pu6v8y8pLsv5j?si=QLiG0L1pT1eu7B5_FDmgGA" rel="nofollow">https://open.spotify.com/show/5QxzqrSm0pu6v8y8pLsv5j?si=QLiG0L1pT1eu7B5_FDmgGA</a></p><p><a rel="payment" href="https://www.patreon.com/wetootwaag">Support Wetootwaag&#39;s Bagpipe and History Podcast</a></p>]]>
  </itunes:summary>
</item>
<item>
  <title>S4E36: Some Holiday Tunes and Bodachan a Gharidh (The Merry old Gardener)</title>
  <link>https://www.wetootwaag.com/s4e36</link>
  <guid isPermaLink="false">014f9871-2fa6-4016-b917-954400cc4341</guid>
  <pubDate>Sat, 19 Dec 2020 04:00:00 -0500</pubDate>
  <author>Jeremy Kingsbury</author>
  <enclosure url="https://aphid.fireside.fm/d/1437767933/f158d1e4-b92d-4f8d-9eef-7382ca3c3ee8/014f9871-2fa6-4016-b917-954400cc4341.mp3" length="46919049" type="audio/mpeg"/>
  <itunes:episodeType>full</itunes:episodeType>
  <itunes:season>4</itunes:season>
  <itunes:author>Jeremy Kingsbury</itunes:author>
  <itunes:subtitle>Tunes: 
O’Farrell: Lewellynn, A Piper o’er the Meadows Straying, Black Joke 
John Parry: Nos Calan
Matt Seattle: Christenmiss Day in the Morning
My Setting?: Mill Mill o, Baloo Lammy
Donald MacDonald: Bodachan a gharidh (The Jolly Old gardener)
Aird: Bodachan a garidh (The Merry old gardener) </itunes:subtitle>
  <itunes:duration>41:18</itunes:duration>
  <itunes:explicit>no</itunes:explicit>
  <itunes:image href="https://media24.fireside.fm/file/fireside-images-2024/podcasts/images/f/f158d1e4-b92d-4f8d-9eef-7382ca3c3ee8/episodes/0/014f9871-2fa6-4016-b917-954400cc4341/cover.jpg?v=2"/>
  <description>&lt;p&gt;Tunes: &lt;br&gt;
O’Farrell: Lewellynn, A Piper o’er the Meadows Straying, Black Joke &lt;br&gt;
John Parry: Nos Calan&lt;br&gt;
Matt Seattle: Christenmiss Day in the Morning&lt;br&gt;
My Setting?: Mill Mill o, Baloo Lammy&lt;br&gt;
Donald MacDonald: Bodachan a gharidh (The Jolly Old gardener)&lt;br&gt;
Aird: Bodachan a garidh (The Merry old gardener) &lt;/p&gt;

&lt;p&gt;Be Sure to Head over to Ryan Kirk’s Youtube Channel to catch some stellar tunes:&lt;br&gt;
&lt;a href="https://www.youtube.com/channel/UC7jY3tVICOSthOfESS8MjNA" target="_blank" rel="nofollow noopener"&gt;https://www.youtube.com/channel/UC7jY3tVICOSthOfESS8MjNA&lt;/a&gt; &lt;/p&gt;

&lt;p&gt;Here’s a Link to the Newgrange Winter Solstice Livestream which will begin shortly after this episode is posted and should run through till the Solstice.&lt;br&gt;
&lt;a href="https://livestream.com/accounts/285324/events/9440165/player" target="_blank" rel="nofollow noopener"&gt;https://livestream.com/accounts/285324/events/9440165/player&lt;/a&gt;&lt;/p&gt;

&lt;p&gt;You can check out photos of past Solstices from Mayeshowe at the below link:&lt;br&gt;
&lt;a href="http://www.maeshowe.co.uk/" target="_blank" rel="nofollow noopener"&gt;http://www.maeshowe.co.uk/&lt;/a&gt;&lt;/p&gt;

&lt;p&gt;If you want more Christmas Bagpipe Carols Check out Charlie Rutan’s Christmas Bagpipe Series on Facebook: They are a great bit of history and music, well worth a watch!&lt;br&gt;
&lt;a href="https://www.facebook.com/Christmas-Bagpipes-101281248507906" target="_blank" rel="nofollow noopener"&gt;https://www.facebook.com/Christmas-Bagpipes-101281248507906&lt;/a&gt; &lt;/p&gt;

&lt;p&gt;1808 O’Farrell: The Black Joke With Variations:&lt;br&gt;
&lt;a href="https://digital.nls.uk/special-collections-of-printed-music/archive/87780734" target="_blank" rel="nofollow noopener"&gt;https://digital.nls.uk/special-collections-of-printed-music/archive/87780734&lt;/a&gt;&lt;/p&gt;

&lt;p&gt;1770s? James Aird: Bodachan a garidh&lt;br&gt;
&lt;a href="https://digital.nls.uk/special-collections-of-printed-music/archive/87706527" target="_blank" rel="nofollow noopener"&gt;https://digital.nls.uk/special-collections-of-printed-music/archive/87706527&lt;/a&gt; &lt;br&gt;
1828: Donald MacDonald: Bodachan a gharidh Jolly Old Gardner&lt;br&gt;
&lt;a href="https://digital.nls.uk/special-collections-of-printed-music/archive/105682627" target="_blank" rel="nofollow noopener"&gt;https://digital.nls.uk/special-collections-of-printed-music/archive/105682627&lt;/a&gt;&lt;/p&gt;

&lt;p&gt;1808 O’Farrell: Unfortunately Lewelynn and A Piper O’er the Meadows Straying are both from the O’Farrell Pocketbook companion Volume 3 that I can’t link to easily. You can download the PDF off Ross’s Music Page, or  look at the Cape Irish ABC notation Settings:&lt;br&gt;
&lt;a href="http://www.capeirish.com/webabc/working/source.folders/ofpc/ofpc.3/ofpc.3_table.html" target="_blank" rel="nofollow noopener"&gt;http://www.capeirish.com/webabc/working/source.folders/ofpc/ofpc.3/ofpc.3_table.html&lt;/a&gt;&lt;/p&gt;

&lt;p&gt;1781 John Parry: Nos Calan&lt;br&gt;
&lt;a href="https://viewer.library.wales/4675640#?c=&amp;amp;m=&amp;amp;s=&amp;amp;cv=17&amp;amp;manifest=https%3A%2F%2Fdamsssl.llgc.org.uk%2Fiiif%2F2.0%2F4675640%2Fmanifest.json&amp;amp;xywh=-213%2C458%2C4871%2C3692" target="_blank" rel="nofollow noopener"&gt;https://viewer.library.wales/4675640#?c=&amp;amp;amp;m=&amp;amp;amp;s=&amp;amp;amp;cv=17&amp;amp;amp;manifest=https%3A%2F%2Fdamsssl.llgc.org.uk%2Fiiif%2F2.0%2F4675640%2Fmanifest.json&amp;amp;amp;xywh=-213%2C458%2C4871%2C3692&lt;/a&gt;&lt;/p&gt;

&lt;p&gt;Matt Seattle: Christenmiss Day in the Morning: Matt just posted his setting for the tune that I am Riffing on into the Discussions on the LBPS forum on Facebook&lt;br&gt;
&lt;a href="https://www.facebook.com/groups/LBPSGroup/?multi_permalinks=4233880116629245&amp;amp;notif_id=1607973793745357&amp;amp;notif_t=group_highlights&amp;amp;ref=notif" target="_blank" rel="nofollow noopener"&gt;https://www.facebook.com/groups/LBPSGroup/?multi_permalinks=4233880116629245&amp;amp;amp;notif_id=1607973793745357&amp;amp;amp;notif_t=group_highlights&amp;amp;amp;ref=notif&lt;/a&gt;&lt;/p&gt;

&lt;p&gt;1820ish Robert Topliff: It bares a passing resemblance to this rather busy Nineteenth Century Setting From Robert Topliff:&lt;br&gt;
&lt;a href="https://digital.nls.uk/special-collections-of-printed-music/archive/104483151" target="_blank" rel="nofollow noopener"&gt;https://digital.nls.uk/special-collections-of-printed-music/archive/104483151&lt;/a&gt; &lt;/p&gt;

&lt;p&gt;Please take advantage of the Tune Collection tab: &lt;a href="https://www.wetootwaag.com/tunesources" target="_blank" rel="nofollow noopener"&gt;https://www.wetootwaag.com/tunesources&lt;/a&gt; &lt;br&gt;
Also Please take a minute to leave a review of the podcast! &lt;/p&gt;

&lt;p&gt;Listen on Apple Podcasts: &lt;a href="https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677" target="_blank" rel="nofollow noopener"&gt;https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677&lt;/a&gt; &lt;br&gt;
Listen on Itunes: &lt;a href="https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677" target="_blank" rel="nofollow noopener"&gt;https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677&lt;/a&gt; &lt;br&gt;
Listen on Spotify: &lt;a href="https://open.spotify.com/show/5QxzqrSm0pu6v8y8pLsv5j?si=QLiG0L1pT1eu7B5_FDmgGA" target="_blank" rel="nofollow noopener"&gt;https://open.spotify.com/show/5QxzqrSm0pu6v8y8pLsv5j?si=QLiG0L1pT1eu7B5_FDmgGA&lt;/a&gt;&lt;/p&gt;
</description>
  <itunes:keywords>bagpipes, uilleann pipes, Highland, Scottish, Scotland, Donald MacDonald, History, Music, Great Highland Bagpipes, GHB, Celtic, history, pastoral pipes, union pipes, baroque, eighteenth Century, Irish Music, Scottish Music, </itunes:keywords>
  <content:encoded>
    <![CDATA[<p>Tunes: <br>
O’Farrell: Lewellynn, A Piper o’er the Meadows Straying, Black Joke <br>
John Parry: Nos Calan<br>
Matt Seattle: Christenmiss Day in the Morning<br>
My Setting?: Mill Mill o, Baloo Lammy<br>
Donald MacDonald: Bodachan a gharidh (The Jolly Old gardener)<br>
Aird: Bodachan a garidh (The Merry old gardener) </p>

<p>Be Sure to Head over to Ryan Kirk’s Youtube Channel to catch some stellar tunes:<br>
<a href="https://www.youtube.com/channel/UC7jY3tVICOSthOfESS8MjNA" rel="nofollow">https://www.youtube.com/channel/UC7jY3tVICOSthOfESS8MjNA</a> </p>

<p>Here’s a Link to the Newgrange Winter Solstice Livestream which will begin shortly after this episode is posted and should run through till the Solstice.<br>
<a href="https://livestream.com/accounts/285324/events/9440165/player" rel="nofollow">https://livestream.com/accounts/285324/events/9440165/player</a></p>

<p>You can check out photos of past Solstices from Mayeshowe at the below link:<br>
<a href="http://www.maeshowe.co.uk/" rel="nofollow">http://www.maeshowe.co.uk/</a></p>

<p>If you want more Christmas Bagpipe Carols Check out Charlie Rutan’s Christmas Bagpipe Series on Facebook: They are a great bit of history and music, well worth a watch!<br>
<a href="https://www.facebook.com/Christmas-Bagpipes-101281248507906" rel="nofollow">https://www.facebook.com/Christmas-Bagpipes-101281248507906</a> </p>

<p>1808 O’Farrell: The Black Joke With Variations:<br>
<a href="https://digital.nls.uk/special-collections-of-printed-music/archive/87780734" rel="nofollow">https://digital.nls.uk/special-collections-of-printed-music/archive/87780734</a></p>

<p>1770s? James Aird: Bodachan a garidh<br>
<a href="https://digital.nls.uk/special-collections-of-printed-music/archive/87706527" rel="nofollow">https://digital.nls.uk/special-collections-of-printed-music/archive/87706527</a> <br>
1828: Donald MacDonald: Bodachan a gharidh Jolly Old Gardner<br>
<a href="https://digital.nls.uk/special-collections-of-printed-music/archive/105682627" rel="nofollow">https://digital.nls.uk/special-collections-of-printed-music/archive/105682627</a></p>

<p>1808 O’Farrell: Unfortunately Lewelynn and A Piper O’er the Meadows Straying are both from the O’Farrell Pocketbook companion Volume 3 that I can’t link to easily. You can download the PDF off Ross’s Music Page, or  look at the Cape Irish ABC notation Settings:<br>
<a href="http://www.capeirish.com/webabc/working/source.folders/ofpc/ofpc.3/ofpc.3_table.html" rel="nofollow">http://www.capeirish.com/webabc/working/source.folders/ofpc/ofpc.3/ofpc.3_table.html</a></p>

<p>1781 John Parry: Nos Calan<br>
<a href="https://viewer.library.wales/4675640#?c=&m=&s=&cv=17&manifest=https%3A%2F%2Fdamsssl.llgc.org.uk%2Fiiif%2F2.0%2F4675640%2Fmanifest.json&xywh=-213%2C458%2C4871%2C3692" rel="nofollow">https://viewer.library.wales/4675640#?c=&amp;m=&amp;s=&amp;cv=17&amp;manifest=https%3A%2F%2Fdamsssl.llgc.org.uk%2Fiiif%2F2.0%2F4675640%2Fmanifest.json&amp;xywh=-213%2C458%2C4871%2C3692</a></p>

<p>Matt Seattle: Christenmiss Day in the Morning: Matt just posted his setting for the tune that I am Riffing on into the Discussions on the LBPS forum on Facebook<br>
<a href="https://www.facebook.com/groups/LBPSGroup/?multi_permalinks=4233880116629245&notif_id=1607973793745357&notif_t=group_highlights&ref=notif" rel="nofollow">https://www.facebook.com/groups/LBPSGroup/?multi_permalinks=4233880116629245&amp;notif_id=1607973793745357&amp;notif_t=group_highlights&amp;ref=notif</a></p>

<p>1820ish Robert Topliff: It bares a passing resemblance to this rather busy Nineteenth Century Setting From Robert Topliff:<br>
<a href="https://digital.nls.uk/special-collections-of-printed-music/archive/104483151" rel="nofollow">https://digital.nls.uk/special-collections-of-printed-music/archive/104483151</a> </p>

<p>Please take advantage of the Tune Collection tab: <a href="https://www.wetootwaag.com/tunesources" rel="nofollow">https://www.wetootwaag.com/tunesources</a> <br>
Also Please take a minute to leave a review of the podcast! </p>

<p>Listen on Apple Podcasts: <a href="https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677" rel="nofollow">https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677</a> <br>
Listen on Itunes: <a href="https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677" rel="nofollow">https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677</a> <br>
Listen on Spotify: <a href="https://open.spotify.com/show/5QxzqrSm0pu6v8y8pLsv5j?si=QLiG0L1pT1eu7B5_FDmgGA" rel="nofollow">https://open.spotify.com/show/5QxzqrSm0pu6v8y8pLsv5j?si=QLiG0L1pT1eu7B5_FDmgGA</a></p><p><a rel="payment" href="https://www.patreon.com/wetootwaag">Support Wetootwaag&#39;s Bagpipe and History Podcast</a></p>]]>
  </content:encoded>
  <itunes:summary>
    <![CDATA[<p>Tunes: <br>
O’Farrell: Lewellynn, A Piper o’er the Meadows Straying, Black Joke <br>
John Parry: Nos Calan<br>
Matt Seattle: Christenmiss Day in the Morning<br>
My Setting?: Mill Mill o, Baloo Lammy<br>
Donald MacDonald: Bodachan a gharidh (The Jolly Old gardener)<br>
Aird: Bodachan a garidh (The Merry old gardener) </p>

<p>Be Sure to Head over to Ryan Kirk’s Youtube Channel to catch some stellar tunes:<br>
<a href="https://www.youtube.com/channel/UC7jY3tVICOSthOfESS8MjNA" rel="nofollow">https://www.youtube.com/channel/UC7jY3tVICOSthOfESS8MjNA</a> </p>

<p>Here’s a Link to the Newgrange Winter Solstice Livestream which will begin shortly after this episode is posted and should run through till the Solstice.<br>
<a href="https://livestream.com/accounts/285324/events/9440165/player" rel="nofollow">https://livestream.com/accounts/285324/events/9440165/player</a></p>

<p>You can check out photos of past Solstices from Mayeshowe at the below link:<br>
<a href="http://www.maeshowe.co.uk/" rel="nofollow">http://www.maeshowe.co.uk/</a></p>

<p>If you want more Christmas Bagpipe Carols Check out Charlie Rutan’s Christmas Bagpipe Series on Facebook: They are a great bit of history and music, well worth a watch!<br>
<a href="https://www.facebook.com/Christmas-Bagpipes-101281248507906" rel="nofollow">https://www.facebook.com/Christmas-Bagpipes-101281248507906</a> </p>

<p>1808 O’Farrell: The Black Joke With Variations:<br>
<a href="https://digital.nls.uk/special-collections-of-printed-music/archive/87780734" rel="nofollow">https://digital.nls.uk/special-collections-of-printed-music/archive/87780734</a></p>

<p>1770s? James Aird: Bodachan a garidh<br>
<a href="https://digital.nls.uk/special-collections-of-printed-music/archive/87706527" rel="nofollow">https://digital.nls.uk/special-collections-of-printed-music/archive/87706527</a> <br>
1828: Donald MacDonald: Bodachan a gharidh Jolly Old Gardner<br>
<a href="https://digital.nls.uk/special-collections-of-printed-music/archive/105682627" rel="nofollow">https://digital.nls.uk/special-collections-of-printed-music/archive/105682627</a></p>

<p>1808 O’Farrell: Unfortunately Lewelynn and A Piper O’er the Meadows Straying are both from the O’Farrell Pocketbook companion Volume 3 that I can’t link to easily. You can download the PDF off Ross’s Music Page, or  look at the Cape Irish ABC notation Settings:<br>
<a href="http://www.capeirish.com/webabc/working/source.folders/ofpc/ofpc.3/ofpc.3_table.html" rel="nofollow">http://www.capeirish.com/webabc/working/source.folders/ofpc/ofpc.3/ofpc.3_table.html</a></p>

<p>1781 John Parry: Nos Calan<br>
<a href="https://viewer.library.wales/4675640#?c=&m=&s=&cv=17&manifest=https%3A%2F%2Fdamsssl.llgc.org.uk%2Fiiif%2F2.0%2F4675640%2Fmanifest.json&xywh=-213%2C458%2C4871%2C3692" rel="nofollow">https://viewer.library.wales/4675640#?c=&amp;m=&amp;s=&amp;cv=17&amp;manifest=https%3A%2F%2Fdamsssl.llgc.org.uk%2Fiiif%2F2.0%2F4675640%2Fmanifest.json&amp;xywh=-213%2C458%2C4871%2C3692</a></p>

<p>Matt Seattle: Christenmiss Day in the Morning: Matt just posted his setting for the tune that I am Riffing on into the Discussions on the LBPS forum on Facebook<br>
<a href="https://www.facebook.com/groups/LBPSGroup/?multi_permalinks=4233880116629245&notif_id=1607973793745357&notif_t=group_highlights&ref=notif" rel="nofollow">https://www.facebook.com/groups/LBPSGroup/?multi_permalinks=4233880116629245&amp;notif_id=1607973793745357&amp;notif_t=group_highlights&amp;ref=notif</a></p>

<p>1820ish Robert Topliff: It bares a passing resemblance to this rather busy Nineteenth Century Setting From Robert Topliff:<br>
<a href="https://digital.nls.uk/special-collections-of-printed-music/archive/104483151" rel="nofollow">https://digital.nls.uk/special-collections-of-printed-music/archive/104483151</a> </p>

<p>Please take advantage of the Tune Collection tab: <a href="https://www.wetootwaag.com/tunesources" rel="nofollow">https://www.wetootwaag.com/tunesources</a> <br>
Also Please take a minute to leave a review of the podcast! </p>

<p>Listen on Apple Podcasts: <a href="https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677" rel="nofollow">https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677</a> <br>
Listen on Itunes: <a href="https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677" rel="nofollow">https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677</a> <br>
Listen on Spotify: <a href="https://open.spotify.com/show/5QxzqrSm0pu6v8y8pLsv5j?si=QLiG0L1pT1eu7B5_FDmgGA" rel="nofollow">https://open.spotify.com/show/5QxzqrSm0pu6v8y8pLsv5j?si=QLiG0L1pT1eu7B5_FDmgGA</a></p><p><a rel="payment" href="https://www.patreon.com/wetootwaag">Support Wetootwaag&#39;s Bagpipe and History Podcast</a></p>]]>
  </itunes:summary>
</item>
<item>
  <title>S4E35: Bremner Part 3: Bremner’s Guitar Tutor with Special Thanks to Ryan Kirk and Rob Turner</title>
  <link>https://www.wetootwaag.com/s4e35</link>
  <guid isPermaLink="false">72099876-8dc5-4de2-92e6-9ba337308b36</guid>
  <pubDate>Fri, 11 Dec 2020 23:00:00 -0500</pubDate>
  <author>Jeremy Kingsbury</author>
  <enclosure url="https://aphid.fireside.fm/d/1437767933/f158d1e4-b92d-4f8d-9eef-7382ca3c3ee8/72099876-8dc5-4de2-92e6-9ba337308b36.mp3" length="54497372" type="audio/mpeg"/>
  <itunes:episodeType>full</itunes:episodeType>
  <itunes:season>4</itunes:season>
  <itunes:author>Jeremy Kingsbury</itunes:author>
  <itunes:subtitle>Tunes:

Robert Bremner: Stadholders Minuet, Moorish Tunes, Mill Mill O, Willy was a Wanton Wag, and Black Joke.
William McGibbon: Mill Mill O, Willie Was a Wanton Wag
James Oswald: Burlesque on a Black Joak:
Miscellaneous: Clare Dragoons, Braes a Mar</itunes:subtitle>
  <itunes:duration>53:00</itunes:duration>
  <itunes:explicit>no</itunes:explicit>
  <itunes:image href="https://media24.fireside.fm/file/fireside-images-2024/podcasts/images/f/f158d1e4-b92d-4f8d-9eef-7382ca3c3ee8/episodes/7/72099876-8dc5-4de2-92e6-9ba337308b36/cover.jpg?v=1"/>
  <description>&lt;p&gt;Tunes:&lt;/p&gt;

&lt;p&gt;Robert Bremner: Stadholders Minuet, Moorish Tunes, Mill Mill O, Willy was a Wanton Wag, and Black Joke.&lt;br&gt;
William McGibbon: Mill Mill O, Willie Was a Wanton Wag&lt;br&gt;
James Oswald: Burlesque on a Black Joak:&lt;br&gt;
Miscellaneous: Clare Dragoons, Braes a Mar&lt;/p&gt;

&lt;p&gt;Big Thanks To Ryan Kirk for the performance and write up. Head over to the Facebook page to tell him thanks!&lt;/p&gt;

&lt;p&gt;Thanks to Rob Turner for his Playing of James Oswald’s Burlesque on Black Joke. You can watch his youtube upoload of the tune, along with some stellar background information. &lt;a href="https://youtu.be/vHFwsYbvZ-A" target="_blank" rel="nofollow noopener"&gt;https://youtu.be/vHFwsYbvZ-A&lt;/a&gt; &lt;/p&gt;

&lt;p&gt;As I said in the episode, be sure to check out the rest of his music on his Youtube channel: fiauto&lt;br&gt;
&lt;a href="https://www.youtube.com/channel/UCMNv7YozytBYTZHjyMGxO1A" target="_blank" rel="nofollow noopener"&gt;https://www.youtube.com/channel/UCMNv7YozytBYTZHjyMGxO1A&lt;/a&gt; &lt;/p&gt;

&lt;p&gt;Bremner’s Guitar Tutorial settings for, Moorish Tunes, Mill Mill O, Willy was a Wanton Wag, Stadholders Minuet, and Black Joke:&lt;br&gt;
&lt;a href="http://guitar-repertoire.com/musicalia/bremner-r-instructions-for-the-guitar-pdf/" target="_blank" rel="nofollow noopener"&gt;http://guitar-repertoire.com/musicalia/bremner-r-instructions-for-the-guitar-pdf/&lt;/a&gt; &lt;/p&gt;

&lt;p&gt;Oswald: Burlesque on a Black Joak:&lt;br&gt;
&lt;a href="https://digital.nls.uk/special-collections-of-printed-music/archive/94598288" target="_blank" rel="nofollow noopener"&gt;https://digital.nls.uk/special-collections-of-printed-music/archive/94598288&lt;/a&gt; &lt;/p&gt;

&lt;p&gt;O’Farrell’s The Black Joke with Variations:&lt;br&gt;
&lt;a href="https://digital.nls.uk/special-collections-of-printed-music/archive/87780734" target="_blank" rel="nofollow noopener"&gt;https://digital.nls.uk/special-collections-of-printed-music/archive/87780734&lt;/a&gt;&lt;/p&gt;

&lt;p&gt;McGibbon’s Willy was a Wanton Wag:&lt;br&gt;
&lt;a href="https://digital.nls.uk/special-collections-of-printed-music/archive/105870384" target="_blank" rel="nofollow noopener"&gt;https://digital.nls.uk/special-collections-of-printed-music/archive/105870384&lt;/a&gt;&lt;/p&gt;

&lt;p&gt;Clare Dragoons: I just took off The Session&lt;br&gt;
&lt;a href="https://thesession.org/tunes/777" target="_blank" rel="nofollow noopener"&gt;https://thesession.org/tunes/777&lt;/a&gt; &lt;/p&gt;

&lt;p&gt;But you might be entertained by this bizarre “Fennian War Echoes” Pamphlet with the Song:&lt;br&gt;
&lt;a href="https://digital.library.temple.edu/digital/collection/p15037coll1/id/897" target="_blank" rel="nofollow noopener"&gt;https://digital.library.temple.edu/digital/collection/p15037coll1/id/897&lt;/a&gt; &lt;/p&gt;

&lt;p&gt;If you haven’t listened to The Dollop Episode about the Fenian Raids, it’s a pretty good laugh:&lt;br&gt;
&lt;a href="https://allthingscomedy.com/podcasts/106---the-fenian-raids" target="_blank" rel="nofollow noopener"&gt;https://allthingscomedy.com/podcasts/106---the-fenian-raids&lt;/a&gt; &lt;/p&gt;

&lt;p&gt;McGibbon’s Mill Mill O:&lt;br&gt;
&lt;a href="https://digital.nls.uk/special-collections-of-printed-music/archive/105869955" target="_blank" rel="nofollow noopener"&gt;https://digital.nls.uk/special-collections-of-printed-music/archive/105869955&lt;/a&gt; &lt;/p&gt;

&lt;p&gt;Here Is Ryan's Excellent write up if you'd like to see it as written:&lt;/p&gt;

&lt;p&gt;English Guitar Notes:&lt;br&gt;
Robert Bremner’s Instructions for the Guitar is a short tutor book containing a brief overview of the instrument and a small collection of popular English and Scottish tunes. The instrument described within is not what most people today would picture when they hear guitar. Instead of the six stringed Romantic or Spanish guitar - the direct ancestor to today’s classical and steel stringed instruments - the instrument described is what is now known as an English or Scottish guitar. This instrument had six courses of strings, but was a smaller teardrop shaped instrument strung with metal wire and tuned in open tunings. It is the ancestor to and most closely resembles the modern cittern or German waldzither. With its early wire strings and open tunings it was less suited to the more harmonically complex and delicate music played on the gut strung Spanish instrument. Nevertheless, it enjoyed widespread use as an instrument for popular and folk music.&lt;/p&gt;

&lt;p&gt;The ‘Instructions’ portion of the text is relatively brief. It explains the tuning of the instrument (an open C major chord) and a few rudimentary techniques. Interestingly it describes a simple strumming technique and also suggests an alternating plucking with the thumb and forefinger, a common technique on the lute and other early stringed instruments now known as ‘thumb under’ that approximates the effect of a plectrum. &lt;/p&gt;

&lt;p&gt;The musical selections themselves are mostly presented in simple settings. The music is provided in staff notation, rather than the tablature more commonly used for stringed instruments of the era. All of the music is transposed to C to fit the open chord tuning of the instrument. The texture is simple, mostly simple monophonic melody line with the odd open string drone or strummed open string chord for emphasis, when harmonically appropriate. In all but a few instances the music only calls on the player to strike notes on immediately adjacent strings, most often in melodic parallel thirds or a melody over an open drone string. There is none of the counterpoint, moving basslines, or harmonic figuration that is typical of Baroque or Romantic guitar repertoire. These factors along with the popular tunes suggests to me that the music was intended for an amateur audience and intended to be strummed as much as plucked. One could view the tutor as analogous to modern commercial ukulele books full of popular and folk tunes in simple arrangements. &lt;/p&gt;

&lt;p&gt;The various Moorish tunes are interesting and of particular note. They are all extremely short and simple with a strong pastoral sound of open ringing intervals evocative of hunting horns and reveilles, perhaps intended to conjure the image of the trumpets popularly associated with the military bands of the Ottoman Empire. &lt;/p&gt;

&lt;p&gt;In light of the above notes on the instrument itself, I have played the selected tunes on a modern steel string acoustic guitar, with a mix of pick and thumb and forefinger as appropriate. &lt;br&gt;
Ryan Kirk, Nova Scotia Canada (thanks again Ryan!)&lt;/p&gt;

&lt;p&gt;Please take advantage of the Tune Collection tab: &lt;a href="https://www.wetootwaag.com/tunesources" target="_blank" rel="nofollow noopener"&gt;https://www.wetootwaag.com/tunesources&lt;/a&gt; &lt;br&gt;
Also Please take a minute to leave a review of the podcast! &lt;/p&gt;

&lt;p&gt;Listen on Apple Podcasts: &lt;a href="https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677" target="_blank" rel="nofollow noopener"&gt;https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677&lt;/a&gt; &lt;br&gt;
Listen on Itunes: &lt;a href="https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677" target="_blank" rel="nofollow noopener"&gt;https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677&lt;/a&gt; &lt;br&gt;
Listen on Spotify: &lt;a href="https://open.spotify.com/show/5QxzqrSm0pu6v8y8pLsv5j?si=QLiG0L1pT1eu7B5_FDmgGA" target="_blank" rel="nofollow noopener"&gt;https://open.spotify.com/show/5QxzqrSm0pu6v8y8pLsv5j?si=QLiG0L1pT1eu7B5_FDmgGA&lt;/a&gt;&lt;/p&gt;
</description>
  <itunes:keywords>Guitar, Scottish Guitar, Flute, Ryan Kirk, Rob Turner, bagpipes, uilleann pipes, Highland, Scottish, Scotland, Donald MacDonald, History, Music, Great Highland Bagpipes, GHB, Celtic, history, pastoral pipes, union pipes, baroque, eighteenth Century, Irish Music, Scottish Music, </itunes:keywords>
  <content:encoded>
    <![CDATA[<p>Tunes:</p>

<p>Robert Bremner: Stadholders Minuet, Moorish Tunes, Mill Mill O, Willy was a Wanton Wag, and Black Joke.<br>
William McGibbon: Mill Mill O, Willie Was a Wanton Wag<br>
James Oswald: Burlesque on a Black Joak:<br>
Miscellaneous: Clare Dragoons, Braes a Mar</p>

<p>Big Thanks To Ryan Kirk for the performance and write up. Head over to the Facebook page to tell him thanks!</p>

<p>Thanks to Rob Turner for his Playing of James Oswald’s Burlesque on Black Joke. You can watch his youtube upoload of the tune, along with some stellar background information. <a href="https://youtu.be/vHFwsYbvZ-A" rel="nofollow">https://youtu.be/vHFwsYbvZ-A</a> </p>

<p>As I said in the episode, be sure to check out the rest of his music on his Youtube channel: fiauto<br>
<a href="https://www.youtube.com/channel/UCMNv7YozytBYTZHjyMGxO1A" rel="nofollow">https://www.youtube.com/channel/UCMNv7YozytBYTZHjyMGxO1A</a> </p>

<p>Bremner’s Guitar Tutorial settings for, Moorish Tunes, Mill Mill O, Willy was a Wanton Wag, Stadholders Minuet, and Black Joke:<br>
<a href="http://guitar-repertoire.com/musicalia/bremner-r-instructions-for-the-guitar-pdf/" rel="nofollow">http://guitar-repertoire.com/musicalia/bremner-r-instructions-for-the-guitar-pdf/</a> </p>

<p>Oswald: Burlesque on a Black Joak:<br>
<a href="https://digital.nls.uk/special-collections-of-printed-music/archive/94598288" rel="nofollow">https://digital.nls.uk/special-collections-of-printed-music/archive/94598288</a> </p>

<p>O’Farrell’s The Black Joke with Variations:<br>
<a href="https://digital.nls.uk/special-collections-of-printed-music/archive/87780734" rel="nofollow">https://digital.nls.uk/special-collections-of-printed-music/archive/87780734</a></p>

<p>McGibbon’s Willy was a Wanton Wag:<br>
<a href="https://digital.nls.uk/special-collections-of-printed-music/archive/105870384" rel="nofollow">https://digital.nls.uk/special-collections-of-printed-music/archive/105870384</a></p>

<p>Clare Dragoons: I just took off The Session<br>
<a href="https://thesession.org/tunes/777" rel="nofollow">https://thesession.org/tunes/777</a> </p>

<p>But you might be entertained by this bizarre “Fennian War Echoes” Pamphlet with the Song:<br>
<a href="https://digital.library.temple.edu/digital/collection/p15037coll1/id/897" rel="nofollow">https://digital.library.temple.edu/digital/collection/p15037coll1/id/897</a> </p>

<p>If you haven’t listened to The Dollop Episode about the Fenian Raids, it’s a pretty good laugh:<br>
<a href="https://allthingscomedy.com/podcasts/106---the-fenian-raids" rel="nofollow">https://allthingscomedy.com/podcasts/106---the-fenian-raids</a> </p>

<p>McGibbon’s Mill Mill O:<br>
<a href="https://digital.nls.uk/special-collections-of-printed-music/archive/105869955" rel="nofollow">https://digital.nls.uk/special-collections-of-printed-music/archive/105869955</a> </p>

<p>Here Is Ryan&#39;s Excellent write up if you&#39;d like to see it as written:</p>

<p>English Guitar Notes:<br>
Robert Bremner’s Instructions for the Guitar is a short tutor book containing a brief overview of the instrument and a small collection of popular English and Scottish tunes. The instrument described within is not what most people today would picture when they hear guitar. Instead of the six stringed Romantic or Spanish guitar - the direct ancestor to today’s classical and steel stringed instruments - the instrument described is what is now known as an English or Scottish guitar. This instrument had six courses of strings, but was a smaller teardrop shaped instrument strung with metal wire and tuned in open tunings. It is the ancestor to and most closely resembles the modern cittern or German waldzither. With its early wire strings and open tunings it was less suited to the more harmonically complex and delicate music played on the gut strung Spanish instrument. Nevertheless, it enjoyed widespread use as an instrument for popular and folk music.</p>

<p>The ‘Instructions’ portion of the text is relatively brief. It explains the tuning of the instrument (an open C major chord) and a few rudimentary techniques. Interestingly it describes a simple strumming technique and also suggests an alternating plucking with the thumb and forefinger, a common technique on the lute and other early stringed instruments now known as ‘thumb under’ that approximates the effect of a plectrum. </p>

<p>The musical selections themselves are mostly presented in simple settings. The music is provided in staff notation, rather than the tablature more commonly used for stringed instruments of the era. All of the music is transposed to C to fit the open chord tuning of the instrument. The texture is simple, mostly simple monophonic melody line with the odd open string drone or strummed open string chord for emphasis, when harmonically appropriate. In all but a few instances the music only calls on the player to strike notes on immediately adjacent strings, most often in melodic parallel thirds or a melody over an open drone string. There is none of the counterpoint, moving basslines, or harmonic figuration that is typical of Baroque or Romantic guitar repertoire. These factors along with the popular tunes suggests to me that the music was intended for an amateur audience and intended to be strummed as much as plucked. One could view the tutor as analogous to modern commercial ukulele books full of popular and folk tunes in simple arrangements. </p>

<p>The various Moorish tunes are interesting and of particular note. They are all extremely short and simple with a strong pastoral sound of open ringing intervals evocative of hunting horns and reveilles, perhaps intended to conjure the image of the trumpets popularly associated with the military bands of the Ottoman Empire. </p>

<p>In light of the above notes on the instrument itself, I have played the selected tunes on a modern steel string acoustic guitar, with a mix of pick and thumb and forefinger as appropriate. <br>
Ryan Kirk, Nova Scotia Canada (thanks again Ryan!)</p>

<p>Please take advantage of the Tune Collection tab: <a href="https://www.wetootwaag.com/tunesources" rel="nofollow">https://www.wetootwaag.com/tunesources</a> <br>
Also Please take a minute to leave a review of the podcast! </p>

<p>Listen on Apple Podcasts: <a href="https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677" rel="nofollow">https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677</a> <br>
Listen on Itunes: <a href="https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677" rel="nofollow">https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677</a> <br>
Listen on Spotify: <a href="https://open.spotify.com/show/5QxzqrSm0pu6v8y8pLsv5j?si=QLiG0L1pT1eu7B5_FDmgGA" rel="nofollow">https://open.spotify.com/show/5QxzqrSm0pu6v8y8pLsv5j?si=QLiG0L1pT1eu7B5_FDmgGA</a></p><p><a rel="payment" href="https://www.patreon.com/wetootwaag">Support Wetootwaag&#39;s Bagpipe and History Podcast</a></p>]]>
  </content:encoded>
  <itunes:summary>
    <![CDATA[<p>Tunes:</p>

<p>Robert Bremner: Stadholders Minuet, Moorish Tunes, Mill Mill O, Willy was a Wanton Wag, and Black Joke.<br>
William McGibbon: Mill Mill O, Willie Was a Wanton Wag<br>
James Oswald: Burlesque on a Black Joak:<br>
Miscellaneous: Clare Dragoons, Braes a Mar</p>

<p>Big Thanks To Ryan Kirk for the performance and write up. Head over to the Facebook page to tell him thanks!</p>

<p>Thanks to Rob Turner for his Playing of James Oswald’s Burlesque on Black Joke. You can watch his youtube upoload of the tune, along with some stellar background information. <a href="https://youtu.be/vHFwsYbvZ-A" rel="nofollow">https://youtu.be/vHFwsYbvZ-A</a> </p>

<p>As I said in the episode, be sure to check out the rest of his music on his Youtube channel: fiauto<br>
<a href="https://www.youtube.com/channel/UCMNv7YozytBYTZHjyMGxO1A" rel="nofollow">https://www.youtube.com/channel/UCMNv7YozytBYTZHjyMGxO1A</a> </p>

<p>Bremner’s Guitar Tutorial settings for, Moorish Tunes, Mill Mill O, Willy was a Wanton Wag, Stadholders Minuet, and Black Joke:<br>
<a href="http://guitar-repertoire.com/musicalia/bremner-r-instructions-for-the-guitar-pdf/" rel="nofollow">http://guitar-repertoire.com/musicalia/bremner-r-instructions-for-the-guitar-pdf/</a> </p>

<p>Oswald: Burlesque on a Black Joak:<br>
<a href="https://digital.nls.uk/special-collections-of-printed-music/archive/94598288" rel="nofollow">https://digital.nls.uk/special-collections-of-printed-music/archive/94598288</a> </p>

<p>O’Farrell’s The Black Joke with Variations:<br>
<a href="https://digital.nls.uk/special-collections-of-printed-music/archive/87780734" rel="nofollow">https://digital.nls.uk/special-collections-of-printed-music/archive/87780734</a></p>

<p>McGibbon’s Willy was a Wanton Wag:<br>
<a href="https://digital.nls.uk/special-collections-of-printed-music/archive/105870384" rel="nofollow">https://digital.nls.uk/special-collections-of-printed-music/archive/105870384</a></p>

<p>Clare Dragoons: I just took off The Session<br>
<a href="https://thesession.org/tunes/777" rel="nofollow">https://thesession.org/tunes/777</a> </p>

<p>But you might be entertained by this bizarre “Fennian War Echoes” Pamphlet with the Song:<br>
<a href="https://digital.library.temple.edu/digital/collection/p15037coll1/id/897" rel="nofollow">https://digital.library.temple.edu/digital/collection/p15037coll1/id/897</a> </p>

<p>If you haven’t listened to The Dollop Episode about the Fenian Raids, it’s a pretty good laugh:<br>
<a href="https://allthingscomedy.com/podcasts/106---the-fenian-raids" rel="nofollow">https://allthingscomedy.com/podcasts/106---the-fenian-raids</a> </p>

<p>McGibbon’s Mill Mill O:<br>
<a href="https://digital.nls.uk/special-collections-of-printed-music/archive/105869955" rel="nofollow">https://digital.nls.uk/special-collections-of-printed-music/archive/105869955</a> </p>

<p>Here Is Ryan&#39;s Excellent write up if you&#39;d like to see it as written:</p>

<p>English Guitar Notes:<br>
Robert Bremner’s Instructions for the Guitar is a short tutor book containing a brief overview of the instrument and a small collection of popular English and Scottish tunes. The instrument described within is not what most people today would picture when they hear guitar. Instead of the six stringed Romantic or Spanish guitar - the direct ancestor to today’s classical and steel stringed instruments - the instrument described is what is now known as an English or Scottish guitar. This instrument had six courses of strings, but was a smaller teardrop shaped instrument strung with metal wire and tuned in open tunings. It is the ancestor to and most closely resembles the modern cittern or German waldzither. With its early wire strings and open tunings it was less suited to the more harmonically complex and delicate music played on the gut strung Spanish instrument. Nevertheless, it enjoyed widespread use as an instrument for popular and folk music.</p>

<p>The ‘Instructions’ portion of the text is relatively brief. It explains the tuning of the instrument (an open C major chord) and a few rudimentary techniques. Interestingly it describes a simple strumming technique and also suggests an alternating plucking with the thumb and forefinger, a common technique on the lute and other early stringed instruments now known as ‘thumb under’ that approximates the effect of a plectrum. </p>

<p>The musical selections themselves are mostly presented in simple settings. The music is provided in staff notation, rather than the tablature more commonly used for stringed instruments of the era. All of the music is transposed to C to fit the open chord tuning of the instrument. The texture is simple, mostly simple monophonic melody line with the odd open string drone or strummed open string chord for emphasis, when harmonically appropriate. In all but a few instances the music only calls on the player to strike notes on immediately adjacent strings, most often in melodic parallel thirds or a melody over an open drone string. There is none of the counterpoint, moving basslines, or harmonic figuration that is typical of Baroque or Romantic guitar repertoire. These factors along with the popular tunes suggests to me that the music was intended for an amateur audience and intended to be strummed as much as plucked. One could view the tutor as analogous to modern commercial ukulele books full of popular and folk tunes in simple arrangements. </p>

<p>The various Moorish tunes are interesting and of particular note. They are all extremely short and simple with a strong pastoral sound of open ringing intervals evocative of hunting horns and reveilles, perhaps intended to conjure the image of the trumpets popularly associated with the military bands of the Ottoman Empire. </p>

<p>In light of the above notes on the instrument itself, I have played the selected tunes on a modern steel string acoustic guitar, with a mix of pick and thumb and forefinger as appropriate. <br>
Ryan Kirk, Nova Scotia Canada (thanks again Ryan!)</p>

<p>Please take advantage of the Tune Collection tab: <a href="https://www.wetootwaag.com/tunesources" rel="nofollow">https://www.wetootwaag.com/tunesources</a> <br>
Also Please take a minute to leave a review of the podcast! </p>

<p>Listen on Apple Podcasts: <a href="https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677" rel="nofollow">https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677</a> <br>
Listen on Itunes: <a href="https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677" rel="nofollow">https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677</a> <br>
Listen on Spotify: <a href="https://open.spotify.com/show/5QxzqrSm0pu6v8y8pLsv5j?si=QLiG0L1pT1eu7B5_FDmgGA" rel="nofollow">https://open.spotify.com/show/5QxzqrSm0pu6v8y8pLsv5j?si=QLiG0L1pT1eu7B5_FDmgGA</a></p><p><a rel="payment" href="https://www.patreon.com/wetootwaag">Support Wetootwaag&#39;s Bagpipe and History Podcast</a></p>]]>
  </itunes:summary>
</item>
<item>
  <title>S4 Bandamp Friday Reminder</title>
  <link>https://www.wetootwaag.com/s4bandcampfriday</link>
  <guid isPermaLink="false">f99a337d-adef-4d11-9a4c-f6e2c357997b</guid>
  <pubDate>Fri, 04 Dec 2020 18:00:00 -0500</pubDate>
  <author>Jeremy Kingsbury</author>
  <enclosure url="https://aphid.fireside.fm/d/1437767933/f158d1e4-b92d-4f8d-9eef-7382ca3c3ee8/f99a337d-adef-4d11-9a4c-f6e2c357997b.mp3" length="6653204" type="audio/mpeg"/>
  <itunes:episodeType>full</itunes:episodeType>
  <itunes:season>4</itunes:season>
  <itunes:author>Jeremy Kingsbury</itunes:author>
  <itunes:subtitle>Tunes: Straight &amp; Skillern: The Nabob</itunes:subtitle>
  <itunes:duration>6:13</itunes:duration>
  <itunes:explicit>no</itunes:explicit>
  <itunes:image href="https://media24.fireside.fm/file/fireside-images-2024/podcasts/images/f/f158d1e4-b92d-4f8d-9eef-7382ca3c3ee8/cover.jpg?v=6"/>
  <description>&lt;p&gt;S4 Bandamp Friday Reminder&lt;br&gt;
Tunes: Straight &amp;amp; Skillern: The Nabob&lt;/p&gt;

&lt;p&gt;Quick late reminder that you should buy people’s music on Bandcamp today! Friday December 4th.&lt;/p&gt;

&lt;p&gt;You can Check out my favorite Bandcamp purchases by looking at my profile. (Note I don’t do most of my listening on Bandcamp so it is a pretty small list that has really only started growing with the Bandcamp Friday promotions.)&lt;br&gt;
&lt;a href="https://bandcamp.com/wetootwaag" target="_blank" rel="nofollow noopener"&gt;https://bandcamp.com/wetootwaag&lt;/a&gt;&lt;/p&gt;

&lt;p&gt;Specifically the Following artists have been kind enough to share music recently on the Podcast, so Please Check them out:&lt;/p&gt;

&lt;p&gt;Nicholas Brown’s awesome album of James Aird and O’Farrell tunes on an eighteenth century Irish Bagpipe:&lt;br&gt;
&lt;a href="https://nicolasbrown.bandcamp.com/album/good-enough-music-for-them-who-love-it" target="_blank" rel="nofollow noopener"&gt;https://nicolasbrown.bandcamp.com/album/good-enough-music-for-them-who-love-it&lt;/a&gt; &lt;/p&gt;

&lt;p&gt;Donald Lindsay’s The History of Sleep. Paired with Richard Youngs on Guitar and Donald on a double octave chanter of his design this is a powerful album to listen to and think.&lt;br&gt;
&lt;a href="https://goodenergy.bandcamp.com/album/history-of-sleep" target="_blank" rel="nofollow noopener"&gt;https://goodenergy.bandcamp.com/album/history-of-sleep&lt;/a&gt; &lt;/p&gt;

&lt;p&gt;And finally Hamish Napier’s stellar new offering The Woods, which was up for several well deserved awards this years. &lt;br&gt;
&lt;a href="https://hamishnapier.bandcamp.com/album/the-woods" target="_blank" rel="nofollow noopener"&gt;https://hamishnapier.bandcamp.com/album/the-woods&lt;/a&gt;&lt;/p&gt;

&lt;p&gt;1775 Straight and Skillern’s the Nabob: If you want to have a go at Nabob you can find it here: (it is the 99th tune in the book).&lt;br&gt;
&lt;a href="https://imslp.org/wiki/204_Favourite_Country_Dances_(Various)" target="_blank" rel="nofollow noopener"&gt;https://imslp.org/wiki/204_Favourite_Country_Dances_(Various)&lt;/a&gt; &lt;/p&gt;

&lt;p&gt;Please take advantage of the Tune Collection tab: &lt;a href="https://www.wetootwaag.com/tunesources" target="_blank" rel="nofollow noopener"&gt;https://www.wetootwaag.com/tunesources&lt;/a&gt; &lt;br&gt;
Also Please take a minute to leave a review of the podcast! &lt;/p&gt;

&lt;p&gt;Listen on Apple Podcasts: &lt;a href="https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677" target="_blank" rel="nofollow noopener"&gt;https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677&lt;/a&gt; &lt;br&gt;
Listen on Itunes: &lt;a href="https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677" target="_blank" rel="nofollow noopener"&gt;https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677&lt;/a&gt; &lt;br&gt;
Listen on Spotify: &lt;a href="https://open.spotify.com/show/5QxzqrSm0pu6v8y8pLsv5j?si=QLiG0L1pT1eu7B5_FDmgGA" target="_blank" rel="nofollow noopener"&gt;https://open.spotify.com/show/5QxzqrSm0pu6v8y8pLsv5j?si=QLiG0L1pT1eu7B5_FDmgGA&lt;/a&gt;&lt;/p&gt;
</description>
  <itunes:keywords>bagpipes, uilleann pipes, Highland, Scottish, Scotland, Donald MacDonald, History, Music, Great Highland Bagpipes, GHB, Celtic, history, pastoral pipes, union pipes, baroque, eighteenth Century, Irish Music, Scottish Music, </itunes:keywords>
  <content:encoded>
    <![CDATA[<p>S4 Bandamp Friday Reminder<br>
Tunes: Straight &amp; Skillern: The Nabob</p>

<p>Quick late reminder that you should buy people’s music on Bandcamp today! Friday December 4th.</p>

<p>You can Check out my favorite Bandcamp purchases by looking at my profile. (Note I don’t do most of my listening on Bandcamp so it is a pretty small list that has really only started growing with the Bandcamp Friday promotions.)<br>
<a href="https://bandcamp.com/wetootwaag" rel="nofollow">https://bandcamp.com/wetootwaag</a></p>

<p>Specifically the Following artists have been kind enough to share music recently on the Podcast, so Please Check them out:</p>

<p>Nicholas Brown’s awesome album of James Aird and O’Farrell tunes on an eighteenth century Irish Bagpipe:<br>
<a href="https://nicolasbrown.bandcamp.com/album/good-enough-music-for-them-who-love-it" rel="nofollow">https://nicolasbrown.bandcamp.com/album/good-enough-music-for-them-who-love-it</a> </p>

<p>Donald Lindsay’s The History of Sleep. Paired with Richard Youngs on Guitar and Donald on a double octave chanter of his design this is a powerful album to listen to and think.<br>
<a href="https://goodenergy.bandcamp.com/album/history-of-sleep" rel="nofollow">https://goodenergy.bandcamp.com/album/history-of-sleep</a> </p>

<p>And finally Hamish Napier’s stellar new offering The Woods, which was up for several well deserved awards this years. <br>
<a href="https://hamishnapier.bandcamp.com/album/the-woods" rel="nofollow">https://hamishnapier.bandcamp.com/album/the-woods</a></p>

<p>1775 Straight and Skillern’s the Nabob: If you want to have a go at Nabob you can find it here: (it is the 99th tune in the book).<br>
<a href="https://imslp.org/wiki/204_Favourite_Country_Dances_(Various)" rel="nofollow">https://imslp.org/wiki/204_Favourite_Country_Dances_(Various)</a> </p>

<p>Please take advantage of the Tune Collection tab: <a href="https://www.wetootwaag.com/tunesources" rel="nofollow">https://www.wetootwaag.com/tunesources</a> <br>
Also Please take a minute to leave a review of the podcast! </p>

<p>Listen on Apple Podcasts: <a href="https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677" rel="nofollow">https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677</a> <br>
Listen on Itunes: <a href="https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677" rel="nofollow">https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677</a> <br>
Listen on Spotify: <a href="https://open.spotify.com/show/5QxzqrSm0pu6v8y8pLsv5j?si=QLiG0L1pT1eu7B5_FDmgGA" rel="nofollow">https://open.spotify.com/show/5QxzqrSm0pu6v8y8pLsv5j?si=QLiG0L1pT1eu7B5_FDmgGA</a></p><p><a rel="payment" href="https://www.patreon.com/wetootwaag">Support Wetootwaag&#39;s Bagpipe and History Podcast</a></p>]]>
  </content:encoded>
  <itunes:summary>
    <![CDATA[<p>S4 Bandamp Friday Reminder<br>
Tunes: Straight &amp; Skillern: The Nabob</p>

<p>Quick late reminder that you should buy people’s music on Bandcamp today! Friday December 4th.</p>

<p>You can Check out my favorite Bandcamp purchases by looking at my profile. (Note I don’t do most of my listening on Bandcamp so it is a pretty small list that has really only started growing with the Bandcamp Friday promotions.)<br>
<a href="https://bandcamp.com/wetootwaag" rel="nofollow">https://bandcamp.com/wetootwaag</a></p>

<p>Specifically the Following artists have been kind enough to share music recently on the Podcast, so Please Check them out:</p>

<p>Nicholas Brown’s awesome album of James Aird and O’Farrell tunes on an eighteenth century Irish Bagpipe:<br>
<a href="https://nicolasbrown.bandcamp.com/album/good-enough-music-for-them-who-love-it" rel="nofollow">https://nicolasbrown.bandcamp.com/album/good-enough-music-for-them-who-love-it</a> </p>

<p>Donald Lindsay’s The History of Sleep. Paired with Richard Youngs on Guitar and Donald on a double octave chanter of his design this is a powerful album to listen to and think.<br>
<a href="https://goodenergy.bandcamp.com/album/history-of-sleep" rel="nofollow">https://goodenergy.bandcamp.com/album/history-of-sleep</a> </p>

<p>And finally Hamish Napier’s stellar new offering The Woods, which was up for several well deserved awards this years. <br>
<a href="https://hamishnapier.bandcamp.com/album/the-woods" rel="nofollow">https://hamishnapier.bandcamp.com/album/the-woods</a></p>

<p>1775 Straight and Skillern’s the Nabob: If you want to have a go at Nabob you can find it here: (it is the 99th tune in the book).<br>
<a href="https://imslp.org/wiki/204_Favourite_Country_Dances_(Various)" rel="nofollow">https://imslp.org/wiki/204_Favourite_Country_Dances_(Various)</a> </p>

<p>Please take advantage of the Tune Collection tab: <a href="https://www.wetootwaag.com/tunesources" rel="nofollow">https://www.wetootwaag.com/tunesources</a> <br>
Also Please take a minute to leave a review of the podcast! </p>

<p>Listen on Apple Podcasts: <a href="https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677" rel="nofollow">https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677</a> <br>
Listen on Itunes: <a href="https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677" rel="nofollow">https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677</a> <br>
Listen on Spotify: <a href="https://open.spotify.com/show/5QxzqrSm0pu6v8y8pLsv5j?si=QLiG0L1pT1eu7B5_FDmgGA" rel="nofollow">https://open.spotify.com/show/5QxzqrSm0pu6v8y8pLsv5j?si=QLiG0L1pT1eu7B5_FDmgGA</a></p><p><a rel="payment" href="https://www.patreon.com/wetootwaag">Support Wetootwaag&#39;s Bagpipe and History Podcast</a></p>]]>
  </itunes:summary>
</item>
<item>
  <title>S4 E32 Robert Bremner Part 1: Vibratto, Church Music, Allan Ramsay and William McGibbon</title>
  <link>https://www.wetootwaag.com/s4e32</link>
  <guid isPermaLink="false">4ceaf12b-8b6c-4667-b86c-30c219e17f0e</guid>
  <pubDate>Sat, 14 Nov 2020 00:00:00 -0500</pubDate>
  <author>Jeremy Kingsbury</author>
  <enclosure url="https://aphid.fireside.fm/d/1437767933/f158d1e4-b92d-4f8d-9eef-7382ca3c3ee8/4ceaf12b-8b6c-4667-b86c-30c219e17f0e.mp3" length="67715637" type="audio/mpeg"/>
  <itunes:episodeType>full</itunes:episodeType>
  <itunes:season>4</itunes:season>
  <itunes:author>Jeremy Kingsbury</itunes:author>
  <itunes:subtitle>Tunes:
Bremner: Elgin, Aberdeen Or St. Paul’s, Grant’s Rant, The Carle Came over the Craft, Blue Britches, Miss Blair’s Reel, Mary Scott, Blue Britches, Cuzzle Together.
McGibbon: She Rose and Let me in, Cumbernauld House, Bottom of the Punch Bowl
Daniel Wright: She Rose and let me in
</itunes:subtitle>
  <itunes:duration>1:00:52</itunes:duration>
  <itunes:explicit>no</itunes:explicit>
  <itunes:image href="https://media24.fireside.fm/file/fireside-images-2024/podcasts/images/f/f158d1e4-b92d-4f8d-9eef-7382ca3c3ee8/episodes/4/4ceaf12b-8b6c-4667-b86c-30c219e17f0e/cover.jpg?v=4"/>
  <description>&lt;p&gt;Tunes:&lt;br&gt;
Bremner: Elgin, Aberdeen Or St. Paul’s, Grant’s Rant, The Carle Came over the Craft, Blue Britches, Miss Blair’s Reel, Mary Scott, Blue Britches, Cuzzle Together.&lt;br&gt;
McGibbon: She Rose and Let me in, Cumbernauld House, Bottom of the Punch Bowl&lt;br&gt;
Daniel Wright: She Rose and let me in&lt;/p&gt;

&lt;p&gt;Tune Order:&lt;br&gt;
Elgin… Aberdeen…Mary Scott…She Rose and Let me In….She Rose and Let me In…Cumbernauld House, Bottom of the Punch Bowl… Blue Britches, Oyster Wive’s Rant….The Carle Came o’er the Craft…Cuzzle Together… Miss Blair’s  Reel&lt;/p&gt;

&lt;p&gt;Cover Art is a Receipt from Robert Bremner’s Shop in London courtesy of the British Museum:&lt;br&gt;
&lt;a href="https://www.britishmuseum.org/collection/image/1544287001" target="_blank" rel="nofollow noopener"&gt;https://www.britishmuseum.org/collection/image/1544287001&lt;/a&gt; &lt;/p&gt;

&lt;p&gt;Most of my Written Sources:&lt;/p&gt;

&lt;p&gt;1750s To Read Bremner’s Short Treatise on Music:&lt;br&gt;
&lt;a href="https://digital.nls.uk/special-collections-of-printed-music/archive/87722485" target="_blank" rel="nofollow noopener"&gt;https://digital.nls.uk/special-collections-of-printed-music/archive/87722485&lt;/a&gt; &lt;/p&gt;

&lt;p&gt;Robert Bremner, “Some Thoughts on the Performance of Concert Music” Early Music  (Vol. 7, No. 1. 1979) pp. 48-57.&lt;/p&gt;

&lt;p&gt;I was quite thankful to use the Grove Music Online entries on William McGibbon and Robert Bremner, unfortunately I can only find links through my University Library, which will do you no good.&lt;/p&gt;

&lt;p&gt;Some good information from the Church of Scotland website on the Monymusk Revival:&lt;br&gt;
&lt;a href="https://www.resourcingmission.org.uk/music/classical/landmarks-scottish-church-music-monymusk-revival" target="_blank" rel="nofollow noopener"&gt;https://www.resourcingmission.org.uk/music/classical/landmarks-scottish-church-music-monymusk-revival&lt;/a&gt;&lt;/p&gt;

&lt;p&gt;The Newspaper Article I read from was Quoted in The Scots Magazine from April, 1755 Issue beginning on page 189.&lt;br&gt;&lt;br&gt;
I found the relavent passage in the Google Books Edition on Page 341:&lt;br&gt;
&lt;a href="https://books.google.com/books?id=_lwAAAAAYAAJ&amp;amp;pg=PA341#v=onepage&amp;amp;q&amp;amp;f=false" target="_blank" rel="nofollow noopener"&gt;https://books.google.com/books?id=_lwAAAAAYAAJ&amp;amp;amp;pg=PA341#v=onepage&amp;amp;amp;q&amp;amp;amp;f=false&lt;/a&gt; &lt;/p&gt;

&lt;p&gt;The Magazine talks about the issue at length, but I was directed to it from this Website:&lt;br&gt;
&lt;a href="http://www.wgma.org.uk/Articles/NEScotland/article.htm" target="_blank" rel="nofollow noopener"&gt;http://www.wgma.org.uk/Articles/NEScotland/article.htm&lt;/a&gt; &lt;/p&gt;

&lt;p&gt;1750s Bremner’s The Grant’s Rant:&lt;br&gt;
&lt;a href="https://digital.nls.uk/special-collections-of-printed-music/archive/105002999" target="_blank" rel="nofollow noopener"&gt;https://digital.nls.uk/special-collections-of-printed-music/archive/105002999&lt;/a&gt; &lt;/p&gt;

&lt;p&gt;1750s Bremner’s Elgin:&lt;br&gt;
&lt;a href="https://digital.nls.uk/special-collections-of-printed-music/archive/87723589" target="_blank" rel="nofollow noopener"&gt;https://digital.nls.uk/special-collections-of-printed-music/archive/87723589&lt;/a&gt;&lt;/p&gt;

&lt;p&gt;1750s  Bremner’s Aberdeen or St. Paul’s: (I found this setting after reading a much worse transcription, and I interpreted a note incorrectly, on 2 of the 3 parts, I did not go back to correct it….Robert Bremner would hate that his printed version was not even safe from change!)&lt;br&gt;
&lt;a href="https://digital.nls.uk/special-collections-of-printed-music/archive/87723721" target="_blank" rel="nofollow noopener"&gt;https://digital.nls.uk/special-collections-of-printed-music/archive/87723721&lt;/a&gt; &lt;/p&gt;

&lt;p&gt;Pre 1762 Bremner and Ramsay’s Mary Scott:&lt;br&gt;
&lt;a href="https://digital.nls.uk/special-collections-of-printed-music/archive/74516572" target="_blank" rel="nofollow noopener"&gt;https://digital.nls.uk/special-collections-of-printed-music/archive/74516572&lt;/a&gt; &lt;/p&gt;

&lt;p&gt;1720s. Daniel Wright, Aria Di Camera She Rose and Let me In:&lt;br&gt;
&lt;a href="https://archive.org/details/AriaDiCamera1727/page/n36/mode/1up" target="_blank" rel="nofollow noopener"&gt;https://archive.org/details/AriaDiCamera1727/page/n36/mode/1up&lt;/a&gt; &lt;/p&gt;

&lt;p&gt;Pre 1762 She Rose and Let me In from McGibbon, Bremner’s setting:&lt;br&gt;
&lt;a href="https://digital.nls.uk/special-collections-of-printed-music/archive/105003571" target="_blank" rel="nofollow noopener"&gt;https://digital.nls.uk/special-collections-of-printed-music/archive/105003571&lt;/a&gt; &lt;/p&gt;

&lt;p&gt;Pre 1762 McGibbon’s setting of Cumbernauld House: &lt;br&gt;
&lt;a href="https://digital.nls.uk/special-collections-of-printed-music/archive/105869658" target="_blank" rel="nofollow noopener"&gt;https://digital.nls.uk/special-collections-of-printed-music/archive/105869658&lt;/a&gt; &lt;/p&gt;

&lt;p&gt;Pre 1762 McGibbon’s setting of Bottom of the Punch Bowl:&lt;br&gt;
&lt;a href="https://digital.nls.uk/special-collections-of-printed-music/archive/105869526" target="_blank" rel="nofollow noopener"&gt;https://digital.nls.uk/special-collections-of-printed-music/archive/105869526&lt;/a&gt;&lt;/p&gt;

&lt;p&gt;Bremner’s Blue Britches:&lt;br&gt;
&lt;a href="https://digital.nls.uk/special-collections-of-printed-music/archive/105003032" target="_blank" rel="nofollow noopener"&gt;https://digital.nls.uk/special-collections-of-printed-music/archive/105003032&lt;/a&gt;&lt;/p&gt;

&lt;p&gt;Bremner’s Oyster Wive’s Rant:&lt;br&gt;
&lt;a href="https://digital.nls.uk/special-collections-of-printed-music/archive/105003175" target="_blank" rel="nofollow noopener"&gt;https://digital.nls.uk/special-collections-of-printed-music/archive/105003175&lt;/a&gt;&lt;/p&gt;

&lt;p&gt;Bremner’s The Carle he Came O’er the Craft:&lt;br&gt;
&lt;a href="https://digital.nls.uk/special-collections-of-printed-music/archive/105002625" target="_blank" rel="nofollow noopener"&gt;https://digital.nls.uk/special-collections-of-printed-music/archive/105002625&lt;/a&gt; &lt;/p&gt;

&lt;p&gt;Bremner’s Cuzle Together:&lt;br&gt;
&lt;a href="https://digital.nls.uk/special-collections-of-printed-music/archive/105003230" target="_blank" rel="nofollow noopener"&gt;https://digital.nls.uk/special-collections-of-printed-music/archive/105003230&lt;/a&gt; &lt;/p&gt;

&lt;p&gt;Bremner’s Miss Blair’s Reel:&lt;br&gt;
&lt;a href="https://digital.nls.uk/special-collections-of-printed-music/archive/105002350" target="_blank" rel="nofollow noopener"&gt;https://digital.nls.uk/special-collections-of-printed-music/archive/105002350&lt;/a&gt; &lt;/p&gt;

&lt;p&gt;Please take advantage of the Tune Collection tab: &lt;a href="https://www.wetootwaag.com/tunesources" target="_blank" rel="nofollow noopener"&gt;https://www.wetootwaag.com/tunesources&lt;/a&gt; &lt;br&gt;
Also Please take a minute to leave a review of the podcast! &lt;/p&gt;

&lt;p&gt;Listen on Apple Podcasts: &lt;a href="https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677" target="_blank" rel="nofollow noopener"&gt;https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677&lt;/a&gt; &lt;br&gt;
Listen on Itunes: &lt;a href="https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677" target="_blank" rel="nofollow noopener"&gt;https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677&lt;/a&gt; &lt;br&gt;
Listen on Spotify: &lt;a href="https://open.spotify.com/show/5QxzqrSm0pu6v8y8pLsv5j?si=QLiG0L1pT1eu7B5_FDmgGA" target="_blank" rel="nofollow noopener"&gt;https://open.spotify.com/show/5QxzqrSm0pu6v8y8pLsv5j?si=QLiG0L1pT1eu7B5_FDmgGA&lt;/a&gt;&lt;/p&gt;
</description>
  <itunes:keywords>bagpipes, uilleann pipes, Highland, Scottish, Scotland, Donald MacDonald, History, Music, Great Highland Bagpipes, GHB, Celtic, history, pastoral pipes, union pipes, baroque, eighteenth Century, Irish Music, Scottish Music, </itunes:keywords>
  <content:encoded>
    <![CDATA[<p>Tunes:<br>
Bremner: Elgin, Aberdeen Or St. Paul’s, Grant’s Rant, The Carle Came over the Craft, Blue Britches, Miss Blair’s Reel, Mary Scott, Blue Britches, Cuzzle Together.<br>
McGibbon: She Rose and Let me in, Cumbernauld House, Bottom of the Punch Bowl<br>
Daniel Wright: She Rose and let me in</p>

<p>Tune Order:<br>
Elgin… Aberdeen…Mary Scott…She Rose and Let me In….She Rose and Let me In…Cumbernauld House, Bottom of the Punch Bowl… Blue Britches, Oyster Wive’s Rant….The Carle Came o’er the Craft…Cuzzle Together… Miss Blair’s  Reel</p>

<p>Cover Art is a Receipt from Robert Bremner’s Shop in London courtesy of the British Museum:<br>
<a href="https://www.britishmuseum.org/collection/image/1544287001" rel="nofollow">https://www.britishmuseum.org/collection/image/1544287001</a> </p>

<p>Most of my Written Sources:</p>

<p>1750s To Read Bremner’s Short Treatise on Music:<br>
<a href="https://digital.nls.uk/special-collections-of-printed-music/archive/87722485" rel="nofollow">https://digital.nls.uk/special-collections-of-printed-music/archive/87722485</a> </p>

<p>Robert Bremner, “Some Thoughts on the Performance of Concert Music” Early Music  (Vol. 7, No. 1. 1979) pp. 48-57.</p>

<p>I was quite thankful to use the Grove Music Online entries on William McGibbon and Robert Bremner, unfortunately I can only find links through my University Library, which will do you no good.</p>

<p>Some good information from the Church of Scotland website on the Monymusk Revival:<br>
<a href="https://www.resourcingmission.org.uk/music/classical/landmarks-scottish-church-music-monymusk-revival" rel="nofollow">https://www.resourcingmission.org.uk/music/classical/landmarks-scottish-church-music-monymusk-revival</a></p>

<p>The Newspaper Article I read from was Quoted in The Scots Magazine from April, 1755 Issue beginning on page 189.<br><br>
I found the relavent passage in the Google Books Edition on Page 341:<br>
<a href="https://books.google.com/books?id=_lwAAAAAYAAJ&pg=PA341#v=onepage&q&f=false" rel="nofollow">https://books.google.com/books?id=_lwAAAAAYAAJ&amp;pg=PA341#v=onepage&amp;q&amp;f=false</a> </p>

<p>The Magazine talks about the issue at length, but I was directed to it from this Website:<br>
<a href="http://www.wgma.org.uk/Articles/NEScotland/article.htm" rel="nofollow">http://www.wgma.org.uk/Articles/NEScotland/article.htm</a> </p>

<p>1750s Bremner’s The Grant’s Rant:<br>
<a href="https://digital.nls.uk/special-collections-of-printed-music/archive/105002999" rel="nofollow">https://digital.nls.uk/special-collections-of-printed-music/archive/105002999</a> </p>

<p>1750s Bremner’s Elgin:<br>
<a href="https://digital.nls.uk/special-collections-of-printed-music/archive/87723589" rel="nofollow">https://digital.nls.uk/special-collections-of-printed-music/archive/87723589</a></p>

<p>1750s  Bremner’s Aberdeen or St. Paul’s: (I found this setting after reading a much worse transcription, and I interpreted a note incorrectly, on 2 of the 3 parts, I did not go back to correct it….Robert Bremner would hate that his printed version was not even safe from change!)<br>
<a href="https://digital.nls.uk/special-collections-of-printed-music/archive/87723721" rel="nofollow">https://digital.nls.uk/special-collections-of-printed-music/archive/87723721</a> </p>

<p>Pre 1762 Bremner and Ramsay’s Mary Scott:<br>
<a href="https://digital.nls.uk/special-collections-of-printed-music/archive/74516572" rel="nofollow">https://digital.nls.uk/special-collections-of-printed-music/archive/74516572</a> </p>

<p>1720s. Daniel Wright, Aria Di Camera She Rose and Let me In:<br>
<a href="https://archive.org/details/AriaDiCamera1727/page/n36/mode/1up" rel="nofollow">https://archive.org/details/AriaDiCamera1727/page/n36/mode/1up</a> </p>

<p>Pre 1762 She Rose and Let me In from McGibbon, Bremner’s setting:<br>
<a href="https://digital.nls.uk/special-collections-of-printed-music/archive/105003571" rel="nofollow">https://digital.nls.uk/special-collections-of-printed-music/archive/105003571</a> </p>

<p>Pre 1762 McGibbon’s setting of Cumbernauld House: <br>
<a href="https://digital.nls.uk/special-collections-of-printed-music/archive/105869658" rel="nofollow">https://digital.nls.uk/special-collections-of-printed-music/archive/105869658</a> </p>

<p>Pre 1762 McGibbon’s setting of Bottom of the Punch Bowl:<br>
<a href="https://digital.nls.uk/special-collections-of-printed-music/archive/105869526" rel="nofollow">https://digital.nls.uk/special-collections-of-printed-music/archive/105869526</a></p>

<p>Bremner’s Blue Britches:<br>
<a href="https://digital.nls.uk/special-collections-of-printed-music/archive/105003032" rel="nofollow">https://digital.nls.uk/special-collections-of-printed-music/archive/105003032</a></p>

<p>Bremner’s Oyster Wive’s Rant:<br>
<a href="https://digital.nls.uk/special-collections-of-printed-music/archive/105003175" rel="nofollow">https://digital.nls.uk/special-collections-of-printed-music/archive/105003175</a></p>

<p>Bremner’s The Carle he Came O’er the Craft:<br>
<a href="https://digital.nls.uk/special-collections-of-printed-music/archive/105002625" rel="nofollow">https://digital.nls.uk/special-collections-of-printed-music/archive/105002625</a> </p>

<p>Bremner’s Cuzle Together:<br>
<a href="https://digital.nls.uk/special-collections-of-printed-music/archive/105003230" rel="nofollow">https://digital.nls.uk/special-collections-of-printed-music/archive/105003230</a> </p>

<p>Bremner’s Miss Blair’s Reel:<br>
<a href="https://digital.nls.uk/special-collections-of-printed-music/archive/105002350" rel="nofollow">https://digital.nls.uk/special-collections-of-printed-music/archive/105002350</a> </p>

<p>Please take advantage of the Tune Collection tab: <a href="https://www.wetootwaag.com/tunesources" rel="nofollow">https://www.wetootwaag.com/tunesources</a> <br>
Also Please take a minute to leave a review of the podcast! </p>

<p>Listen on Apple Podcasts: <a href="https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677" rel="nofollow">https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677</a> <br>
Listen on Itunes: <a href="https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677" rel="nofollow">https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677</a> <br>
Listen on Spotify: <a href="https://open.spotify.com/show/5QxzqrSm0pu6v8y8pLsv5j?si=QLiG0L1pT1eu7B5_FDmgGA" rel="nofollow">https://open.spotify.com/show/5QxzqrSm0pu6v8y8pLsv5j?si=QLiG0L1pT1eu7B5_FDmgGA</a></p><p><a rel="payment" href="https://www.patreon.com/wetootwaag">Support Wetootwaag&#39;s Bagpipe and History Podcast</a></p>]]>
  </content:encoded>
  <itunes:summary>
    <![CDATA[<p>Tunes:<br>
Bremner: Elgin, Aberdeen Or St. Paul’s, Grant’s Rant, The Carle Came over the Craft, Blue Britches, Miss Blair’s Reel, Mary Scott, Blue Britches, Cuzzle Together.<br>
McGibbon: She Rose and Let me in, Cumbernauld House, Bottom of the Punch Bowl<br>
Daniel Wright: She Rose and let me in</p>

<p>Tune Order:<br>
Elgin… Aberdeen…Mary Scott…She Rose and Let me In….She Rose and Let me In…Cumbernauld House, Bottom of the Punch Bowl… Blue Britches, Oyster Wive’s Rant….The Carle Came o’er the Craft…Cuzzle Together… Miss Blair’s  Reel</p>

<p>Cover Art is a Receipt from Robert Bremner’s Shop in London courtesy of the British Museum:<br>
<a href="https://www.britishmuseum.org/collection/image/1544287001" rel="nofollow">https://www.britishmuseum.org/collection/image/1544287001</a> </p>

<p>Most of my Written Sources:</p>

<p>1750s To Read Bremner’s Short Treatise on Music:<br>
<a href="https://digital.nls.uk/special-collections-of-printed-music/archive/87722485" rel="nofollow">https://digital.nls.uk/special-collections-of-printed-music/archive/87722485</a> </p>

<p>Robert Bremner, “Some Thoughts on the Performance of Concert Music” Early Music  (Vol. 7, No. 1. 1979) pp. 48-57.</p>

<p>I was quite thankful to use the Grove Music Online entries on William McGibbon and Robert Bremner, unfortunately I can only find links through my University Library, which will do you no good.</p>

<p>Some good information from the Church of Scotland website on the Monymusk Revival:<br>
<a href="https://www.resourcingmission.org.uk/music/classical/landmarks-scottish-church-music-monymusk-revival" rel="nofollow">https://www.resourcingmission.org.uk/music/classical/landmarks-scottish-church-music-monymusk-revival</a></p>

<p>The Newspaper Article I read from was Quoted in The Scots Magazine from April, 1755 Issue beginning on page 189.<br><br>
I found the relavent passage in the Google Books Edition on Page 341:<br>
<a href="https://books.google.com/books?id=_lwAAAAAYAAJ&pg=PA341#v=onepage&q&f=false" rel="nofollow">https://books.google.com/books?id=_lwAAAAAYAAJ&amp;pg=PA341#v=onepage&amp;q&amp;f=false</a> </p>

<p>The Magazine talks about the issue at length, but I was directed to it from this Website:<br>
<a href="http://www.wgma.org.uk/Articles/NEScotland/article.htm" rel="nofollow">http://www.wgma.org.uk/Articles/NEScotland/article.htm</a> </p>

<p>1750s Bremner’s The Grant’s Rant:<br>
<a href="https://digital.nls.uk/special-collections-of-printed-music/archive/105002999" rel="nofollow">https://digital.nls.uk/special-collections-of-printed-music/archive/105002999</a> </p>

<p>1750s Bremner’s Elgin:<br>
<a href="https://digital.nls.uk/special-collections-of-printed-music/archive/87723589" rel="nofollow">https://digital.nls.uk/special-collections-of-printed-music/archive/87723589</a></p>

<p>1750s  Bremner’s Aberdeen or St. Paul’s: (I found this setting after reading a much worse transcription, and I interpreted a note incorrectly, on 2 of the 3 parts, I did not go back to correct it….Robert Bremner would hate that his printed version was not even safe from change!)<br>
<a href="https://digital.nls.uk/special-collections-of-printed-music/archive/87723721" rel="nofollow">https://digital.nls.uk/special-collections-of-printed-music/archive/87723721</a> </p>

<p>Pre 1762 Bremner and Ramsay’s Mary Scott:<br>
<a href="https://digital.nls.uk/special-collections-of-printed-music/archive/74516572" rel="nofollow">https://digital.nls.uk/special-collections-of-printed-music/archive/74516572</a> </p>

<p>1720s. Daniel Wright, Aria Di Camera She Rose and Let me In:<br>
<a href="https://archive.org/details/AriaDiCamera1727/page/n36/mode/1up" rel="nofollow">https://archive.org/details/AriaDiCamera1727/page/n36/mode/1up</a> </p>

<p>Pre 1762 She Rose and Let me In from McGibbon, Bremner’s setting:<br>
<a href="https://digital.nls.uk/special-collections-of-printed-music/archive/105003571" rel="nofollow">https://digital.nls.uk/special-collections-of-printed-music/archive/105003571</a> </p>

<p>Pre 1762 McGibbon’s setting of Cumbernauld House: <br>
<a href="https://digital.nls.uk/special-collections-of-printed-music/archive/105869658" rel="nofollow">https://digital.nls.uk/special-collections-of-printed-music/archive/105869658</a> </p>

<p>Pre 1762 McGibbon’s setting of Bottom of the Punch Bowl:<br>
<a href="https://digital.nls.uk/special-collections-of-printed-music/archive/105869526" rel="nofollow">https://digital.nls.uk/special-collections-of-printed-music/archive/105869526</a></p>

<p>Bremner’s Blue Britches:<br>
<a href="https://digital.nls.uk/special-collections-of-printed-music/archive/105003032" rel="nofollow">https://digital.nls.uk/special-collections-of-printed-music/archive/105003032</a></p>

<p>Bremner’s Oyster Wive’s Rant:<br>
<a href="https://digital.nls.uk/special-collections-of-printed-music/archive/105003175" rel="nofollow">https://digital.nls.uk/special-collections-of-printed-music/archive/105003175</a></p>

<p>Bremner’s The Carle he Came O’er the Craft:<br>
<a href="https://digital.nls.uk/special-collections-of-printed-music/archive/105002625" rel="nofollow">https://digital.nls.uk/special-collections-of-printed-music/archive/105002625</a> </p>

<p>Bremner’s Cuzle Together:<br>
<a href="https://digital.nls.uk/special-collections-of-printed-music/archive/105003230" rel="nofollow">https://digital.nls.uk/special-collections-of-printed-music/archive/105003230</a> </p>

<p>Bremner’s Miss Blair’s Reel:<br>
<a href="https://digital.nls.uk/special-collections-of-printed-music/archive/105002350" rel="nofollow">https://digital.nls.uk/special-collections-of-printed-music/archive/105002350</a> </p>

<p>Please take advantage of the Tune Collection tab: <a href="https://www.wetootwaag.com/tunesources" rel="nofollow">https://www.wetootwaag.com/tunesources</a> <br>
Also Please take a minute to leave a review of the podcast! </p>

<p>Listen on Apple Podcasts: <a href="https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677" rel="nofollow">https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677</a> <br>
Listen on Itunes: <a href="https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677" rel="nofollow">https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677</a> <br>
Listen on Spotify: <a href="https://open.spotify.com/show/5QxzqrSm0pu6v8y8pLsv5j?si=QLiG0L1pT1eu7B5_FDmgGA" rel="nofollow">https://open.spotify.com/show/5QxzqrSm0pu6v8y8pLsv5j?si=QLiG0L1pT1eu7B5_FDmgGA</a></p><p><a rel="payment" href="https://www.patreon.com/wetootwaag">Support Wetootwaag&#39;s Bagpipe and History Podcast</a></p>]]>
  </itunes:summary>
</item>
<item>
  <title>Happy International Uilleann Piping Day!</title>
  <link>https://www.wetootwaag.com/iupdannouncements</link>
  <guid isPermaLink="false">d6c400b6-f33d-4323-91a6-502d16a1f7e9</guid>
  <pubDate>Sat, 07 Nov 2020 10:00:00 -0500</pubDate>
  <author>Jeremy Kingsbury</author>
  <enclosure url="https://aphid.fireside.fm/d/1437767933/f158d1e4-b92d-4f8d-9eef-7382ca3c3ee8/d6c400b6-f33d-4323-91a6-502d16a1f7e9.mp3" length="10646753" type="audio/mpeg"/>
  <itunes:episodeType>full</itunes:episodeType>
  <itunes:season>4</itunes:season>
  <itunes:author>Jeremy Kingsbury</itunes:author>
  <itunes:subtitle>Tunes:
Charles and Samuel Thompson: Trip to Paris, The Breast Knot</itunes:subtitle>
  <itunes:duration>10:00</itunes:duration>
  <itunes:explicit>no</itunes:explicit>
  <itunes:image href="https://media24.fireside.fm/file/fireside-images-2024/podcasts/images/f/f158d1e4-b92d-4f8d-9eef-7382ca3c3ee8/episodes/d/d6c400b6-f33d-4323-91a6-502d16a1f7e9/cover.jpg?v=1"/>
  <description>&lt;p&gt;Tunes:&lt;br&gt;
Charles and Samuel Thompson: Trip to Paris, The Breast Knot&lt;/p&gt;

&lt;p&gt;Charles and Samuel Thompson 24 Country Dances for the Year 1771: &lt;br&gt;
&lt;a href="https://imslp.org/wiki/24_Country_Dances_for_the_Year_1771_(Various)" target="_blank" rel="nofollow noopener"&gt;https://imslp.org/wiki/24_Country_Dances_for_the_Year_1771_(Various)&lt;/a&gt;  &lt;/p&gt;

&lt;p&gt;Check out Jimmy’s Gift presented by the Celitc Piper’s Club on Youtube:&lt;br&gt;
&lt;a href="https://youtu.be/ENzIxbMEo2c" target="_blank" rel="nofollow noopener"&gt;https://youtu.be/ENzIxbMEo2c&lt;/a&gt; &lt;br&gt;
Or via the Facebook Event for More details:&lt;br&gt;
&lt;a href="https://fb.me/e/3nMzSeBcY" target="_blank" rel="nofollow noopener"&gt;https://fb.me/e/3nMzSeBcY&lt;/a&gt; &lt;/p&gt;

&lt;p&gt;You can watch my Country Dance Presentation: “Many Thanks for your Country Dance Book”~John Askin, 1778. Concert and Chat&lt;br&gt;
on Youtube here:&lt;br&gt;
&lt;a href="https://youtu.be/z3GiS3lFReU" target="_blank" rel="nofollow noopener"&gt;https://youtu.be/z3GiS3lFReU&lt;/a&gt; &lt;/p&gt;

&lt;p&gt;Or at the NAVC Facebook page here: &lt;br&gt;
&lt;a href="https://www.facebook.com/NAVCVoyageurs/videos/2796265654027785/" target="_blank" rel="nofollow noopener"&gt;https://www.facebook.com/NAVCVoyageurs/videos/2796265654027785/&lt;/a&gt; &lt;/p&gt;

&lt;p&gt;To Catch Live Streaming or watch older streams follow me on Reddit:&lt;br&gt;
&lt;a href="https://www.reddit.com/user/Wetootwaag" target="_blank" rel="nofollow noopener"&gt;https://www.reddit.com/user/Wetootwaag&lt;/a&gt; &lt;/p&gt;

&lt;p&gt;Please take advantage of the Tune Collection tab: &lt;a href="https://www.wetootwaag.com/tunesources" target="_blank" rel="nofollow noopener"&gt;https://www.wetootwaag.com/tunesources&lt;/a&gt; &lt;br&gt;
Also Please take a minute to leave a review of the podcast! &lt;/p&gt;

&lt;p&gt;Listen on Apple Podcasts: &lt;a href="https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677" target="_blank" rel="nofollow noopener"&gt;https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677&lt;/a&gt; &lt;br&gt;
Listen on Itunes: &lt;a href="https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677" target="_blank" rel="nofollow noopener"&gt;https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677&lt;/a&gt; &lt;br&gt;
Listen on Spotify: &lt;a href="https://open.spotify.com/show/5QxzqrSm0pu6v8y8pLsv5j?si=QLiG0L1pT1eu7B5_FDmgGA" target="_blank" rel="nofollow noopener"&gt;https://open.spotify.com/show/5QxzqrSm0pu6v8y8pLsv5j?si=QLiG0L1pT1eu7B5_FDmgGA&lt;/a&gt;&lt;/p&gt;
</description>
  <itunes:keywords>bagpipes, uilleann pipes, Highland, Scottish, Scotland, Donald MacDonald, History, Music, Great Highland Bagpipes, GHB, Celtic, history, pastoral pipes, union pipes, baroque, eighteenth Century, Irish Music, Scottish Music, </itunes:keywords>
  <content:encoded>
    <![CDATA[<p>Tunes:<br>
Charles and Samuel Thompson: Trip to Paris, The Breast Knot</p>

<p>Charles and Samuel Thompson 24 Country Dances for the Year 1771: <br>
<a href="https://imslp.org/wiki/24_Country_Dances_for_the_Year_1771_(Various)" rel="nofollow">https://imslp.org/wiki/24_Country_Dances_for_the_Year_1771_(Various)</a>  </p>

<p>Check out Jimmy’s Gift presented by the Celitc Piper’s Club on Youtube:<br>
<a href="https://youtu.be/ENzIxbMEo2c" rel="nofollow">https://youtu.be/ENzIxbMEo2c</a> <br>
Or via the Facebook Event for More details:<br>
<a href="https://fb.me/e/3nMzSeBcY" rel="nofollow">https://fb.me/e/3nMzSeBcY</a> </p>

<p>You can watch my Country Dance Presentation: “Many Thanks for your Country Dance Book”~John Askin, 1778. Concert and Chat<br>
on Youtube here:<br>
<a href="https://youtu.be/z3GiS3lFReU" rel="nofollow">https://youtu.be/z3GiS3lFReU</a> </p>

<p>Or at the NAVC Facebook page here: <br>
<a href="https://www.facebook.com/NAVCVoyageurs/videos/2796265654027785/" rel="nofollow">https://www.facebook.com/NAVCVoyageurs/videos/2796265654027785/</a> </p>

<p>To Catch Live Streaming or watch older streams follow me on Reddit:<br>
<a href="https://www.reddit.com/user/Wetootwaag" rel="nofollow">https://www.reddit.com/user/Wetootwaag</a> </p>

<p>Please take advantage of the Tune Collection tab: <a href="https://www.wetootwaag.com/tunesources" rel="nofollow">https://www.wetootwaag.com/tunesources</a> <br>
Also Please take a minute to leave a review of the podcast! </p>

<p>Listen on Apple Podcasts: <a href="https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677" rel="nofollow">https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677</a> <br>
Listen on Itunes: <a href="https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677" rel="nofollow">https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677</a> <br>
Listen on Spotify: <a href="https://open.spotify.com/show/5QxzqrSm0pu6v8y8pLsv5j?si=QLiG0L1pT1eu7B5_FDmgGA" rel="nofollow">https://open.spotify.com/show/5QxzqrSm0pu6v8y8pLsv5j?si=QLiG0L1pT1eu7B5_FDmgGA</a></p><p><a rel="payment" href="https://www.patreon.com/wetootwaag">Support Wetootwaag&#39;s Bagpipe and History Podcast</a></p>]]>
  </content:encoded>
  <itunes:summary>
    <![CDATA[<p>Tunes:<br>
Charles and Samuel Thompson: Trip to Paris, The Breast Knot</p>

<p>Charles and Samuel Thompson 24 Country Dances for the Year 1771: <br>
<a href="https://imslp.org/wiki/24_Country_Dances_for_the_Year_1771_(Various)" rel="nofollow">https://imslp.org/wiki/24_Country_Dances_for_the_Year_1771_(Various)</a>  </p>

<p>Check out Jimmy’s Gift presented by the Celitc Piper’s Club on Youtube:<br>
<a href="https://youtu.be/ENzIxbMEo2c" rel="nofollow">https://youtu.be/ENzIxbMEo2c</a> <br>
Or via the Facebook Event for More details:<br>
<a href="https://fb.me/e/3nMzSeBcY" rel="nofollow">https://fb.me/e/3nMzSeBcY</a> </p>

<p>You can watch my Country Dance Presentation: “Many Thanks for your Country Dance Book”~John Askin, 1778. Concert and Chat<br>
on Youtube here:<br>
<a href="https://youtu.be/z3GiS3lFReU" rel="nofollow">https://youtu.be/z3GiS3lFReU</a> </p>

<p>Or at the NAVC Facebook page here: <br>
<a href="https://www.facebook.com/NAVCVoyageurs/videos/2796265654027785/" rel="nofollow">https://www.facebook.com/NAVCVoyageurs/videos/2796265654027785/</a> </p>

<p>To Catch Live Streaming or watch older streams follow me on Reddit:<br>
<a href="https://www.reddit.com/user/Wetootwaag" rel="nofollow">https://www.reddit.com/user/Wetootwaag</a> </p>

<p>Please take advantage of the Tune Collection tab: <a href="https://www.wetootwaag.com/tunesources" rel="nofollow">https://www.wetootwaag.com/tunesources</a> <br>
Also Please take a minute to leave a review of the podcast! </p>

<p>Listen on Apple Podcasts: <a href="https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677" rel="nofollow">https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677</a> <br>
Listen on Itunes: <a href="https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677" rel="nofollow">https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677</a> <br>
Listen on Spotify: <a href="https://open.spotify.com/show/5QxzqrSm0pu6v8y8pLsv5j?si=QLiG0L1pT1eu7B5_FDmgGA" rel="nofollow">https://open.spotify.com/show/5QxzqrSm0pu6v8y8pLsv5j?si=QLiG0L1pT1eu7B5_FDmgGA</a></p><p><a rel="payment" href="https://www.patreon.com/wetootwaag">Support Wetootwaag&#39;s Bagpipe and History Podcast</a></p>]]>
  </itunes:summary>
</item>
<item>
  <title>S4E30: John Walsh's 1750 Caledonia Country Dances With Hare in the Corn and other tunes</title>
  <link>https://www.wetootwaag.com/s4e30</link>
  <guid isPermaLink="false">82abde79-dd24-441d-8f02-3533c8944113</guid>
  <pubDate>Sat, 24 Oct 2020 02:00:00 -0400</pubDate>
  <author>Jeremy Kingsbury</author>
  <enclosure url="https://aphid.fireside.fm/d/1437767933/f158d1e4-b92d-4f8d-9eef-7382ca3c3ee8/82abde79-dd24-441d-8f02-3533c8944113.mp3" length="58857237" type="audio/mpeg"/>
  <itunes:episodeType>full</itunes:episodeType>
  <itunes:season>4</itunes:season>
  <itunes:author>Jeremy Kingsbury</itunes:author>
  <itunes:subtitle>Matt Seattle: Lady McIntosh’s Reel or O’er the Hills For A’ That
Walsh: Hare in the Corn, My Ain Kind Deary, Turnbridge Frisk, Country Bumkin
James Aird, Bab at the Bowster
O’Farrell: Hare in the Corn, My ain kind Deary, “Handle’s Minuett”
</itunes:subtitle>
  <itunes:duration>40:42</itunes:duration>
  <itunes:explicit>no</itunes:explicit>
  <itunes:image href="https://media24.fireside.fm/file/fireside-images-2024/podcasts/images/f/f158d1e4-b92d-4f8d-9eef-7382ca3c3ee8/episodes/8/82abde79-dd24-441d-8f02-3533c8944113/cover.jpg?v=1"/>
  <description>&lt;p&gt;Matt Seattle: Lady McIntosh’s Reel of O’er the Hills For A’ That&lt;br&gt;
Walsh: Hare in the Corn, My Ain Kind Deary, Turnbridge Frisk, Country Bumkin&lt;br&gt;
James Aird, Bab at the Bowster&lt;br&gt;
O’Farrell: Hare in the Corn, My ain kind Deary, “Handle’s Minuett”&lt;/p&gt;

&lt;p&gt;Matt Seattle’s Setting for Lady McIntosh’s Reel can be found in Geordie Syme's Paircel o Tunes &lt;a href="https://www.mattseattle.scot/product-page/geordie-syme-s-parcel-o-tunes" target="_blank" rel="nofollow noopener"&gt;https://www.mattseattle.scot/product-page/geordie-syme-s-parcel-o-tunes&lt;/a&gt; &lt;br&gt;
Scots Musical Museum:  For a' that an' a' that&lt;br&gt;
&lt;a href="https://digital.nls.uk/special-collections-of-printed-music/archive/94551444" target="_blank" rel="nofollow noopener"&gt;https://digital.nls.uk/special-collections-of-printed-music/archive/94551444&lt;/a&gt; &lt;br&gt;
Walsh’s Hare In the Corn:&lt;br&gt;
&lt;a href="https://digital.nls.uk/special-collections-of-printed-music/archive/94558008" target="_blank" rel="nofollow noopener"&gt;https://digital.nls.uk/special-collections-of-printed-music/archive/94558008&lt;/a&gt; &lt;br&gt;
O’Farrell’s Hare In the Corn:&lt;br&gt;
&lt;a href="https://digital.nls.uk/special-collections-of-printed-music/archive/87780554" target="_blank" rel="nofollow noopener"&gt;https://digital.nls.uk/special-collections-of-printed-music/archive/87780554&lt;/a&gt; &lt;br&gt;
Walsh’s My Ain Kind Deary: &lt;br&gt;
&lt;a href="https://digital.nls.uk/special-collections-of-printed-music/archive/94558176" target="_blank" rel="nofollow noopener"&gt;https://digital.nls.uk/special-collections-of-printed-music/archive/94558176&lt;/a&gt; &lt;br&gt;
O’Farrell’s My Ain Kind Deary:&lt;br&gt;
&lt;a href="https://digital.nls.uk/special-collections-of-printed-music/archive/87781322" target="_blank" rel="nofollow noopener"&gt;https://digital.nls.uk/special-collections-of-printed-music/archive/87781322&lt;/a&gt; &lt;br&gt;
Walsh’s Turnbridge Frisk:&lt;br&gt;
&lt;a href="https://digital.nls.uk/special-collections-of-printed-music/archive/94558368" target="_blank" rel="nofollow noopener"&gt;https://digital.nls.uk/special-collections-of-printed-music/archive/94558368&lt;/a&gt; &lt;br&gt;
Walsh’s Country Bumkin: &lt;br&gt;
&lt;a href="https://digital.nls.uk/special-collections-of-printed-music/archive/94558428" target="_blank" rel="nofollow noopener"&gt;https://digital.nls.uk/special-collections-of-printed-music/archive/94558428&lt;/a&gt; &lt;br&gt;
Aird Bab at the Bowster: (Country Bumpkin) &lt;a href="https://digital.nls.uk/special-collections-of-printed-music/archive/94559260" target="_blank" rel="nofollow noopener"&gt;https://digital.nls.uk/special-collections-of-printed-music/archive/94559260&lt;/a&gt; &lt;/p&gt;

&lt;p&gt;Link to Archive.org Copy of Frank Kidson, “Handel’s Publisher, John Walsh, His Successors, and Contemporaries” The Musical Quarterly Vol 6 no. 3 (1920, pp. 430-450)&lt;/p&gt;

&lt;p&gt;&lt;a href="https://archive.org/stream/jstor-737971/737971_djvu.txt" target="_blank" rel="nofollow noopener"&gt;https://archive.org/stream/jstor-737971/737971_djvu.txt&lt;/a&gt; &lt;/p&gt;

&lt;p&gt;Here is a Link to the Open University Course:&lt;br&gt;
&lt;a href="https://www.open.edu/openlearn/history-the-arts/music-and-its-media/content-section-0?intro=1" target="_blank" rel="nofollow noopener"&gt;https://www.open.edu/openlearn/history-the-arts/music-and-its-media/content-section-0?intro=1&lt;/a&gt; &lt;/p&gt;

&lt;p&gt;O’Farrell’s “Handle’s Minuett”&lt;br&gt;
&lt;a href="https://digital.nls.uk/special-collections-of-printed-music/archive/87780674" target="_blank" rel="nofollow noopener"&gt;https://digital.nls.uk/special-collections-of-printed-music/archive/87780674&lt;/a&gt; &lt;/p&gt;

&lt;p&gt;Feel free to get in touch via Email: &lt;a href="mailto:wetootwaag@gmail.com" target="_blank" rel="nofollow noopener"&gt;wetootwaag@gmail.com&lt;/a&gt;&lt;/p&gt;

&lt;p&gt;Please take advantage of the Tune Collection tab: &lt;a href="https://www.wetootwaag.com/tunesources" target="_blank" rel="nofollow noopener"&gt;https://www.wetootwaag.com/tunesources&lt;/a&gt; &lt;br&gt;
Also Please take a minute to leave a review of the podcast! &lt;/p&gt;

&lt;p&gt;Listen on Apple Podcasts: &lt;a href="https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677" target="_blank" rel="nofollow noopener"&gt;https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677&lt;/a&gt; &lt;br&gt;
Listen on Itunes: &lt;a href="https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677" target="_blank" rel="nofollow noopener"&gt;https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677&lt;/a&gt; &lt;br&gt;
Listen on Spotify: &lt;a href="https://open.spotify.com/show/5QxzqrSm0pu6v8y8pLsv5j?si=QLiG0L1pT1eu7B5_FDmgGA" target="_blank" rel="nofollow noopener"&gt;https://open.spotify.com/show/5QxzqrSm0pu6v8y8pLsv5j?si=QLiG0L1pT1eu7B5_FDmgGA&lt;/a&gt;&lt;/p&gt;
</description>
  <itunes:keywords>bagpipes, uilleann pipes, Highland, Scottish, Scotland, Donald MacDonald, History, Music, Great Highland Bagpipes, GHB, Celtic, history, pastoral pipes, union pipes, baroque, eighteenth Century, Irish Music, Scottish Music, </itunes:keywords>
  <content:encoded>
    <![CDATA[<p>Matt Seattle: Lady McIntosh’s Reel of O’er the Hills For A’ That<br>
Walsh: Hare in the Corn, My Ain Kind Deary, Turnbridge Frisk, Country Bumkin<br>
James Aird, Bab at the Bowster<br>
O’Farrell: Hare in the Corn, My ain kind Deary, “Handle’s Minuett”</p>

<p>Matt Seattle’s Setting for Lady McIntosh’s Reel can be found in Geordie Syme&#39;s Paircel o Tunes <a href="https://www.mattseattle.scot/product-page/geordie-syme-s-parcel-o-tunes" rel="nofollow">https://www.mattseattle.scot/product-page/geordie-syme-s-parcel-o-tunes</a> <br>
Scots Musical Museum:  For a&#39; that an&#39; a&#39; that<br>
<a href="https://digital.nls.uk/special-collections-of-printed-music/archive/94551444" rel="nofollow">https://digital.nls.uk/special-collections-of-printed-music/archive/94551444</a> <br>
Walsh’s Hare In the Corn:<br>
<a href="https://digital.nls.uk/special-collections-of-printed-music/archive/94558008" rel="nofollow">https://digital.nls.uk/special-collections-of-printed-music/archive/94558008</a> <br>
O’Farrell’s Hare In the Corn:<br>
<a href="https://digital.nls.uk/special-collections-of-printed-music/archive/87780554" rel="nofollow">https://digital.nls.uk/special-collections-of-printed-music/archive/87780554</a> <br>
Walsh’s My Ain Kind Deary: <br>
<a href="https://digital.nls.uk/special-collections-of-printed-music/archive/94558176" rel="nofollow">https://digital.nls.uk/special-collections-of-printed-music/archive/94558176</a> <br>
O’Farrell’s My Ain Kind Deary:<br>
<a href="https://digital.nls.uk/special-collections-of-printed-music/archive/87781322" rel="nofollow">https://digital.nls.uk/special-collections-of-printed-music/archive/87781322</a> <br>
Walsh’s Turnbridge Frisk:<br>
<a href="https://digital.nls.uk/special-collections-of-printed-music/archive/94558368" rel="nofollow">https://digital.nls.uk/special-collections-of-printed-music/archive/94558368</a> <br>
Walsh’s Country Bumkin: <br>
<a href="https://digital.nls.uk/special-collections-of-printed-music/archive/94558428" rel="nofollow">https://digital.nls.uk/special-collections-of-printed-music/archive/94558428</a> <br>
Aird Bab at the Bowster: (Country Bumpkin) <a href="https://digital.nls.uk/special-collections-of-printed-music/archive/94559260" rel="nofollow">https://digital.nls.uk/special-collections-of-printed-music/archive/94559260</a> </p>

<p>Link to Archive.org Copy of Frank Kidson, “Handel’s Publisher, John Walsh, His Successors, and Contemporaries” The Musical Quarterly Vol 6 no. 3 (1920, pp. 430-450)</p>

<p><a href="https://archive.org/stream/jstor-737971/737971_djvu.txt" rel="nofollow">https://archive.org/stream/jstor-737971/737971_djvu.txt</a> </p>

<p>Here is a Link to the Open University Course:<br>
<a href="https://www.open.edu/openlearn/history-the-arts/music-and-its-media/content-section-0?intro=1" rel="nofollow">https://www.open.edu/openlearn/history-the-arts/music-and-its-media/content-section-0?intro=1</a> </p>

<p>O’Farrell’s “Handle’s Minuett”<br>
<a href="https://digital.nls.uk/special-collections-of-printed-music/archive/87780674" rel="nofollow">https://digital.nls.uk/special-collections-of-printed-music/archive/87780674</a> </p>

<p>Feel free to get in touch via Email: <a href="mailto:wetootwaag@gmail.com" rel="nofollow">wetootwaag@gmail.com</a></p>

<p>Please take advantage of the Tune Collection tab: <a href="https://www.wetootwaag.com/tunesources" rel="nofollow">https://www.wetootwaag.com/tunesources</a> <br>
Also Please take a minute to leave a review of the podcast! </p>

<p>Listen on Apple Podcasts: <a href="https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677" rel="nofollow">https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677</a> <br>
Listen on Itunes: <a href="https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677" rel="nofollow">https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677</a> <br>
Listen on Spotify: <a href="https://open.spotify.com/show/5QxzqrSm0pu6v8y8pLsv5j?si=QLiG0L1pT1eu7B5_FDmgGA" rel="nofollow">https://open.spotify.com/show/5QxzqrSm0pu6v8y8pLsv5j?si=QLiG0L1pT1eu7B5_FDmgGA</a></p><p><a rel="payment" href="https://www.patreon.com/wetootwaag">Support Wetootwaag&#39;s Bagpipe and History Podcast</a></p>]]>
  </content:encoded>
  <itunes:summary>
    <![CDATA[<p>Matt Seattle: Lady McIntosh’s Reel of O’er the Hills For A’ That<br>
Walsh: Hare in the Corn, My Ain Kind Deary, Turnbridge Frisk, Country Bumkin<br>
James Aird, Bab at the Bowster<br>
O’Farrell: Hare in the Corn, My ain kind Deary, “Handle’s Minuett”</p>

<p>Matt Seattle’s Setting for Lady McIntosh’s Reel can be found in Geordie Syme&#39;s Paircel o Tunes <a href="https://www.mattseattle.scot/product-page/geordie-syme-s-parcel-o-tunes" rel="nofollow">https://www.mattseattle.scot/product-page/geordie-syme-s-parcel-o-tunes</a> <br>
Scots Musical Museum:  For a&#39; that an&#39; a&#39; that<br>
<a href="https://digital.nls.uk/special-collections-of-printed-music/archive/94551444" rel="nofollow">https://digital.nls.uk/special-collections-of-printed-music/archive/94551444</a> <br>
Walsh’s Hare In the Corn:<br>
<a href="https://digital.nls.uk/special-collections-of-printed-music/archive/94558008" rel="nofollow">https://digital.nls.uk/special-collections-of-printed-music/archive/94558008</a> <br>
O’Farrell’s Hare In the Corn:<br>
<a href="https://digital.nls.uk/special-collections-of-printed-music/archive/87780554" rel="nofollow">https://digital.nls.uk/special-collections-of-printed-music/archive/87780554</a> <br>
Walsh’s My Ain Kind Deary: <br>
<a href="https://digital.nls.uk/special-collections-of-printed-music/archive/94558176" rel="nofollow">https://digital.nls.uk/special-collections-of-printed-music/archive/94558176</a> <br>
O’Farrell’s My Ain Kind Deary:<br>
<a href="https://digital.nls.uk/special-collections-of-printed-music/archive/87781322" rel="nofollow">https://digital.nls.uk/special-collections-of-printed-music/archive/87781322</a> <br>
Walsh’s Turnbridge Frisk:<br>
<a href="https://digital.nls.uk/special-collections-of-printed-music/archive/94558368" rel="nofollow">https://digital.nls.uk/special-collections-of-printed-music/archive/94558368</a> <br>
Walsh’s Country Bumkin: <br>
<a href="https://digital.nls.uk/special-collections-of-printed-music/archive/94558428" rel="nofollow">https://digital.nls.uk/special-collections-of-printed-music/archive/94558428</a> <br>
Aird Bab at the Bowster: (Country Bumpkin) <a href="https://digital.nls.uk/special-collections-of-printed-music/archive/94559260" rel="nofollow">https://digital.nls.uk/special-collections-of-printed-music/archive/94559260</a> </p>

<p>Link to Archive.org Copy of Frank Kidson, “Handel’s Publisher, John Walsh, His Successors, and Contemporaries” The Musical Quarterly Vol 6 no. 3 (1920, pp. 430-450)</p>

<p><a href="https://archive.org/stream/jstor-737971/737971_djvu.txt" rel="nofollow">https://archive.org/stream/jstor-737971/737971_djvu.txt</a> </p>

<p>Here is a Link to the Open University Course:<br>
<a href="https://www.open.edu/openlearn/history-the-arts/music-and-its-media/content-section-0?intro=1" rel="nofollow">https://www.open.edu/openlearn/history-the-arts/music-and-its-media/content-section-0?intro=1</a> </p>

<p>O’Farrell’s “Handle’s Minuett”<br>
<a href="https://digital.nls.uk/special-collections-of-printed-music/archive/87780674" rel="nofollow">https://digital.nls.uk/special-collections-of-printed-music/archive/87780674</a> </p>

<p>Feel free to get in touch via Email: <a href="mailto:wetootwaag@gmail.com" rel="nofollow">wetootwaag@gmail.com</a></p>

<p>Please take advantage of the Tune Collection tab: <a href="https://www.wetootwaag.com/tunesources" rel="nofollow">https://www.wetootwaag.com/tunesources</a> <br>
Also Please take a minute to leave a review of the podcast! </p>

<p>Listen on Apple Podcasts: <a href="https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677" rel="nofollow">https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677</a> <br>
Listen on Itunes: <a href="https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677" rel="nofollow">https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677</a> <br>
Listen on Spotify: <a href="https://open.spotify.com/show/5QxzqrSm0pu6v8y8pLsv5j?si=QLiG0L1pT1eu7B5_FDmgGA" rel="nofollow">https://open.spotify.com/show/5QxzqrSm0pu6v8y8pLsv5j?si=QLiG0L1pT1eu7B5_FDmgGA</a></p><p><a rel="payment" href="https://www.patreon.com/wetootwaag">Support Wetootwaag&#39;s Bagpipe and History Podcast</a></p>]]>
  </itunes:summary>
</item>
<item>
  <title>S4 E28: Hey Johnny Cock up thy Beaver and A brief History of Slang</title>
  <link>https://www.wetootwaag.com/s4e28</link>
  <guid isPermaLink="false">a0c4b1a7-bcfd-4273-8e74-0cfc2ae46e2d</guid>
  <pubDate>Sat, 10 Oct 2020 00:00:00 -0400</pubDate>
  <author>Jeremy Kingsbury</author>
  <enclosure url="https://aphid.fireside.fm/d/1437767933/f158d1e4-b92d-4f8d-9eef-7382ca3c3ee8/a0c4b1a7-bcfd-4273-8e74-0cfc2ae46e2d.mp3" length="99976830" type="audio/mpeg"/>
  <itunes:episodeType>full</itunes:episodeType>
  <itunes:season>4</itunes:season>
  <itunes:author>Jeremy Kingsbury</itunes:author>
  <itunes:subtitle>Tunes: 
John Playford: Johnny Cock thy Beaver
O’Carolan: Cock up thy Beaver Variations
Dixon: Watty’s Away
Oswald: Johnny Cock-up thy Beaver
Robert Bremner: Scots Bonnet
O’Farrell: The Blue Bonnett
A.L. Lloyd: The Bonny Black Hare
</itunes:subtitle>
  <itunes:duration>1:05:43</itunes:duration>
  <itunes:explicit>yes</itunes:explicit>
  <itunes:image href="https://media24.fireside.fm/file/fireside-images-2024/podcasts/images/f/f158d1e4-b92d-4f8d-9eef-7382ca3c3ee8/episodes/a/a0c4b1a7-bcfd-4273-8e74-0cfc2ae46e2d/cover.jpg?v=1"/>
  <description>&lt;p&gt;Tunes: &lt;br&gt;
John Playford: Johnny Cock thy Beaver&lt;br&gt;
O’Carolan: Cock up thy Beaver Variations&lt;br&gt;
Dixon: Watty’s Away&lt;br&gt;
Oswald: Johnny Cock-up thy Beaver&lt;br&gt;
Robert Bremner: Scots Bonnet&lt;br&gt;
O’Farrell: The Blue Bonnett&lt;br&gt;
A.L. Lloyd: The Bonny Black Hare&lt;/p&gt;

&lt;p&gt;Cover Art from David Allan’s Lead Processing at Leadhills: Weighing the Lead Bars from the 1780s showing a Blue Bonnet and a Cocked hat.&lt;br&gt;
Courtesy of National Galleries Scotland: &lt;a href="https://www.nationalgalleries.org/art-and-artists/99127/lead-processing-leadhills-weighing-lead-bars" target="_blank" rel="nofollow noopener"&gt;https://www.nationalgalleries.org/art-and-artists/99127/lead-processing-leadhills-weighing-lead-bars&lt;/a&gt; &lt;/p&gt;

&lt;p&gt;1686: John Playford, Dancing Master rendition of Johnny Cock thy Beaver here:&lt;br&gt;
&lt;a href="https://www.cdss.org/elibrary/dancing-master/Dance/images/Play1138.gif" target="_blank" rel="nofollow noopener"&gt;https://www.cdss.org/elibrary/dancing-master/Dance/images/Play1138.gif&lt;/a&gt; &lt;br&gt;
This whole database was helpful:&lt;br&gt;
&lt;a href="https://www.cdss.org/elibrary/dancing-master/Index.htm" target="_blank" rel="nofollow noopener"&gt;https://www.cdss.org/elibrary/dancing-master/Index.htm&lt;/a&gt; &lt;/p&gt;

&lt;p&gt;1900: I would not have known to look here were it not for John Glen’s monumental work on early Scottish melodies, if you hadn’t noticed it is Glen’s collection that makes up much of the archival copies of these texts I rely on:&lt;br&gt;
&lt;a href="https://digital.nls.uk/special-collections-of-printed-music/archive/91349758" target="_blank" rel="nofollow noopener"&gt;https://digital.nls.uk/special-collections-of-printed-music/archive/91349758&lt;/a&gt; &lt;/p&gt;

&lt;p&gt;&amp;lt;1738 : O’Carolan’s Setting for Variations came likely from Donal O'Sullivan's work of tunes actually composed by Turlough O’Carolan (b.1670-d.1738) I got the transcription (and apparently also a key change) on Vince Brennan’s remarkable website, with ABC copies of all the tunes:&lt;br&gt;
&lt;a href="http://www.oldmusicproject.com/occ/tunes.html" target="_blank" rel="nofollow noopener"&gt;http://www.oldmusicproject.com/occ/tunes.html&lt;/a&gt; &lt;/p&gt;

&lt;p&gt;1733: William Dixon’s Watty’s Away:&lt;br&gt;
&lt;a href="https://www.mattseattle.scot/product-page/the-master-piper-new-edition" target="_blank" rel="nofollow noopener"&gt;https://www.mattseattle.scot/product-page/the-master-piper-new-edition&lt;/a&gt;&lt;/p&gt;

&lt;p&gt;1750ish: James Oswald’s Setting for Johnny Cock-up thy Beaver:&lt;br&gt;
&lt;a href="https://digital.nls.uk/special-collections-of-printed-music/archive/94599108" target="_blank" rel="nofollow noopener"&gt;https://digital.nls.uk/special-collections-of-printed-music/archive/94599108&lt;/a&gt; &lt;/p&gt;

&lt;p&gt;1792: Scots Musical Museum (Robert Burns Song)&lt;br&gt;
&lt;a href="https://digital.nls.uk/special-collections-of-printed-music/archive/87798244" target="_blank" rel="nofollow noopener"&gt;https://digital.nls.uk/special-collections-of-printed-music/archive/87798244&lt;/a&gt;&lt;/p&gt;

&lt;p&gt;1757: Bremner’s Setting for Scots Bonnet:&lt;br&gt;
&lt;a href="https://digital.nls.uk/special-collections-of-printed-music/archive/105002603" target="_blank" rel="nofollow noopener"&gt;https://digital.nls.uk/special-collections-of-printed-music/archive/105002603&lt;/a&gt; &lt;/p&gt;

&lt;p&gt;1807-1810: O’Farrell’s setting of The Blue Bonnett: &lt;br&gt;
&lt;a href="http://www.cl.cam.ac.uk/%7Erja14/Papers/ofarrellspc3.pdf" target="_blank" rel="nofollow noopener"&gt;http://www.cl.cam.ac.uk/~rja14/Papers/ofarrellspc3.pdf&lt;/a&gt; It is tune 17 on the PDF&lt;/p&gt;

&lt;p&gt;You can read through the fascinating discussion of Beaver and links to many newspaper articles from the early 20th century here on the English Language and Usage Stack Exchange forum: &lt;a href="https://english.stackexchange.com/a/503590" target="_blank" rel="nofollow noopener"&gt;https://english.stackexchange.com/a/503590&lt;/a&gt; &lt;/p&gt;

&lt;p&gt;June 1922: Missouri Newspaper: Cambridge Students Pride themselves on their whiskers&lt;br&gt;
&lt;a href="https://chroniclingamerica.loc.gov/lccn/sn89066316/1922-06-26/ed-1/seq-4/#words=%22yelling%2Bbeaver%22" target="_blank" rel="nofollow noopener"&gt;https://chroniclingamerica.loc.gov/lccn/sn89066316/1922-06-26/ed-1/seq-4/#words=%22yelling%2Bbeaver%22&lt;/a&gt; &lt;br&gt;
October 1922: Washington Newspaper: King George may need to shave&lt;br&gt;
&lt;a href="https://chroniclingamerica.loc.gov/lccn/sn84026749/1922-10-29/ed-1/seq-59/#words=%22out%2Bbeaver%22" target="_blank" rel="nofollow noopener"&gt;https://chroniclingamerica.loc.gov/lccn/sn84026749/1922-10-29/ed-1/seq-59/#words=%22out%2Bbeaver%22&lt;/a&gt; &lt;br&gt;
December 1922 Washington Newspaper: Beaver near extinction because of the Beaver Game:&lt;br&gt;
&lt;a href="https://chroniclingamerica.loc.gov/lccn/sn84026749/1922-12-03/ed-1/seq-39/#words=%22out%2Bbeaver%22" target="_blank" rel="nofollow noopener"&gt;https://chroniclingamerica.loc.gov/lccn/sn84026749/1922-12-03/ed-1/seq-39/#words=%22out%2Bbeaver%22&lt;/a&gt; &lt;/p&gt;

&lt;p&gt;“Looking For Whiskers&lt;br&gt;
Bearded men find themselves unwontedly popular at Cambridge just now. They are gravely or hilariously saluted by undergraduates with cries of ‘Beaver!’ This is part of a game which the young wits of the University have devised in which pointes are scored by the player who first sights a bearded person.&lt;br&gt;
From Gloucester Citizen, Gloucester, England, Wednesday May 17, 1922 Volume 47, 115&lt;/p&gt;

&lt;p&gt;From the Evening Telegraph (Dundee, Scotland) Tuesday october 3, 1922 Day By Day&lt;br&gt;
“There is absolutely no truth in the story that when a Royal figure wearing a beard entered a Cambridge function the undergraduates rose to their feet as one and shouted, ‘Royal beaver game, set, match.”&lt;/p&gt;

&lt;p&gt;“When Aussies wore Whiskers from Thursday Aug 2, 1934 Gloucester Citizen, talks about men wearing beards being scorned by barbers, and harassed on the street by cries of Beaver.&lt;/p&gt;

&lt;p&gt;Jan 20, 1941 Gloucester Citizen, “Ban on ‘Hitler’ Moustache but ‘Beavers’ are Popular&lt;br&gt;
Discusses how beards fell out of fashion, but are back in for military personnel after WWII.&lt;/p&gt;

&lt;p&gt;You can see the “Beaver!” Limerick printed here in the Wordsworth Book of Limericks:&lt;br&gt;
&lt;a href="https://archive.org/details/wordsworthbookof0000unse/page/324/mode/1up" target="_blank" rel="nofollow noopener"&gt;https://archive.org/details/wordsworthbookof0000unse/page/324/mode/1up&lt;/a&gt;? &lt;/p&gt;

&lt;p&gt;You can see several of the Mid-19th Century Bonny Black Hare Broadsides here, Courtesy of the Bodleian Libraries:&lt;br&gt;
&lt;a href="http://ballads.bodleian.ox.ac.uk/search/title/Bonny%20black%20hare" target="_blank" rel="nofollow noopener"&gt;http://ballads.bodleian.ox.ac.uk/search/title/Bonny%20black%20hare&lt;/a&gt; &lt;/p&gt;

&lt;p&gt;Interesting discussion of Bonny Black Hare from AL Lloyd and others that popularized singing it during the British Folk Revival:&lt;br&gt;
&lt;a href="https://mainlynorfolk.info/lloyd/songs/thebonnyblackhare.html" target="_blank" rel="nofollow noopener"&gt;https://mainlynorfolk.info/lloyd/songs/thebonnyblackhare.html&lt;/a&gt; &lt;/p&gt;

&lt;p&gt;I have lost several hours to Grosse’s 1811 Dictionary of the Vulgar Tongue:&lt;br&gt;
&lt;a href="http://www.gutenberg.org/cache/epub/5402/pg5402-images.html" target="_blank" rel="nofollow noopener"&gt;http://www.gutenberg.org/cache/epub/5402/pg5402-images.html&lt;/a&gt; &lt;/p&gt;

&lt;p&gt;Please take advantage of the Tune Collection tab: &lt;a href="https://www.wetootwaag.com/tunesources" target="_blank" rel="nofollow noopener"&gt;https://www.wetootwaag.com/tunesources&lt;/a&gt; &lt;br&gt;
Also Please take a minute to leave a review of the podcast! &lt;/p&gt;

&lt;p&gt;Listen on Apple Podcasts: &lt;a href="https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677" target="_blank" rel="nofollow noopener"&gt;https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677&lt;/a&gt; &lt;br&gt;
Listen on Itunes: &lt;a href="https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677" target="_blank" rel="nofollow noopener"&gt;https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677&lt;/a&gt; &lt;br&gt;
Listen on Spotify: &lt;a href="https://open.spotify.com/show/5QxzqrSm0pu6v8y8pLsv5j?si=QLiG0L1pT1eu7B5_FDmgGA" target="_blank" rel="nofollow noopener"&gt;https://open.spotify.com/show/5QxzqrSm0pu6v8y8pLsv5j?si=QLiG0L1pT1eu7B5_FDmgGA&lt;/a&gt;&lt;/p&gt;
</description>
  <itunes:keywords>bagpipes, uilleann pipes, Highland, Scottish, Scotland, Donald MacDonald, History, Music, Great Highland Bagpipes, GHB, Celtic, history, pastoral pipes, union pipes, baroque, eighteenth Century, Irish Music, Scottish Music, </itunes:keywords>
  <content:encoded>
    <![CDATA[<p>Tunes: <br>
John Playford: Johnny Cock thy Beaver<br>
O’Carolan: Cock up thy Beaver Variations<br>
Dixon: Watty’s Away<br>
Oswald: Johnny Cock-up thy Beaver<br>
Robert Bremner: Scots Bonnet<br>
O’Farrell: The Blue Bonnett<br>
A.L. Lloyd: The Bonny Black Hare</p>

<p>Cover Art from David Allan’s Lead Processing at Leadhills: Weighing the Lead Bars from the 1780s showing a Blue Bonnet and a Cocked hat.<br>
Courtesy of National Galleries Scotland: <a href="https://www.nationalgalleries.org/art-and-artists/99127/lead-processing-leadhills-weighing-lead-bars" rel="nofollow">https://www.nationalgalleries.org/art-and-artists/99127/lead-processing-leadhills-weighing-lead-bars</a> </p>

<p>1686: John Playford, Dancing Master rendition of Johnny Cock thy Beaver here:<br>
<a href="https://www.cdss.org/elibrary/dancing-master/Dance/images/Play1138.gif" rel="nofollow">https://www.cdss.org/elibrary/dancing-master/Dance/images/Play1138.gif</a> <br>
This whole database was helpful:<br>
<a href="https://www.cdss.org/elibrary/dancing-master/Index.htm" rel="nofollow">https://www.cdss.org/elibrary/dancing-master/Index.htm</a> </p>

<p>1900: I would not have known to look here were it not for John Glen’s monumental work on early Scottish melodies, if you hadn’t noticed it is Glen’s collection that makes up much of the archival copies of these texts I rely on:<br>
<a href="https://digital.nls.uk/special-collections-of-printed-music/archive/91349758" rel="nofollow">https://digital.nls.uk/special-collections-of-printed-music/archive/91349758</a> </p>

<p>&lt;1738 : O’Carolan’s Setting for Variations came likely from Donal O&#39;Sullivan&#39;s work of tunes actually composed by Turlough O’Carolan (b.1670-d.1738) I got the transcription (and apparently also a key change) on Vince Brennan’s remarkable website, with ABC copies of all the tunes:<br>
<a href="http://www.oldmusicproject.com/occ/tunes.html" rel="nofollow">http://www.oldmusicproject.com/occ/tunes.html</a> </p>

<p>1733: William Dixon’s Watty’s Away:<br>
<a href="https://www.mattseattle.scot/product-page/the-master-piper-new-edition" rel="nofollow">https://www.mattseattle.scot/product-page/the-master-piper-new-edition</a></p>

<p>1750ish: James Oswald’s Setting for Johnny Cock-up thy Beaver:<br>
<a href="https://digital.nls.uk/special-collections-of-printed-music/archive/94599108" rel="nofollow">https://digital.nls.uk/special-collections-of-printed-music/archive/94599108</a> </p>

<p>1792: Scots Musical Museum (Robert Burns Song)<br>
<a href="https://digital.nls.uk/special-collections-of-printed-music/archive/87798244" rel="nofollow">https://digital.nls.uk/special-collections-of-printed-music/archive/87798244</a></p>

<p>1757: Bremner’s Setting for Scots Bonnet:<br>
<a href="https://digital.nls.uk/special-collections-of-printed-music/archive/105002603" rel="nofollow">https://digital.nls.uk/special-collections-of-printed-music/archive/105002603</a> </p>

<p>1807-1810: O’Farrell’s setting of The Blue Bonnett: <br>
<a href="http://www.cl.cam.ac.uk/%7Erja14/Papers/ofarrellspc3.pdf" rel="nofollow">http://www.cl.cam.ac.uk/~rja14/Papers/ofarrellspc3.pdf</a> It is tune 17 on the PDF</p>

<p>You can read through the fascinating discussion of Beaver and links to many newspaper articles from the early 20th century here on the English Language and Usage Stack Exchange forum: <a href="https://english.stackexchange.com/a/503590" rel="nofollow">https://english.stackexchange.com/a/503590</a> </p>

<p>June 1922: Missouri Newspaper: Cambridge Students Pride themselves on their whiskers<br>
<a href="https://chroniclingamerica.loc.gov/lccn/sn89066316/1922-06-26/ed-1/seq-4/#words=%22yelling%2Bbeaver%22" rel="nofollow">https://chroniclingamerica.loc.gov/lccn/sn89066316/1922-06-26/ed-1/seq-4/#words=%22yelling%2Bbeaver%22</a> <br>
October 1922: Washington Newspaper: King George may need to shave<br>
<a href="https://chroniclingamerica.loc.gov/lccn/sn84026749/1922-10-29/ed-1/seq-59/#words=%22out%2Bbeaver%22" rel="nofollow">https://chroniclingamerica.loc.gov/lccn/sn84026749/1922-10-29/ed-1/seq-59/#words=%22out%2Bbeaver%22</a> <br>
December 1922 Washington Newspaper: Beaver near extinction because of the Beaver Game:<br>
<a href="https://chroniclingamerica.loc.gov/lccn/sn84026749/1922-12-03/ed-1/seq-39/#words=%22out%2Bbeaver%22" rel="nofollow">https://chroniclingamerica.loc.gov/lccn/sn84026749/1922-12-03/ed-1/seq-39/#words=%22out%2Bbeaver%22</a> </p>

<p>“Looking For Whiskers<br>
Bearded men find themselves unwontedly popular at Cambridge just now. They are gravely or hilariously saluted by undergraduates with cries of ‘Beaver!’ This is part of a game which the young wits of the University have devised in which pointes are scored by the player who first sights a bearded person.<br>
From Gloucester Citizen, Gloucester, England, Wednesday May 17, 1922 Volume 47, 115</p>

<p>From the Evening Telegraph (Dundee, Scotland) Tuesday october 3, 1922 Day By Day<br>
“There is absolutely no truth in the story that when a Royal figure wearing a beard entered a Cambridge function the undergraduates rose to their feet as one and shouted, ‘Royal beaver game, set, match.”</p>

<p>“When Aussies wore Whiskers from Thursday Aug 2, 1934 Gloucester Citizen, talks about men wearing beards being scorned by barbers, and harassed on the street by cries of Beaver.</p>

<p>Jan 20, 1941 Gloucester Citizen, “Ban on ‘Hitler’ Moustache but ‘Beavers’ are Popular<br>
Discusses how beards fell out of fashion, but are back in for military personnel after WWII.</p>

<p>You can see the “Beaver!” Limerick printed here in the Wordsworth Book of Limericks:<br>
<a href="https://archive.org/details/wordsworthbookof0000unse/page/324/mode/1up" rel="nofollow">https://archive.org/details/wordsworthbookof0000unse/page/324/mode/1up</a>? </p>

<p>You can see several of the Mid-19th Century Bonny Black Hare Broadsides here, Courtesy of the Bodleian Libraries:<br>
<a href="http://ballads.bodleian.ox.ac.uk/search/title/Bonny%20black%20hare" rel="nofollow">http://ballads.bodleian.ox.ac.uk/search/title/Bonny%20black%20hare</a> </p>

<p>Interesting discussion of Bonny Black Hare from AL Lloyd and others that popularized singing it during the British Folk Revival:<br>
<a href="https://mainlynorfolk.info/lloyd/songs/thebonnyblackhare.html" rel="nofollow">https://mainlynorfolk.info/lloyd/songs/thebonnyblackhare.html</a> </p>

<p>I have lost several hours to Grosse’s 1811 Dictionary of the Vulgar Tongue:<br>
<a href="http://www.gutenberg.org/cache/epub/5402/pg5402-images.html" rel="nofollow">http://www.gutenberg.org/cache/epub/5402/pg5402-images.html</a> </p>

<p>Please take advantage of the Tune Collection tab: <a href="https://www.wetootwaag.com/tunesources" rel="nofollow">https://www.wetootwaag.com/tunesources</a> <br>
Also Please take a minute to leave a review of the podcast! </p>

<p>Listen on Apple Podcasts: <a href="https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677" rel="nofollow">https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677</a> <br>
Listen on Itunes: <a href="https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677" rel="nofollow">https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677</a> <br>
Listen on Spotify: <a href="https://open.spotify.com/show/5QxzqrSm0pu6v8y8pLsv5j?si=QLiG0L1pT1eu7B5_FDmgGA" rel="nofollow">https://open.spotify.com/show/5QxzqrSm0pu6v8y8pLsv5j?si=QLiG0L1pT1eu7B5_FDmgGA</a></p><p><a rel="payment" href="https://www.patreon.com/wetootwaag">Support Wetootwaag&#39;s Bagpipe and History Podcast</a></p>]]>
  </content:encoded>
  <itunes:summary>
    <![CDATA[<p>Tunes: <br>
John Playford: Johnny Cock thy Beaver<br>
O’Carolan: Cock up thy Beaver Variations<br>
Dixon: Watty’s Away<br>
Oswald: Johnny Cock-up thy Beaver<br>
Robert Bremner: Scots Bonnet<br>
O’Farrell: The Blue Bonnett<br>
A.L. Lloyd: The Bonny Black Hare</p>

<p>Cover Art from David Allan’s Lead Processing at Leadhills: Weighing the Lead Bars from the 1780s showing a Blue Bonnet and a Cocked hat.<br>
Courtesy of National Galleries Scotland: <a href="https://www.nationalgalleries.org/art-and-artists/99127/lead-processing-leadhills-weighing-lead-bars" rel="nofollow">https://www.nationalgalleries.org/art-and-artists/99127/lead-processing-leadhills-weighing-lead-bars</a> </p>

<p>1686: John Playford, Dancing Master rendition of Johnny Cock thy Beaver here:<br>
<a href="https://www.cdss.org/elibrary/dancing-master/Dance/images/Play1138.gif" rel="nofollow">https://www.cdss.org/elibrary/dancing-master/Dance/images/Play1138.gif</a> <br>
This whole database was helpful:<br>
<a href="https://www.cdss.org/elibrary/dancing-master/Index.htm" rel="nofollow">https://www.cdss.org/elibrary/dancing-master/Index.htm</a> </p>

<p>1900: I would not have known to look here were it not for John Glen’s monumental work on early Scottish melodies, if you hadn’t noticed it is Glen’s collection that makes up much of the archival copies of these texts I rely on:<br>
<a href="https://digital.nls.uk/special-collections-of-printed-music/archive/91349758" rel="nofollow">https://digital.nls.uk/special-collections-of-printed-music/archive/91349758</a> </p>

<p>&lt;1738 : O’Carolan’s Setting for Variations came likely from Donal O&#39;Sullivan&#39;s work of tunes actually composed by Turlough O’Carolan (b.1670-d.1738) I got the transcription (and apparently also a key change) on Vince Brennan’s remarkable website, with ABC copies of all the tunes:<br>
<a href="http://www.oldmusicproject.com/occ/tunes.html" rel="nofollow">http://www.oldmusicproject.com/occ/tunes.html</a> </p>

<p>1733: William Dixon’s Watty’s Away:<br>
<a href="https://www.mattseattle.scot/product-page/the-master-piper-new-edition" rel="nofollow">https://www.mattseattle.scot/product-page/the-master-piper-new-edition</a></p>

<p>1750ish: James Oswald’s Setting for Johnny Cock-up thy Beaver:<br>
<a href="https://digital.nls.uk/special-collections-of-printed-music/archive/94599108" rel="nofollow">https://digital.nls.uk/special-collections-of-printed-music/archive/94599108</a> </p>

<p>1792: Scots Musical Museum (Robert Burns Song)<br>
<a href="https://digital.nls.uk/special-collections-of-printed-music/archive/87798244" rel="nofollow">https://digital.nls.uk/special-collections-of-printed-music/archive/87798244</a></p>

<p>1757: Bremner’s Setting for Scots Bonnet:<br>
<a href="https://digital.nls.uk/special-collections-of-printed-music/archive/105002603" rel="nofollow">https://digital.nls.uk/special-collections-of-printed-music/archive/105002603</a> </p>

<p>1807-1810: O’Farrell’s setting of The Blue Bonnett: <br>
<a href="http://www.cl.cam.ac.uk/%7Erja14/Papers/ofarrellspc3.pdf" rel="nofollow">http://www.cl.cam.ac.uk/~rja14/Papers/ofarrellspc3.pdf</a> It is tune 17 on the PDF</p>

<p>You can read through the fascinating discussion of Beaver and links to many newspaper articles from the early 20th century here on the English Language and Usage Stack Exchange forum: <a href="https://english.stackexchange.com/a/503590" rel="nofollow">https://english.stackexchange.com/a/503590</a> </p>

<p>June 1922: Missouri Newspaper: Cambridge Students Pride themselves on their whiskers<br>
<a href="https://chroniclingamerica.loc.gov/lccn/sn89066316/1922-06-26/ed-1/seq-4/#words=%22yelling%2Bbeaver%22" rel="nofollow">https://chroniclingamerica.loc.gov/lccn/sn89066316/1922-06-26/ed-1/seq-4/#words=%22yelling%2Bbeaver%22</a> <br>
October 1922: Washington Newspaper: King George may need to shave<br>
<a href="https://chroniclingamerica.loc.gov/lccn/sn84026749/1922-10-29/ed-1/seq-59/#words=%22out%2Bbeaver%22" rel="nofollow">https://chroniclingamerica.loc.gov/lccn/sn84026749/1922-10-29/ed-1/seq-59/#words=%22out%2Bbeaver%22</a> <br>
December 1922 Washington Newspaper: Beaver near extinction because of the Beaver Game:<br>
<a href="https://chroniclingamerica.loc.gov/lccn/sn84026749/1922-12-03/ed-1/seq-39/#words=%22out%2Bbeaver%22" rel="nofollow">https://chroniclingamerica.loc.gov/lccn/sn84026749/1922-12-03/ed-1/seq-39/#words=%22out%2Bbeaver%22</a> </p>

<p>“Looking For Whiskers<br>
Bearded men find themselves unwontedly popular at Cambridge just now. They are gravely or hilariously saluted by undergraduates with cries of ‘Beaver!’ This is part of a game which the young wits of the University have devised in which pointes are scored by the player who first sights a bearded person.<br>
From Gloucester Citizen, Gloucester, England, Wednesday May 17, 1922 Volume 47, 115</p>

<p>From the Evening Telegraph (Dundee, Scotland) Tuesday october 3, 1922 Day By Day<br>
“There is absolutely no truth in the story that when a Royal figure wearing a beard entered a Cambridge function the undergraduates rose to their feet as one and shouted, ‘Royal beaver game, set, match.”</p>

<p>“When Aussies wore Whiskers from Thursday Aug 2, 1934 Gloucester Citizen, talks about men wearing beards being scorned by barbers, and harassed on the street by cries of Beaver.</p>

<p>Jan 20, 1941 Gloucester Citizen, “Ban on ‘Hitler’ Moustache but ‘Beavers’ are Popular<br>
Discusses how beards fell out of fashion, but are back in for military personnel after WWII.</p>

<p>You can see the “Beaver!” Limerick printed here in the Wordsworth Book of Limericks:<br>
<a href="https://archive.org/details/wordsworthbookof0000unse/page/324/mode/1up" rel="nofollow">https://archive.org/details/wordsworthbookof0000unse/page/324/mode/1up</a>? </p>

<p>You can see several of the Mid-19th Century Bonny Black Hare Broadsides here, Courtesy of the Bodleian Libraries:<br>
<a href="http://ballads.bodleian.ox.ac.uk/search/title/Bonny%20black%20hare" rel="nofollow">http://ballads.bodleian.ox.ac.uk/search/title/Bonny%20black%20hare</a> </p>

<p>Interesting discussion of Bonny Black Hare from AL Lloyd and others that popularized singing it during the British Folk Revival:<br>
<a href="https://mainlynorfolk.info/lloyd/songs/thebonnyblackhare.html" rel="nofollow">https://mainlynorfolk.info/lloyd/songs/thebonnyblackhare.html</a> </p>

<p>I have lost several hours to Grosse’s 1811 Dictionary of the Vulgar Tongue:<br>
<a href="http://www.gutenberg.org/cache/epub/5402/pg5402-images.html" rel="nofollow">http://www.gutenberg.org/cache/epub/5402/pg5402-images.html</a> </p>

<p>Please take advantage of the Tune Collection tab: <a href="https://www.wetootwaag.com/tunesources" rel="nofollow">https://www.wetootwaag.com/tunesources</a> <br>
Also Please take a minute to leave a review of the podcast! </p>

<p>Listen on Apple Podcasts: <a href="https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677" rel="nofollow">https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677</a> <br>
Listen on Itunes: <a href="https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677" rel="nofollow">https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677</a> <br>
Listen on Spotify: <a href="https://open.spotify.com/show/5QxzqrSm0pu6v8y8pLsv5j?si=QLiG0L1pT1eu7B5_FDmgGA" rel="nofollow">https://open.spotify.com/show/5QxzqrSm0pu6v8y8pLsv5j?si=QLiG0L1pT1eu7B5_FDmgGA</a></p><p><a rel="payment" href="https://www.patreon.com/wetootwaag">Support Wetootwaag&#39;s Bagpipe and History Podcast</a></p>]]>
  </itunes:summary>
</item>
<item>
  <title>S4 E24: Descriptive Pieces The Irish Fox Hunt, Oscar and Malvina, The Desperate Battle and The Stool of Repentance </title>
  <link>https://www.wetootwaag.com/s4e24</link>
  <guid isPermaLink="false">42e6220e-0759-4121-99c6-550c499e8398</guid>
  <pubDate>Fri, 11 Sep 2020 23:30:00 -0400</pubDate>
  <author>Jeremy Kingsbury</author>
  <enclosure url="https://aphid.fireside.fm/d/1437767933/f158d1e4-b92d-4f8d-9eef-7382ca3c3ee8/42e6220e-0759-4121-99c6-550c499e8398.mp3" length="59737329" type="audio/mpeg"/>
  <itunes:episodeType>full</itunes:episodeType>
  <itunes:season>4</itunes:season>
  <itunes:author>Jeremy Kingsbury</itunes:author>
  <itunes:subtitle>Tunes:
O’Farrell: Oscar and Malvina, Irish Fox Hunt
Piobaireachd: The Desperate Battle
Dixon: The Stool of Repentance
Bremner: Wright’s Rant 
Gunn: The Piper’s Son
</itunes:subtitle>
  <itunes:duration>52:55</itunes:duration>
  <itunes:explicit>no</itunes:explicit>
  <itunes:image href="https://media24.fireside.fm/file/fireside-images-2024/podcasts/images/f/f158d1e4-b92d-4f8d-9eef-7382ca3c3ee8/episodes/4/42e6220e-0759-4121-99c6-550c499e8398/cover.jpg?v=1"/>
  <description>&lt;p&gt;Tunes:&lt;br&gt;
O’Farrell: Oscar and Malvina, Irish Fox Hunt&lt;br&gt;
Piobaireachd: The Desperate Battle&lt;br&gt;
Dixon: The Stool of Repentance&lt;br&gt;
Bremner: Wright’s Rant &lt;br&gt;
Gunn: The Piper’s Son&lt;/p&gt;

&lt;p&gt;O’Farrell’s Irish Fox Hunt: &lt;br&gt;
&lt;a href="https://digital.nls.uk/special-collections-of-printed-music/archive/87781370" target="_blank" rel="nofollow noopener"&gt;https://digital.nls.uk/special-collections-of-printed-music/archive/87781370&lt;/a&gt; &lt;/p&gt;

&lt;p&gt;If you haven’t seen it I highly recommend watching this clip of Liam O’Flynn talking about and playing the Fox Chase:&lt;br&gt;
&lt;a href="https://youtu.be/EQU84O8xZlE" target="_blank" rel="nofollow noopener"&gt;https://youtu.be/EQU84O8xZlE&lt;/a&gt; &lt;/p&gt;

&lt;p&gt;O’Farrell’s Oscar &amp;amp; Malvina Set for the Pipes:&lt;br&gt;
&lt;a href="https://digital.nls.uk/special-collections-of-printed-music/archive/87781238" target="_blank" rel="nofollow noopener"&gt;https://digital.nls.uk/special-collections-of-printed-music/archive/87781238&lt;/a&gt; &lt;/p&gt;

&lt;p&gt;Angus MacKay’s Manuscript for The Desperate Battle of the Birds, This isn’t really the version I played, but I learned it then forgot it then played it from Kilberry’s Ceol Mor, but I can’t really link to that.&lt;br&gt;
&lt;a href="http://www.ceolsean.net/docs/AM%20titles/Desperate%20Battle%20of%20the%20Birds.pdf" target="_blank" rel="nofollow noopener"&gt;http://www.ceolsean.net/docs/AM%20titles/Desperate%20Battle%20of%20the%20Birds.pdf&lt;/a&gt; &lt;/p&gt;

&lt;p&gt;William Dixon’s The Stool of Repentance:&lt;br&gt;
&lt;a href="https://www.mattseattle.scot/product-page/the-master-piper-new-edition" target="_blank" rel="nofollow noopener"&gt;https://www.mattseattle.scot/product-page/the-master-piper-new-edition&lt;/a&gt;&lt;/p&gt;

&lt;p&gt;Bremner’s Setting for Wright’s Rant:&lt;br&gt;
&lt;a href="https://digital.nls.uk/special-collections-of-printed-music/archive/105003307" target="_blank" rel="nofollow noopener"&gt;https://digital.nls.uk/special-collections-of-printed-music/archive/105003307&lt;/a&gt;&lt;/p&gt;

&lt;p&gt;Gunn’s Setting for the Piper’s Son:&lt;br&gt;
&lt;a href="https://ceolsean.net/content/Gunn/Book02/Book02%2021.pdf" target="_blank" rel="nofollow noopener"&gt;https://ceolsean.net/content/Gunn/Book02/Book02%2021.pdf&lt;/a&gt; &lt;/p&gt;

&lt;p&gt;The David Allan Painting is the property of the National Galleries of Scotland, but also appears to have a Creative Commons tag on it. Anyway you can look at a very high resolution of the painting here:&lt;br&gt;
&lt;a href="https://www.nationalgalleries.org/art-and-artists/8323/black-stool-stool-repentance" target="_blank" rel="nofollow noopener"&gt;https://www.nationalgalleries.org/art-and-artists/8323/black-stool-stool-repentance&lt;/a&gt; &lt;/p&gt;

&lt;p&gt;Please take advantage of the Tune Collection tab: &lt;a href="https://www.wetootwaag.com/tunesources" target="_blank" rel="nofollow noopener"&gt;https://www.wetootwaag.com/tunesources&lt;/a&gt; &lt;br&gt;
Also Please take a minute to leave a review of the podcast! &lt;/p&gt;

&lt;p&gt;Listen on Apple Podcasts: &lt;a href="https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677" target="_blank" rel="nofollow noopener"&gt;https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677&lt;/a&gt; &lt;br&gt;
Listen on Itunes: &lt;a href="https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677" target="_blank" rel="nofollow noopener"&gt;https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677&lt;/a&gt; &lt;br&gt;
Listen on Spotify: &lt;a href="https://open.spotify.com/show/5QxzqrSm0pu6v8y8pLsv5j?si=QLiG0L1pT1eu7B5_FDmgGA" target="_blank" rel="nofollow noopener"&gt;https://open.spotify.com/show/5QxzqrSm0pu6v8y8pLsv5j?si=QLiG0L1pT1eu7B5_FDmgGA&lt;/a&gt;&lt;/p&gt;
</description>
  <itunes:keywords>aird, Descriptive pieces, The Fox Chase, Fox chase, Bremner, Gunn, Stool of Repentance, history, bagpipes, baroque, celtic, donald macdonald, eighteenth century, ghb, great highland bagpipes, highland, history, irish music, music, o'farrell, pastoral pipes, scotland, scottish, scottish music, uilleann pipes, union pipes, walsh</itunes:keywords>
  <content:encoded>
    <![CDATA[<p>Tunes:<br>
O’Farrell: Oscar and Malvina, Irish Fox Hunt<br>
Piobaireachd: The Desperate Battle<br>
Dixon: The Stool of Repentance<br>
Bremner: Wright’s Rant <br>
Gunn: The Piper’s Son</p>

<p>O’Farrell’s Irish Fox Hunt: <br>
<a href="https://digital.nls.uk/special-collections-of-printed-music/archive/87781370" rel="nofollow">https://digital.nls.uk/special-collections-of-printed-music/archive/87781370</a> </p>

<p>If you haven’t seen it I highly recommend watching this clip of Liam O’Flynn talking about and playing the Fox Chase:<br>
<a href="https://youtu.be/EQU84O8xZlE" rel="nofollow">https://youtu.be/EQU84O8xZlE</a> </p>

<p>O’Farrell’s Oscar &amp; Malvina Set for the Pipes:<br>
<a href="https://digital.nls.uk/special-collections-of-printed-music/archive/87781238" rel="nofollow">https://digital.nls.uk/special-collections-of-printed-music/archive/87781238</a> </p>

<p>Angus MacKay’s Manuscript for The Desperate Battle of the Birds, This isn’t really the version I played, but I learned it then forgot it then played it from Kilberry’s Ceol Mor, but I can’t really link to that.<br>
<a href="http://www.ceolsean.net/docs/AM%20titles/Desperate%20Battle%20of%20the%20Birds.pdf" rel="nofollow">http://www.ceolsean.net/docs/AM%20titles/Desperate%20Battle%20of%20the%20Birds.pdf</a> </p>

<p>William Dixon’s The Stool of Repentance:<br>
<a href="https://www.mattseattle.scot/product-page/the-master-piper-new-edition" rel="nofollow">https://www.mattseattle.scot/product-page/the-master-piper-new-edition</a></p>

<p>Bremner’s Setting for Wright’s Rant:<br>
<a href="https://digital.nls.uk/special-collections-of-printed-music/archive/105003307" rel="nofollow">https://digital.nls.uk/special-collections-of-printed-music/archive/105003307</a></p>

<p>Gunn’s Setting for the Piper’s Son:<br>
<a href="https://ceolsean.net/content/Gunn/Book02/Book02%2021.pdf" rel="nofollow">https://ceolsean.net/content/Gunn/Book02/Book02%2021.pdf</a> </p>

<p>The David Allan Painting is the property of the National Galleries of Scotland, but also appears to have a Creative Commons tag on it. Anyway you can look at a very high resolution of the painting here:<br>
<a href="https://www.nationalgalleries.org/art-and-artists/8323/black-stool-stool-repentance" rel="nofollow">https://www.nationalgalleries.org/art-and-artists/8323/black-stool-stool-repentance</a> </p>

<p>Please take advantage of the Tune Collection tab: <a href="https://www.wetootwaag.com/tunesources" rel="nofollow">https://www.wetootwaag.com/tunesources</a> <br>
Also Please take a minute to leave a review of the podcast! </p>

<p>Listen on Apple Podcasts: <a href="https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677" rel="nofollow">https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677</a> <br>
Listen on Itunes: <a href="https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677" rel="nofollow">https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677</a> <br>
Listen on Spotify: <a href="https://open.spotify.com/show/5QxzqrSm0pu6v8y8pLsv5j?si=QLiG0L1pT1eu7B5_FDmgGA" rel="nofollow">https://open.spotify.com/show/5QxzqrSm0pu6v8y8pLsv5j?si=QLiG0L1pT1eu7B5_FDmgGA</a></p><p><a rel="payment" href="https://www.patreon.com/wetootwaag">Support Wetootwaag&#39;s Bagpipe and History Podcast</a></p>]]>
  </content:encoded>
  <itunes:summary>
    <![CDATA[<p>Tunes:<br>
O’Farrell: Oscar and Malvina, Irish Fox Hunt<br>
Piobaireachd: The Desperate Battle<br>
Dixon: The Stool of Repentance<br>
Bremner: Wright’s Rant <br>
Gunn: The Piper’s Son</p>

<p>O’Farrell’s Irish Fox Hunt: <br>
<a href="https://digital.nls.uk/special-collections-of-printed-music/archive/87781370" rel="nofollow">https://digital.nls.uk/special-collections-of-printed-music/archive/87781370</a> </p>

<p>If you haven’t seen it I highly recommend watching this clip of Liam O’Flynn talking about and playing the Fox Chase:<br>
<a href="https://youtu.be/EQU84O8xZlE" rel="nofollow">https://youtu.be/EQU84O8xZlE</a> </p>

<p>O’Farrell’s Oscar &amp; Malvina Set for the Pipes:<br>
<a href="https://digital.nls.uk/special-collections-of-printed-music/archive/87781238" rel="nofollow">https://digital.nls.uk/special-collections-of-printed-music/archive/87781238</a> </p>

<p>Angus MacKay’s Manuscript for The Desperate Battle of the Birds, This isn’t really the version I played, but I learned it then forgot it then played it from Kilberry’s Ceol Mor, but I can’t really link to that.<br>
<a href="http://www.ceolsean.net/docs/AM%20titles/Desperate%20Battle%20of%20the%20Birds.pdf" rel="nofollow">http://www.ceolsean.net/docs/AM%20titles/Desperate%20Battle%20of%20the%20Birds.pdf</a> </p>

<p>William Dixon’s The Stool of Repentance:<br>
<a href="https://www.mattseattle.scot/product-page/the-master-piper-new-edition" rel="nofollow">https://www.mattseattle.scot/product-page/the-master-piper-new-edition</a></p>

<p>Bremner’s Setting for Wright’s Rant:<br>
<a href="https://digital.nls.uk/special-collections-of-printed-music/archive/105003307" rel="nofollow">https://digital.nls.uk/special-collections-of-printed-music/archive/105003307</a></p>

<p>Gunn’s Setting for the Piper’s Son:<br>
<a href="https://ceolsean.net/content/Gunn/Book02/Book02%2021.pdf" rel="nofollow">https://ceolsean.net/content/Gunn/Book02/Book02%2021.pdf</a> </p>

<p>The David Allan Painting is the property of the National Galleries of Scotland, but also appears to have a Creative Commons tag on it. Anyway you can look at a very high resolution of the painting here:<br>
<a href="https://www.nationalgalleries.org/art-and-artists/8323/black-stool-stool-repentance" rel="nofollow">https://www.nationalgalleries.org/art-and-artists/8323/black-stool-stool-repentance</a> </p>

<p>Please take advantage of the Tune Collection tab: <a href="https://www.wetootwaag.com/tunesources" rel="nofollow">https://www.wetootwaag.com/tunesources</a> <br>
Also Please take a minute to leave a review of the podcast! </p>

<p>Listen on Apple Podcasts: <a href="https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677" rel="nofollow">https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677</a> <br>
Listen on Itunes: <a href="https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677" rel="nofollow">https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677</a> <br>
Listen on Spotify: <a href="https://open.spotify.com/show/5QxzqrSm0pu6v8y8pLsv5j?si=QLiG0L1pT1eu7B5_FDmgGA" rel="nofollow">https://open.spotify.com/show/5QxzqrSm0pu6v8y8pLsv5j?si=QLiG0L1pT1eu7B5_FDmgGA</a></p><p><a rel="payment" href="https://www.patreon.com/wetootwaag">Support Wetootwaag&#39;s Bagpipe and History Podcast</a></p>]]>
  </itunes:summary>
</item>
  </channel>
</rss>
